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Showing content with the highest reputation on 27/06/18 in all areas

  1. 4 points
  2. We saw one a few years back called Oasish, they had the whole Schtick down perfect, muddy wall of sound, no charisma between them, gormless looking front man..they were spot on! 😁
    3 points
  3. Full on - and take care of any EQ from amp or DAW. With a passive bass you really want all the output the pickup has to offer.
    3 points
  4. Never thought I would do it, but my aluminium addiction is getting worse and I have decided to part with my Sandberg VM5. I have ordered and got it from Sandberg in 2013, but I have switched to 4 strings soon after. It sounds great and has won most of the blind tests among my other basses. Mint condition (always wanted to make this joke). But seriously, it has some slight sights of use and has absolutely no functional problems. Now for specs: Alder Body Maple with rosewood fingerboard neck and matched headstock NO INLAYS (has block decales now) 35" scale Sandberg pickups with 2 active/passive preamp with bridge coils split Comes with original gigbag ~4.5kg on bathroom scales Actually has no neck inlays - blocks on the photos are only stickers, happy to take them off if you want to. 1100 1000 GBP. Based in London, but can organise a courier at buyers expense.
    2 points
  5. For sale: My 1978/1979 Pre Ernie Ball Music Man Stingray, great pro instrument in good condition, transition model; body and neck dates 1979, pre 79 bridge and serialnumber. Epoxy preamp. pots dats 77 and 78. Frets are in very good condition, truss rod works fine. The playability and sound are really fantastic. Weight is 4,3 kg, so relatively light. Generic hardcase included. £2000 Pricedrop £1875 WITHDRAWN
    2 points
  6. Just got and fitted a lovely new Electro Harmonix valve from our friends at Watford Valves, as recommended by Derek as an early breakup valve. In short it sounds fantastic in my Trace. With the valve pre set to full, the gain at 9 and the low compression at half, it gives me that tiny bump of breakup at the edge of every plucked note. Been pursuing that tone for so many years and have finally got it.
    2 points
  7. Paid gigs Unpaid gigs Rehearsing for paid gigs Rehearsing for unpaid gigs Rehearsing without gigs in the diary Playing at jam sessions & open mic nights Washing my hair Just saying ...
    2 points
  8. John West? Ah come on, someone had to 😆 🤐
    2 points
  9. For some its Spend a fortune on boutique basses i need, because i cant play on anything other than hand built basses, but never leave the bedroom with them, so spend more money on basses that im happy to take to gigs (and amazingly, i can play them)
    2 points
  10. Hi guys We've dealt with this character before. He always uses 'Gear' at the beginning of his username and joins from a Nigerian based IP (we've now banned access from all Nigerian IPs) but now he's found out how to use a VPN it seems. I'm going to add a warning about scammers in the wanted forum as it seems this is always how he contacts people. At the weekend Rik and I are doing some work on the forum and one job will be to flush this idiot away once and for all. Sorry about that chaps ped
    2 points
  11. If you'd read my post right at the beginning of this thread you'd know that the three bolt micro-tilt system was dropped because Fender's engineering practices and quality control did not allow the mechanism to be installed in such a way that let it to operate as intended without any unwanted side effects. If the neck pocket and heel of the neck have been machined properly a single bolt would be all that is required. It the mating surfaces are flat so that there is 100% contact and the neck is a snug fit in the pocket, the bolt is only there to hold the two parts together when under the tension of the strings and even then much of the force exerted on the joint will be tending to pull the neck tighter into the pocket. The bolt is only there counteract the lifting action of the string pull.
    2 points
  12. I played guitar for 30 years and have been playing bass for about 15 years and have never got it. I've had lessons. Read books. Gone online. Bought 'better' basses. I'm still a root, 5th octave player who throws in a pentatonic every now and then. I think the understanding music part of the brain is related to language and maths, and I (even though I'm 1/2 'foreign') can hardly speak a word of another language and had extra maths every Saturday morning throughout my school days (I'm not bad now, but I'm not a natural). But, I play in two bands. We get paid gigs and I'm complemented on my playing by the rest of the band (though of course, they could be sh*t too and just don't recognise if I'm good or bad). Learn as much as you can, if you can, but don't let it get in the way of enjoying playing.
    2 points
  13. I'm trying to get our lot to cover Only You - acoustic, fretless, mandolin
    2 points
  14. 1 point
  15. Wow ... that's some inlay!
    1 point
  16. Perhaps Suggs response in the young ones is needed- Rik- Do you know any Cliff Richard? Suggs- You hum it, I’ll smash your face in.
    1 point
  17. Silvie and I saw Zepparella live in Brooklyn a couple of years ago. The club was basically a slightly bigger version of The Marquee set in the centre center of Hipster Paradise. They were really very good indeed. They absolutely nailed the songs, and the musicianship was just top-knotch throughout. We'd see them again in a flash if the opportunity arose.
    1 point
  18. So it will - but I find I get more control over mids from the amp, particularly one with low and high mid controls - or better yet, a parametric or semi-parametric mid control. But it's whatever floats your boat, obviously.
    1 point
  19. 1 point
  20. Korg Pitchblack works well for me, big display, easy to use, handles low B no problem.
    1 point
  21. Thankyou! I can literally scan ANYTHING. size depending... even 4 string basses!
    1 point
  22. The Laylas are actually quite a boring listen - the treble is pretty recessed and overall, it's quite dark sounding despite the piece trying to be sold as a flat reference piece... but I think I need to give them another go I think. But then again, flat can be boring. They aren't going to be used for critical mixing of listening... so I should but the one that puts a smile on my face when I use them live. But then again, I've got the means of EQing them with an inch of their life with the setup I run with. Hmm. The 18t I have a couple of reservations over - the size. I've only seen the universal version of it... and it's a bit of a beast. I'm beginning to think that the 12t is where it's at... but then again... I need to have a decent listen to them all again. The A8 has always stood out to me as one of my fave 64s... but that's gone off the table now due to the arrival of N8... but I'm not sure I want to go the dynamic route... But talking of dynamics... there's always the UEs. Decisions, decisions.
    1 point
  23. I thought this was going to be another of Jamie's "Meals in Minutes"
    1 point
  24. For your budget, secondhand... Head: Peavey Firebass 700 + Tech 21 Sansamp Bass Driver or Line 6 Lowdown HD750 Cab: x2 Peavey 410 tvx or Peavey 810 tvx It's heavy gear, but super reliable, super loud and you should be able to get either option for under 400 notes.
    1 point
  25. In this context it makes no difference. I agree however that three wheeled cars fall over more often than four wheeled ones.
    1 point
  26. Hey bud, I've got one of these and the hot output is causing me problems too, can you elucidate as to what the fix was please? Oh and £230 is a cracking price for one of these people..get in!
    1 point
  27. Great transaction with Gary. Perfect communication and the bass was packaged perfectly.
    1 point
  28. 1 point
  29. Updated on this, having lived with the bass for a few weeks: it’s now wearing flatwounds, which feel and sound excellent. It’s completely the wrong sound for my band so I’ve not gigged it yet, as I’d planned, but I have a project in mind which might or might’nt happen, for which it’d be perfect. Great for noodling around at home to old Motown tunes too, what fun!
    1 point
  30. Another 'interested party' who'd have been around your house post-haste had you lived in a civilised location Nik!
    1 point
  31. Yep! Always liked the look of these.. GLWTS
    1 point
  32. There's an ABCD trib act. And a Bon Jovial Dread Zeppelin are real as stated earlier and i have their first album, and it's a killer. If you haven't seen or heard them, the singer , Tortelvis , dresses and sings like... well , you know. They cover mostly LZ tracks but done reggae style. Weird and brillliant This cracks me up..
    1 point
  33. 1 point
  34. Punter came up and handed me a slip of paper once, with a request on it. At the end of the song, I announced "We've had a request from one of you lovely people, it's for a song called...", I unfolded the paper and read, "...'youre crap, pack up and fk off'..." Nah, not really. But it's only a matter of time till it does happen.
    1 point
  35. Think there are people out there (non-musicians) who don't understand or realize the difference in music styles. They just see a live band playing songs. Either that or he was just rather drunk. Dave
    1 point
  36. Tanglewood, specifically this one. This is my second as I always regretted selling the first one I had. It has active pickups and sounds fantastic.. cost to me : £40
    1 point
  37. Sandberg is pretty unknown outside the enthusiast sites/forums. I would stick them on the list.....
    1 point
  38. Bassist is Tim Butler of the Psychedelic Furs
    1 point
  39. Is that Jonathon Ross??
    1 point
  40. Without doubt Mick Karn was once of the most original players out there, that Japan catalogue still sounds like nothing else on the market. Lovely fellow, sadly missed.
    1 point
  41. Up for sale my Sandberg Basic TM4. According to the serial number the bass was made in Germany in 2008. It is an excellent bass but I need funds to cure a serious GAS attack, so off it goes. Some specs: ash body with a beautiful redburst open pore finish. Maple neck (quartersawn, see pics) with a rosewood fretboard, 24 frets no front markers Delano Pickups J+MM Active 2-way Sandberg electronics Vol (push/pull A/P), Bal, Tre, Bass, switch to split the MM pickup. The bass is in excellent conditions, it only has a small ding at the edge of the fretboard at the 16th fret (G side – see pic) which cannot be felt while playing. Some dings at the tip of the headstock. Everything else is in perfect working order. 660 630 600 £535 ONO – insured and trackable shipping within EU included in the price. My BassChat feedback: https://www.basschat.co.uk/topic/252963-feedback-to-jag-atk/?tab=comments#comment-2653072 some pics:
    1 point
  42. Picked up my Carvin B1500 off Gary, an absolute gent. Great communication throughout. Went out of his way to save me a couple of hours driving and bought me a coffee! Great seller. Buy with confidence!
    1 point
  43. Bought a TC Electronics Sub n Up from Gary,the transaction went smoothly. The pedal is like new, and sounds great It was sent very quickly, and was well packed. I can highly recommend dealing with Gary Top chap.
    1 point
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