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I'm a big NR and JH fan, so I'm a little biased. IMHO NR did a fantastic job with Jimi. There's a lot of stuff written wrongly over the years over he played/didn't play that. I've read a good number of books on the subject(s), and it's pretty safe that NR played on the first 2 albums, and parts of the 3rd (JH played a bit on EL, plus Jack Casady's on there too....the entire sessions are a bit of a haze to all involved! JH could have replaced Noel if he'd have wanted to, I'm sure - but he didn't. There's been loads of stuff also written over the years about he was also planning to dump Mitch, Billy Cox was going to quit....to do this, do that.....all we're left with are the actual events. Noel did leave in '69, management wanted them to reform early '70 (did a Rolling Stone interview), but it never happened. The management side of JH is worth reading in to - it is very, very sinister indeed. Noel and Mitch sold their rights long before the reissue era, and before dead rock stars became such big currency. Not surprised there was bitterness - the whole Experience Hendrix corporation....JH's half-sister (I believe they only met a handful, if that, of times) running the whole show, whilst even JH's real brother is shut out. Very nasty wranglings, whilst the pointless re-issues and digging keep on going, and the branding gets more and more ridiculous. Still, the original records are out there, together with some great live and session stuff. I for one love Noel's tone, his style, equally as much as I enjoy Billy Cox's more traditional approach. Two different players for two different eras.

So you think something like the video below involves no artistic talent to create? Really?
 You should maybe invite this guy along to some of your pub gigs, let him see what true artistic creativity looks like... PS: all made with sampled YouTube clips.

We had band rehearsal last night and, well, I was really busy this week so I didn't get a proper amount of time to learn the new songs. It was suggested that we learn Footloose, but if I'm honest, I couldn't get into the song no matter how much I tried. Mods, can you help with my Loggins trouble?

All our valve amps 100w and upwards are 100% built by us on site at HQ in Essex, Always have been and all being well Always will be. Happy for anyone to come and visit and watch one being built(BUILT not ASSEMBLED) from start to finish

I just bought a Squier VM fretless Precision off Grangur on this forum, and it's quite extraordinary. It has a very acceptable sound, is very playable, has an astonishingly straight neck, for a cheapo, which is fast and responsive to adjustment. It's well finished, the tuners are efficient at keeping the strings in tune (which is, after all, what you expect from tuners) and the bent metal bridge is easily adjustable and stable. The downsides are an overly light body, which means there's a bit of neck dive, and a slightly bland pickup. This is not just an adequate starter instrument, which is why I bought it. It's a good, giggable bass. And these things only cost just over £300 new. £300 is not a lot of money, really, for a musical instrument. £300 is what you can end up paying an emergency plumber (more in London). It's two months commuting, if you live in the city. It's three or four nights out. Six theatre tickets. Two tickets for the Rolling Stones. A third of an iphone. Now, cheap end stuff in the past has been utter crap. Anyone who started playing in the 60s and 70s will recall the unplayable garbage we were expected to start on. So, here's the question: is this purely a result of improved design, tech and production methods, or is someone somewhere not getting paid properly for their work?

Anyway, just to cheer everyone up here's the Ace of Spades album cover with some kittens on it.

But the thread was started to to prompt discussion both ways. Not just a slagging off thread...

There some options out there

Did they also factor in how much smaller Mars Bars are now compared to,say, the 1960s? If you play a short scale bass now, instead of a long scale back in the day, It would even out the conversion.

That's why you need to down some Lucozade before hand...

How about having a go at this classic I've only ever seen 2 pub bands pull it off (admittedly I was in one of them ) and it's a good bass work out as well as a favourite with the crowd who don't usually expect to hear it.

I've heard bands that don't use samples that have no artistic content!

10 staff may be, but an owner who never stops, sleeps or gets put off by anything, as long as there is coffee 😜. (Based on Mark Gooday’s FB activity)

If you ONLY use samples from preexisting pieces of music, and assemble them in a different way to create something new, that is creative by definition. Sometimes it's done lazily, sure, but no more so than lazy songwriters knocking out obvious progressions/cheesy lyrics.

I wouldn't want to be the one who told him....................

I said artists that ONLY use samples. If they actually do something creative with them then that is different. Mate, Aussies don't drink Fosters, we export it to you to drink England has never recovered from the blunder of sending the convicts to the land of sun , surf, and good times. leaving the do gooders in dank depressing wet England lol

I haven't owned or played that specific one but I own a CV 50's P and have briefly played a CV 60's Jazz, I can say that they're great instruments. The big question will probably be, how are you with thick glossy necks? If you're exclusively a satin neck guy, you likely wont get on with them as the glossy finish is very thick. But, that being said, it's definitely worth having a wee shot on one to see how you like it.

It’s a tricky one with noise nuisance and to be honest, I’d probably side with the neighbours. I used to live in a townhouse with paper thin walls and we had major problems with noise from the neighbours. The problem is you’re always on edge. Every night we were just waiting for the drum and bass party next door to start. Partly due to this, I am now so mindful of how bass frequencies travel. We’ve all heard a boy racer from 2 miles away with the parcel shelf in his Corsa bouncing. If I’m not playing through my headphones, I’ll play through my rig sat on a gramma pad at truly quiet ‘radio’ levels. If ever I need to briefly crank something up to ‘vibration’ levels (testing cabs etc) I’d ensure that the neighbours were out or I’d set up in the garage on a concrete floor.

I loved the JJ Burnel sound, and his bass on the Stranglers first album "Rattus Norvegicus" was what first made me listen to the bass guitar So that's my contribution - not necessarily my fave album these days, but it's what got me into bass

I don't have any loggins trouble as our band covers the Good Charlotte version of Footloose. All sorted now so this thread can retire peacefully

I have the D800 and Subway 112 and 115. It's a fantastic rig and always makes me smile when I'm gigging. That reassuring feeling that I bought the right gear. I play in a covers/wedding band and it is suitable for the wide range of rock and pop we play. In the past I have had three Ampeg heads and at various times, 410, 610 and 810 cabs. To my ears, the Mesa is leagues ahead in terms of tone. Not to mention portability and ease of dialling in a tone. Voicing knob is very useful and using the instant gratification directions in the manual make it very straightforward to get your sound Stage and room of course, add lots of other factors to getting your sound but I have found the D800 very versatile in that regard. I've recently added my ageing VT Bass pedal to my extensive pedal chain i.e. to my Boss Tuner! The VT enables me to add a bit more sparkle and a bit more 'dig' which gives me a nice punch in the guts. I have no other experience of Mesa to compare things to, but I am very happy with my Subway rig. I was fortunate to have bought it back in May 2016 before prices became almost prohibitive. Would I buy it again? Yes, by finding some way to finance it. I would also like to try a 2 x 115 set up and the 800+, in an ideal world but as it stands, this rig meets my needs. I haven't once felt I made the wrong choice.

I daren`t think about that, as I`d then realise how many over the years I`ve eaten, and that my Mars Bar habit is far worse than my alcohol habit ever was.

In case you need any help recording your band in Reaper, Kenny Gioia has your back.

Yesterday was the first time I had the chance to let the 4 Stroke run loose. To cut a long story short: it’s awesome. Lots of lovely mids, controlled lows, way better in the band mix than my former Streamliner 900, and with a lot of heft to the tone. Especially paired with my SolidGoldFX Beta, the tone was to die for.

You know what's going to happen the moment he starts drilling holes in the wall though ...

On my YouTube channel i put together a Playlist with 16 sightreading exercise videos. Maybe it's a start:

Donny Hathaway live with Willie weeks on bass. Great tunes, groves and tone...whole band are great.

Stand Up. Jethro Tull. The best of Glen Cornick and Clive Bunker as the rhythm section. Living in the Past, a single recorded at the same time, is a melodic bass masterclass from Glen and its in 5/4 time. Whats not to like?

Led Zep one was pretty transformational in terms of how bass guitar was recorded and mixed. Led ZepTwo followed it's lead and picked up where it left off.

I sold Kev an amp; very easy transaction and communication throughout the process. Thanks Kev!

Cheers Kev, nicely wrapped BS1 arrived today, great guy to deal with. 😊👌🏻

Just traded a Dingwall for Kev's Dolphin, great to deal with as always, bass was exactly as described, super fast deliver and packaged brilliantly. Was a pleasure, cheers mate!

Bought a 3Leaf Audio "You're Doom" fuzz from Kev. Superb communication and overall great guy to deal with! Thanks man!

[size=4]Just bought a couple of boutique pedals from Kev.[/size] Very happy with the way things went. He was keen to post the pedals fast, keen to know they'd arrived and keen to know I was happy with them. Which I am. Great deal, great comms, can't ask for more, can you ? Cheers, Kev

Just bought Kev's Darkglass Vintage. Good comms and super fast shipping (arrived in 24 hours). Perfect BC transaction!

Sold an OC-2 to Kev. Perfect transaction, really nice guy to deal with. Cheers!

Just bought a Dr Tone PSU10 off Kev, good quick transaction. PSU arrived well packaged. Cheers W...

Just bought a Dredgetone Angler (bass overdrive) from Kev. Nice and easy, great communication and speedy delivery. Couldn't be happier Cheers Kev!

sold him my danelectro daddy-o, v quick and painless transaction!!!

Just bought a Peavey Grind 6 string off Kev - great guy to do buisness with - wrapped the bass up like a baby so even Parcel Force couldn't damage it! Good comms and patience with my questions, etc. Cheers, Jonathan.

kev bought my broken bass exciter fast payment, good communication too cheers mate

Recently sold a bass case to Kev, i found him very easy to deal with & he paid promptly too . Cheers