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As you can see from the bobbly lines, I still have the final sanding of the neck to do and will finish off the volute at the same time - but this is pretty much where I want it to be in general terms: Not quite as butt-ugly as its creator

Bob Dylan, his songs always seem to sound better when someone else sings them

Last 20 days to go on the Crowdfunding page, if anyone would like to donate to the cause get in now as this will be coming to an end shortly, thanks again to all you lovely peeps on here who made a donation to help us out , as we have said before you are all legends. It really will help soften the blow for both of us. Our appreciation of what you have all done is beyond words Stve and Funkshui

I do understand some of the frustration about other events being affected by this, but at the same time I am astonished almost every year at the short-sightedness of various venues and organisations - have they never heard of the World Cup, the European Championships, the Olympics? As soon as I open my new diary for the following year, the first entries are the major sporting events that I really do not want to compete with. I won't accept evening gigs if they're scheduled against, say, the Champions League final, or afternoon gigs if they're up against the British GP at Silverstone or the Men's Singles Final at Wimbledon. I mean, come on guys, this is hardly rocket science.

This ticks all the boxes...

I only went in for a strap for a new bass, an Ibanez SR100B-NT (that has yet to be delivered) and ended up walking out with a 5-er, an Ibanez SR1405E-GWH.

Without wishing to state the obvious, why not get an Orange?

probably just me, but producers messing about with the drum sound seems to age records, in the 80's it was the fashion to have enormous sounding snare drums high in the mix, sounds awful to me, now it seems to be clicky sounding kick drums, why can't they just record the drums how they're supposed to sound? some albums sound good because they do sound dated (mainly because they're recorded almost live) Elvis's sun sessions and the Beatles Please Please Me (mono) spring to mind

or my favourite cover version, ever

That poor piece of wood looks terrified. S.P.

I once went out to buy the Robocop trilogy on DVD and ended up buying a new car

Another one off the list - and one of my least favourite ones. Fitting the tuners. And fitting tuners shouldn't be as fiddly as it often seems to be. Also - a bit of a repetitive gripe - hmmm, I do like Schaller but... They make some REALLY nice products Their customer service, in my experience, is FIRST CLASS BUT they often don't seem to check how difficult it is to fit their own products. And they often don't provide the basics to allow the fitting to be done successfully and/or easily. The worst case of this was this piezo Hannes bridge. Flagship product. Total nightmare to fit. And I pretty much know what I'm doing! And I've got lots of standard and obscure tools. And I still needed to buy another specialist drill bit. Yes - a drill bit!!!! : Looks nice. Until you see the back: ..and then read the instructions of how to bolt it, and the instructions of how to string it, and the complete lack of any reference, whatsoever, of what you do with all the piezo wires and collector block - important in the context of the 10 or so precision drill holes (tenth mm precise at the guitar top and tenth mm precise at the guitar back after drilling through 30mm of wood or, trust me, it isn't going to fit) you've already drilled perilously close to each other and very perilously close to where the piezo wires are going to have to be. Anyway...I've taken a few more pills and calmed down a bit. And compared with a Hannes bridge, fitting a Schaller pegged tuner is, I suppose, a doddle. But is it asking too much - and surely it wouldn't be too much trouble - to pop a little piece of paper in the box with a full size drawing of the centres of the bush and two pegs to use as a template? Anyway, for what it's worth, this is what I do nowadays with pegged tuners if I don't have a template or the exact dimensional drawing to hand (and trust me - you can't measure the actual item accurately enough): I drill a hole for the bush in a thin piece of hardwood. I pop a drop of paint, or snowpake or wet sharpie ink on the pegs, pop the bush on, tighten until the pegs touch : I drill the peg holes on a drill press to ensure they are vertical and test fit the tuner. I then use this, with a bush pressed through the template and headstock hole, as the drill guide: Then, if everything is flat, square and vertical, the tuners should fit without having to 'ease' out the peg holes at all: Anyway, that's how I do it. And maybe it's just me that finds pegged tuners a PITA... Next job is carving that slightly ugly volute

Unless you were really going for that brittle, crunchy sound. Who needs pedals? Just chuck a glass guitar down the stairs (with the guitarist if you want to flesh out that tone with some warmer notes).

Guns n Roses Use your Illusions 1 and 2 Its all the Honky Tonk Piano Axl added. It has really dated those albums. Also Metallica justice for all that guitar sound with no bass, a lot of bands came after copying that awful caterwauling whiny guitar sound, just pitiful.

Been there. Wandered into Sound Control Preston years ago whilst visiting a girlfriend, because I was bored and had nothing better to do. Ended up buying a Spector Reboot DLX - a truly stunning bass. It was so good I then sold my Status Stealth I 6 string.

Not anything to do with the thread at all, but just a bit of info' - the 80's JBS (PJ-555) actually had a jazz neck. However the one that Duff McKagan ended up with as his career exploded interestingly had a Precision profile neck. It was this bass that lent it's specifications to the currently available MiM Duff McKagan Jazz Bass Special. I agree that this is way more of a Precision Bass Special.. or, you know.. a standard PJ without a pick guard lol...

pm'd and working up prototypes with mr jebroad

The cab that won the Essex cab shootout was a Bergantino with two Faital Pro PR300 drivers in it. Same as the Genz nxt Ebeneezer mentioned. So I'd expect it to sound very similar. £300 is a good deal. At the bash the votes (out of 25 in total) were: Bergantino CN212 - 9 Schroeder 212 - 8 EAD 2x12 - 5 (no longer manufactured) EBS Neo 212 - 2 Barefaced Super12T - 1

For those of you like myself that like German instruments, i found ebay kleinanzeigen to be fertile hunting ground for Warwicks, Sandbergs and other boutique instruments such as Human Base for example. Technically its a classified ads page but if you ask a lot of sellers are more than willing to ship. Prices are very competitive.

Trace head and lightweight cabs

One of mine did the same and yes, I drilled out the middle and slid a rivet post through the middle. A quick fix to get me through as I think these are really good for the money.

That’s the same as my old head. Best amp I’ve ever used, unless my memory deceives me.

I think the RCF HD32-A is at that size/price point too from memory. That's what I'd have gone for if the K10.2 wasn't so tiny, although i am getting sick of explaining to people where my amp is.

For many years when I heard people talking about Donald Fagan I genuinely thought they were referring to this guy. I just assumed that he had a vast back catalogue of stuff that I'd never heard. it's only quite recently that I realised my error.

I used the 1x15 version for years and it never let me down. More than loud enough to keep up with a loud drummer.

Super stuff, I'm going to show that to our singer and give her a bollocking!

Just added a batch of 30 new bass transcriptions to my website. Now 575 bass charts on there - and all free - so reading bass players, help yourselves with my compliments (and please share!) The recent surge is as a result of my own prep for various gigs (Motown, Frankie Valli, Robbie Williams etc) and customers who have taken advantage of my half price offer - if they allow me to publish the transcription I've done for them on the site. It seems everyone is happy to save themselves a few quid and help out their fellow bass players! There has been a slight price increase for the transcriptions made-to-order which had been frozen at the introductory level for three years. However, the price is now inclusive of currency conversion charges and other PayPal fees. The main library of 575 bass transcriptions, remains completely and utterly free though, of course. Tom Read Bass

I'll let you know when I've finished but I can't see how putting one extra string will make that much if a difference to neck stability My Ibby 5 string has a 45mm nut (which is 3mm wider than my P) and the heel is 75mm (which is 11mn wider than the P) the neck thickness are the same and both have a single truss rod

I remember a run of TB2000s were done early 2000s, went up on eBay and sold for ridiculously low prices. I've upped the images I pulled from eBay at the time (amazingly sixteen years ago today): The EGC2000 is a close approximation/reinterpretation of the later model/redesign TB2000 (wide wings; the early TB2000s had narrower body shapes), albeit with a slotted EGC headstock. First Run/Second Run:

I'm rather fond of Gabriel-era Genesis, but I know what you mean...something about albums like Foxtrot and Nursery Cryme does sound very much "of the '70s." Maybe "twee" is the right word; I think it's that aspect which some of their contemporaries (e.g., Pink Floyd and Camel) managed to steer clear of, and they seem to have aged better! There's definitely a thing about "British production" as well - Genesis suffered from it, and I think the first two Who albums do as well. Almost as if they couldn't let go of the "stick the band in a room and put some mics up" approach. I think the finest example is probably the Moody Blues' Go Now, which sounds like it was recorded in a biscuit tin! Compare it to the much crisper sounds American bands like The Byrds and The Doors were getting at the same time, and you have to wonder what combination of the technology and the know-how some British producers were oblivious to...

I can't stand / don't understand football. However, the current heatwave is stopping me doing pretty much anything 😄

+ 1 for the Whitesnake comment . For a brief moment when I was young I liked Deep Purple's Burn and bought Whitesnake's debut on the strength of it. Shouldn't have bothered. It's all been downhill from there though as far as worst bands ever they're up there but there are worse such as Kiss, RHCP, Journey, Boston, Kansas, REO you get my drift

Yep, and I'll raise you a anything by Rush after Signals ('82).

...or a £1.6k starting price for a completely hand-built Shuker...

And another one off the list. And I remembered that it's best to install the luminlay dots before the final sanding of the neck! Some folks make their own, but with the material coming in stick form, it is SO easy to install: ...and looks SO good once it has been, especially the black bound version. Makes great daylight and low light visibility even if you don't charge them up for the glow:

Quick pic to show a nice and simple active install for a P type bass.. Extra switch (so I now have Series/Parallel and Active/Passive) and two stacked knobs..

I've recently fitted the 'C' neck from my Roger Waters sig (which is by far the comfiest neck I've ever played) onto my Blacktop Jazz, but then that has two P pickups on it so I'm not sure where i fit in this thread 😳. I'm now on the hunt for another neck from a Waters bass to fit back on my Waters bass, if you see what I mean.

I have two jazz basses with Precision necks, both sound and play better than any others I've owned. Big necks make a difference to the sound and playability for me. Fretless below, no pics of the fretted I'm afraid but will take some and post later

I like Muse - brilliant drumming, bass work and guitars - but I think Matt gets lost in the 'I am a polymath, I must add more keys and noise to this' - and it gets a bit like the last days of Queen - pompous for the sake of it. They do have some killer tracks though - you can't deny their technical craft, they just get a bit OTT with it. I suppose it's the split between making what they want and what the fans want - a similar problem Dream Theater have had.

Then I'd argue it's not football that's hampering your practice.....it's beer and women!! 😆 Si

That’s right, normally the link comes through automatically as soon as you’ve registered the product to your account. Which reminds me, I need to register mine! Did you email [email protected]? I got a response about a feature request I sent to that address. Failing that, it might be worth contacting someone like Adam or Amos directly (usually first name in front of the @moogmusic.com).

I have the genzbenz nx2 212, great cab, only 47lbs, loaded with faital pro 12 pr 300 drivers and compression horn 4 ohm and vertically aligned!.....oh and built-in wheels.......there is one for sale at the moment at £300 think