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I like mine .

I pronounce it correctly as 'Epiphone'

Yes good bass tone does matter. *edited* If your band mates don’t care about tone they’re not tuned in to being in a band. If you’re not constructively listening to your band as a unit and aiming for consistency in your sound then you’re not fully engaging. To the point about simple set up we’re all capable of going bass>amp>speaker and we could all make that work but once we start trying to find our ‘voice’ with our instrument we do consider effects and enhancements to be more unique and distinguish is from others Why is tone important and why would punters care? Well we’ve all been conditioned by listening to professionally mixed music our whole lives to understand what sounds good and the human ear knows when things sound right or wrong. Too shrill we wince too boomy etc we know it’s wrong. A well mixed/good sounding band just feels and sounds right. Within that context we (irrespective of instrument) have a responsibility to play well, sound good and serve the song irrespective of genre. Why do live venues have a sound engineer? To make sure it sounds good of course so the punters come back! What I found with most musicians once they get some proficiency and begin to understand ‘how’ to play their instrument they take an active role in the sound as much as the technique. They know where they fit in the context of the song and they give a damn about making it work in the band. If these people are not in your band then it’s a sad day for you and the audience. Yes punters will dance to a bad band, they’ll even dance to bad musicianship. They may not know that that shrill noise is too much 2k but watch their faces when the feedback kicks in. Good sound should be a priority as should a good groove. If a musician is not considering their tone and the bands tone then they’re not really engaging in the process. Sure it can get ridiculous but as I’ve said elsewhere if we know how to use our gear, understand what makes a good mix and our place in it then we’re informed enough to get by and sometimes that’s the best we can hope for. I do know that I’d hate to be the one person in my bands who was ruining the vibe or the mix because I didn’t care enough to take an interest.

Be careful with that kind of gig, it's a slippery slope.

I agree that it is nice for someone to just let rip and say what they want in an interview, without some press agent or handler stepping in and stopping comments from being printed etc. He is a big hitter in his industry, has a vast fortune, he’s 85 and he doesn’t give a damn about whether his opinions offend anyone, and I can’t help but admire his Candour. He has probably seen and been exposed to a lot of things behind closed doors, and I would bet he knows a lot of secrets that aren’t his to tell the world. I think some individuals are getting a little too upset just because he says a few mean things about people they hold in high esteem. It’s only opinion, he’s not forcing you to believe the same against your will, just take the interview as a piece of entertainment, at the end of the day that’s basically what QJ is. I agree and disagree with a few things he says, but it’s sill funny and refreshing to me.

Well nobody asked for it and now I've done it. I found myself at a loose end yesterday (actually there were several things I could have been doing instead) so without any forethought or planning I fired up my iPad and recorded this little video. I'm sure there's a better way of doing it but I did the video on the iPad, audio on my iMac with garage band then bounced them together and added some text. Seemed to go ok so now I may do some better ones. Anyway here you can enjoy the sound of my mini bass and the VB99 which I love for it's flexibility. I've had it (and the previous version before it) for about 10 years now and I'm still finding new things to do with it. Hope you enjoy! ped

What a fortunate lady Jane is. In my family you might get a new jumper commissioned; if you're lucky.

I played my first gig with the dean 8 string last night, it went so well in practice and now I have lowered the action is it an absolute joy to play. Don't get me wrong, it is still more effort to play but only just. It is a faff changing bass, more so because I am wired up with wireless sender and IEM, so those leads are in the way, so I didn't do it that much (mostly the iem). As a result of that, there were some songs I would have liked to play with the 8 string that I didn't, and some things I wouldn't have picked the 8 string for that I did. So, come together by the beatles, really doesn't work for, you need a dull paul mccartny tone and it doesn't have that, plus the strings are in the way - especially as I play the whole thing up around the 10th fret. Some songs though, 'does your mother know', "20th century boy', 'crazy horses', 'who knew', 'fight for your right' and anything rocky, fantastic. I also ended up playing it on 'saturday nights alright for fighting' which I had already decided I wouldn't due to the effort requred, because it was between 'baker street' and 'fortunate son', and it worked ok, if a bit more work than I would like - ditto 'turning Japanese'. Some songs in the second half I would have liked to use it for, but too much ska in that half to pick it up. Need to work out a quick changeover without the leads! I really do like this bass. Regarding the pitch shifter, I have used one of those many times in the past, as well as the Akai unibass and fishman powerchord effects pedals, both now sold. They are ultimately nothing like this. I wouldn't mind trying a sub-n-up, see if it is any good, but it won't be the same. I wish I had this in my last group. I think the main difference is that with an 8 string, the way you play it dictates how much of which octave you get, so you can if you want play just the low strings, or just the high, playing with a downstroke sounds different to playing with an upstroke, playing fingerstyle sounds very different to with a pick etc, its really versatile within its niche. Dont' think it is ever going to replace the ibanezes for general stuff, and also it *is* a doubled 4 string, so it is missing a string (or umm.. 2 strings), so I really could do with a 10 (or umm.. a 15!) but I am really happy I got it.

Get a high-quality studio photo of each bass printed up, full size. Frame and hang those on the walls, optionally with attractive lighting; leave the basses in their cases in a secure, temperate room (not the attic...), to be taken out and checked up on regularly (quarterly..?). That's how museums and art galleries keep their produce intact for so many decades.

OK.. in that case, how far back do you want to go?

I think Bubinga has a valid point in as much as Mars's music is a pastiche of things that have been successful in the past and seems to lack any original creativity, granted he is hugely popular which i'm sure his record label love but he is never going to be the next Marvin ,Curtis ,Smokey ,James Brown or the hip hop artist's he's parodying of late... more Jimmy Osmond than James Brown i would say ,he even has the teeth

In the entertainment industry it's a job very well done.

After all that the shop didnt have one in stock. So after big consideration ive ordered a spectracomp. I like the idea of the one knob so i dont mess my settings up, and the amount of toneprints available. Should receive it on monday.

The dude is 84 and claims to have ten movies, six albums, four Broadway shows and a number of other projects on the horizon! Hardly someone who’s no longer relevant and has it ‘all behind him’. The thing is that he has had a pop at a few sacred cows (Macca, Jackson, Prince et al), which has upset a few people when their heroes are being dissed by someone of his undoubted pedigree.

Perhaps the Christmas break has impaired your recollection of events during the course of this year. For indeed, you have form for jumping into sales threads to point out logo transgressions: Prior to the 'triggering' incident of a week or two ago, you commented in a sales thread in October: Ped replied to you saying: On June 18th you replied to an ad for a bitsa Jazz saying: Then on Jan 17th you expatiated in a more general sense on logos: THAT! There are so many fake/counterfeit "Fender"s around, selling with a "Fender" logo is dishonest, just waiting for some poor mug to buy one thinking they've got the real thing. (I also think Fender have muddied the waters a bit by branding Squiers as "Squier by Fender", so that people can advertise them as Fenders. Funnily enough, only three days before you had described taking delivery of a Rickenfaker with a fake Ric logo. Fair play for removing it as you did. But surely in buying it you were party to a transaction where intellectual copyright was infringed. So basically, you want to stop people selling basses with fake logos but it's OK for you to buy one? I put it to you that your unhappiness with fake logos in sales ads is nothing new. You have repeatedly broken forum rules by posting in sales threads where you should have PM'd. You have already had a discussion about fake logos with one of the forum's owners who has made his position clear. I suggest that far from being a spontaneous expression of concern you started this thread in an attempt to change forum policy. You want to stop people selling items with fake logos but you're happy to buy them. Shall I go on?

Instead of creating a new topic for every transcription, I thought I'd combine them all in one thread. Here are some of my older posts: Michael Jackson - Love Never Felt So Good | Bass Transcription | Adam Blackstone Leonard Cohen - Almost Like The Blues | Bass Transcription The Staple Singers - I'll Take You There | Bass Transcription | David Hood Meshell Ndegeocello - Modern Times | Bass Transcription | Meshell Ndegeocello Incognito - Still a Friend of Mine | Flugelhorn Transcription | Kevin Robinson Oleta Adams - Get Here | Bass Transcription | Pino Palladino Fischer Z - The Worker | Bass Transcription | David Graham Curtis Mayfield - Move on Up | Bass Transcription Donna Summer - Bad Girls | Bass Transcription | Scott Edwards The XX - Reunion | Bass Transcription | Oliver Sim David Guetta - Dangerous | Bass Transcription Dorothy Moore - Misty Blue | Bass Transcription The Buggles - Video Killed The Radio Star | Bass Transcription | Trevor Horn Donna Summer - Last Dance | Bass Transcription The Knack - My Sharona | Bass Transcription | Prescott Niles BB King - I Want You So Bad | Bass Transcription | Jerry Jemmott George Benson - Give Me The Night | Bass Transcription | Abraham Laboriel Rheingold - Dreiklangs-dimensionen | Bass Transcription Commodores - Easy | Bass Transcription | Ronald LaPread Nathan East - Demo Groove | Bass Transcription | Nathan East Jazzanova - Look What You're Doin' To Me | Programming Transcription | Stefan Leisering Fat Larry's Band - Act Like You Know | Bass Transcription | Larry La Bes Magic! - No Way No | Bass Transcription | Ben Spivak The Meters - Liver Splash | Bass Transcription | George Porter JR. There over 900 more at Bass Transcriptions ⚠️I've noticed a few donations coming in (thank you so much!), but I'm concerned that some of you might not be receiving your login details via email. If you've made a donation and haven't gotten your login info, please drop me a DM so I can help sort this out. Really appreciate your support! 💕

Here's one for all the old punks out there. JJ Burnel of The Stranglers was the reason i first picked up a bass guitar. My personal all time favourite bass guitar album would have to be Black & White. For me, bass players back in the day did stuff you just don't hear anymore, unless you come round my house that is. :-) To name but a few: Barry Adamson, JJ Burnel, Bruce Foxton, Lee Gorman, Steve Hanley, Peter Hook, David Jay, Segs Jennings, Lemmy, Stuart Morrow, Tracy Pew, Paul Raven, Steve Severin, Algy Ward, Jah Wobble, Youth. Anyone care to add to the list? I reckon the whole "post-punk" era in particular was a great time for bass players. Killing Joke, Birthday Party, Bauhaus, Cure, Joy Division, Sisters Of Mercy, Theatre Of Hate etc. Songs that were obviously written around strong bass riffs, always loud in the mix. Anyone's else's first bass line Love Song, Public Image, Peaches or Warhead? Cheers, Jake M

The spectracomp is great. As far as bang-to-buck ratio it pretty much can’t be beat.

It’s a great little head isn’t it? I gigged one a couple of weeks back with my BF SC, no PA support, and it just got on with it. There wasn’t really any headroom left but it didn’t sound like it was struggling at all, was really very nice. It has a warmer, more musical limiter than the GK MB200 IMO.

Here’s me messing around with it A51D838E-181F-4D65-9F7F-201D7A35667D.MOV

Amboyna is a beautiful timber - my ACG Harlot is made of this - however over time it's gone from an orange/red to brown. The grain, especially the spalted/bird's eye like you have, is a pleasure on the eye. My nephew used to work at John Lewis where they sold really expensive pens made from slivers. Looking forward to following this build.

Success + lack of talent = Spice Girls.

Part exchanged my MTD NS for his Lull and some cash. Easily one of the most pleasant guys here in BC. Smooth transaction! As smooth as it can be! Enjoy they bass mate! And thanks for the drink!

Had a Peavey MkVI head and 1820 cab many moons ago. Awesome sounding thing but it caused tidal changes due to it's own gravity field.

Cheers Phil and JB ..still at it Next - ports cut and side panel cross brace fitted

Really sad to read about the death of this amazing artist. He’s compositions are truly beautiful.

What like pal. Welcome.

That pedal is in the same class as the EH Microsynth and other similar pedals - it does basic frequency division / multiplication on a filtered input signal; it doesn't actually convert the input signal to a control voltage as is the case with the pedals you are talking about here, so there is no latency.

That was a quality video demonstration.

Very eye catching. Was it designed by Salvador Dali? Seriously nice looking bass.

Incognito magic.

I think I share the same opinion as most on here Bass, Electric, Lute whatever we just enjoy watching your builds progress and evolve So I’m intrigued by this build that you want it lighter but your going to include some oak??

May take a lot of skill but still sounds naff

Update - The tea bag and lemon oil doesn't work I will take up chewing tobacco next week

I bought a very nice Sandberg from Steve. Superbly packaged , great comms. Nice guy 🙂 Buy with confidence.

I think we all need to be protected from this scourge - a menace which is ruining the BC experience. (Also, I think Fender should maybe look at the reaction these things get, and perhaps learn from it.)

Then what a good job you were here to point it out. 'Basses for Sale' works very well and has a way lower incidence of deceit and fakery than the usual suspects such as G*mtr** and *B*y, where one is much more likely to encounter less-than-honest sellers. BassChat 'for sale' forums work very well because the people who put items up for sale here are largely honest and community-minded. If you want to imperil that with a draconian rethink of the existing system then you risk throwing the baby out with the bathwater. It's a non-issue.

Good stuff. I feel differently about it.

Haven't really mentioned the through-stringing, which - together with the internal structure of the body - is a major contributor to the distinctive sound of the Contour basses. Just pull the hatch cover away from its magnetic mounts... http:// ...and all is revealed! http://

I just bought a Zoom B3 multi effects pedal from Steve. Great guy to deal with. I confess that I haven't had the chance to try the beast yet but it was well packaged and looks brand new and I fully expect it to work perfectly. He posted it really quickly. Top Chatter

I just completed a deal with Steve when he bought my Jabba 5 bass. I can only say it was a very pleasurable process from start to finish. Steve is very communicative and honest. All in all a thoroughly nice guy and I would be happy to deal with him again anytime in the future

I sold him a MusicMan Stingray, Steve was absolutely easy and fuzz-free to deal with. Top guy!

I drove down to the W Mids to meet Mikan today, and I bought his Lakland Tetsuya Bass. It was in excellent condition, and exactly as he had described it. The transaction went smoothly and I'm delighted with the bass. I found Mikan to be an easy, honest and open guy, very easy company, and a real pleasure to meet. Thanks once again Mikan, I do hope we meet again sometime

Just bought a bass from Steve - bass exactly as described, very straightforward and fair communication beforehand, very quickly posted out and well packed. Couldn't have been any easier - super great!

Meet Steve in person today, great guy, highly recommended to deal with!!! Otis

Steve bought a korg tuner from me.Smooth transaction and a pleasure to deal with. Cheers.

Easy bass sale. Enjoy it mate.