Leaderboard
Popular Content
Showing content with the highest reputation on 24/05/25 in all areas
-
I gigged this beauty last night and it sounded amazing and so many folk commented on it and took photos of it. Hate to upset the tone wood fan base but this is made of Lego. And it sounds absolutely awesome.10 points
-
7 points
-
6 points
-
Well, I’ll start off with a quote I first heard many years ago and still holds true. ”playing music with other people is about the best fun you can have with your clothes still on”. I’m just about to turn 67, actively gigging in two bands and getting involved with new musical ventures where I can. I don’t plan to stop until I have to.6 points
-
Taken in a trade and I don't know a lot about her, she is serial number 2 of only 3 made I believe and the only one that looks like a bass IMO. Passive EQ.I believe she is made of Zebra wood, with neck thru construction. Lined headless fretless with a meaty neck profile. All works as it should. Padded gig bag included. £295. Free shipping UK.6 points
-
I've owned several Moon jazz basses and they are my favourite FSO. My current one is a 70's style JB4 with an ebony fretboard and a dark burgandy nitro finish. It's immense and really nails that 70's Jazz tone. It does differ from a 70's Fender in a coupe of ways, it's lightweight and well built! 😁 It's looking a bit more Road worn these days, but it looked like this when new.6 points
-
Pffff. He could make it sound brighter just by using lighter coloured lego for the body.6 points
-
I think all the pedants are missing the point here...........Its s fricking Lego Bass, I mean....how awesome is that??5 points
-
Thanks for all your interest - This bass is now **SOLD** FS/FT Status-Graphite Series 1 rare through-neck model with exotic book-matched top. Yes, it's definitely a Series 1 with the through-neck option. (The Eclipse of the same mid nineties period had a single piece curved top and the Energy only had three volume/tone/style sweeper controls.) As you'll probably know, most of the wooden necked [with internal graphite rods] Status basses were cheaper bolt on instruments with the small composite square at the bottom of the neck. This one is a very rare through neck model (which was an option in 1994). You can see how the wood through-neck build was identically constructed to the graphite through-necks on the Empathy during the same period, with a rock maple stepped design neck set into the walnut tone block, and the mahogany wings added to the sides, with a book-matched exotic wood top cap. The bass has obviously lived a life since the mid-1990s and there is some stable lacquer peel to the back, but no deep buckle rash. There's also a very small area where a players thumb-tip has worn through the top veneer when they've repeatedly perched their thumb on the top of the neck pickup. It's not perfect, but it's obviously been loved and played hard & often. The original pickup covers would have been the red branded "Hyperactive" ones, so the other "Status" branded pickup may be a replacement unit or just a replacement cover. Either way, both work just fine. Sound: This bass does the Status snap and howl very well indeed. It's very punchy and the tone is warmed by the walnut tone block. It's only a 9V preamp, but it has massive punch. Controls are Volume, Blend, and two-band treble & bass. There is also a 'bright switch' circuit controlled by a micro-switch. The 24-fret neck is utterly lovely. Fret work is excellent as you'd expect and the gloss finish has gently gone slightly satin over time. It's a joy to play. The bass has had a thorough clean and service since being picked up, and the truss rod has been tightened by a small amount to reduce the relief. Action is low and very fast as you'd expect from a Status and it's been strung with a new set of Elixir 40-95's. The preamp battery has also been changed and brand new Dunlop Strap Buttons have been added. This bass is ready to blast! Comes complete with a generic non-Status hard case. Payment via Direct Bank Transfer or cash only. Buyer to collect from DE7 in Derbyshire, or will meet halfway up to a reasonable distance.4 points
-
More progress today, putting the side dots into the fretboard, fitting the fibre optic strands and glueing the fretboard to the neck4 points
-
4 points
-
Sterling Stingray Shortscale This is the newest version and comes with roasted maple neck with rosewood board and custom single ply scratchplate and original white scratchplate. Gotoh string retainer. The neck was originally a maple board one but it got damaged so I swapped it round with another Sterling Stingray I bought. I think the red looks great with the rosewood board. It’s very light at 3.6kgs. Scale length 30”. Excellent condition and the neck is lovely. I’m going back to long scale playing so selling off a few short scales I have accumulated. No trades UK pickup preferred postage will be around £20 if required. I have the original box.4 points
-
The neck isn’t. Put a maple fingerboard on and it will be a different sound!4 points
-
This little guy arrived earlier today and I'm already in love! It runs a 6AS6 valve and sounds great as a drive, a boost, etc but I reckon I'll use it more as an always-on pedal when going direct to add a bit of warmth. Ordered from Netherlands on Thurs and on my doorstep Saturday morning, not bad! https://www.singularaudio.nl/shop/tubedrvepedal/3 points
-
PRICE DROP 20% (2000€ - 1770£) Brand: Wood&Tronics (Enrico Pasini - Erik Furlan) Nickname: The Rocket Body: Ash 2 pcs Top: Tiger Maple Neck: scale 35" - maple 3pcs BO (central quarter sawn) Fingerboard: 24 frets Bird's eye maple Cover Pu: Bird's eye maple Dots: Blue/gold glitter inlays PU: Single coil neck, single/dual coil/single bridge Preamp: Pasini 3 way – stacked volume, Hi/Mid/Bass; Active/Passive switch, Mid switch freq, single/dual/single switch Color: blue Triumph Rocket 3, gold hand painted binding Conditions: almost like new, just a few slap marks on the pickguard. It's a new line from Wood&Tronics, they are always Enrico and Erik; it is a line that maintains the construction quality and sound characteristics but aimed at being more direct and immediate for the customer, with more "standardized" customizations and a more modern impact in the aesthetics. The Rocket has some more customizations, made on my request, having been among the first to have commissioned it. It was designed in pandance with my bike: a Triump Rocket 3 classic blue/cream/chrome/gold. Despite the modern line it maintains a traditional stamp, very JB; however, by activating the dual coil, it becomes a sort of telluric cannon! The playability is excellent, like all Wood&Tronics, and the weight is perfectly balanced: it doesn't seem to have a bass with an increased scale on it, but it maintains the focus and grit! Preamp is natural, and neutral, so It's not really a "Jazz on steroids", but more of an "adult Jazz" with a lot of experience behind it! Fun fact: the shape of the body allows it to be played while sitting at a 45% angle, like a sitar, maintaining a more comfortable posture, and allows you to comfortably reach the entire fingerboard. Unfortunately, due to my work and some microfractures in my wrists (due to an old car accident) that are not naturally curable, my playing autonomy is still 10 15 minutes, then my hands start to slow down (as if they had low batteries); I therefore decided to keep only one instrument, for fun from time to time. For more photos I am available, eventually I can record some short clips Semi-rigid gigbag, GruvGear leather strap + locks - included3 points
-
🚨 BREAKING NEWS !!! 🚨 ⭐️ SAVE THE DATE 🤩SUNDAY 7th SEPTEMBER 2025 ❤️CHARTERS PETERBOROUGH 🤩THE GIG OF GIGS !!!! 🙏🏻❤️THE NICK SMITH MEMORIAL GIG Nick Smith MORE INFORMATION TO FOLLOW. BANDS FOOD RAFFLE DANCING 💃🏼 CELEBRATING HIS LIFE SHARING THE GOOD TIMES Charters Bar Peterborough3 points
-
Super Ska gig in Birmingham. Crowd were great. My Fender Rumble filled the space and the floor rumbled. Had a great time. I just love it when the crowd are up enjoying themselves. Makes it so much more enjoyable3 points
-
Just got in from a Spacewasters gig at The Water Rats, Kings Cross, London. 4 bands on, with us in main support slot. Used my JMJ Mustang bass through the provided Ampeg Venture head and cab and the sound was great. We only had a line check but that’s no problem for us, we played well, with a nice groove and the set was well received. I wore my Skechers trainers and my foot is hurting, darn plantar fasciitis!3 points
-
Like @msb, I’ve been gigging since the mid ‘70s. What keeps me at it? Force of habit certainly has something to do with it. If I didn’t play with others, what else would I do? I’m not sure I’d actually keep playing much at all. Maybe that’s it, I keep playing because I play.3 points
-
Saw a Sire Vintage V7 five string on Ebay newly listed this morning.This evening it's now in my living room.I've done it yet again-he was a guitarist who bought it two weeks ago and when he does play bass just wants a passive 4 string P bass,he REALLY priced it to sell quickly.So in short he had zero problems selling his 5 string bass.3 points
-
Yep, playing music with others to receptive audiences is what it is about for me! I hated the Covid period because I couldn't create music (even covers) with others. I've also stopped doing gigs where it is 'paid rehearsals', I'm less/not bothered about financial gain as I am to how much I've enjoyed the gig/reception.3 points
-
@Bluewine you are looking marvellous for 71. I reckon playing music is helping! I hope I am still playing in my 70s3 points
-
Great perspective Len. I realize that I have a pretty sweet thing going for me with Maple Road. Fantastic bandmates, for the most part decent gigs and good money. Daryl3 points
-
Made a new thread before I saw this one so, I'll share here too - this lil guy arrived today. Nice valve drive from NL, will be using it more to just warm up a signal when going direct.3 points
-
That cab as it turns out has roughly 50 Hz tuning, which is pretty much ideal. It's a bit small in size, frequency response is better with one driver than with two, but that's pretty common with cabs designed before the advent of Thiele/Small modeling. A moderately priced driver that works well in it is the Lavoce WXF 15.400. The cab being small it won't deliver massive lows without a considerable amount of bass EQ. but between their 400w thermal capacity and 6mm excursion a pair of them will work very well, far better than any vintage driver would have, including the JBL E140.3 points
-
Oh come on, 'most'? You think we all have nothing better to do than check the classifieds here twelve time a day? Well. Fine. But that's not the point either.3 points
-
Most had already seen this in the for sale section and have already expressed its cool factor, this thread was about it's tone. So, sir... I have to conclude... it is in fact YOU that has missed the point. 20 lashes...3 points
-
My bandmates never complain when I have a bad night and I don't complain or bring anything up when they do. Daryl3 points
-
After a few weekends off from the workshop we made some progress today! The fret board was machined with the channels for the fibre optic side dots in the underside of the board. The headstock face was then machined with the fretboard clamped in place to get the smooth transition 👌. Tomorrow we’ll add the side dots then run the fibre optics 🙌3 points
-
3 points
-
Financial squeeze means it's time I clear out gear I'm not using at the moment, and as all my gigs nowadays are inears, the backline can go. I've held onto this unused for literally years (I think 7 this year) because it's just the best amp I've ever used (and anyone who's read any of my relevant posts knows that's a lot of amps), in a Just In Case kinda manner, but now family pressure has won out, and it can't sit under the stairs any more, so it has to go. I'm sure anyone who knows amps knows the deal with these: the most valvey, warm amp this side of a 50lb box of bottles, and don't let the 300w fool you; with the right cab(s) - see my other For Sale Posts - this thing is more than capable of holding a stage, and can keep up with any drummer. The EQ has a secret weapon, too: the bottom of the para section can be dialled in as a very effective HPF, because you can cut 15db from 30Hz up, which I've found very useful. The mids are the best I've had on an amp, so it can keep the bass present in the mix without overpowering or harshness. The case is one from Maplin (remember them?) and fits the amp snugly - I also used the foam from the top lid to sit the amp on top of the cab. Very secure and tough, without being heavy. Anyhoo, I'm talking myself out of this sale, so that'll do for now, but any questions, just ask. I'd much prefer to meet up if poss, tho with the case I could post, but I'd have to get a price. I can drive maybe a 75 mile radius from Manchester to meet up, even with the tough case I'd rather do that than post.2 points
-
Combining a rather fetching Warmoth body/neck combination from our own @Beedster (from his current sale of assorted bits), the bass sports a Lollar 5% overwound pickup and Gotoh Res-o-Lite tuners. The obligatory K10gon loom (0.1 cap) and barrel knobs. A nice weight and very resonant. This one's a keeper for sure.2 points
-
Back from our one hour slot at the Folk & Cider Festival. Local gig, only 15 minutes drive from home, plus an easy load in and out as it was PA provided, and had my two Uke basses in a double case, small pedalboard and monitor in a gig bag. The set consisted of a mix of Levellers songs plus other covers in a similar acoustic folk style - went down well, with dancers for the most part. Didn't manage to get a pic of the full setup, as we were quick setup and breakdown due to others playing either side of us on the bill, but got a crowd shot and my corner.... Captured the gig on my Zoom Hn4, so that's my job for tomorrow.....2 points
-
2 points
-
I think the realisation you have there, Daryl, is a good one. If we’ve got good band situations going it’s important to nurture them. Be reliable, not a drama-queen etc. As you get older it gets harder to start over. As to why guys (and gals) give in, my experience is often physical aging. The driving, parking, gear loading, standing playing for a couple of hours etc. gets harder. Luckily, I’ve been blessed so far with good health, but I don’t take it for granted. I also have a drummer friend who now has carer responsibilities for his disabled wife. I try to cut him plenty of slack, as he did many years ago when I became the father of twins!2 points
-
2 points
-
Oh yes - and remember the golden rule "Always tune UP to pitch" If you are sharp, detune past the note and then adjust back up. This ensures that any backlash in the tuners is eliminated and also ensures that the tension of the coils on the post is at a consistent level.2 points
-
OK - my take. 1. As folks have said, where the silks end up is entirely up to where the string maker wound them to and how far the peg is away from the stop tail or stop tail part of the bridge. They will always end up the same distance from the peg once wound up to tune 2. The big no-no is not to have winds on the tuner riding up on each other...even a bit. If they do, it allows the possibility of the winds shifting in relation to each other and that could lead to tuning instability 3. The ideal is to end up - with all coils butted up to each other - having the exit of the last coil as near to the bottom of the peg as you can get (but without risking 2 above). This way, you maximise the break angle over the nut and - in the case of string trees - it applies less tension and friction onto the string tree 4. The actual distance to allow depends on how thick the string is and how thick/long the thin string leader is 5. In terms of the distance I cut to, I personally have a rule of thumb of a fingers-closed hand width past the far side of the post (which for me is 10cm/4"), but with the bottom E usually shorter in order to avoid 2 above. 6. If I am going to err on a 'safe side', I err towards longer and not shorter. If I've overcooked it, I have no problem loosening it, snipping a cm or so off the end and then rewinding it2 points
-
I've had to wait for 9 months a few years ago for my passive TT5 and I had specifically insisted on the weight. The result lived up to my expectations with 2,6kg/5,7lb and, the most important, the same perfect sounding than my former classic TT5 The concern after that is that all the basses seem heavy !!2 points
-
There was a genuine reason for him being late in the form of a road closure. He did phone the band leader when he knew about the delay. He toured a few years ago with a band that had a minor hit in the 1960s, and currently gigs regularly as a singer/guitarist with backing tracks. The BL had made contact with him via Facebook. My impression of him was that he talked a good game!2 points
-
2 points
-
Being an hour late would have garuanteed a " no " from me. Auditioning is usually a tough nut for a lot of bands. I'm curious, what did you know about this singer prior to inviting him to audition? How much gigging experience did he have or band experience in general? Did someone recommend him to you? Daryl2 points
-
Love the car wheels for control knobs - nice touch! Can't you get the little figures as tuners? 🤔🤔2 points
-
Fender Mustang PJ MIM A feeler and please remove if it’s in the wrong section or if spares/repairs isn’t acceptable. I’m selling this as a spares project although it is functional albeit not pretty. I bought it earlier this year. It looked water damaged and an absolute mess. I bought it for the body and hardware and pickup parts, the plan being to strip it and buy a new neck for it. The neck had a lot of lacquer cracks and splits around the trussrod veneer at the back and headstock fascia. It needed some rewiring and a new tone pot and all the hardware cleaning with a wire brush. The finish was lifting in lots of places but there were no obvious cracks in the body - I thought about stripping it and finishing it with Tru-oil but haven’t got round to it. When it arrived I thought it wasn’t as bad as I had expected so I cleaned it up. Did the work on the pots,etc. the pickups were fine. I watched a video of rescuing a neck in similar condition and had a bash using epoxy resin. So I tried that and clamped it for a few days and gave it a light sanding to make it feel smooth under the hand. I’m no luthier, I just did it for as an experiment for fun. To my surprise the neck was okay to play and the trussrod worked and adjusted as it ought to. I have actually rehearsed and gigged with it as a spare for my old Fender Musicmaster. The headstock fascia and back has lots of hairline splits in it that I filled with titebond and clamped. They’ve been fine but again I wouldn’t really trust it as a main gigging bass. I must emphasise it’s probably best described as a Fender Mustang body (genuinely Roadworn bass) with a free neck. It’s a fun beater as is or you could put some more work into it to make it into a nice project. You could put another neck on it (I had bought a Bronco neck that unfortunately didn’t materialise thanks to a dodgy courier). The parts are all pretty decent after cleaning. It weighs around 3.7kgs. Here are pics, I can post more if there is interest. The last pictures are when I got it. God knows what had happened to the poor thing! No trades I can post in the UK.2 points
-
2 points
-
High Fade last night @ Strings Bar and Venue, I.O.W. Ridiculously good. So much so that I’m off to sell all my gear in the For Sale forum. Bastards. 😁2 points
-
So it seems that I'm the first customer of the new Goodwood cab and I'm very happy with it so far. I've got it to pair with my GSS baby sumo and line 6 helix lt as I've been after a very transparent clear sound that I can colour as much as I like depending on my mood or who I'm playing with. For my needs the Goodwood seems a very good fit, it would appear loud enough for a jam with a loud drummer (I don't play live on the regular and when I do it's seems to always be through FOH or pa these days), you very much get out what you put in so my jazz had a lovely slap sound (not that I play that style much but it's there) and good funk vibes. My pj with tapewounds could be lovely and warm. As for the low b it handled that with ease so no issues there. With a the sounds I tried what stands out is the clarity of sound. I just sold my GK mb500 with matching cx 210 can that set up was loud and bassy but compared this I would describe it as muddy. Now I like muddy and loved it from a epiphone thunderbird pro I used have but the reason I've gone down the road is I want to chose the sound and have lots of variety without lots of gear although gas may have a part to play. An extra bonus is it sounded great playing some blues on my gretch 6 string semi acoustic so 1 rig to rule them all. Amazing what you get out of a small easy to transport small package. One thing to mention is I would say in the flesh the blue is much darker that it seems in photos which I like and to me makes it look more premium. The cover is top quality to 👍 Stevie has been a pleasure to deal with plus 20% off definitely sweetened the deal 😁2 points
-
Martin have a new short-scale acoustic bass, the 000C Junior. They're actually guitar scale (24.9"), but sound very full and play like an electric. No 5-string yet, although I am trying to persuade them. DISCLAIMER: I work for Martin. But I don't get anything extra for pimping their stuff on websites.2 points
-
Just got back from doing a last minute dep at a local club’s rock and roll night. My buddy in our acoustic duo does the gig every week, but the regular bassist was unavailable so I got the call. Ended up using his MarkBass combo ( which wasn't a patch on my Rumble 500 which I should have taken really.) Took my passive P- Lyte as I knew there was a lot of playing. Still, a good night playing some old school dance tunes along with a few I’d not heard in years. Guitar, bass and drums trio - drummer is a nice player who keeps it simple and straight and doesn’t speed up or slow down. Particularly important on this gig as most of the audience go to dance all evening so tempos are quite crucial. Some nice comments afterwards and home by 11.45pm so happy days.2 points
-
From past experience, it doesn't matter what you use, it's getting band members to actually use them.2 points
