Obrienp

I wish I could but being a lazy s*d, I never learned to read traditional music notation. At pushing 69, I fear it is now too late to learn. Are you going to put us out of our misery?

I eventually took a punt and bought a 32” Jazz style neck from China off eBay. It wasn’t as painful as I had imagined. It took over 3 weeks to arrive but when it did, it was in good condition and the import duty had been sorted. It was unfinished but had a nut installed and the frets had been nicely executed. The heel proved to be a little wider than the Fender standard, so I had to ease the neck pocket on a Precision body to fit it. Anyway I’m at risk of straying into build diary territory, so suffice to say I now having a working, lightweight, medium scale P bass with Jazz style neck. It sounds pretty good IMO, if a little bright (full size P body, so pickup is a little close to the bridge). The whole thing, including Tonerider pickup and Schaller machine heads cost me a little more than £200, plus a lot of finishing work. I still think Squier could sell a lot of medium scale P basses if they would only bite the bullet. Here it is in action:

Hi, I’ve done this with my Two10 and LFSys Monza (10” with compression driver). It does release the extra power from your amp and I thought a bit more bottom end overall but that could be because the Two10 was getting two thirds of the extra grunt, so that is what you hear predominantly. In my case, the Monza’s compression driver fills in the top end that is missing from the Two10. The Monza is pretty good at dispersing sound close up anyway but with it sitting on top of the Two10 in vertical mode, I had absolutely no trouble hearing myself on a comparatively narrow “stage” (a trailer). I leave it to you to decide whether my experience with the Two10 and Monza has any bearing on a Two10 & One10 combo. My guess is, unless you get a One10 T, you are not going to get the top end filled out as much but you would get the impression of extra bottom end by dint of moving more air. You also release the extra wattage from your amp but how much that actually gives you in DB I couldn’t say. In my case, I have a smaller cabinet for gigs where I don’t need the oomph of the Two10S but want the clarity of an FRFR. It just happens to have a higher power rating than my Two10S but I don’t have an amp that can use that at 8 ohms. It seems to be plenty loud enough at up 250 watts for most pub gigs we do. The ability to stack it on top of the Two10 is just a bonus faciltated by my Blackstar U700. If you like the idea of that flexibility, a 10” single might be worth considering. It gives 3 cab permutations out of two cabs.

It’s the same story as the EDS Reidmar 700 WRT output. There aren’t that many amps that will handle a sub 4 ohm load, so I guess this appeals to those who need it. I like the flexibility of being able to put my 8 and 4 ohm cabinets together when I really need the extra grunt. As an aside, the U700 has a separate balanced out to run a powered cabinet. I think this must be aimed at their powered 15” extension cabinet but presumably would do equally well with any powered speaker: Headrush, active PA cabinet, active sub, etc.

Got to say it again: amazing rig. I feel myself working up to a second Monza. Just a question of getting the dosh together.

I have the U700; bought off this very forum with the optional multi button footswitch (with digital display). I think it is a great amp. The emulations seem very good and with 3 different preamp and 3 power amp options you get a lot of permutations. The compressor is one of the best single knob compressors I have come across. It’s not noisy either (unlike Flyrig 2 for instance). The chorus and drive effects are decent as well. There are three variations on drive: overdrive, drive and fuzz. The mids are sweepable too. Everything I will ever need in one amp, with a discreet foot switch (a bit smaller than a Flyrig 2), which even has a tuner (slow). I have used it with an 8 ohm LFSys Monza (brilliant combination), 4 Ohm Barefaced Two10 and the both of them together running at 2.7 Ohm. The latter was loud and full. At 8 ohms and 4 ohms it is as loud as my Mark Bass LMIII with the aforementioned cabinets. Louder than I need for most of the gigs I do. It’s not as aggressive volume wise as some amps maybe but typical of all the class D amps I’ve used from Mark Bass, TCE, Orange, Peavey, etc. The only one that seems louder watt per watt that I have tried, is the Warwick Gnome I-Pro but I think that is more because of the baked in EQ at supposed equality (far from it in reality). I don’t know how robust it will prove over time but it seems to be holding up well at the moment. It feels reassuringly solid to me and the gig bag gives reasonable protection. The little 3 position dip switches don’t seem too flimsy and are the type that appear on quite a few amps but I mostly use the foot pedal for these settings anyway.

Had the gear borrowing issue several times but in less exalted company. I have no objection if I/we are asked in advance but when an act just turns up and expects to use your gear, that is taking the widdle. The worst I experienced was doing a New Year’s Eve gig with a band (I was depping). It was a shared billing with one of those vocalists who sings along to backing tracks. She just turned up and said where do I plug my phone and mic in. To make matters worse, we finished our second set and then the landlord was expecting her to go on for another hour or so after midnight. Band leader said, well we are packing up, so it’s going to be unaccompanied acoustic. Landlord said he wouldn’t pay us, if we did that. I left it to the BL to sort out but in the meantime an exchange of views ensued between said singer and BL’s Mrs (also a band member) who was a pretty direct Brummie. Midlands game, set and match in that encounter! I think we might have been more amenable, if we hadn’t had to pay for all our drinks and some rubbish food. Karma struck the landlord later when he went bust and the pub was closed for several years. Come to think of it, so did the BL when the band broke up. I’m still waiting for my full share of a wedding gig I did with them about 8 years ago. Pretended there was something wrong with the bank details I gave him. Palmed me off with a few notes.

Thanks. Yes, I posted in the wrong thread by accident. It was indeed a 33 1/4”. I’ve moved the post. Thank you for the response.

There was a guy at the Norfolk Blues Society Jam in Norwich yesterday evening with an Ibanez Rickenbacker copy. It’s the first time I have seen one. It appeared to have a mudbucker type humbucker in the neck position but sounded great. He reckons it dates from the 70s and had been well used when he bought it. He had to have all the frets replaced and some repair done to the rosewood board but apparently it plays like a dream now. I immediately got serious GAS but this was extinguished when he handed it to me: a proper boat anchor but I guess through neck and maple is going to give you that. Anybody else come across these before?

Posted in wrong thread, sorry!

I have noted that their stock goes very quickly. I dithered about pulling the trigger on a Guild Starfire 1 for a few days. When I pulled the trigger the price went up £14 during the transaction! I looked it up again an hour later to see if they were advertising it for the price I paid and they had none in stock, so I must have got the last they had. I had previously been looking at the Warwick Star Bass semi and that went out of stock while I was reading the spec. I suspect they only order one or two of the more expensive short and medium scale basses at a time. I guess in terms of their overall sales they are pretty niche. They probably churn out masses of Harley-Benton models but I doubt they sell many Lionels.