Leaderboard

Not quite a gig, but last night I performed two songs at our local folk club - the first time I've sung publicly since 'ambulance day' in December after I had trouble breathing, needed an ambulance, and lost my voice for a month. I think I sang well and it felt so good to be 'back' !

I have played some gigs with this setup and I love it. It's compact, versatile and it sounds really really good.

Shiny shiny, shiny frets of nickel....

I must admit that my final straw with those guys wasn't musical but entirely selfish. The few high points of the dep calendar were the shows during summer or Christmas when the students would come back from uni and be persuaded to come down the WMC with their parents. For a start this meant our audience would be 300% more engaged and likely to dance, but as an added bonus being the only man under 30 in the building almost but not quite made up for my many and various shortcomings. This show was one of those and I had been chatting to a lovely young student throughout the breaks. After the set the beer goggles had kicked in properly and she invited me back to hers for a game of dominos and a cup of tea. Of course I jumped at the chance: "Lads, if I stow my gear away can you do me a solid and just chuck it into the room for me to pick up tomorrow? I've only got my bass and board so won't take you thirty seconds" BL: "Not a chance, we'll be down hands on lugging the PA in. You've got five minutes to get in the van." As he was my lift home and also had the taking for the evening I didn't have much recourse so regretfully declined her invitation and got back into the van for a sullen drive home. As we're about to set off the driver's door opens and the guitarist jumps in instead of the BL. "Oh right, yeah. BL has pulled some owd lass so is stopping the night up here and we're on PA duties. He says chuck it all in the room and he'll see us next weekend, also that we need to park the van round the corner because his wife thinks we broke down." Arse 🙃

I built rhis fella from scratch. Raw wood. I decided to use all the pickups! Has a 12 step varitone and the MM can be split by the switch

Not a gig, but we had a rehearsal last night... our second gig is coming up on Saturday and our lead guitarist can't make it, in fact he apologetically resigned as he can't commit to gigs far enough ahead. I asked Alex from my other band to dep which was met with a bit of scepticism as he's only 22. The rehearsal went really well, the clincher was John Mayer's Who Did You Think I Was. Alex hadn't heard it before, listened to it once and nailed it 😲 Tony our drummer literally had his jaw dropped when we finished it. Fingers crossed we can repeat the feat on the weekend as it's three 45 minute sets so we'll have to include all the hard songs...

So given I appear to be developing arthritis in the knuckle on the thumb on my left (fretting) hand I’ve noticed playing my JMJ Mustangs a tad painful at times. So tried out my backup Squier CV60s Mustang a lot over the weekend, found the slimmer Jazz width neck much better for this so today picked up a Made In Japan Fender Mustang to be my main gigging bass. Have to put a set of Elixirs on it as it currently has Labella Mustang Flats which aren’t my thing. First impressions are a really nice bass with a very comfortable to play neck.

Started my final run of gigs last night with The ELO Experience at Milton Keynes Theatre. As you’d expect, a large modern theatre with great staff, load in and backstage facilities. It has a capacity of 1400, think we had just over 1000 people in so felt quite full. We haven’t played for 3 weeks, so were all a bit on edge hoping we would be okay. Didn’t start well at soundcheck with a few tech issues, but with the help of our guys we got it sorted eventually. We were just leaving the theatre to find somewhere to eat and bumped into Warwick Davis passing by -nice bloke and a favourite of our lighting maestro Rob who got a selfie. The gig went well, lively audience in good voice. We all got through it without any major problems, although I was quite tired. 170 mile drive back home as the gig was a stand alone, have been having a quiet day today.

Donstrumental "Riddim up my Reggae Bass lovers" https://www.youtube.com/@donstrumental8905

My first paying gig was a once-monthly dep for a guy I knew from a local venue and it was like a checklist of club band horror stories. It was all old-school WMC venues so you were going out to play set one to a room full of stony-faced pensioners waiting for the meat raffle during the intermission, and then them all immediately clearing out so you played set two to nobody. My main gripe was that I would often turn up to find out the keyboard-playing band leader was the only regular member and the entire lineup was deps. Everyone got a song list (usually the same one too) but if somebody didn't know enough to fill time he'd pull the old "let's do X/Y, everybody knows that!". Turns out that while many people know how to start Sweet Home Alabama, significantly fewer know how to stop playing it. The band had a house uniform with a costume change (black shirts with white tie set one, white shirts with black tie set two) because that meant you could charge more on the agency. I was warned about this and bought the correct shirts, but told I could borrow the bassist's waistcoat to match the others. Unfortunately he had two feet and six stone on me so I had to belt all the excess fabric in behind my strap. Between all the deps we often looked like a band of kids dressed in their dad's clothes. I didn't have a completely awful time and getting paid to play as a teenager was a game-changer, but it was a rough education. I saw the BL around town a couple years back and we got to reminiscing about the old days - he was keeping very quiet but about halfway through the conversation suddenly went "wait, you didn't play with us did you??". Turns out he was totally pissed for most of the two years we worked together and had very little memory of any of it.

I enjoy conversation more

Yes.

Here are the next few photos. Almost there

Take 5 minutes for a story about a very fine chap. Before the start of the pandemic I ordered a Moollon PV having been in Seoul to visit YJ and Andi Roselund at the Moollon workshop a few months before. I was really taken with the PV's tone. So the Pandemic hit and after working in a factory building respirators for the NHS through most of it I then lost my job. Not good karma. Sadly having paid my deposit I wrote to YJ and Andi saying that I could not afford to continue with the purchase and I heard no more. A few weeks later I saw a red PV up for sale and thought no more of it knowing I could not afford another one. 2 1/2 years later I got a message from Andi saying that YJ had not sold the bass it was still there available for me... Jaw dropping moment. They never got the email and YJ hadn't sold it - he kept it for me. What other maker would do something like that? I had in the meantime managed to get myself back on my feet and could complete the sale. Last week I took delivery of the bass I ordered three years ago. Delivered in pristine condition and sounding like a complete beast. I'm overjoyed to have this bass. I thought I had lost it and out of the kindness of YJ I do. What a bloody awesome bloke - unreal. The bass BTW is staggering, the low end is so deep but articulate and the higher register is thick like a short scale. Its ridiculously good, and oh the colour.. Red............ Red...... Red........

Erm. TC Nether - Having owned multiple OC-2’s I started looking for another. Damn they’re expensive for what they are…gone are the days of a £55 Taiwanese OC-2. Anyhow - this does the same job…within reason. Really like it actually. The Zero Fret - Dod Bi-Fet pre clone with built in Fuzz (2 stages of fuzz)… Honestly, the mightiest bass fuzz I’ve heard; does well for warm fluffy drive as a pre…also works beautifully for guitar. Hopefully @walshy forgets that I have it… Korg Pitchblack - Decent tuner came up cheaply and completes the board. Missing is the Dunlop volume pedal - it’s massive and won’t go on the board so I forgot to photograph it. Cheap PSU, no mad big draw on any of the pedals so this will do for £35.

I feel every gigging bass should also have a compartment in the back with a magnetic cover. Inside would be the truss rod tool, allen keys, a little spanner for tightening up the loose hex nut on the guitar player's jack socket, Rizla and filters for the drummer, emergency tramadol: all the essentials.

The last time I did a dep thing was about 15 years ago. It was in a place called Bonnybridge just outside Falkirk, some old hotel on the main st. It was all the drummers fault as he was desperate! He gave me a list of songs, most of which they didn`t play, the one`s I did know weren`t in the original keys and the corner of the bar we were playing in was so small that the guitarist, who had a massive beer belly, couldn`t see his pedal board and I changed the pedals for him. Never again!

Hair today gone tomorrow... Look after your backs folks, you only get one!

Well yeah but it is, but cheaper. My 3 (body) refinished Fenders don't sound or play different from an original. I want the sound and feel of an old Fender, not the exact original finish. If the wood, hardware and electronics are original: sign me up. Oh and the refin has to be pretty. I mean: nothing wrong with a good refin.

I've been learning guitar (sue me), so I've been watching channels like Anyone Can Play Guitar - really good tutorials and covers a range of styles, like jazz, blues, indie, punk, rockabilly, reggae... Justin Guitar is very good too. he covers a lot of theory as well as songs.

I pad for watching Netflix while doing root fifth stuff/ playing the same set you've bashed out every week for years.

"Local People?"

To follow up on the availability (as I promised earlier), it appears that some dealers/distributors ordered more guitar products and less (or no) bass products because as a dealer they are more invested in then guitar side than the bass side (a few sell no bass products except for special order). Those dealers more focused on bass apparently ordered and sold out of their allotment right out the gate, hence the backorder status. The good news is that there are more containers landing in Europe shortly and there is bass products in them. Cabinets are still in somewhat shorter supply because we just can't build enough of them as fast as we really need to and insure that the fit & finish is maintained. Hope this helps.

I worked with several decent country bands on the Irish scene around North London back in the '80's, I'd never played this type of music before and it certainly took me a while to realise playing good country bass is a bit of a dark art. I think if you're approaching it from a rock or pop background then you're going end up doing a parody of it to begin with, as it seems too simple to be true, but then you start to realise that getting the exact feel and locking in absolutely with the drummer is essential. For bass, maybe try playing notes that fall on the first beat of the bar fractionally late but playing the offbeat notes right on the beat. You might think of this as a reversal of usual rock or pop principles. And it helps a great deal if you're working with a drummer who has a country music background as if you're lucky they'll already have the right feel you can easily lock into. I'm sure other opinions will be available on here regarding approach, but in any case relax and have fun, and as others have said on here, when it's played spot on it really can be excellent. 🙂 👍

I wouldn’t object to a refin at the right price, so long as it’s at least as good as my other basses. I think BassAgents example looks great. If you are going to buy a refin, it gives you a perfect opportunity to specify a really rare custom colour, pink, coral, foam or even sparkle, with no monetary loss other than the cost of the refin. If you are able to take images that corroborate the vintage correctness of the body while the paint is off, you could potentially strengthen the provenance and reinforce the value at the same time. If you’re only paying refin money and the provenance stacks up. I have to say I do like the look of a natural pre 66 jazz bass, stripped of the paint and preferably with a good deal of wear. I’d potentially pay more for that, being able to see correct holes, although of course they can be faked. Somehow, stripped feels less “modified” to me.

If you have mains that go low or subs the problem is that they will reproduce what you may not want. Backline speakers don't go low. F3 on an SVT 8x10 is 58 Hz. The main components of electric bass should be the second and third harmonics. When you corrupt that by having the fundamental as loud or even louder than the harmonics the result sounds like a teenager driving past with his 5,000 quid sub in his 500 quid car. 🤔

Who else clicked on this thread hoping to see some news about an upcoming release date?

Can definitely agree with "Anyone Can Play Guitar"... really good tutorials and aligns well with my music taste.

Another new one from don chandler

Maestro are Gibson, yes. They have Steinberger, Wurlitzer, and Dobro under the brand too. Kramer just have the one bass , the D-1. We played the Kramer UK launch in what was the Gibson venue before it became the Garage, so you can see me playing it while pulling a stupid face at 00:47 of the below video. It was fine but nothing I'd ever use - weird setup where each coil of the humbucker had a volume control and I didn't get a lot out of it to be honest. We were supposed to be getting some gear as part of the deal but the little sod from the support band legged it with the one bass they had on hand after the show, so I didn't even get a freebie! We did get two of the guitars which were nice though.

Hadn’t heard of that one before but it’s probably happened to me without me realising. New set of D’Addarios too. I got to use it at a blues jam last night. People said it sounded pretty good through the provided backline (Ashdown EVO head and a 2 x 10). Lots of compliments on its appearance but amazement at the weight. Heavier than a 70s P bass according to some. A couple of fellow bassists suggested I drill out some of the wood, like Gibson do on the so called weight relieved Les Pauls. If I did this, I guess I would have to do it from the back and cover the holes with a veneer. I also wonder how it might affect tone and balance. Strikes me it might be easier just to look for an alternative body in swamp ash, or similar, without going as light as the Obeche.

Just sold a nice purple sparkly pedal to Lee and the transaction was also purple and sparkly (ie, excellent!). Many thanks Lee and enjoy 😀

🤣🤣🤣

Speed holes

Here a comparison video of my S2 and the S23 that I slung together - the usual rambling and aimless noodling, but hopefully it’ll give an idea of the tonal possibilities.

I was going to start a new thread, but thought I would post on this one instead. I was back at the docs yesterday with yet more arthritis woes, turns out I have a rare inflammatory/autoimmune disorder that can lead to all sorts of problems including deafness, blindness and breathing problems in its worse extreme cases, I am hoping my doc will manage it so I don’t get that bad. I am now fairly desperate to get back in a band and enjoy playing with other musicians again while I still can, but I would need help to load in and out my gear, unless it was a straight to PA preamp setup, as well as 100% need to sit down to play on a tall stool. At least if there was a band van we could use my park anywhere blue badge lol. I would probably struggle with travelling due to pain levels associated with travelling, but for now I think it would be worth it just to get back on stage again. so would you have a disabled bassist in your band that needed help with his gear? not wanting to hijack this thread but seemed better than starting a new one as it’s fairly similar topic. to the op very interested to hear which strap works out the best. I know Walter Trout has a double shoulder strap thing going on due to a destroyed shoulder, perhaps google that maybe. Seems to work for him. Also I am sure I saw Michael Rhodes sitting down playing towards the end of his life with Bonamassa, and his gigs get quite lively, although not as much as some funk bands.

Yes - they should call the police.

It was pretty egregious. I felt like this:

New pedal day! Caveman Bp1 bass preamp. If someone's interested here's a quick test 👇 https://on.soundcloud.com/rbQrGzfS1rk2xqWH9

An unimaginable level of musical hell. Hats off for not just filling the tuba with beer and finding a quiet corner

I think the main issue with using an HPF (on any instrument) is when we're making changes, we're nearly always making them in isolation rather than actually in 'full mix' context. Sometimes components within a mix need to sound 'worse' to make them fit the big picture in a 'better' or more useful way. The oldskool desks with fixed HPF frequencies and slopes went a good way to improve mixes and make life easier but with digital we can now better fine tune the instruments in our mix. From tiny gigs to full-flight festivals, I use a HPF to some degree on every channel with the exception of the sub / kick..

Just do we’re all singing from the same hymn sheet, are we standing up for key changes? 😉

You could then stand up for the key changes, Westlife style!