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Showing content with the highest reputation on 09/03/18 in Posts

  1. Those are uglier than Fenders. Which is not something I say very often.
    3 points
  2. Hi All, Up for sale is my 1964 Fender Precision Bass with its OHSC. Lightweight at 8.6lbs. 100% original apart from an added ground wire. A terrific sounding pre-CBS Precision with clay dots, L plate serial number, C width neck, original chrome covers with the mute still intact. It has mojo mainly around the body edge, the frets have plenty of life left and the truss rod works as it should....the rosewood neck is nice and dark. Feel free to contact me with any questions or to arrange to test drive with no obligation (apart from the stipulation that you must be complimentary about my coffee). Cheers, Si
    2 points
  3. The thing is that I would notice if I didn't have my 1 knob compression at 9 o'clock. I doubt anyone else would. Even my brother rhythm guitarist says that bass is just bass to him and any subtleties of my bass tone brought to his attention seem to elicit little interest. As for the audience, I'm pretty sure that as has been said many times before, most would only miss the bass if it wasn't there, let alone discern any difference. The thing that folk readily notice is the volume, "the bass was loud". I think Motown did a lot to bring a good bass-line to the attention of the listening/dancing public. A few other popular songs had strong bass-lines like 'Hit the road jack' and 'These boots are made for walking'. I'm happy being part of the rhythm section, I like locking in with a good drummer and rhythm guitarist who are also good team players. But the subtleties we enjoy getting out of our instruments, thumbs & plectrums, strings, nuts, bridges, pick-ups, pedals, amps, speakers and techniques, for the most part are like trade secrets shared and assessed and discussed like new/old recipes by the connoisseurs of the art who are I'm happy to say venerable BCers.
    2 points
  4. Should we not do the same for:- If you played a wrong note Got the timing wrong Used flanger instead of chorus Kicked some form of distortion/overdrive/fuzz on in a song you wouldn’t normally do it I take it if only 1 person notices that’s enough, or does there have to be more than that...... I have to say IMHO this survey misses the point of how you use compression and so won’t really prove anything either way
    2 points
  5. I’ve politely declined the one gig they wanted me on and they’ve agreed it makes no sense for me to do it. No sour grapes from me, just move on and be polite, professional and maybe they’ll call me if they need me in the future
    2 points
  6. I'm 6'2" and I'm now strictly short scale... so to speak. I have gigged with a cij Mustang in the past. I've recently bought a Squier Jaguar SS recently and think it's great. Now I'm considering other SS basses and am likely to be selling my remaining long scale. I'm motivated by a mixture of age and arthiticky hands, but I also think SS basses are amazingly cool.
    2 points
  7. Likewise with Tina Weymouth, she's superb. I don't know what the thing is with big basses, I struggled for years and just thought it was my lot to struggle because I have small hands for any instrument let alone bass, what I really meant by my boys with big basses comments was that you need to try stuff out without the burden of thinking you need big (or small for that matter), try everything without preconceptions is what I mean. When I went into my local music shop the chap who usually serves me and knows my particular tastes in instruments just pointed at the Taylor and said Tried one of these? Be careful when you pick it up, it's as addictive as crack. I did pick it up and I only put it down twenty minutes later in order to pay for it. Try everything.
    2 points
  8. i saw this a while back whilst browsing, looks interesting to me, a 2ohm option would be nice but isn't a deal breaker. the feature list is pretty good too, 4 band eq, switchable from active to passive input and a switchable onboard compressor. and it's got 2 speakon connectors. if you compare to the quilter then this has (to me) a much better spec list, eg. headphone output and an aux input with a volume control makes it a great practice tool at home. and a mute switch is one of the things i miss on my markbass if this had a different badge (Fender/Ampeg/gk/etc) and was 100 quid more i'd expect that we'd be buying them in droves and raving about what a bargain they were! matt
    2 points
  9. How many people do we need to get the price down to £7.50?
    2 points
  10. fair enough but the proportions are just plain wrong, a fender P is just right somehow
    2 points
  11. You utter bastard. Another knife in the heart of rock and roll.
    2 points
  12. Nearly as mind numbingly sh*te to look at as Windows 10.
    2 points
  13. B-amp with HD112 cabs & Spector Shorty strung with labella black tapes 👌
    2 points
  14. I am more than happy to apologise if people think I have been out of order. Sorry folks; not normally my style. I have been thinking back and realise that I have probably rarely if ever expressed a strong opinion here before at all, let alone a contentious one, on any threads here. Sure I have commented and been involved in conversations, but I am absolutely certain I have never openly criticised anyone else's products and wouldn't. Its below the belt and thats always going to pretty much guarantee a defensive response (for the record, as for bias, I am not employed by Markbass or Markaudio or their distribution, I am merely a self employed professional player and sound tech in the business, so these are not my products, I am being paid on a flat day rate to demonstrate them (no commission), so perhaps that could be interpreted as commercial interest, but no more than also being the bass player in a pro function band, hoping to have a fuller diary). I normally avoid engaging in any topics which obviously turn into bashing and negativity, I don't need that in my life, but I am always open to constructive and helpful advice. BFM's first "unbiased technical advice" began with "Its a variation on a Bose L1, and that is not a good thing....", or effectively "its rubbish, it won't work". I asked if he had actually heard Markaudio in action, and on what was he basing this "expert" opinion.... he has still failed to respond. He followed up saying all systems "like this one" are rubbish and won't work, as if de-personalising and this generalisation might soften the blow. I would happily have taken my concern with his clear bias (however well intended and technically minded) and his generalistic and unnecessary comments to all here that "we don't know better" off line and PM'ed him, but he has messaging disabled, so I couldn't! I would be very happy to see a debate about PA design, as it is a specific area of interest of mine (lets talk point source and tapped horns, now that would be a good discussion!), but in another place, not one that hijacks someone else's thread, and does nothing but undermine the point of the conversation. As said, all the gear we all use is a compromise between form, function, price and quality. Whether it fits with your opinion, the Markaudio (and lots of others too) are making a good job of bringing compact and good sounding equipment to the market. Interestingly, as HJ found out today, what makes the Markaudio different, is that you CAN separate the top arrays from the subs. You can quite easily run the subs in a cluster and locate the top arrays in another location, if it is your wish and the venue layout allows.. You can add further subs, you can add power amps and add more AC arrays, which can be flown from trusses, and build up quite a large (but still light and portable) system... and it does work... quite well in fact. It is being used by a function band on Saturday night at a party I have been invited to. I am not doing the sound, so I'll try and get some video to share here if that is of interest?
    2 points
  15. Hi I'm selling this Sandberg. Perfect conditions. 4.2kg Active electronic, vol,blend, treble,bass. Passive mode with tone. 45mm at the nut. string spacing 17.5. 1000€ Comes with a case in middle conditions.. No trades. Cheers
    1 point
  16. mine as it stands now! A brief spell of unemployment forced me to sell my cali cb! but I got sorted and got myself another cog T16 a Mooer lofi machine and an MXR bass compressor. The your doom,sweeper and lofi machine are in the cog T65 loop and all in the wonderloves loop! it makes some very responsive synth sounds!! love it to bits
    1 point
  17. An honest seller on eBay?? A rare beast indeed...
    1 point
  18. I think it's the horn being wider than the body that does it, it just looks... "splodgy" to me
    1 point
  19. Okay, I am buying one... no more people wanting to borrow my bass. And apparently I will get used to how it looks anyway
    1 point
  20. That was used in the making of Whisky in the Jar and Ernie....
    1 point
  21. Perhaps we'll have to arrange a duet of Dirty Old Town via Skype! I suspected I may come a-cropper with other BCers gigging for St Paddy's - hopefully it won't be too long before the next one!
    1 point
  22. I was hoping that everyone would subsidise me down to a fiver. £7.50 is price gouging and totally unacceptable. Do you work for Westside Distribution?!!
    1 point
  23. If it sounds good and the punters look to be enjoying themselves then it's done its job.
    1 point
  24. Will probably help people to find this if you add that it’s a 75 reissue. Lovely bass, I just sold my rosewood version the other day.
    1 point
  25. That would have suited me better than being singled out and treated like a hot house flower. I grew to hate that school just because of that one Drama teacher. Had we not moved I'd be a far bigger misfit than I am now. Guaranteed.
    1 point
  26. Could we be on for a BC first? Everyone agreeing?
    1 point
  27. Done that. Not doing it again if this is all I get:
    1 point
  28. If only I hadn't got your Warrior DM7 !! I wouldn't be looking at this beautiful fretless...
    1 point
  29. I think there's a consensus building here....
    1 point
  30. Oooooooh, even the 'mother' would have trouble loving that monstrosity.
    1 point
  31. Board set up went a bit crazy the other night!
    1 point
  32. Just spotted a few good deals on B Stock monitors. Enjoy! RCF ART735a @ £589 - https://www.andertons.co.uk/b-stock-sale/b-stock-%3A-rcf-art-735-a-mkii-15-digital-active-speaker-1400w-each-tatty-box-exrepair-72927-b-13000469-0001 QSC K12 @ £399 - https://www.andertons.co.uk/b-stock-sale/b-stock-%3A-ex-display-qsc-k12-1000w-powered-12-speaker-b-qsck12-0013 and a second QSC K12 @ £399 - https://www.andertons.co.uk/b-stock-sale/b-stock-%3A-ex-display-qsc-k12-1000w-powered-12-speaker-b-qsck12-0012
    1 point
  33. It's just too good a bass to sell so it's withdrawn - plus I know I'd sell it and buy myself a Classic Stingray 5 in a few months time
    1 point
  34. Can't believe no one has grabbed this yet. As someone who owns one, I can tell you they are absolutely monstrous!
    1 point
  35. Cheers all, I agree I’m keeping polite and calm about it towards them and moaning about it to Mrs Mert and on here
    1 point
  36. You can't trust them. They'll obviously do this again at some point, as they've shown what their philosophy regarding band etiquette is Announce on Farcebook a week before the gig that you forgot you were having your eyebrows plucked on that date
    1 point
  37. A European invasion... Limelight '67 P relic Maruszczyk Jake PJ Custom HandBox WB-100 120w valve head TKS S212 cab How I love it all so.
    1 point
  38. 1 point
  39. For fans of Snarky Puppy, Michael League goes through his rig, pretty cool
    1 point
  40. They do have a reputation for being outstanding fretless-wise.
    1 point
  41. Really?! Slut red in fish net stockings with prices held. What's not to like?
    1 point
  42. bit of demo and chat about the pedal, but wise words in general from the big man
    1 point
  43. Blonde bursts do look good but very tricky to do well, I had one done by Bow Finishing it was lovely but it wasn't cheap.
    1 point
  44. Tell 'em it's angled to aid dispersion etc and they'll snap 'em up, lol
    1 point
  45. Can you post some links where and when your band plays so I can avoid them? Thanks
    1 point
  46. [quote name='Tweedledum' timestamp='1482397680' post='3200133'] [/quote] Löewenherz. Where 'taste' and 'restraint' have no meaning.
    1 point
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