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Showing content with the highest reputation on 08/03/25 in all areas

  1. Maple Road, we're returning to The Twisted Pair this Sunday, 3-6. Daryl
    9 points
  2. Love my '84 BC Rich Eagle...
    9 points
  3. First gig tonight since 2nd Jan with the Glam band at Dalkeith. Large venue with big raised stage area, lights and PA all there. Still not sure whether i'm retiring or not. Band were a bit gutted and disappointed when i told them especially weird when we met at a rehearsal. They've asked if i had any doubts whatsoever then hold off and they'll wait until i'm 100% sure before looking for a replacement. I expect i'll know for sure after the gig tonight whether its still for me or not. The extended break since New Year has allowed me to do other hobbies and have really enjoyed the break from it all. Dave
    8 points
  4. You have nothing to sell. The band is going to be very different both in sound, look, personality with every new member. 'Selling' what remains of the previous iteration is moot.
    6 points
  5. Very reluctant sale here of this lovely high end Ibanez GWB1005 Gary Willis Signature fretless bass. Now Withdrawn, but likely to appear soon at a Bass retailer near you! This is a brilliant instrument; ridiculously light for a 5 string (around 3.5kg), beautifully made, ergonomic, comfortable and effortless to play. I’m only selling because it's not getting played as often as it deserves (and I really need to raise some funds for a new car). As you probably know, this is a precision-crafted, high-performance fretless 5-string bass built to Gary Willis' exact specifications. Handmade by master luthiers at Sugi Guitars in Japan, only a limited number are produced each year. Each bass is personally hand-signed by Gary Willis on the electronics cover. There are some nice touches on this bass. I wasn’t sure I would get on with the finger ramp (which is detachable) but I really like what it did for my R hand technique. The tuners are another Gary Willis innovation, as was the bespoke Bartolini pickup which mimics the fingerboard radius. Lovely lined ebony fingerboard too. The action goes very low indeed. This is easily the nicest bass I’ve played / owned. However, I’m generally more of a P bass player, so this doesn’t come out of the case anywhere near as often as it should. The GWB1005 usually retails at between £3.5 – 4K, and there’s a waiting list. The bass is in excellent condition. Being picky, there are just a few very light string indentations to the neck, but nothing affecting playability or sound. She's currently wearing a set of TI flats, but I will include the set of rounds it came with (D'Addario EXL165-5), which deliver more MWAH. Comes with a generic Gator hard case. I’m only listing this for a couple of weeks on Basschat, at what I hope is a reasonable price for such a lovely bass. If it doesn’t sell, it will then be heading to the BG or BB. The bass is located in East Leicestershire. Potential buyers are welcome / encouraged to come over and try it out. I am not keen to post this bass, but if that is a deal breaker, I'm open to discussion. Also happy to consider a meet up. As noted above, I’m having a few transport issues at the moment, but could manage a 20 - 30 mile radius of Leicester. The pictures below were taken in a friend’s photography studio. I’ve included an additional photo I took today with my Basschat name and the date. No trades on this one I’m afraid and the price is more or less firm. (NOW PRICE DROPPED TO £2,100) More information on the GWB1005 The bass features a lightweight, two-piece swamp ash body with a natural finish, it has a 3-piece maple neck, with an ebony fretboard. A specially designed Bartolini bridge pickup, exclusive to this model, ensures a transparent and highly responsive sound. The NTBT active 2-band EQ allows precise tone shaping, with a push/pull volume knob for active/passive switching. Innovative Playability: A key feature is the Gary Willis-designed detachable finger ramp, providing enhanced right-hand control for consistent articulation and fluid playability. The low action and 16.5mm bridge string spacing contribute to its comfortable and ergonomic design. Exceptional Sound: The GWB1005 delivers a natural, "woody" tone with a deep and articulate low B string. Its tonal versatility makes it suitable for a range of genres, particularly jazz, fusion, and modern groove-oriented styles. Premium Hardware: Equipped with Gotoh tuners featuring custom Sure Grip buttons, the bass allows for precise tuning adjustments. The 34" scale length and 45mm nut width ensure balanced tension and comfortable fretting. Built to Gary Willis' exact specifications, the Ibanez GWB1005 is a refined instrument offering superior craftsmanship and attention to detail. With its handcrafted build, custom electronics, and ergonomic features, it is an excellent choice for professional bassists seeking a premium fretless experience. neck type GWB3pc Maple neck top/back/body Swamp Ash body fretboard Ebony fingerboard Off-set white dot inlay fret Fretless bridge Std. bridge string space 16.5mm bridge pickup Bartolini® GWB bridge pickupPassive equaliser Bartolini® NTBT 2-band EQ w/Eq bypass switch (push/pull) factory tuning 1G, 2D, 3A, 4E, 5B hardware color Black NECK DIMENSIONS Scale : 864mm/34" a : Width 45mm at NUT b : Width 67mm at 24F c : Thickness 19mm at 1F d : Thickness 21mm at 12F Radius : 305mmR See it on the Ibanez Web Site…. https://www.ibanez.com/na/products/detail/gwb1005_33_04.html
    5 points
  6. For sale is this gorgeous natural finish Lakland Skyline 55-60. Now £800 as I have seen something I’d like to replace it with! The quality of these basses is well known, and the plek’d neck/fretboard is as good as everyone says it is! Great, punchy low B and a balanced tone across the strings and the ash body has a lovely grain! A couple of minor cosmetic marks, which are no more than surface level (all pictures), and there is a tiny dent in the neck around the 4th fret, which you can just about see in the pic of the back of the neck. It’s never been noticeable when playing. The bass has served me well for around 6 years but ongoing back and neck issues are forcing me to switch to ultra light basses (recently sold a couple of 4 strings to fund a 3kg Vincent Akurrat). At 4.5kg, it’s certainly not heavy for a 5 string, but I need something more comparable in weight to the Vincent (trade offers welcome). Collection from Bovingdon, near Hemel Hempstead, or can ship at buyers expense. I don’t think I have a spare gig bag to sell with this, but I will have a proper look and edit the post if I find one! Open to reasonable offers. Dave
    5 points
  7. If you can source a spherical balloon with a diameter of 6.12 feet, fill said balloon with 162 cubic feet of helium and attach it to the bass, you should find that most, if not all of the weight is relieved.
    5 points
  8. When it comes to spreading the load, it's go wide or go home really. Also, no-one even notices that we're playing bass (or even there, frankly!) - no-one's going to give a monkey's what strap you're wearing, if that's what's fuelling your dislike of wide straps.
    4 points
  9. 62 this end mate, I’d like to think gigging keeps me young but at 2am after a crap strip down and load out I’m not so sure 😂😂
    3 points
  10. Think taking on the 2nd band from scratch was just a bit too much but there were other factors that now seem to be poor communication within the band. Just got a bit pissed off with it all and having the extended break since last gig just made it worse. On average we only do 1-2 gigs a month with Nov & Dec being busier. Will see how it goes tonight and on that i better go get started on sorting my gear into car. 👍 PS i think i might be a bit older than you. 65 this month but still feel 30 ish Dave
    3 points
  11. When I started on BassChat i used to obsess about all the technical things but over the years I've realised music making is far more about the human elements. Recruitment is about being positive of course but also about being honest. Recruiting someone who is 'wrong' for the band can be hugely disruptive and can easily loose you six months of hard won progress, equally if the band is 'wrong' for the recruitee then you are wasting their time as well as your own. First of all band dynamics; who is in charge? How do you make decisions? I've tended to be the band leader in most of my bands, a not quite democracy where I've done all the physical things like getting gigs, providing PA, organising rehearsals and puling a set list together but trying to make sure everyone has a say. One of my happiest experiences though was with a band led by a married couple where I was just the bass player. Turned up played whatever I was asked and got paid. I think a lot of friction I've seen in bands is down to misleading expectations starting with the recruitment process. That also extends to genre/repertoire If you are an originals band then you need to be sure your new singer is happy to sing what you have written. If your music is mainly Ska you probably don't want to have a singer whose taste is for power ballads. Most of my bands have been covers bands, usually with 10 or so gigs booked at any given time. Any recruit would be expected to get on top of the set within a month so we don't have to cancel gigs and let our regular venues down. That usually means that the incoming musician will have to already know a good proportion of our set or enough of the cover band standards to allow us to keep gigging. We wouldn't be looking to comletely overhaul our set to make way for another musician however good they might be. You need to get together with the rest of the band and decide exactly what you are looking for, what is essential, what is desirable and what is just nice to have. A new singer/front person is the most disruptive thing to recruit. You can't ask a singer to re-tune to drop D or capo them to convert a Tenor into a Soprano They are limited to songs that suit their voice and frankly songs they are happy to sell to an audience. What do you have to sell? If you've been together for a while you are probably quite tight musically and have good relationships within the band. That's the band we all want to join. If you have gigs booked or regular venues then that is a real selling point. There are thousands of start up bands that are going to do 'great things' but a band that played everyother week last year and intends doing the same next year is a much better bet. Is your PA sorted? Do you have rehearsal spaces organised? There is no point in lying, just be clear what you want and what you are prepared to compromise over. Be prepared to walk away from recruiting if you have reservations but be aware that you will have to make compromises too. Check the new persons ego by all means but check your own too. Remember the auditions are just the first date and a blind date too, you don't have to go all the way if it doesn't feel right
    3 points
  12. Dude, I’m stoked for you! I’ve been gigging since I was 19, now I’m 54 and still gigging, and it’s a rush, isn’t it? Nothing better. Enjoy mate.
    3 points
  13. First gig with the Vigier tomorrow night, it's taken me a while to go from my 26 fret Thumb neck to this 21 fret bass. Big difference - particularly as I'm singing too. I also renovated the case that it came in, from this.. .....to this. I've fully fitted it out and padded it both top and bottom sections (with Cloud 9 underlay!) and new fur.
    3 points
  14. Delta Bass 300 Watt Head. 2U Rackmount. FULLY Analogue, studio quality amp. 2 channel (switchable) Front Panel; Ch1: Gain, Bass, Mid Shape, Mid Select Switch, Treble. Ch2: Gain, Bass, Mid Shape, Mid Select Switch, Treble, Anti Feedback Switch, Anti Feedback Frq. Graphic (switchable) Fx Loop Tone, FX Level (switchable), Mute (switchable) Master Volume. Rear: Speakon/Jack speaker out, FX Send (+4db/-10db) FX Return (Full Range/HPF 200hz), DI (Pre/Post Switchable) Footswitch: Channel, Effects, Graphic, Mute. These amps were designed by Overwater Basses in the 90s and are built to an incredibly high quality seen with the features. The transformer is HUGE so the amp remains totally clean with plenty of headroom. The amp has recently been serviced and works perfectly. I am only selling as I have a duplicate head/combo (last picture) otherwise I would happily hold on to it. Collect from Whitley or Byker. You’re more than welcome to try it out at volume at my rehearsal room in Byker. Postage an option, I’ll package it up very well for shipping. Any questions please ask away. Thanks
    2 points
  15. I had the 2x8" combo too - really nice sound and very cool styling, but insanely heavy for a small combo. Made by Carlsbro apparently. OP amp looks a bargain for proper quality kit
    2 points
  16. I've been missing my NS5-XL and I found this Euro. It's a peach. I love an oiled Spector and this 20 year old example is really nice. I'll do some better pictures over the weekend to show the amazing figuring on the maple neck. It's light too. I'll weigh it tomorrow. I restrung it 40-60-80-105-145 and it is like death from the sky through the 400+ and the Barefaced cabs. Perfect. It's scheduled for a refit with an LHZ-03 and new EMG 40P5 + 40J pickups 😇
    2 points
  17. I was asked to do mixing for a band with an analogue mixer - it is a lot harder to go back to that way!
    2 points
  18. Getting to grips with the XR18 and loving it. So much control and flexibility. Pretty much on top of scenes, channels and snapshots. What a great bit of kit.
    2 points
  19. You can get a strap that splits into 2 parts, one for each shoulder to help distribute the weight, although I have no idea what they're called. But if you're not keen on wide straps I'm guessing you're not going to be tempted by something that makes you look like you're wearing a bra...
    2 points
  20. Gosh, what a deal, let me see if I can sell one of the children on. Hate to miss this opportunity... Can I check if it's a refin?
    2 points
  21. You cannae change the laws of physics...
    2 points
  22. Phil's advice above is good. Do you have anything to show prospective recruits - recordings, etc - of previous incarnations of the band? Are there gigs in the book, or are you re-grouping and on a hiatus? I agree that painting too rosy a picture is not the best policy. No point in getting someone on board, only for them to move on swiftly because it wasn't what they envisaged. As Phil points out, do you want someone who will be a drop-in replacement for their predecessor, or will they be able to stamp their own character/style on things? Covers or original material? How flexible are you willing to be to accommodate a new singer? Whilst Myke is correct that you cannot base your offer entirely on what went before, bands and musicians do have a style they are known for/good at, which, whilst it can be modified, is usually not possible to change completely. Beware the Spinal Tap moment "We hope you like our new direction". The only way really is to get together with a few people to see how things go. Kissing frogs and all that.
    2 points
  23. Geezer Butler used these in the “Dio years “🤟 I believe?..always wanted one because of that fact ..
    2 points
  24. Would this aforesaid Austin Allegro be the ultra-rare light brown or sand colour? If so, I'd double your estimate...
    2 points
  25. I was given this the other day for 'evaluation purposes' by a fellow bass player. Never seen or heard the like of it before. I suspect it has been a custom made pedal and possibly a take on an old Tonebender distortion pedal. Sounds very nasty, and makes the user want to play evil riffs. Apparently🙄
    2 points
  26. (Take the) Piss Alive I Featuring: Calling Dr Mug, God gave Rock n roll 2 you for $12.5k, God of Plunder ... and many more
    2 points
  27. Sell what you are working towards.
    2 points
  28. This Trace Hexa head, I bought from Chimike on here a few months ago. Went down to his on a day trip to buy an Aguilar head, and ended up buying both. I’ve gigged it about 3/4 times, but the Aguilar gets most of the action. It seems a waste to have an amp like this sitting around, so putting it up for sale for what I paid- £1000. I’ve bought a 4U Gator moulded case, that I’ll chuck in, and this has only done the 3/4 gigs. Too heavy/fragile to courier, so will be pick up or meet up only I’m afraid. If it doesn’t go, I’ll just keep it, as it’s lovely. ps, for some reason I’m not able to link a picture, as saying over 1mb- no idea. So I’ll add pictures after if I can. Thanks
    2 points
  29. This collection reflects what a guitar dealer told me about the state of the guitar market. It's people with huge collections of average gear trying to sell it for shop prices. They kid themselves that these things keep their value, but he'll struggle to shift any of this at these prices. I'm sure the guy is a lovely fella and best of luck with it all.
    2 points
  30. I was assuming it was a shop so please excuse that comment 🙂
    2 points
  31. Different people I think. Tony Iles isn't a Director of those guys. I sold him something which he collected from my house. He's a nice guy and said he's just a bit of a collector, plays them for a bit for fun and then flips them when he's ready. Does a road trip every now and then round the country collecting basses and amps. My item is still listed and he's not making much on it tbh. He plays in a band and is a good bass player too.
    2 points
  32. The Spector Ian Hill he has FS was sold last year as B stock by Bass Direct (I was following it and clocked the s/n) at about the same price, from memory. His pics don't clearly show the small dings/scrapes like BD's pics did. Not implying anything untoward here .. its still a very nice bass ...but, if I was buying a resold B stock bass, I would be after more of a discount.
    2 points
  33. Nice one. I'm not jealous at all. Have fun at your gig tomorrow and let us all know how things go. Got my first gig of the year tomorrow. Looking forward to getting back out again. Try and get some vid clips, that would be great. Dave
    2 points
  34. "If you sent me a bass with a low action I’d be over the moon" Me too, talk about living the dream...
    2 points
  35. If you sent me a bass with a low action I’d be over the moon, even if they wanted it higher all they needed to do is raise it a touch, sounds to me like they just wanted an excuse to return it
    2 points
  36. I have mixed feelings about this store. I did business with them a few times. Before Brexit. Trade basses and bought another ones. The last purchase I did didn’t go well. The bass I bought had frets almost down to the fretboard, had to change them. Electronics were buzzing, had to re-solder. And the neck pocket had a huge gap that wasn’t visible in the photos. Also the bridge was misaligned. Had to buy new bridge rails to make align a little better with the pickups. I sent them an e-mail raising all these questions. The answer was, “a little fretwear is normal, but it’s still playable”. They ignored all the other issues. So yeah, you can get a good treatment, but you also can be left hanging. Beware.
    2 points
  37. Nice powerful compact combo from MarkBass. Amp is rated at 600w (at 4 ohms i think). With an extension cab it runs at 500w. Everything works as it should, speaker is very clear and articulate and doesn't fart or pop. I have owned this for something like 3 years, gigged it a number of times, but that said case in is near perfect condition (if little fluffy, i have cats, ill get the vacuum out). These days it sits in my office at home for practice only. Real overkill!!. Will post at buyers expense, or meetup for coffee money within range of the m25. Or of course you can come here to Rochester, drink coffee, try it out and anorak all things bass.
    2 points
  38. Here, for sale, is a unique Japanese made Charvel Fusion IV bass from 1989. These Japanese made 80's Charvels were so good that people stopped buying the USA made ones as these were much cheaper. The bass was originally white but the previous owner refinished it in this amazing camo design and did a fantastic, clean job... as you can see, it's a stunner! PIckups are Jackson's own EMG copies and it has an active 2 band eq, Rosewood fretboard and removeable sharkfin inlay stickers. I'm only selling as it's not suitable for my current projects so someone will get a bargain. *SOLD* Payment in cash, Paypal (you pay fees) or bank transfer. Please see my very extensive positive feedback thread for assurance of a clean, honest transaction. Collection preferred from Camberley/Sandhurst area or I can meet within 30 miles for petrol cost. I can also post at your expense.
    1 point
  39. Halfway through tonight’s gig. We’re sharing the night’s ticketed event with a pair of DJs, so a good break until set 2. Everyone is well up for it, lots of dancing and general appreciation. Small, hollow and slightly floating stage, so on stage sound isn’t the best, but I can hear everyone else just about. I’m using my custom, Maruszczyk Elwood L, through my usual Phil Jones rig. Shoes are modtastic suede affairs.
    1 point
  40. Yes I've been eyeing some of this chap's stuff for a while. He has a nice G&L Tribute L-2000 in tobacco burst with colour matched headstock. Would need to be 20-25% less for me to inquire, but maybe he's factoring in some haggling. I guess if you can afford that number of basses, you can afford to have them around until they sell for the price you want. I can also relate to being on a mission to try a wide range of basses... +1 for get him on Basschat 😆
    1 point
  41. 1 point
  42. ...and a copy of the bass backing track used at the gig. In the interview he says no roadies and uses the venues backline!... Winner will get the chance to make Gene a Baloney Sandwich All a far cry from Lemmy 'n co stepping out the stage door at Hammy Odeon in the afternoon to chat and sign album covers 'n stuff. Mate took his Warriors album, Lemmy smiled and said it was Stacia sat on the horse, as he unfolded the gatefold Shield for a reminiscent look and signed with his Horascope Signature, And my leather bike jacket at the end of the Hawkwind (in the Motorhead-like Church of Hawkwind Font in red) across the back yoke in Silver pen. Chatted to some bloke about his bass and was using Rotosound Strings at the time.
    1 point
  43. We had a request for Money by Pink Floyd. The guitarist asked me what key it was in, because apparently I am the Floyd expert. I couldn't remember so said C or D. So he played it in A. I don't care, I have a 5er and just played it a string lower! 😂
    1 point
  44. I love this thread! I bought a Super PJ a few years back and it's an amazing instrument, Sheldon's basses are next level. If you wanted to know how is sounds....
    1 point
  45. To continue the red and tort combo - Chris Seldon Ranger 434
    1 point
  46. Ah yes, Blue Peter's 'sticky backed plastic'
    1 point
  47. Neck was the most expensive part of my 51. body off eBay , I spent about $3 for the paint job.
    1 point
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