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Chris2112

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About Chris2112

  • Birthday 08/08/1984

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  1. It is an absolutely dreadful as a piece of music but interesting to see what AI can do now. Not that that is necessarily a good thing or bad thing, but because the Basschat song sounds so generic and reminiscent of many an advert, one wonders if AI hasn't been churning out these jingles for years 🤣
  2. Sick of all this cool gear turning up for sale in Newcastle 🤣
  3. The Sims Super Quad pickups sort of reminded me of this video: This Lakland video has always stuck in my mind because I thought it was a brave move for the brand to break away from their longstanding relationship with Bartolini to develop their own pickups and preamp. However, whilst I could see the utility in having one bass that can mimic the sound of a few classics, it doesn't do any of the sounds as well as the basses it seems to emulate (with the exception of the P bass, but really that's neither here nor there, I don't much care for the sound of a Precision anyway). When I heard the Sims pickups I didn't think they sounded like anything particularly special or great. I would tend to agree with the speculation that most players will tend to find a couple of sounds they like from a bass and settle with them. Certainly for a live situation, I can't imagine many soundmen wanting a bass tone and EQ that is constantly changing at the player-side, as they'll probably just try to squash out the changes at the board if they're at all paying attention. When Mark at Talking Bass moved to his Enfield with the Super Quads in it I was struck at how much more I preferred the sound of the Ibanez SR he used to use. I tend to be a player that wants a bass to do one or two sounds really well and I use each instrument in specific situations where it'll perform well. In my own semi-related experience, I used to have an ACG with the absolutely amazing ACG EQ-01 preamp in it. The tones it could produce were just astounding but I was forever fiddling with it. A lot of the time I should have been practicing was just spent noodling and faffing around with the tone controls! These days I value something I can just plug in and get a great sound from immediately.
  4. I've heard people say that their bass is the exception to the norm and that it has a thunderous low B with less than 34" scale. I've heard some 33" scales pull it off to a degree but at less than that, I remain unconvinced. That said, when I think of the best low B strings I've heard in my life they were all on 34" scale basses!
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  6. I'm sure he could have had one with a graphite neck if he had wanted. It must be the case that he preferred wooden necks, although that odd semi-hollow six string he had made had a graphite neck and he never seemed to do much with it. That one ended up on sale on this forum and was around for a while before it sold. There were a few Hellborg basses made with graphite necks in later years although none with the 36v preamp as far as I know. Indeed I'd never heard anything about his Status signature bass being designed to sound like a Wal. Surely, multicoil pickups and a filter preamp would be needed for that. The famed 36v preamp was inspired by his love of a Neve desk with a boatload of headroom. The Status pickups were very clear and rich sounding. Even though his Warwick signature sounded fantastic, his tone with the Status basses when he was playing live with Shawn Lane and Jeff Super in the mid 90's was by far his best. Some of the best bass tone ever put to record, I think.
  7. It's too nice a bass to put it through that 😂
  8. Thank you for the detailed replies! Very interesting and I'm glad to share this music on the forum.
  9. I definitely think it's a Clavinet and I'm glad you do too because that makes me a little more certain. One of those sounds, a bit like a Rhodes, that is great in a contemporary setting but you couldn't really use it everywhere.
  10. I often listen to this piece from Yoshihiro Naruse's 1981 'Mythique' album. At 00:11 seconds the keys player comes in with a really funky sound that reminds me of the Hohner Clavinet Model C, as used by Stevie Wonder on 'Superstition'. I don't profess to be an expert on that variety of instruments from that era and I'd like to know exactly what they used here on the track so I thought the seasoned listeners here could say whether or not in right in my guess (as your keys playing friends too, if you like). For us bass lads, you may be interested to know that the bass track was recorded on a fretless Alembic Distillate bass, and surely must be one of the first recorded instances of slapping on a fretless bass.
  11. Sad news. John will be remembered as a legend of the industry, not just for making a splash with his own enduring designs at a time when the bass world was really taking off, but for continuing to work at the highest level for decades after. I was only just saying the other day that Jaydee remained surprisingly affordable for a handmade British instrument, constructed to the highest standards. My thoughts are with his family, who I hope will find some comfort in knowing how well thought of John was.
  12. The chance to play with Dennis Chambers is worth the asking alone.
  13. Just host them on Imgur and link to them if your phone can't manage it.
  14. I have to say, I really like those Flea jazz basses.
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