Leaderboard

I like mine .

I pronounce it correctly as 'Epiphone'

Yes good bass tone does matter. *edited* If your band mates don’t care about tone they’re not tuned in to being in a band. If you’re not constructively listening to your band as a unit and aiming for consistency in your sound then you’re not fully engaging. To the point about simple set up we’re all capable of going bass>amp>speaker and we could all make that work but once we start trying to find our ‘voice’ with our instrument we do consider effects and enhancements to be more unique and distinguish is from others Why is tone important and why would punters care? Well we’ve all been conditioned by listening to professionally mixed music our whole lives to understand what sounds good and the human ear knows when things sound right or wrong. Too shrill we wince too boomy etc we know it’s wrong. A well mixed/good sounding band just feels and sounds right. Within that context we (irrespective of instrument) have a responsibility to play well, sound good and serve the song irrespective of genre. Why do live venues have a sound engineer? To make sure it sounds good of course so the punters come back! What I found with most musicians once they get some proficiency and begin to understand ‘how’ to play their instrument they take an active role in the sound as much as the technique. They know where they fit in the context of the song and they give a damn about making it work in the band. If these people are not in your band then it’s a sad day for you and the audience. Yes punters will dance to a bad band, they’ll even dance to bad musicianship. They may not know that that shrill noise is too much 2k but watch their faces when the feedback kicks in. Good sound should be a priority as should a good groove. If a musician is not considering their tone and the bands tone then they’re not really engaging in the process. Sure it can get ridiculous but as I’ve said elsewhere if we know how to use our gear, understand what makes a good mix and our place in it then we’re informed enough to get by and sometimes that’s the best we can hope for. I do know that I’d hate to be the one person in my bands who was ruining the vibe or the mix because I didn’t care enough to take an interest.

Be careful with that kind of gig, it's a slippery slope.

I agree that it is nice for someone to just let rip and say what they want in an interview, without some press agent or handler stepping in and stopping comments from being printed etc. He is a big hitter in his industry, has a vast fortune, he’s 85 and he doesn’t give a damn about whether his opinions offend anyone, and I can’t help but admire his Candour. He has probably seen and been exposed to a lot of things behind closed doors, and I would bet he knows a lot of secrets that aren’t his to tell the world. I think some individuals are getting a little too upset just because he says a few mean things about people they hold in high esteem. It’s only opinion, he’s not forcing you to believe the same against your will, just take the interview as a piece of entertainment, at the end of the day that’s basically what QJ is. I agree and disagree with a few things he says, but it’s sill funny and refreshing to me.

Well nobody asked for it and now I've done it. I found myself at a loose end yesterday (actually there were several things I could have been doing instead) so without any forethought or planning I fired up my iPad and recorded this little video. I'm sure there's a better way of doing it but I did the video on the iPad, audio on my iMac with garage band then bounced them together and added some text. Seemed to go ok so now I may do some better ones. Anyway here you can enjoy the sound of my mini bass and the VB99 which I love for it's flexibility. I've had it (and the previous version before it) for about 10 years now and I'm still finding new things to do with it. Hope you enjoy! ped

What a fortunate lady Jane is. In my family you might get a new jumper commissioned; if you're lucky.

I played my first gig with the dean 8 string last night, it went so well in practice and now I have lowered the action is it an absolute joy to play. Don't get me wrong, it is still more effort to play but only just. It is a faff changing bass, more so because I am wired up with wireless sender and IEM, so those leads are in the way, so I didn't do it that much (mostly the iem). As a result of that, there were some songs I would have liked to play with the 8 string that I didn't, and some things I wouldn't have picked the 8 string for that I did. So, come together by the beatles, really doesn't work for, you need a dull paul mccartny tone and it doesn't have that, plus the strings are in the way - especially as I play the whole thing up around the 10th fret. Some songs though, 'does your mother know', "20th century boy', 'crazy horses', 'who knew', 'fight for your right' and anything rocky, fantastic. I also ended up playing it on 'saturday nights alright for fighting' which I had already decided I wouldn't due to the effort requred, because it was between 'baker street' and 'fortunate son', and it worked ok, if a bit more work than I would like - ditto 'turning Japanese'. Some songs in the second half I would have liked to use it for, but too much ska in that half to pick it up. Need to work out a quick changeover without the leads! I really do like this bass. Regarding the pitch shifter, I have used one of those many times in the past, as well as the Akai unibass and fishman powerchord effects pedals, both now sold. They are ultimately nothing like this. I wouldn't mind trying a sub-n-up, see if it is any good, but it won't be the same. I wish I had this in my last group. I think the main difference is that with an 8 string, the way you play it dictates how much of which octave you get, so you can if you want play just the low strings, or just the high, playing with a downstroke sounds different to playing with an upstroke, playing fingerstyle sounds very different to with a pick etc, its really versatile within its niche. Dont' think it is ever going to replace the ibanezes for general stuff, and also it *is* a doubled 4 string, so it is missing a string (or umm.. 2 strings), so I really could do with a 10 (or umm.. a 15!) but I am really happy I got it.

Get a high-quality studio photo of each bass printed up, full size. Frame and hang those on the walls, optionally with attractive lighting; leave the basses in their cases in a secure, temperate room (not the attic...), to be taken out and checked up on regularly (quarterly..?). That's how museums and art galleries keep their produce intact for so many decades.

OK.. in that case, how far back do you want to go?

I think Bubinga has a valid point in as much as Mars's music is a pastiche of things that have been successful in the past and seems to lack any original creativity, granted he is hugely popular which i'm sure his record label love but he is never going to be the next Marvin ,Curtis ,Smokey ,James Brown or the hip hop artist's he's parodying of late... more Jimmy Osmond than James Brown i would say ,he even has the teeth

In the entertainment industry it's a job very well done.

After all that the shop didnt have one in stock. So after big consideration ive ordered a spectracomp. I like the idea of the one knob so i dont mess my settings up, and the amount of toneprints available. Should receive it on monday.

The dude is 84 and claims to have ten movies, six albums, four Broadway shows and a number of other projects on the horizon! Hardly someone who’s no longer relevant and has it ‘all behind him’. The thing is that he has had a pop at a few sacred cows (Macca, Jackson, Prince et al), which has upset a few people when their heroes are being dissed by someone of his undoubted pedigree.

Perhaps the Christmas break has impaired your recollection of events during the course of this year. For indeed, you have form for jumping into sales threads to point out logo transgressions: Prior to the 'triggering' incident of a week or two ago, you commented in a sales thread in October: Ped replied to you saying: On June 18th you replied to an ad for a bitsa Jazz saying: Then on Jan 17th you expatiated in a more general sense on logos: THAT! There are so many fake/counterfeit "Fender"s around, selling with a "Fender" logo is dishonest, just waiting for some poor mug to buy one thinking they've got the real thing. (I also think Fender have muddied the waters a bit by branding Squiers as "Squier by Fender", so that people can advertise them as Fenders. Funnily enough, only three days before you had described taking delivery of a Rickenfaker with a fake Ric logo. Fair play for removing it as you did. But surely in buying it you were party to a transaction where intellectual copyright was infringed. So basically, you want to stop people selling basses with fake logos but it's OK for you to buy one? I put it to you that your unhappiness with fake logos in sales ads is nothing new. You have repeatedly broken forum rules by posting in sales threads where you should have PM'd. You have already had a discussion about fake logos with one of the forum's owners who has made his position clear. I suggest that far from being a spontaneous expression of concern you started this thread in an attempt to change forum policy. You want to stop people selling items with fake logos but you're happy to buy them. Shall I go on?

Instead of creating a new topic for every transcription, I thought I'd combine them all in one thread. Here are some of my older posts: Michael Jackson - Love Never Felt So Good | Bass Transcription | Adam Blackstone Leonard Cohen - Almost Like The Blues | Bass Transcription The Staple Singers - I'll Take You There | Bass Transcription | David Hood Meshell Ndegeocello - Modern Times | Bass Transcription | Meshell Ndegeocello Incognito - Still a Friend of Mine | Flugelhorn Transcription | Kevin Robinson Oleta Adams - Get Here | Bass Transcription | Pino Palladino Fischer Z - The Worker | Bass Transcription | David Graham Curtis Mayfield - Move on Up | Bass Transcription Donna Summer - Bad Girls | Bass Transcription | Scott Edwards The XX - Reunion | Bass Transcription | Oliver Sim David Guetta - Dangerous | Bass Transcription Dorothy Moore - Misty Blue | Bass Transcription The Buggles - Video Killed The Radio Star | Bass Transcription | Trevor Horn Donna Summer - Last Dance | Bass Transcription The Knack - My Sharona | Bass Transcription | Prescott Niles BB King - I Want You So Bad | Bass Transcription | Jerry Jemmott George Benson - Give Me The Night | Bass Transcription | Abraham Laboriel Rheingold - Dreiklangs-dimensionen | Bass Transcription Commodores - Easy | Bass Transcription | Ronald LaPread Nathan East - Demo Groove | Bass Transcription | Nathan East Jazzanova - Look What You're Doin' To Me | Programming Transcription | Stefan Leisering Fat Larry's Band - Act Like You Know | Bass Transcription | Larry La Bes Magic! - No Way No | Bass Transcription | Ben Spivak The Meters - Liver Splash | Bass Transcription | George Porter JR. There over 900 more at Bass Transcriptions ⚠️I've noticed a few donations coming in (thank you so much!), but I'm concerned that some of you might not be receiving your login details via email. If you've made a donation and haven't gotten your login info, please drop me a DM so I can help sort this out. Really appreciate your support! 💕

Here's one for all the old punks out there. JJ Burnel of The Stranglers was the reason i first picked up a bass guitar. My personal all time favourite bass guitar album would have to be Black & White. For me, bass players back in the day did stuff you just don't hear anymore, unless you come round my house that is. :-) To name but a few: Barry Adamson, JJ Burnel, Bruce Foxton, Lee Gorman, Steve Hanley, Peter Hook, David Jay, Segs Jennings, Lemmy, Stuart Morrow, Tracy Pew, Paul Raven, Steve Severin, Algy Ward, Jah Wobble, Youth. Anyone care to add to the list? I reckon the whole "post-punk" era in particular was a great time for bass players. Killing Joke, Birthday Party, Bauhaus, Cure, Joy Division, Sisters Of Mercy, Theatre Of Hate etc. Songs that were obviously written around strong bass riffs, always loud in the mix. Anyone's else's first bass line Love Song, Public Image, Peaches or Warhead? Cheers, Jake M

The spectracomp is great. As far as bang-to-buck ratio it pretty much can’t be beat.

It’s a great little head isn’t it? I gigged one a couple of weeks back with my BF SC, no PA support, and it just got on with it. There wasn’t really any headroom left but it didn’t sound like it was struggling at all, was really very nice. It has a warmer, more musical limiter than the GK MB200 IMO.

Here’s me messing around with it A51D838E-181F-4D65-9F7F-201D7A35667D.MOV

Success + lack of talent = Spice Girls.

That's terrible. Particularly as they will still be quiet just with an amp.

Part exchanged my MTD NS for his Lull and some cash. Easily one of the most pleasant guys here in BC. Smooth transaction! As smooth as it can be! Enjoy they bass mate! And thanks for the drink!

Had a Peavey MkVI head and 1820 cab many moons ago. Awesome sounding thing but it caused tidal changes due to it's own gravity field.

Cheers Phil and JB ..still at it Next - ports cut and side panel cross brace fitted

Really sad to read about the death of this amazing artist. He’s compositions are truly beautiful.

Very eye catching. Was it designed by Salvador Dali? Seriously nice looking bass.

Incognito magic.

I think I share the same opinion as most on here Bass, Electric, Lute whatever we just enjoy watching your builds progress and evolve So I’m intrigued by this build that you want it lighter but your going to include some oak??

+1 for the M900 Clean channel The clean channel is awesome and provides all the headroom (and that 'heft' folk refer to) you are ever likely to need for pretty much all venues that don't have an in-house sound system. The EQ section is perhaps the best available on any D class amp at a similar (or cheaper) price point on the market today, with very usable and versatile EQ centre points: Bass - 80Hz Low mids - toggle switch optionality centring at 250, 500 or 750 Hz High mids - 750Hz, 1.5kHz and 3kHz Treble - 5kHz If I was to find any room for improvement in the above it would be to have a toggle switch for the Bass to also give the option of centring at 60Hz; but hey really starting to split hairs, right? DG have pretty much nailed the EQ. This clean channel alone IMO makes the amp worth getting for the price (particularly if you can get a mint condition one second hand - which I was lucky enough to do; there were several that came up in the latter part of last year and seem to have all been snapped up). Drive channel I'm definitely not in a metal band either (actually I'm playing in two covers bands). Like many of us I'm still looking for that elusive dirt pedal (having tried several thus far, but nowhere near as many as our resident dirt boy guru @dannybuoy, who is also a M900 owner). I initially found the DG dirt to have too much top end fizz (which was not massively dissimilar to the Channel B dirt on my Two Notes Le Bass), however this was partly down to bright / aggressive Nord pups (which I love) on my Ibby SR combining with a very articulate and responsive VK 210 which has a tweeter. The DG dirt has a 'Tone' control which is essentially an LPF and allows you to cut out the top end fizz, and that combined with adjusting the tweeter crossover on the VK cab got me 85% of the way there, and has allowed me to move on several dirt pedals including my 2Notes, One Control HGBM and TC Mojomojo. What I've found interesting is that for cabs with a warmer tone e.g. my Markbass 1x12 which has a tendency to roll off the high-end or with a P-bass rather than a J bass, the high end fizz disappears entirely and actually the high end presence of the DG dirt comes into its own and becomes a plus rather than a minus. The drive channel (which is not a standalone but feeds in seamlessly to the clean channel and clean EQ) also has a clean blend to allow you keep as much 'clean' bass in the signal as you wish which is very helpful in maintaining the low end. So having come to the amp as someone pretty sceptical about the DG dirt sound (but convinced that it had one of the best clean power-amps and EQs on the market today), I find myself being pleasantly surprised by the dirt channel (which is effectively £400 worth of DG pedals) too - always nice when that happens! Intelligent foot-switch Really handy to be able to engage dirt or mute via a compact stomp box foot-switch which is included in the price. I personally also like the fact that (IMO!) it's been beautifully designed. Hope that helps. ...I'm still on the look out for that elusive dirt pedal though

I bought a very nice Sandberg from Steve. Superbly packaged , great comms. Nice guy 🙂 Buy with confidence.

Why not? You lit blue touch paper & retreated on the Limelight ad that started this. You also did the same on one of my Facebook ads.

I think we all need to be protected from this scourge - a menace which is ruining the BC experience. (Also, I think Fender should maybe look at the reaction these things get, and perhaps learn from it.)

I don't think so. I think it's safe to say they're replicas made from a mixture of Fender and third-party parts. Very nice they are too.

This is great. I feel like I’m embroiled in some type of conspiracy. My life has just got interesting. I’m selling the bass in question on the forum. The original sale line I put up was “ Fender Jazz with limelight love” Another chatter pointed out that this may be throwing others of the sent. ill be perfectly honest, when I bought this bass I thought it was a fender jazz reissue that had been pimped by Limelight. I honestly thought that’s what they did. Like some people do with cars. Once I had read upon the company I realised I’d made a genuine mistake. So changed it immediately. Im not sure of the legality of logos etc. i completely agree about not promoting the sale of fake instruments in any way. I don’t think it’s the quality of the bass as the Limelight is stunnng to play and I own genuine vintage fender jazzes. It’s the intent to decive that would damage the site. Maybe it’s an issue for the powers at be need to consider ( wait until I’ve sold my Limelight first please) I do believe in the integrity of BC Members. I’ve been buying and selling on here for years and have never had anything but good experiences. I’ve often relied on the comments and knowledge of other members to inform my decision and increase my own knowledge I’ve always felt I can post questions Maybe we need a section to “Ask the experts”

Haven't really mentioned the through-stringing, which - together with the internal structure of the body - is a major contributor to the distinctive sound of the Contour basses. Just pull the hatch cover away from its magnetic mounts... http:// ...and all is revealed! http://

Bought some leads from me, good comms, swift payment, advised when items received, all that`s good in a transaction.

I just bought a Zoom B3 multi effects pedal from Steve. Great guy to deal with. I confess that I haven't had the chance to try the beast yet but it was well packaged and looks brand new and I fully expect it to work perfectly. He posted it really quickly. Top Chatter

Just bought a bass from Steve - bass exactly as described, very straightforward and fair communication beforehand, very quickly posted out and well packed. Couldn't have been any easier - super great!

Just bought a fretless P bass from Steve. Smashing bass, totally cool guy, good comms, no hassles whatsoever. Cheers Steve!

Meet Steve today again, nice to do business as always, many thanks!

Steve bought a korg tuner from me.Smooth transaction and a pleasure to deal with. Cheers.

Steve bought a CD from me. No problems and all went sweetly - I'd be pleased to deal with him again. Thanks

Easy bass sale. Enjoy it mate.