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Showing content with the highest reputation on 04/11/20 in Posts
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1988 Music Man Sabre, lovely bass with a stunning birdseye maple neck, Great condition, plays and sound really good. Two minor issues: there is bucklerash on the back of the body, previous owner tried to "repair" with clear laquer without luck. The other thing is the volume pot is crackling a bit. Otherwise the condition is very good. The neck is without dings and dongs. Frets in good condition, truss rod works in both directions. £1175 / 1300€14 points
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I'm pretty chuffed with myself if I'm honest. I've never attempted anything like this before but I've ended up with a lovely bass: The bits: Warmoth P body in swamp ash Finished with Crimson's Penetrating Guitar Oil 2016 Am Std Jazz neck Gotoh 201 bridge EMG GZR PJ set Hipshot D-tuner I've wanted a PJ for quite a while and considered going down the Limelight route but this was, for me, more satisfying (plus I had the neck already). I had a couple of squeaky moments and if I was to do it again, I'd probably shield with copper tape rather than shielding paint but it plays great, sounds fantastic and I am in love with how it looks.12 points
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Well...just getting going...and another lockdown. Anyhow. Feels this journey is complete for now. tried editing 2 videos and audio together on iMovie (iPhone) and couldn’t get it to behave. So...here’s a video of a song we’ve been working on...me and Tom playing (the other angle is Max and Andy guitar) The rehearsal space is closing, but the studio will run for drum takes so...we might get to do what we want during lockdown.8 points
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Not had this long. Bought from Ash on here. Alas as much as I love the look and feel of it am more of a Precision man so decided to move this on. Peavey Foundation, in fantastic condition for its age. Think this is a 90s version and has the highly regarded Super Ferrite pickups. The neck pickup has been rewound by Aron Armstrong. The neck is more like a jazz and is 38mm at the nut. Adding a touch of the bridge pickup gets very close to nailing the Jazz sound. I prefer the sound of the front pickup which is much more Precision like. Can meet up or possibly deliver in the North West. Postage is also a possibility5 points
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Some nice boards here guys! Thought I share mine as well before I change it again 😁 So here it goes: the chain starts with the Mooer Bass Fog > tuner > comp > pre doubeling as clean DI. From there to the bottom row octave > filter > drive > fuzz > chorus > multi and to finish it all off cab sim/wet DI. All mounted on the Pedaltrain Metro 24, powered by Cioks DC5 and yes, there are some cables as well. Since this picture couple of weeks ago I've acquired Red Witch Zeus fuzz and it challenges the Fog, the Muff and maybe even the MXR octave. Althogu just today I received an old Japanes OC2, decisions, decions. Also I think the wet DI/cab sim will be changed to Sansamp BDDI and might take the multi off the board cause don't really need it. Let me know what you guys think and which octave should I go for?4 points
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For anyone interested in this, replacement Stingray mute pads are available from Strings Direct, part number M05113 (for the four-string set) for £3.49 plus postage. It’s not listed on their website so you’ll need to email them. They also have the entire assembly with the springs and screws, which is listed on their site: https://www.stringsdirect.co.uk/search/stingray-mute Enjoying the old school vibe now:3 points
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Unfortunately if you consider the physics behind it, you realise that high mass bridges don't work because they are high mass (the additional weight they add to the body is pretty much negligible when compared with the total body weight of the bass), but because they are better engineered than the standard BBOT bridge in reducing lateral movement of the saddles.3 points
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Don't know if it qualifies with your definition, and it happens more on other instruments than bass.......... but it's when people leave a clip-on tuner on the headstock during a performance.3 points
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It's with a heavy heart I'm selling my beautiful, custom ACG 6-String bass. Specific details of this instrument can be found on the ACG website (https://www.acguitars.co.uk/project/0270salceetype6/) I've owned this bass since new, having seen Alan's amazing work whilst attending the Moffat bass bash and knew I had to have one of his instruments. Unfortunately it's not getting played as much as it deserves so I feel it needs to find a new home. Body: Top Wood: Figured Maple with Faded Black Finish. Body Wood: Swamp Ash with Dirty Finish. Body Finish: Satin Lacquer Neck: Neck Wood: 5 piece Wenge/Bubinga Finger Board: Acrylic Impregnated Spalted Maple Scale: 34″ Neck Finish: Satin Lacquer Hardware: Pickups: ACG FB Humbuckers Hardware: ETS Tuning/Bridge unit ACG Custom Headpiece Schaller Straplocks, Pre-amp: ACG/East P-Retro with 4-way rotary pickup selector. £1500, I will consider a part ex (up to £500 value) for the right bass, I do however need at least £1000 cash out of the sale. New, this bass would cost £2795. It's in fantastic condition and comes with a heavily padded Fusion gig bag. Collection from Newcastle upon Tyne, I'd really rather not post but will meet buyers a reasonable distance from Newcastle to facilitate a sale. This ad is a relist of the original, I have recently moved house and needed to update my location.2 points
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Well, who would have thought. Not only did Ebay remove the nasty git's feedback, they did it a day early. Shocked2 points
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I don’t think I’ve posted these before, a couple of classics from Sugar Minott and anyone who used to listen to Rodigan in the 80s will recognise this one, it’s the album mix, it was the theme tune to his show , nice version at 3.362 points
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2 points
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Similar to @lozkerr i learn the bits and then draw a chart of how they fit together. In this case I do BVs. sometime it is lead vocal, but then only hints - say one key word per line. Interesting to see another such sheet. The rest of my band don't use them! First learn the bits, then learn to do it with the sheet, then learn to play it without the sheet.2 points
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2 points
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Is there no end to Fender's reinvention of its legacy models? Decades old designs, rehash, rehash, rename, custom colours, tick a famous signature on it and sell it for $$$, yaaaaawn. It's not like there's not a bass in the marketplace that has a pickup in that position. I forget who it was, but I seem to remember an old bloke who owned a biggish guitar company set up with another bloke and made a bass with a pickup in that position. Oh, what was the name of that company? The model was name after a fish. Perhaps if I take an old Jazz and put 5 pickups on it there'll be a NJ Signature Model in the pipe.2 points
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Last time I’m doing a board lol ! All (rechargeable) battery powered2 points
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This is how I do it, at least for simple and repetitive basslines, by breaking the song into phrases. Sorry it's a wee bit blurred - camera wouldn't focus properly for some reason. This one has five phrases, and I learnt each one separately. The pencilled notes show the running order, with the 'v' indicating where the verses are in case I get lost. As there's so much repetition in this song, I learnt the riff and chorus first, and then the ending, bridge and intro in that order. Took a couple of days or so.2 points
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Why do you think the controls are at the back? Maybe it’s a leftie? And the, erm... strings... are at the back.2 points
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Interesting, especially #1 as my all-time favourite chorus effect is the MXR Pitch Transposer, on it's "0" setting which gave a massive thickening of the sound without loosing any of the power or definition to the bass sound. Unfortunately it was horrendously expensive, not particularly reliable and all but unusable without the separate and equally expensive display module. My second favourite was the far more affordable Amdek Chorus which was basically a Boss CE2 in semi-kit form, and which was an essential part of my bass/guitar/synth rigs during the 80s until I was able to afford a Roland GP8 multi-effects unit.2 points
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It would be rather amusing if this line of thinking led to a trend for low mass bridges given discussions elsewhere on the forum2 points
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A simple part and and easy read for beginners. Jerry Duplessis's bass part for The Fugees version of 'Killing Me Softly' from the 1996 album 'The Score'. Because I am a massive Hip Hop fan. https://bilbosbassbites.co.uk/killing-me-softly-the-fugees/2 points
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I say take the plunge. Even if you could travel, there will always be a better bass or a better bargain to be found. It’s the never ending quest! As long as you don’t pay over the odds and it looks easily resellable your risk is fairly low.2 points
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I've got a sort-of gig this afternoon. Four of us in a field videoing a few songs for a local music festival that has gone virtual for this year. I wasn't too encouraged by having to scrape the ice off the windscreen before driving this morning!2 points
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Too tired to post when I got home last night, but it was a cracking gig to a full (for a given value of 'full') house of genuine music fans ... my second post-Covid gig at that pub and they were two of the best I can remember. Landlord reckons he won't now be able to re-open until after Xmas and he thinks the same will be true of a lot of places. I hope he's wrong, but he's very well plugged-in to the Herts. music pub scene and I suspect he knows what he's talking about.2 points
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2 points
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I have had dead spots on basses with really dense body woods so there's no guarantee. Higher/ lower mass bridges can both help when a dead spot exists but I do not think either can be considered better then the other in that scenario. Resonant frequencies and standing waves depend on everything in the instrument that vibrates. Adding or substracting any mass will impact this but you can't rely on any of it to eliminate the possibility of dead spots occuring as resonance is the sum of many things.2 points
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I hate that too, my new bread machine bakes a perfect loaf but that damn paddle always leaves a hole in the bottom. I could use the dough setting and put it in the oven, but I think that defeats the object, don't you?2 points
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Nice, I always fancied a bass with this pickup layout, but only Atelier Z seemed to produce them!2 points
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It was and there were. Drummer and I raised an eyebrow when they came in - seemed a little OTT even given current circumstances but turned out they part of the team for the service and playing the characters of “Mr PPE Man”.....as you do.2 points
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I have minimal experience with Dingwalls, but... definitely get the 6! Once you've gone 6, 5 just seems lacking. If you're on the fence, I'd say go 6 sir. If you don't like it, sell it to me, I've got £15 and a bag of Wotsits with your name on it.2 points
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One thing I think that's been missed out, is can you sing/hum the bass part? Work on being able to sing along with your internal voice, and you'll find everything else a LOT easier. Then you'll have memorised the bassline itself, then when you've learned which fret makes which note and which position to play it in, you'll KNOW what it should sound like, and it'll speed things up dramatically. I don't think it's any surprise that you can play the intro (And I'll bet you could sing it) as it's melodically probably the most interesting part of the song, and gets it's time to shine in the song. I know it's the part I hum along to.2 points
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I have refinished my Spector and while at it I moved the controls to the back. The sliders do what the pots did, vol, vol, bass, treble. This was my gigging bass for a long time, I never touched the controls on the bass but got annoyed when they were accidentaly turned when getting it out from the gigbag etc. So I thought it was a great idea and it was since I never regretted. Love the clean look of the front also love when it takes a while for peolple to realize what's missing 🙂 Also the sliders are sticking out of the plate just enought so you can move but never with your body or leg or whatever it is getting in contact with in the heat of the gig 🙂2 points
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Been there with a previous (sometimes tetchy) worship leader. We kept getting this low frequency boom/feedback type sound on stage in rehearsal which was annoying the Leader. He told me to turn down a couple of times. I did until I could just hear my amp over the drums. It kept happening and I realised it was the keys amp resonating the acoustic guitar into low frequency feedback.It happened again and the worship leader was actively annoyed (at me) by now. I told him what I thought the problem was and he, effective told me to shut up, stop making excuses and just turn my amp down. Having had enough by now I quietly removed my bass, placed it on its stand, turned off the amp, unplugged the cable and coiled it neatly on the floor in front of me, turned to the drummer, winked and tapped the side of my nose and stood with my hands in my jeans pockets. The band started to run through the song again and the low frequency noise started again. The worship leader was furious by now and yelled while starting to turn around to confront me, “OH FOR GOODNESS SAKE TREVOR WILL YOU JUST DO AS I ASK YOU AND TURN YOUR AMP D...” I sweetly smiled at him, shrugged and said, “You really do need to do something about the acoustic guitar feeding back.” He never said sorry though...Bit of an ego issue, that guy.2 points
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Review of a Mama replacement pickup for the Epiphone Jack Casady Bass. I have no financial interest or affiliation to Mama. Signal chain… Jack Casady strung with Pyramid Gold flats, Flattley Bass Fuzz, Stoneham YI-200 valve amp. I wanted a replacement pickup for the Jack Casady bass I bought last month, it didn't have the original pickup or wiring installed. My new to me bass came with a very hot single coil pickup that really made the sound too aggressive for my tastes. This is because I play in a three piece acoustic style band that requires a more mellow sound. They're was nothing fundamentally wrong with the single coil, it just didn't give me the sound I was after. After a prolonged Google search I found only one company who made a replacement pickup for the Jack Casady Bass. It was Mama pickups based in Italy. They make the pickup in black, white or cream and it can be ordered with three choices of wiring with pots and two mounting screw colour options. I ordered a black pickup with black mounting screws and the simple tone and volume wiring. Other wiring options include a single coil tap and an elaborate single coil, parallel, serial switching arrangement using the original impedance switch is available. It only took a few days to arrive from Italy and I excitedly opened the well packed package. The package contained the pickup, screws, two high quality mojo (CTS) pots and an orange tone cap. The wiring loom was not pre made so you will need wire and soldering equipment and the original input socket. I'm good with a soldering iron so making the loom was straightforward because Mama supplied a simple and easy to use wiring diagram which is available on line. If you can't work a soldering iron then you will need a guitar tech to install the pickup for you. The original plastic pickup surround needed a small amount of modification to allow the larger screws to fit through it and widening because the pickup is slightly to big for the original pickup surround. Installation was not hard but it did require a little work and thought. Within two hours the pickup was in, adjusted and tested. Instantly I was impressed with the sound. It was slightly darker than the single coil but more importantly it lost nothing of the punch and power. I fiddled with the pickup height and managed to dial in the right sound for my playing style. My preferred sound, after an hour of playing at home, was the volume on full with the tone set to number 5 on the 1 - 10 dial. If I had to compare the sound with another bass I would say it's like a Precision with a slight hollow ring from the acoustic body of the bass. It is perfect for my three piece acoustic style band and sounds fantastic with Pyramid Gold flats installed on the bass. Cost was around £185 for the pickup, screws, pots and tone cap. I can only conclude that Mama has a new follower and customer. I would love to hear their Jazz pickups installed on a future bass purchase. 😄1 point
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Due to the Covid-19 situation and severe back problems (66% officially disabled because of it) plus right shoulder injury (non-operable capsulitis from which, after more than 3 years, I will never fully recover), I'm selling all my basses over 4 kilos and also the ones I'm not really using. I've also considerably lowered the price for a quick sale. GROSMANN 5 FF Custom Order, top of the range model with a 2 pieces body in wenge and alder, 2019, 34 to 36 inches fanned frets. NO TRADES ! Asking price including shipping fully insured with tracking number to your place in these European countries (ask for other countries) : Austria, Belgium, Bulgaria, Croatia, Czech Republic, Denmark, Estonia, Finland, France (excluding French overseas departments and territories), Germany, Hungary, Italy, Latvia, Lithuania, Luxemburg, Monaco, Netherlands, Poland, Portugal, Romania, Slovakia, Slovenia, Spain, Sweden and United Kingdom : £777 GBP !!! (new price was £1599 GBP...) In fully working condition, fully original and in very good lightly used condition, almost new, except some very small blemishes (see below). Here are the specifications : Body : bass side in wenge and treble side in alder for better sound balance Top : book matched flamed maple Neck : bolt-on (with inserts) one piece hard rock maple Fingerboard : wenge (flat radius) Frets : 24 (no wear at all) Headstock : 3 + 2 shape with a string retainer Pickups : 2 x Delano JC 5 HE/M2-AS (AS is for longer pickups) Preamp : Delano Sonar 2 Controls : volume (push-pull active/passive), blend, bass, treble Tuners : Schaller BM Bridges : 5 x ABM mono rails Strings spacing at bridge : 20 mm Nut : Graph Tech Strings spacing at nut : 9 mm Knobs : soft grip rubber Scale : fanned frets 34 to 36 inches Hardware colour : black Truss rod : one double action fully working with 2 carbon rods in the neck Finish : high gloss black burst with some very slight shades of purple on the front and headstock (not as strong as on the photos and depending on the light too), high gloss black on the back and matte finish on the back of the neck Land of craftsmanship : Romania Serial number : none (custom order) Year : 2019 Weight : 4.625 kilos Action : from 1.5 mm under the G string to 2 mm under the B string at 12th position (can go lower, but was perfect for me) Will come with a Music Store well padded gig bag (the only one I have which is big enough for this bass). Non-smoking environment as usual. The bass has been fully set up professionally. It has been fitted with a brand new set of specially designed for fanned frets basses Dingwall Nickel Plated Steel round wound strings (45 - 55 - 80 - 100 - 130). I wanted to try a fanned frets bass, but as a fretless player, I'm bit "lost", so my loss is your gain. The bass is very powerful with roaring low mids (thanks to the wenge) and the combination of the full Delano design (dead silent), with the lutherie and the Dingwall strings gives a really punchy, clear and full sound whatever way you turn the EQ knobs. Link to the Delano pickups : https://www.delano.de/jc_5_he_m2/jc_5_he_m2_details.html Link to the Delano preamp : https://www.delano.de/electronics/sonar_2/sonar2_details.html Link to the Dingwall strings : https://lordofthestrings.com/fr/basse/electric/5-string/dingwall-lb5np-5-string-longscale.html Link to the Bass Direct page with a lower range model : https://bassdirect.co.uk/bass_guitar_specialists/Grosmann_5_FF_Amber.html What you see is what you get ! Look at the photos taken under different angles to see the very good lightly used condition (almost new) of this bass, except for 3 points at the back, some surface scratches on the front and back (hard to capture) and other very small blemishes around the output jack. Don't hesitate to ask for more.1 point
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@Woodinblack beat me to it. Don't beat yourself up if you can't memorise a tab, which may not be accurate anyway. That also applies to those in books and published scores - I have quite a few where the dots are a fair way off the original recordings. Unless you're in a tribute band, where different rules apply, the things to remember are (a) stay in the right key, (b) stay in time and (c) hold the pulse and drive the song. That's the crucial thing - in fact it's more important than memorising every foible or mastering a tab that may have been put together by someone with a tin ear. I learnt that the hard way when learning Losing My Religion. The tab I found had some weird syncopated phrases in it which threw me completely. Although they may well have been faithful to the original, it became apparent from listening to the CD that apart from the middle eight, intro and coda, the main pulse was 'one, two and three four, one, two and three four' throughout with a slight variation leading into the chorus of 'one, two, three and four and one, two and three four'. Once I got my head round that, I could drive it quite hard and still keep in time. Remember - if it sounds right, it is right.1 point
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Although lacking in the department of parameters that can be controlled I found the Boss CE-1 model of the Zoom MS-70 CDR (and possibly others of the multi stomp boxes) to actually be an amazing sounding chorus effect that is not all that far from the effect it seeks to emulate. Really a shame that Zoom didn't update and include that effect for their newer line of multi effects. When that is said the chorus I currently use is actually a vibrato effect, namely the TC Electronic Shaker Mini, and even though you can actually chose between a couple of chorus effects, under the modulation menu, in the Toneprint editor, I programmed the one I use using the vibrato modulation, just blended with cleans (as that is actually what a chorus is, a pitch vibrato effect blended with clean signal), the one described in this thread I made about it : In my opinion one of the best chorus effects I've ever heard, though extremely thick and lush, so might not be to everyone's taste.1 point
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Sky repeats stuff across a few of their channels. I also saw the doc on sky arts a week or so ago, really enjoyed it. 😃1 point
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Here’s another one guys - this time on my 55-94 Lakland1 point
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The embossed numbers on the knobs of my starfire bass only go up to nine. That just doesn't seem right as its 'one less'1 point
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I spoke to Tom yesterday, all is fine and well, just that life in lockdown very much got in the way (difficult with a one-person company). He’s currently working on starting up again soon though, so watch this space! Si1 point
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Whatever you get, factor in a couple of hundred quid to have it properly set up, have the frets stoned and recrowned. Trouble is, people spend all this money on basses but dont realise that the frets are usually just knocked in and out the factory the bass goes. If you have somebody spend the time looking at the playability, even the cheapest of basses nowadays, are perfectly great. In essence, a cheap bass that has had the right work done on it can easily outperform an expensive bass that hasn't - in terms of playability at least.1 point
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