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Some pics arrived from Sat nights gig iin Arbroath at the Royal British Legion Club with BLOCKBUSTARZ. (see earlier post)

Another of our semi-regular acoustic duo gigs at The Lookout in Scarborough this evening. Took two basses with me ( Taylor and Ibanez) to compare, but somehow managed to leave my holdall behind which has all my leads, stand and mic in it! Disaster averted though by my guitarist pal having spares, and the venue having a euro lead for my Rumble combo. Anyway, a full house of diners and shed loads of requests. Along with the usual kind of stuff you’d expect a duo like us to play, we also did some we hadn’t done before / for a long time - such as ‘Sir Duke’, ‘Mr Bojangles’ ( which I really don’t like) and ‘Little red rooster’ with my mate using a half pint glass as a slide for his guitar. Ended with ‘Come up and see me’ in tribute to Steve Harley. We return there in three weeks time, when I’ll make sure I have a full compliment of kit with me.

I now have a BB2000 as my main and only bass. Like other neck through Yamahas I've had in the past (TRB6P and BB3000A), it's one of the best put together basses out there. Very aggressive and punchy bass with those three sweet spot pickup settings. Endless sustain and even across the fretboard. Just an incredible instrument.

New 12x8’’ board from Bastow Pedalboards. Very nice sturdy build with good clearance underneath. Running the stomp on the CAPO’s post loop. Doom2 and Octabvre are in the Stomp’s FX loop. My tone toys from clean, gritty and synthy stuff

One of my very occasional solo acoustic / vocal gigs at the Organ Grinder in Loughborough last night. Sunday early evenings are quite mellow, with an audience including a spectacularly large golden retriever who seemed to enjoy himself. I’d been having some gremlins with my PA (dodgy leads, broken 9v adaptor for pedals etc) so I was relieved it all sounded ok. Played my £40 FB marketplace Yamaha acoustic with a Seymour Duncan Woody pickup and it sounded glorious. Job done. 👍

The standard village hall width is 2 x boom freq wavelength.

Gig rig.

OK round one of the carving is complete. I left it 1mm thicker everywhere on purpose in order to give me a chance to see how the carving was going without risking it getting too thin. Time to get serious. I routed the perimeter down to 4mm, it's final thickness. Time to crack out the gouge and mini plane again. I'm not finding it easy planing it without getting tearout. Wood is like cats fur, it want's to go in one direction. Get it it wrong and the blade can get out under the fibres and pull out a chunk. Carving it is like butter, till suddenly it isn't. It's also a second grade piece of wood, so there's lot's of grain runout, making tearout even more difficult. So far so good though....

I've noticed the Longhorn picking up a few fans recently, so this might interest you.... https://www.notreble.com/buzz/2024/03/22/danelectro-announces-the-red-hot-longhorn-bass/

I was at the Dog and Duck last night when I saw Charles Berthoud sitting in with a blues band. It was terrible - he kept playing so many notes and was slapping and tapping over everything. He was also playing a class D amplifier that had no heft. Nobody in the crowd was dancing due to the lack of groove. Eventually the band got sick of him and invited a Basschat greybeard onto the stage to sit in. From the moment he plugged his (modified) Harley Benton into his vintage '80s Trace Elliot everything changed. The power and heft of his whole notes and the tasteful use of minor pentatonic shapes (no matter whether over a major or minor tonality) had everybody up on the dancefloor grooving away. I later saw Charles outside pacing up and down nervously and chain smoking, a bit like when Clapton saw Hendrix for the first time. True story. There's a lesson for us all there I think.

I bet that plummets when word gets out that he's been criticised by a couple of people on an internet bass forum.

Si

Everything I bought from Japan came via Japanpost EMS and their service was always excellent, usually took exactly a week to arrive. Bubblewrap the bass in the case, get a box from a shop and post, I say.

All your base are belong to us Sam x

A return to the Apple and Parrott in Torquay last night. Our drummer couldn't make it as he had tickets for Mr Big, so we drafted in our previous drummer, my son, who still deps for us. It was party central and plenty of people up for dancing and a good time. In house PA and engineer always gives a great FOH sounds, although the stage sound can be a bit odd, but was sorted for set 2. It's a great vibe there which we can feed off. Lots of great compliments from people afterwards, including one guy who admired my playing and my Stingray. It was a late finish, but at least no PA to breakdown. Looking forward to the next one. My usual set up, Stingray 2eq, Ashdown RM 500-Evo II, BF 210 on gramma pad due to raised stage.

I don't want a thread de-rail or a big discussion here but I'm just a little uncomfortable about the direction this might be headed. BassChat thrives because of the generally good natured ethos of debate here. We don't discuss politics or religion and I've had my knuckles rapped for the former Maybe would be better steering away from discussing national stereotypes? I love getting comments from @agedhorse who is a person of great knowledge and experience. He frequently helps out with individual advice to owners of gear he has designed or had an association with. His insights into what Gibson are attempting or indeed any information about how things look from his part of the industry are always fascinating and worth reading. I would love it if more industry insiders engage with us in this way. Often in the past this has been from bassists who happen to work in the industry and their insights are always interesting and add to our general knowledge of all things bass. Obviously they are a little constrained in what they can say and they are unlikely to criticise their own products or employers My own nationalism is pretty limited, I feel shame about quite a lot of England's past and pride about other bits but I'm really happy to see increasing numbers of people from around the world joining BassChat and I'm proud that we make them welcome. Let's all be friends here.

A few months ago, I watched a video of a guy designing and building a guitar/bass with a spinning round neck. He surprisingly got it to work! Now Charles Berthoud has got his hands on it. Not everyone's cup of tea, but you have to admire his ability to play his style on almost any stringed instrument.

I went for it! I left an offer but knew I'd be heart broken if someone else got it first because its literally perfect - so I ended up buying it for asking price 15 mins later hahah

@BassAdder60I went through a similar thing a few years ago. The band had broken up after lockdown and I just couldn't face going through the never ending cycle of getting a band to giggable standard, building a reputation, getting gigs and then it all falling apart. I sold everything except a cheap bass but kept my guitars and now do a bit of home recording to keep me musical. I haven't missed it at all. Good luck!

But hopefully NOT plastered!

Here's the latest iteration of my pedalboard. Much simpler than my previous one as I decided to just build presets in the MS-3. The only exception to that is the Wampler mini, as I didn't want to sacrifice one of the four effects in the Boss on a compressor. I've also added the Bright Onions DFM2 to facilitate easy switching. I've kept my trusty Providence Dual Bass Station (powered by the Gigrig 12V adapter underneath) as I always take and play two basses to each gig. I went for a Rockboard Tres 3.0 so I could add the Mod 2 patch bay, which allows for the basses to be plugged into A and B and then sent to the amp via D. The USB allows me to charge the Rockboard power supply fitted to the tray underneath. All neat and tidy

Where's the groan emoji when you need it?

Absolutely. If any contemporary musician can be considered a genius, then AP can totally be included in that list.

It’s very versatile. I’ve been playing it regularly over the past few days and can confirm that it is one of the slappiest basses I’ve ever hit with my thumb (on the central setting). But it also does a great burpy 80s J bass thing and can do a decent Jamerson. Very broad. On the neck pickup setting, rolling off the tone removes some of the clank and growl I suppose? Leaving a pleasing thumpy P with nice definition to my ear

It certainly looks oarful.

I do like the pictures of King Charles. they add a certain 'authority' to you all....esp the drummer

Did you climb back in through the same toilet window? The world needs to know 😆.

I'd completely disagree with you. The sound quality is amazing! You can really hear, with quite astounding clarity, that everybody singing has a large beard. Try headphones, maybe.

Last Night: Bloxwich hockey club's end of season awards/prizegiving/dinner/pissup at Old Wyrley Hall in Walsall (I think?) with Down to the Floor - 5 piece girl-fronted modern popular music beat combo. Britney, Beyonce, Dua Lipa, Arianna Grande, Rhianna, Girls Aloud, Spice Girls, Whitney type stuff. Load in at 5 so we're set up, soundchecked and out of the way before the awards and speeches. The stage is about the size of a postage stamp (a normal one, not one of the big commemorative ones) so there was barely room for my size 12s and the New Improved Enormous Pedalboard (NIEPB). The Bass amp was on the other side of the stage and I had to fold my stand up between sets, it was that small. I had a bit of a mare setting up as the Bass amp (not mine) decided to commit suicide (luckily I had mine with me) AND my midi controller decided it didn't want to play nicely, so I took ages to set up and had to soundcheck without IEMs and hope it would all be fine. Soundcheck done (sort of) and with some time to kill, a couple of us went to the drummer's gaff and watched most of Pretty Woman with his Mrs (Spoiler Alert: Julia Roberts is pretty and also a woman. Richard Gere is also in it (He's not a woman, as far as I am aware. I wouldn't call him 'pretty' either, but I believe he is generally considered to be quite handsome (if you like that sort of thing))). Back to the venue for 9ish, sat around and kicked our heels (and had the singer paint my nails a fetching shade of purple) while the prizegiving and roistering continued, went on about 10:30 to a room full of incredibly excited and heavily refreshed hockey players - imagine rugby players but without the restraint, decorum or dignity. They absolutely loved it, the dancefloor was packed from the first note, we played really well despite being wedged onto a tiny stage - I was so close to the drummer, I could smell his earwax. We had our first choice singer, she's fantastic - she's always nervous about Love on Top (the song), but she smashed it - including the four key changes and the whistle register stuff. Highlights were Toxic, which we nailed (a relief after we totally flubbed it last time) and Crazy in Love/Crazy mashup which is our collective favourite now we've nailed the arrangment (It's easy enough: 6, 4, 2, 8, 8, (4), 8, 10, Crazy, 6, 4, loads, (*4), ending). Two 45 minute sets, finished about half midnight... they would have had us playing til 3 AM, they were loving it that much. The organisers loved us, they want us back next year (again) and have promised a bigger venue (again). Played the 'Ray 5 -> New Improved Enormous Pedalboard (NIEPB) -> MB 802 (with PA support - I'd love to hear the OC-2 and C4 synth bassline on 'How will I know?' through those subs) Foot fans: White DMs with purple laces (to match the white shirt with purple tie and purple fingernails - you think I just throw these outfits together?!) Packed up (the drummer can now officially carry his entire kit including cymbals and hardware in one trip), home about 2 for last nights curry and a Westons reserve (8.2% ABV). Great night.

The gig itself was OK, loads of mmistakes, but seemed to go down well, however, we found out that the singer is in another band, which takes his count up to three bands and a solo, singer/songwriter/cover act around the local pub circuit. Our guitarist is less than happy, and we ended up having a band discussion prior to the gig, but he's a singer, therefore he's an egotistical, self-centred narcissist.

First time in Arbroath with BLOCKBUSTARZ last night in Royal British Legion. Sold out again which is always a great morale booster. Audience were up for it from the first song. Lots of people turned up in Glam gear too which is always great to see from the stage. It was so enjoyable we had a contest for best dancer and best glam dresser who both won one of our T shirts. A few others we gave out our new pin badges. Was very warm even with our fans on but air-con units above the stage were firing out warm air all night. We had a smaller upstairs function room to get changed in which was good too. Lot better than a small cupboard sized room that some venues have given us in the past. 4 blokes and a female singer doesn't work in cramped spaces My usual gear, Sandberg VM4 into Ampeg SVT7 and Mesa SW210/115 cabs. Shure wireless unit. Stage a bit boomy even with gramma board it was a bit noticeable. Had to turn the bass EQ down a bit on the amp to clean it up but no big deal. They want to book us for 3 nights in 2025 incl a Xmas gig. Bit of a drive tho 2.5hrs on way there and 3hrs on way home. On way home the roads were quiet but they closed the main M90 right after the Queensferry bridge crossing meaning i had to take a detour. Wasn't home till 4am so by the time i unloaded the car with my bass gear and the 3 way 15" PA cabs it was 4:30am and then a coffee to wind down getting to bed at 5am and back up with a cat banging cupboard doors at 8am. Bit tired this morning to say the least. Probably one of the most enjoyable gigs we've played. Just great fun all night. One or two wee hiccups but nothing we couldn't cover. Dave

Wee vid has just appeared on FB. Hope i'm not boring you all with this. Don't often get a vid of this song. Dave http://www.facebook.com/100015632287615/videos/1205398343756502?idorvanity=559305587911326

What you diagram fails to take into account is that the action of the strings on the whole length of the neck is far, far greater than that of the screws acting against two almost insignificant pivot points approximately 50mm apart. For ski-jump to be caused by the presence of a shim it would have to occur between the neck bolts, yet all the anecdotal evidence I have seen points to it happening elsewhere - somewhere between the centre point of the neck and the heel. So while ski-jump might possibly be a thing, it's not being caused by fitting a shim.

In the past a band I played in got around the problem of having a guitarist who thought he could be multiple bands by booking gigs for every Friday and Saturday as far into the future as possible. When his other bands realised that he wouldn't be available to play for them for the next 3-4 months they quickly dispensed with his services.

The cello had an outing last night - so the gig was a bit different to most here... orchestra in a church in Carlisle with two operatic soloist. And yes, orchestras have similar issues with sound as bands, even though we're unamplified. Our issues is that church acoustics are almost always awful, overly resonant and leads to mushy sound, particularly in the bass department.... where have I heard that before? Decent audience. Only one on the very tricky opera arias had significant 'moments'

The Rock Formation returned to The Ashton Club in Bicester last night. Delayed start due to the football but all seemed to enjoy themselves. Dep drummer had a new kit which sounded good. We messed up All these things by The Killers somehow which is odd as it's always in our set list. Don't think the well oiled punters noticed though!

Pretenders - Brass In Pocket

Played a village hall ‘Pub Night’ in the wilds of Dorset with the Otis Jay Blues Band. The audience came to eat, but were in decline numbers wise thereafter which is always difficult - you’re not the main attraction! But some nice comments from those who stayed. And what a stage! I hardly knew what to do with the room I had. Acoustically, brought my MIJ Jazz ‘Sonic’ and GK MB200 through two Barefaced One10. Sound was so boomy I used bridge pickup exclusively, but seemed to work ok. Image is pre-gig, obviously!

Played tonight with the Daz Kelly blues band at The Boat Inn, Cromford, Derbyshire. A good, appreciative crowd out for a Friday night. My @Andyjr1515 Swift Lite bass through a TC Elf and Barefaced one10 was just the ticket. The landlady told us we were the first band, ever, to put the tables back in place after we’d finished. We’re not very Rock n’ Roll, but very polite boys. 😆

Hi. Sorry, Total stranger who happened on the thread. Im 63 (gigging since 15). Unfortunately my spine is calcifying and I can't stand up any more and will lose all bladder and bowel control within the next five years. If its any help i can tell you my basses have gone from two to nine, I've taken to learning all the bass lines I've loved over the years but never played live. A good friend of mine took me to meet Dennis Dunaway (absolutely a brilliant guy, no ego, stunning bassplayer) and it reaffirmed in me what a stunning instrument tha bass guitar is! Whatever your reasons for hanging up the spurs don't do yourself short. The very fact you opened this thread (imho) shows you aren't ready. Change the parameters, not the instrument. Very best wishes to you.

It seems that a lot of people seems to be of the assumption that technical playing is the opposite negation of serving the song or soulful playing, which is just nonsense. Of course it can be, but so can just turning out root notes, or any other type/style of playing for that matter, but it all depends on the context. From what many people are writing here it sounds like some of you are automatically dismissing everything as soon as it gets a bit too technical as bad, without actually listening. Context, context people. Also, do some people have an aversion against solo pieces, or is it just bass solo pieces, if then why is this, and if not, how can a solo piece serve the song, it is the song? Also I love the sound of bass as an instrument, one of the main reasons why i chose it as my main instrument. Why chose it as your main instrument of choice, if you don't like the sound of it?