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Showing content with the highest reputation on 02/04/21 in all areas

  1. Sold One nice 1987 EBMM 2 band eq Stingray with Spider hard case. Plays and sounds as you would expect. As per this era the neck is gloss finish, truss rod adjustment is at the headstock and the battery cover is silver. This is a players bass, it’s in good condition for a 34 year old instrument but it does show signs of life on the road. For comparison a Fender Road Worn shows much more wear & tear. As such I’ve priced this accordingly, pristine examples go for a lot more! The pic showing the wear on the back of the neck is around 7th to 9th fret. Weight is 4.75kg or 10lbs7oz Due to many threads detailing courier nightmares it’s collection/meet up only. No trades thanks.
    12 points
  2. A very happy Matt Waller popped in to the workshop to collect his new bass. I think he was a very happy man. It was a pleasure to build your bass Matt, regards Mike.
    8 points
  3. I have a few gigs trickling tentatively into the diary, and one is a dep slot for my old Madness Tribute. I've got over my bruised pride that they are still going strong without me, and am rather looking forwrd to it. It's at the Llanelli Festival, only a couple of days beyond the alleged end of restrictions - so still very theoretical. Nonetheless I have been studiously relearning everything, and transcribing all the bass parts, it has kept me busy. I got to thinking about the really important stuff today. What bass to take? Obviously I have my two toned precision, which will make a great prop/2nd bass but I wonder what the man mr Bedford himself used. Wouldja believe it theres a five year old thread here where someone points out that he was using a Bruce Thomas Profile - and I , of course, have that very bass in my collection. A good omen? Maybe I shall be blowing the cobwebs from my passport and heading over the bridge in June after all. Now, what hats did he wear....
    7 points
  4. For sale is a really beautifully built custom 5-string in the style of a Musicman Stingray 5, by UK guitar maker Graham Pollard. Going by the date on the back of the headstock, it was made in 2002. It's a beautifully made bass, but having bought a couple of other new basses recently I need to reduce the numbers a bit, so I’ve decided to move it on. It’s in excellent condition for its age, and seems to have had very little use over the years. There's no discernible fret wear, only a few tiny marks on the body that are pretty impossible to photograph, and a couple of small chips in the lacquer on the lower edge of the back of the neck, shown in the photos below. The neck has a very slim profile, with a beautiful birdseye maple fingerboard. It's 35” scale, 50mm wide at the nut and 74mm at the 22nd fret, with 18mm string spacing at the bridge, adjustable with the Schaller roller saddles. It’s fitted with a Seymour Duncan BassLines pickup, and their STC-3M4 3-band EQ with a 3-position single/series/parallel switch. When the volume pot is pulled up, it switches in a 'slap contour' setting, with boosted lows and slightly scooped mids. The original Schaller tuners made the neck dive a little, so I fitted a set of Hipshot Ultralites which solved the problem. It now weighs in at a very svelte 3.8kg. The original tuners are included in the sale. NOW SOLD.
    6 points
  5. SOLD!! That was quick... For sale only: Carvin JB5 in natural finish with a maple board. I haven't had it long, it's lovely to play with a nice low action and sounds phenomenal, but I need to have a bit of a clear out, so I've decided to move it on. It's 34" scale, 45mm at the nut, 19mm spacing at the bridge, with bridge or thru-body stringing. I put a new set of D'Addario nickels on it recently. It weights in at 4.3kg on my bathroom scales, and sits on a strap or the knee very nicely. It has an 18v two-band active circuit with a tone control that is also a push/pull pot for active/passive. Controls are master volume, pickup pan, tone, treble and bass cut and boost (stacked). It's in excellent condition, with only a couple of very small dinks on the body, and no visible fret wear. It also comes with a rather nice plush-lined Carvin rigid gig bag. It's a lot of bass for the money! UK shipping is included in the price. No trades offers, please.
    6 points
  6. I wanted to try the Shaper for some fingerboard symbols. I decided to try an infinity. Tricky to draw in CAD as they get longer and narrow as you go up the neck. The plan is black resin
    6 points
  7. I bought one a year or two ago and it turned into my main bass quite quickly. Wonderful tone and I also ended up not using the bridge pickup on it but it’s nice that it’s there.
    5 points
  8. NOW SOLD Right then. I said to myself a long time ago that I would never do this, but I need to have a clear out... Up for sale is my 2007 Lakland DJ5 with a bound maple board with white pearloid block markers, in a very subtle black sparkle finish, and a matching headstock. Over the years I've upgraded the pickups to Delanos, and fitted a John East DJ Retro preamp with a separate battery box. The original pickups (Hansons, not Aeros) ended up in a project bass I sold several years ago, but the original plate with the passive pots is included in the sale, along with a second scratchplate in white. It has the standard Lakland specs: 35" scale, 45mm at the nut, 74mm at the 12th fret, 19mm spacing at the bridge, with bridge and thru-body stringing. This is one of the earlier Korean made Skylines, and as such is a little heavier than some at 4.5kg, but it really sings, and has a great openness and clarity of tone, and no dead spots, which is the main reason I've kept it all these years, as well as the legendary Lakland B string. It has a few scratches, a few very minor dings, and a little fretwear, as shown in the pics. Anyone who knows about Lakands will be aware that the Skyline range can be a little variable, but this is an exceptional example. It comes complete with a Levy's Lakland-branded gigbag.
    4 points
  9. Will carbon rods change the sound ? :popcorn 🍿
    4 points
  10. You're not supposed to change flat-wounds. The elves in the factories spend much time and effort fitting them, in the certain knowledge that they'll last longer than the Owner of the guitar, and, anyway, it's all about the Funk, say the Experts. To keep their tone, round-wounds get changed every evening, as every fule nose, but flat-wounds, never.
    4 points
  11. I thought I'd breathe some life into this long running thread with this Good Friday phone snap.
    4 points
  12. Thank you @stevie for taking the time to do the technical comparison. From your explanation the Pulse appears to have a similar character to the Eminence driver in the BF One10 but the BF may have a higher Xmas. IMHO the B10N-300x appears similar to the cleaner BF Super Compact rather than the more coloured BF One10. The extra 100w thermal power gives a decent safety margin when used with the MiniMax delivering 300w of headroom. So I've built a 13kgs, easy carry, 300w combo with sufficient headroom to match any "shed building " drummer who may turn up for a jam down the Dog & Duck. Happy days 😎
    4 points
  13. Ok, so I couldn't wait and after dinner decides to fit my new pickguard. Looks awesome but as you can imagine verynwasily smudged but also scratches pretty easily too... Have to see how that works out in the long run. I also fitted the @KiOgon circuit/loom, the difference it makes is significant, I'd suggest fitting one of these before investing in pickups. Note KiOgon pot shafts measured 9.5mm, so I slightly larger than the HB original pots which meant I had to drill the holes out a little with a 10mm drill bit. Was a bit rough because I think you need a really high speed with this material to avoid taking chunks out, but it worked out fine. Thanks to KiOgon, apologies it took me 6 months to actually fit your nice 0.1uf kit ☺️. Just for info measured my standard HB pickups at 7.3k Ohms, significantly lower than compared to the toneriders which are 10.6k Also treated it too a quick fret polish and some lemon oil and a string change. Next job is Fender high mass bridge... I'm going for the Phil Lynott look if you hadn't already guessed. ☺️
    3 points
  14. I would say whatever you do, don't force it. There's not a great deal of wood above the string in that bridge. With the ball end compressing the wood in the way it's design to, the bridge is very strong. But with too fat a string trying to expand the hole outwards it's liable to split the bridge, especially if the width of the string tapers, as the string tension will pull the string ever further into the hole putting a lot of pressure in a direction that the bridge isn't designed to handle.
    3 points
  15. So out had to come the heat gun again. At first I thought it might just be overspill from the fretboard glue but not...definitely glued in. Not a bad job, though. I started at the heel and quite quickly was able to start levering it out from that end - the aluminium of the rod quickly heated the glue enough. And I found out what was holding the headstock section in place, with all those cracks, under the string tension. It was the glue on the trussrod . As soon as the trussrod was out, this just dropped off: Which is, actually, a great thing - because the split at the scarf joint appears to be clean and should, with care, slot back together with the grain from both sides interlocking with some titebond to hold it together (clamping will be more of a challenge - but I do have a cunning plan )
    3 points
  16. Have a google... 'Acoustic Guitar, soldering iron, steaming, dent' If the wood fibers are compressed, you can steam em out - damp rag, and soldering iron or iron I had a dent in the fretboard, steamed it out a bit, not a fix but an improvement... Small area so i used a wet cotton bud on the dent, then applied the soldering iron tip to it... Keep wetting... keep steaming... keep looking
    3 points
  17. Hey, these are the ones I use - they work great: https://www.amazon.co.uk/Guitar-Glove-Bass-Musician-Practice/dp/B01C4QYOQS/ref=sr_1_1?dchild=1&keywords=musicians+gloves&qid=1617365734&sr=8-1
    3 points
  18. Seek and Destroy by Metallica Suzi aint impressed 👇
    3 points
  19. I think this guy is brilliant - plays exactly how I aspire to and fall so considerably short of. 😊
    3 points
  20. If I had a hundred quid for every time I've played that song in front of a bunch of happily singing punters...oh, wait...I pretty much have... 😀
    3 points
  21. Ampeg SVT II - often referred to as the “non pro” as it came before the current SVT 2’s but this is a different beast with a older better (in my opinion) pre amp that is much closer to the SVT’s of old. In excellent cosmetic and working condition. Revalved by myself around 4months ago so good to rock. Previous owner (Big Fish Rentals, Manchester) had this regularly serviced by local valve legend Roland Lumby. Its has been hardwired to run at 4ohms so the previous ohm selector switch for 2ohm/4ohm has been replaced with a speakon connector. Can be seen and tried in my Bolton mancave with your bass/cab or mine. Comes with a roqsolid dust cover Engaging the graphic EQ does bring a little hum. Apparently this is standard but to be honest i never use it anyway. Postage not an option im afraid but could meet up within reasonable distance Trades/part ex. Im after a decent lighter hybrid amp so would consider the following amps with cash top up:- Ampeg SVT III non pro Mesa Big Block 750 Warwick Tubepath 5.1 Handbox r400 L
    2 points
  22. It's a great song with a really nice bit of bass playing to go along with it. I've played it a few times live and its gone down great, really good to see - I'm not really surprised it's spent so long in the charts
    2 points
  23. I had this problem fitting heavier gauge nylon tape wounds on a Harley Benton fretless acoustic . The silks had bunched up towards the ring so I trimmed them with nail clippers and my moustache scissors and then gradually crushed the leftovers with mole grips . Just a pinch at first , rotate 60degrees , repeat till 360degrees and test . If still no joy decrease the mole grips gap by 1/8 turn and try again . When I finally got them down to a suitable diameter and they tested okay I wicked a little superglue into the silks to keep them there and spun them through a pinch of wet and dry Emery paper once the glue had dried to smooth them off . A smear of candle or beeswax helps afterwards for fitting/removal .
    2 points
  24. That's what I'll do now as well, given that I know that one works and the other one doesn't
    2 points
  25. Yes - that's an option as long as I was careful not to sand unevenly. With a bolt on, I would put it into a jig and rout it flat, but that is impractical on a set neck. Quite difficult to get even and flat with a sanding beam but definitely one option. The other is to leave it and then defret and level the fretboard, but left with broadly the same issue. If I can get back to the original neck straightness with carbon rods, then I know that the neck height and angle is going to be right and the fretboard may even be able to go back on with the original frets. As I say...a series of compromises held together by hope
    2 points
  26. 2 points
  27. I was sucked in by a bass demo that used a Beatbuddy for backing. I can’t remember what the bass was, but I bought a Beatbuddy mini (the one between the original mini and the mini2). It really has given focus to my practice and I’m actually doing some exercises in addition to tunes. So much better (and more expensive) than a metronome.
    2 points
  28. Just recieved my mirror pickguard this afternoon, will put a photo up this weekend. 👍
    2 points
  29. Thanks. Yes, MrsAndyjr1515 isn't keen when I emerge from the cellar too often No wood today for yours, so presumably Tuesday. Pity - that WILL be worth getting back down there. Indeed, a domestic win-win situation. At least we know it's coming...
    2 points
  30. My favourite colour scheme...don't even have one...🙈...need GAS plans I think...🤔😂
    2 points
  31. Just one further gratuitous filth pic...
    2 points
  32. Bit complicated. Surely a better solution is to make a pit in the floor. This would have its own natural boundary, and no need to calculate neck reach etc.
    2 points
  33. 2 points
  34. I don't suppose this is still available?! 😅
    2 points
  35. I think he’s a very good bass player with a distinctive sound If you listen to some of his bass lines ask yourself could I have created these?
    2 points
  36. After thinking about this for the past few years and talking with Agedhorse from Mesa on TB along with advice from so many helpful people with differing opinions but all positive when doing research i decided to go for it this morning. Went for the TT800 amp, 210 & 115 cabs. Managed to get the 115 cab from Guitar Guitar as they had it in stock altho £80 more expensive and they wouldn't budge on price. 210 cab and TT800 from Andertons. Cab is in stock but amp on 3mth pre-order. All in all i'll have the cabs next week and amp end June. Gives me time to use the Mpulse thru the cabs at rehearsals in May tho. What i found about the cab set ups was that the 215 cab is a bit more focused than the 210 & 115 set up has a wider spectrum of frequencies. Think that means the mids and treble should be a bit sharper. At some point i might get another 115 cab to get the best of both worlds. Many thanks to everyone that helped me eventually decide. Dave
    2 points
  37. That's very nice. I'm not really a P-bass man, but you've got me looking at the Maruszczyk website for twin pickup versions! GLWTS.
    2 points
  38. I would get a 1 meter square mat for the floor and spray ‘STAND HERE’ on it in a very bright rattle can paint. Maybe put some bumpers around the edge of it to prevent you from straying outside the square. Given your predilection for not knowing where you are, I might add some hazard tape to the perimeter of the square/bumpers, just to keep you focussed. Then, now this is the clever part, directly above where the 1 meter square mat is, cut a matching hole in the ceiling. You might have to make the ceiling hole slightly oversize to counter the reach of the neck when you remove it, but I honestly can’t see any flaw in this method.
    2 points
  39. If you have the acg-eq-01 it's worth making a note or taking a photo of a setting you like. I sometimes meddle with mine to get a "new" sound, then spend hours trying to get back to where I started. When you get the hang of it, much better than bass mid .treble EQ ... You can do that on your amp
    2 points
  40. Definitely, getting that amp and hearing the half decent low frequencies been a bit of a revelation to me tbh.
    2 points
  41. The average age of my band members has been dropping lately as the newest recruits are all 20's and 30's. When we formed nearly everyone was greying to grey. Big band jazz still alive and kicking and playing to young and old. 8 or 9 years ago one of the trombone players was chuffed not to be the youngest in the band any more, looking at me. Trouble for him was he was mistaking my youthful looks and demeanour for less trips around the sun. It turned out I had four or five on him. Crestfallen about covers it. I had to call him Junior after that.
    2 points
  42. 2 points
  43. @Reggaebass I think I saw on tv last night the cave you’ve been living in for the last 18 years
    2 points
  44. Yay! A chart where I have heard of 4 out of 5 of the songs. Oh, I don't like any of them and am very unlikely to like the other. Oh well.
    2 points
  45. 2 points
  46. Decision made: Matt finally decided to go with the scratch plate, so I screwed it on and did the final setup. His custom made Zoot Funkmeister is now ready. Here a couple of quick shots taken early this morning in the workshop of the finished bass.
    2 points
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