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I have just complete a tremendous experience, ordered a bass for my 50th and it arrived early thanks to Alan. From start to finish Alan has been great. The bass on the other hand is fantastic. Full specs here: https://www.acguitars.co.uk/project/0328urecurve5/

Call me crazy, but I just met a chap in Buxton and did an eBay trade deal. Traded my PDN Musicman Starry Night Stingray for a Euro 5 LX. Couldn’t be happier!!!!

... but almost as good - I've just re-strung my Jazz Aerodyne BEAD. I'll have to play the strings in a bit, of course, but first impressions are excellent. The strings (basic D'Addario medium gauge rounds that I've been carrying around as spares) fit the bridge and nut nicely, the tension and action were fine without any tweaking, and the B string (which is supposed to be E) is better than the one on my Jazz V (which is supposed to be B). This is going to force me to use the B string in my main basslines rather than just for throwing in passing notes under them. I do tend to drift towards the higher end of the range, although I know that means my sound can get a bit lost in the mix - this should keep me away from that. It also gives me a new sound - and a new toy! - for a lot less trouble and money than buying a new bass! 🙂 Happy cat.

A completely unplanned ambush which left me with a fit of the giggles and slightly spoiled the rock'n'roll sneer that this song needs.

Plan is, try and remain cost neutral. If I want something, then I need to sell something to raise the funds. Thats 2019, still got a week of 2018 to shop in first and I’m going out in style. 😂

Merry Xmas Basschatters! Thought I'd share a quick arrangement of "Christmas Time Is Here" by Vince Guaraldi Trio, taken from the incredible "A Charlie Brown Christmas" album. Always loved Guaraldi's contrast of sweet melodies against unusual harmonies so thought I'd have a go at transcribing a piece finally! Have a great Xmas when it comes, all!

I thought I was going to be able to contain myself about this build, but the more pictures Chris sends me the more excited I am getting I can’t wait to get my hands on this thing! I cant recommend Alpher highly enough, anyone looking for a world class instrument should really give them a shout!

Otoh I stepped up at the jam at Carlisle Blues Festival last year and found myself playing with Matt Long from Catfish - possibly the best young blues/rock guitar player in the UK atm - and Connie Lush and Kaz Hawkins, definitely two of the best female singers (both in the loud unsubtle mould - hurricanes if you get anywhere near them on stage). Utterly intimidating (I've told the story in full on another thread) but Matt supported me brilliantly and I got through ok (on the cr@ppy recording on my phone I sound better than I thought I was at the time). Playing with better (in this case off-the-planet better) musicians is imho the best way to raise your game, if you get the chance. And that is now one of my all-time most cherished memories and motivations. If the chance comes again I'll be able to play better. Promise to myself.

I used to go to open nights when I lived in Chelmsford in the late 90's. I had some fun nights there, getting up to play on a few numbers. Then one night, Guthrie Govan turned up and joined in. I hid in the bog for half an hour until he went away.

It just has very serious look that says “I am capable of knocking down buildings”.

He was in Curved Air for a bit so he's alright by me.

It's that orange that I thought they must have used Tango to stain it, I was thinking of leaving it near the window so the sun gets on it and it might lighten up a bit but then I realised I lived in Wales so not much sun so the UV lamp idea sounds like a good idea 😀

It's an illness, it sneaks up on you when you're not looking and causes you to make irrational decisions. It doesn't discriminate, it cares not of wealth, colour, sex, race or age. Be careful folks, it hides around every corner and pounces when your guard is down. I was totally happy with all my gear, even started working out what to sell in order to downsize to what I really need, and this time I really am going to sell stuff. Then in a 24 hour period I'd seen, pondered and spent the most I've ever spent on a bass, without even holding it. As I said be careful out there folks, beware of the classifieds, FB selling pages, instrument shops, even mates of mates who 'have this bass for sale', it's too late for me but if this cautionary tale helps just one person then it's been worth it. Stay wary! 😁

They have the suffix "M" if they have the magnetic pickups, so that would be (but isn't) a CR5M.

Best bass purchase: my NS Design CR5 upright bass - Love it!!!! Worst bass purchase: Dunlop Super Bright bass strings. Dear goodness! At first they're all top and zingy, but without a solid bass fundamental to the tone. Then, as they bed in, they start to settle down. And then one day, overnight, the sound goes from zingy to sounding like someone is kicking a cardboard box down the street. Bloody awful strings!! (in my humble opinion)

In all fairness, you only have to play one note at a time so that's easy, right?

10 o'clock yesterday morning and I was just up and pottering around the flat when I received a phone call.. could I dep with a Rolling Stones trib band, performing that very afternoon? Load in time, 1pm!! I madly said yes. I depped with this band for a few gigs over the summer and really enjoyed it and I got to know the songs really well. However, I hadn't played any of them since the end of August and I didn't really feel 'match fit'. Still, it seems they were desperate. There had been some sort of falling out the night before, leading to the departure of both bass player and drummer. The gig was a 'Rock n Roll Circus' event, featuring a John Lennon trib, a Who trib and the Stones trib 'headlining'. I had in fact intended to go along to watch with a few friends, so I had to let them know I'd be going on ahead and actually playing!! The Who drummer agreed to be both Keith Moon and Charlie Watts for the night 🙂 It was a smashing afternoon. There was an MC all dressed up like a ring master and a very good magician doing conjouring tricks with balls (steady, discreet!) which all added to the rock on roll circus atmosphere. However, I felt very nervous as I was completely unrehearsed and was just hoping that it would all come flooding back. As we were last on, my nerves just grew throughout the afternoon. When I got up to play I decided not to do anything flashy, just concentrate on trying to remember it all, and to stay at the back and not to try to move around much. A pretty good Bill Wyman impression then, haha! 🙂 Afterwards everyone was very complimentary, especially the 'John Lennon' who I know slightly but who hadn't see me play rock n roll before. So I took that as the biggest compliment, as he made a point of coming up to speak to me. However I felt I had only just got through by the skin of my teeth and delivered quite an array of bum notes! Saw some vids of it on line today though, and I didn't sound as bad as I thought, so that was a relief. Looks like I'll be doing another one on Friday!! I'll be better prepared this time though 🙂 I love my life 🙂 🙂

hiya new to this site i have 5 basses i have a 6 string bass which i love .an acoustic bass. p bass. jazz bass. and a stingray bass. i love the blues and classic rock been playing 40 years or so. so a big hello to everyone

I have to say the combination of woods you’ve chosen is quite superb. It’s very subtly understated but oozes sheer class and quality. Really love it more each time I look at it. A lot of Alan’s basses do that to me but this is right at the top of the pile

Awesome musician and bass player... which, is the right order. 'Squonk' anyone... bass pedals then high register fills on the bass... not a million miles from Geddy's 'Xanadu' line or Chris Squire...

Nothing much more to it than that really....We were polite and remained as professional as possible and waited...and waited.....and waited. No access to the stage while they (she) was on it and had to wait to build my kit around their gear when they were done....As a result of this we reduced the set by 2 or 3 songs and i only had time to throw together a scratch kit as they had used up our allocated soundcheck and were bleeding over into show time....The best we could get was a line check. I appreciate that it was their show as headliners but were totally uncooperative {apart from the bass player fella} to us as a mere support band... The point we made that was relayed to their management and the promoter was - we had sold tickets too and had people travelling a fair way to see us play a 45 minute set reduced to 30....These things happen all the time as it's just the nature of the beast....You roll with it or go back to playing in pubs.

Wel Jel bro!....that looks awesome, and I have no doubt it sounds the same1

Hope you had a few fingers covering your eyes before you looked

Rock and roll well and truly rescued. My back, is however, ruined. As are my windows, radiators, furniture and anything else that rattles. I really am now a sad parody of myself

I usually attend blues jams where it's pretty easy. Well, it is except when a/ the lead mumbles "its in *** ee". You're not sure if they said G, B, D or E and by the time you work it out you're getting sour looks, or perhaps the most pretentious putdown I ever had: "I thought you were playing the Myxolydian all the way through" . Or b/ (remember you're at a blues jam) "Do you know X... it's easy? D, B, C, E, F#, then A, C and back to G [or whatever] .... etc. etc. You'll soon pick it up, off we go then."

I am considering making the jump from cab & amp to one of these fellows. I currently have a GK MB500 and Barefaced One10 but my sound comes from a Behringer BDI21. I can't work out whether to go for the QSC K10.2 or K12.2. 14.5kgs v 17.7kgs and £643 v £756 Both are on offer at the moment with carry bags included Would the K10.2 give me the same bottom end and volume that the One10 does or should I go for the 12? I have the money to buy either so that isn't a factor - or given the number of forum members who have recently bought the K12.2 merely wait a couple of months until they start flooding the BC marketplace? 😛 Or would the CP12 be enough? Also to add - I have my cab on a speaker pole and am rarely more than 4 or 5 feet from it

And (if my Russian is at all reliable, which it may not be, because I studied it for only six months in 1969) the bass guitar was built in the Sverdlovsk factory of the Ural Musical Instrument company.

Yup, wifi router is a must. I repurposed a Mikrotik hap mini. Mixer is buried beside the drum kit with a media player, when the set starts the drummer turns the music down and when the set finishes he rolls the music back up.

In Denbigh? The land of cloud and rain, more chance of the colour being washed out I''d worry about direct sunlight, there's some heat in it and it can do some nasty things to wood. Poly finishes are quite UV resistant. The lamps do work, there was a French guy on Talkbass who used a UV lamp for reptile keeping on a white body to age it, it worked very well too. I like yours as it is, if it were me I'd leave it and enjoy it

These cabs could be a good way of turning of turning £139 into £50 🙂 I can see how these are a good option if you need postage. For me I'll think I'll leave it until I really need one rather than having a cab sitting around in the shed.

We had a problem at a gig last weekend - a pub local to me that we've done about 6 times without issues but suffered from Xmas p***head syndrome last week. Some old girl kept getting on stage and groping the guitarist (she did it on 3 separate occasions), 6 young blokes that could barely stand up throwing beer about at the front of the stage and we we were just waiting for one of them to trip over the monitors (and they knocked a few drinkers clean over a few times!) And all the time the landlord was just filling them up with more beer and laughing at the old girl. We tried slowing the pace of the set down to diffuse the situation but i got to the point at 11.40pm where i just said, thats it, i ain't doing anything else until its calmed down and we have a bit of protection at the front. It took 10 minutes of silence to reinforce the point and we eventually played 2 more songs then packed up. Never had to do that before and it really spoilt the night. The landlord was trying to be all matey after so he knew it had gone too far. We have 4 more booked next year and we're going to pull them if we can replace them. So FFWD to yesterday.....a gig we were looking forward to finishing the year up with thats always been a good one before. Again a lively pub that we always go down a storm at. And i get a message from a mate who played there last week saying to be careful as they changed the door staff, let a load of idiots in who were getting onstage and trying to grab instruments, the venue didn't manage the situation and the band ended up getting threatened by the punters. Fisticuffs were involved. Great...just what i needed to hear after last weekend! Its the first time i've ever been nervous about a gig...i could just smell a difficult night coming and i wasn't in the mood for a punch up. We came up with a plan - first sign of anything uncomfortable happening and we would stop playing until it settled down, breakables firmly away from the crowd and we used some low cases to build a stage edge. We told the manager when we arrived what we were doing and why (he denied there was any bother last week.....) and we cracked on with the show..... And had a blinder! Great crowd who danced and sang all night from the first song, the manager told a member of staff to stay at the stage all night to keep an eye but there was no trouble anyway, we played well and the sound was brilliant apparently (I even had a few bass players come up personally after to compliment my sound!) Balance has been restored. It just goes to show that it just takes one decent gig can lay a lot of ghosts to rest. Next weekend off and then get cracking on January :-)

Try TouchOSC first, it’s free and pretty powerful (though it has couple of quirks such as toggle buttons sending midi in both press and release with no way to disable one or the other). You could actually get a hardware MIDI controller for it as all parameter are controlled via CCs. There are some products which are just units with a bunch of knobs that can be freely assigned. I really hope Meris refine it too. Angelo seemed to be taking the stance that it was complete as is, which is a little disappointing - admittedly it’s pretty amazing the way it is but surely there’s room for improvement if the hardware and firmware allows. I certainly wouldn’t mind getting one. I wish this had been around when I first started buying pedals as it would have saved me much time and money (though I have enjoyed the journey and have learned a lot on the way).

Tango? What have you put on it? You could take it down to the tanning shop and put it on a sunbed for an hour to help age it, more seriously a UV lamp at a couple of feet distance could work wonders on colour

Evidence audio Monorail Solderless system that has never let me down! I can make a new cable in minutes! Love em!

I love it but with a few caveats. So much tweaking with a huge range of very useable bass synth sounds but it desperately needs some software so you can see (remember!) your settings (although I may have to take the plunge and get midi designer). The tracking is heavily dependent on which preset I use but yes, the octave is vary handy. Some regrets about selling you the FI but realistically, for my needs, the Enzo is 90% there. I'm hopefully Meris will update it and possibly even develop some Mac-based software but even as it is, it's one of my favourite buys of 2018 (along with a GFI Specular Tempus and a just acquired Lightning Boy NuVision preamp).

I definitely recommend people to check out Oysterhead. Copeland, Les Claypool & Trey Anstario (very sure I have spelled his name wrong, the guitarist from phish) what a great power trio!

Best bass purchase - Lakland skyline 55-02. It''s the first bass I've bought in a few years, and it's really wonderful. Superb build quality, really lightweight and has a great sound, it sits really well in the mix for everything I've used it for so far. Very happy with it and it's making me consider getting a skyline precision now of some sort too... Worst bass Purchase - Haven't actually bought anything else in a while, and definitely not something that I wasn't pleased with. Possibly a set of TI flats, which to be honest I didn't dislike them, liked the feel of them but in the end just decided I preferred the La Bellas that I already had. Here's a photo of the beauty, took the day I got it back in April.

not wired yet.

The only problem, and it is one I have come across in a couple of the bands I have played in recently, as well as at jam nights, is the nightmare of the left handed guitarist. I find it very difficult to 'read' the chords from the guitarists hands when it's al the 'wrong' way round for me! Some of the best guitarists I have had the pleasure of playing have been left handed....

A quick follow up. Just had Simon at GUS remove the frets. This is going to be used as a backup for my double bass and it just wasn't sounding close enough (especially the piezo which picked up all the fret noises), so now the ebony neck has maple fret markers and sounds so much more lush.

Sounds great! You should film it and post it on here!

Bongo Fury