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  1. Essentially, he left his meat and now he can't have any pudding.
  2. Does anyone here know the origin of Leland' Sklar's name? I presume he has some Scandinavian heritage. Can't find any info.
  3. Dougie Thompson's playing on this is excellent. The instrumental section of 'School' in particular. A perfectly composed and executed part.
  4. One would hope that a top session player would have played it the same, since it's what works for the track. I don't hear any 'mistakes' anyway.
  5. "You! Yes, you! Stand still laddie!"
  6. Not as if it's unknown, but worth mentioning that Tom Scholtz's bass playing on the first two Boston albums is superbe.
  7. I love Ian's bass playing on that album. Very Glascock-esque. (Or maybe John's parts were heavily directed by Mr. A, but I don't think so.)
  8. Me neither - can someone explain? And is David's wife really reading stories on the site?
  9. I hate to break this to you but....
  10. Nothing, but I do have something against the fairly widespread (in my experience) opinion, that as a bass player, you somehow just ought to slap. Even that it's the "proper" way to play bass. In Call Me Al and Carwash, I don't slap the bass breaks, I do something that's fun, fits the song and suits my playing style, but according to some people, that's wrong.
  11. How can I get my mirror to do the washing up?
  12. I had just about given up on the postponed King's X gigs from last year being rescheduled. Then 'this' happened and I considered asking for a refund. Lo and behold they then announced new autumn dates for which my original ticket is still valid. However, I'm not optimistic about them actually going ahead. I've also held off buying tickets for Steve Hillage later this year.
  13. The Story of Rush will be showing 18 years earlier.
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