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It’s finished! It’s beautiful! I can’t wait to ruin the hi gloss paint with my greasy finger marks!

Come on now, we've all had a few drinks, let's not spoil it for the bride and groom.

Lovely gig with a lovely bunch of people (most of whom can really play their instruments and sing) in a lovely music bar. I walked in (sans bass), and the lady behind the bar looked at me and said "You must be the bass player, would you like a beer?" My kind of bar

I must admit the music leaves me a bit cold, too. I love funky playing but it’s like Vulf try and be SO retro/hipster that it puts me off. That and he’s better than me and that’s not fair.

Thought I'd share this with you. An Ebow on a fretless bass through lots of effects. Somehow it doesn't really sound like a fretless bass.

I bet we'd find you've got a hex core if we took a cross section through you.

When I used to have an office job, many years ago, whereas everyone else had photographs of their children on their desks, I had pictures of my basses. I kinda did it on purpose at first to see if anyone would notice.. but they kinda looked cool, so I left them there.

Ok to have lot of grind, but make sure you don't increase the heft too much

Amazing what you can do with crayons these days....

Here's a shot of the back of the headstock.

Haha! Excellent topic. We're a two-bassists household, so we have a lot of bass gear! I can often be seen going around the house dusting those basses that are on stands, as opposed to in cases. Sometimes I wipe them down with a damp cloth, if they're particularly grubby! I include fingerboards and the 'underside' of the strings. I have a large makeup brush (I don't 'do' makeup, anyway) to dust pickups, bridges and headstock tuners. I keep an eye on the state of my basses' fingerboards and oil them when necessary, even if I'm not changing the strings. Same with cleaning the frets. On the basses I use most, I regularly check action/truss rod, saddle height, nut height (on the Warwicks) and intonation. I have been known to be OCD enough to tighten a tuner's screw if that tuner is slightly looser than the others. I have changed hardware on a couple of basses, and turned an electric upright from righty to lefty, but I don't feel confident enough to change pickups, or to do heavy duty cosmetic work such as sanding down the lacquer and changing the body colour. I'm @Happy Jack's strings and general setup tech... 😎

🤣🤣 Darrin Huff Scroll Bass

Blimey, I haven't listened to the Bozos since school days. Off to Spotify! 😁

Thanks for the comments about the poster. TBH it was just a question of being in the right place at the right time. It was part of an exhibition at the Greenwich Mural Workshop in the 80s, that must have taken the V&A's fancy. I had several other posters in the exhibition but none of them were taken. And now something even weirder. One of the bands I play with wrote a song about the Trappist-1 system and made a video to go with it that got sent to various scientific bodies involved with the discovery. As a result our singer is currently in Liege presenting the video and talking about writing the song, and has just posted footage of the video playing to the other serious academics at the conference, including a couple of seconds of me throwing some serious bass poses...

The nerd room at Ez Towers.

I just knew the Dave Grohl fact would be in there! 😛

My daughter genuinely thought that the Bass Clef was my own symbol. She still calls it "your symbol" even now.

If the pickups have the normal high-density foam under them, two things can happen: - the foam can lose its spring - the foam can stick a bit to the bottom of the chamber or pickup or sometimes the chamber is a touch tight Either way, take all the screws out, then rock the cover back and forwards or side to side. Then do the same while trying to lift. It should gradually ease free. I've also used the windscreen sucker off my old sat nav holder in the past...

When I got to get change out of my pocket in the shops, I have to dig through the plectrums to find the right coins.

I think the answer is in the question. If you decide to go ahead it would be fun to try. If you have both cabs and an amp happy to drive into 2ohms, why wouldn't you try it out? If the cabs both have identical drivers then the sound won't be that different, you'll lose a little of the mid/highs off axis but you've already lost a little by using an 8x10 so it probably won't be a dramatic change. If you mix cabs with different drivers in then the sound outcome is less predictable, you may like it more or maybe less. I'd think volume won't be an issue anyway other than the possibility of damage to your hearing, I don't suppose you ever drive your 8x10 flat out, but of course you are going to try it Buying a 6x10 as a smaller rig is 'interesting'. The footprint on stage is going to be the same and it's only a small saving in weight. If you want to buy just to have the look of a vast rig or because you really do want more volume then another matching 8 would be a better bet if you are planning to use the two cabs together a lot but that's a personal choice of course. If we are honest most of us will try bass through every cab that passes our way given half a chance.

He doesn't tap dance, but is actually telepathic. Shame, I heard he was in line for the lead in 'Scanners: The Musical"

I've found one of the Mickey Mouse Tele endorsees...

And your/his point is? A good musician plays for the music. Sometimes all you need is your instrument. Sometimes you need a load of sound shaping devices. Knowing when and where to use them is one of the things that sets a good musician above an average one.

Good interview. I heard an interview with Wilko Johnson a while back. When he was asked if he used pedals he answered: "What do you think I am, a cyclist???"

Full interview

Did an hour's practice this morning with some backing tracks. Definitely sounds different to the TI. Thicker sounding. Feel is also very different - the La Bellas are smoother. The E string seems a bit wooly compared to the others at the moment but I seem to remember in the mists of time that after a week or so they will wear in and be very similar. And anyway I tend to turn the Tone control down to at least 50% for this sort of music so there's no clank even on the higher strings. Tension / suppleness is very different too. I am liking them.

Someone else has pointed this out to me farther up the thread. Explains why I was so blown away by how authentic a 'facsimile' it was. What still surprises me is there's no fuss made about the presence of the tube on the amp itself. These days manufacturers have tiny windows cut into the fascia so we can watch the little thing glow. Or at the very least a picture of a valve and the word tube somewhere prominently displayed. Makes me like Ashdown even more.

Nicely put. I’m not too-cool-for-school and can really appreciate the technical side of it, just emotionally doesn’t hit me. If he’s inspiring people to play (and isn’t Flea) then good for him, and for all bass players.

BTW this is in my Harley Benton amp i changed the speaker on a while back... First experiment: take the front off, shove a pillow in there. Result: less honky mids, but a bit dull. Took it out again. Heard neighbours crashing about, decided to watch the Handmaid's tale instead.

This is my 58 precision sorry about the pics I'll put up better ones later.

Seriously now... I can understand wearing a Vulf tee... but a Joe Dart tee? That's some niche uber bass geekery. I can picture it now. "Hey, nice tee. Who's Joe Dart?" "A bass player." "Riiiggghhhht."

Second prize two T-shirts 😈

I'm always nervous about posting my shoddy technique!

As normal as any bass geek can be.

On his facey…. 😊

My only bit of geekery is that I like large speakers. After a period of ownership of a weedy little 12W Marshall practice amp I got a Laney combo with a twelve inch cone. Then I got the Ashdown with a fifteen. I then bought a Trace Elliot extension cab with an eighteen inch driver. If I ever gigged I'd have to get some lightweight gear.

Ok, last one.. I had some branding designed (as you can see in my avatar and signature). I never met the designer, nor did I even speak to him before he came up with the design you can see. He only looked at my social media for a few minutes and summed up in these logos. They remain unchanged from that day other than adding colour. That is how much bass geek I am lol!!!!

With a geranium behind each ear and his face painted with gay cabalistic symbols, 6-foot-8, 17-stone Police Sergeant Geoff Bull looked jolly convincing as he sweated and grunted through a vigorous twist routine at the Frug-A-Go-Go Bierkeller. His hot serge trousers flapped wildly over his enormous plastic sandals as he jumped and jumped and gyrated towards a long-haired man. "Er, excuse me, man, I have reason to believe you can turn me on", he leered suggestively. As if by magic dozens of truncheons appeared and mercilessly thrashed him. Poor Geoff, what a turn-up for the books

A)Led fretboard or not LED B)Maple or Wengé fretboard Rosewood C)Single headless pieces or whole bridge Whole Bridge D)Brass or steel string clamp at headstock Steel E)Active or passive Active F)3 band or 3 band parametric Para G)Oil finish or polyurethane OIL H)Scale length- 25 or 28 inch 34" I)Bolt on or neck through Either J)Truss rod or just carbon support rods Truss rod K)Out jack on top or side Top L)Extended fretboard to act as ramp or not Not

George sold me his 3 leaf octabvre mk1 pedal Item as described. Great service. Nice chap. Happy

We can't abide bass players going popular, 's not right!

I know it's being picky but I just think the standard BBOT bridge looks wrong on a 'Stang. It needs to look like this.......loving the maple board though.

Oh no.. Maple neck Mustang, I’ve been harping on about the need for these for ages. My gear abstinence oath is in serious danger.

Me playing at York Barbican during my loud shirt phase....