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  1. Here is David Gilmour's July 1998 letter to Bass Player magazine in response to their March '98 retrospective review of Animals (also attached). I have referred to this letter before in related discussions and have been surprised to find no reference to it anywhere online. If you're a member of a PF Facebook group or website, please feel free to share it.
  2. I'm struggling to find a multi bass hanging rack system, similar to the one pictured. Can anyone help? Thanks
  3. Once again, how does set up and performance work? A heavy speaker cabinet can't be carried by two people unless the handles are 2M apart. All musicians must be disciplined enough during performance to stay apart from each other - easy to forget. Any staging has to be delivered, unloaded and constructed with people staying 2M apart.
  4. Lights? Sound? Crew? 2m wide speaker cabinets so they can be carried safely by two people?
  5. Yes, everything you say is completely normal for me. In fact I clean my bass with polish before every gig and wipe it down afterwards.
  6. Essentially, he left his meat and now he can't have any pudding.
  7. Does anyone here know the origin of Leland' Sklar's name? I presume he has some Scandinavian heritage. Can't find any info.
  8. Dougie Thompson's playing on this is excellent. The instrumental section of 'School' in particular. A perfectly composed and executed part.
  9. One would hope that a top session player would have played it the same, since it's what works for the track. I don't hear any 'mistakes' anyway.
  10. "You! Yes, you! Stand still laddie!"
  11. Not as if it's unknown, but worth mentioning that Tom Scholtz's bass playing on the first two Boston albums is superbe.
  12. I love Ian's bass playing on that album. Very Glascock-esque. (Or maybe John's parts were heavily directed by Mr. A, but I don't think so.)
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