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Looking very nice!!! Liking the colour matched headstock nice detail!......

I'll have a bash at putting some pictures up.

We have rules,and as the band is an equal vote thing problems are few. We all agree on a song and learn our parts at home once the key and version are agreed. If anyone is not up to speed on a new song its put to bed till next rehearsal to allow anyone struggling to catch up. A song is not on the gig list till it is right. No noodling, ever, not even at rehearsal. That includes vocals and drums. Tune up only silently, almost every tuner has a volume mute. We practice quietly so errors are obvious and easy to rectify. If any member really dislikes a new song it is dropped.

...and a couple of other random bits & pieces: BRING CASH if you think you're going to need any, as the nearest ATM is a mile away at the Co-Op. You should also consider stands/straps for any guitars you're bringing, ear plugs (just mentioning with my organiser's H&S hat on - should not be needed as I'll intervene to prevent any dangerous noise levels), headphones/speakerless systems for your use in the Quiet Room (or to turn the 'noisy room' quiet).

Thanks for all the input guys. Got an update as bought a kit off a guy that refurbs decent beginner kits (how he puts it ). I tried a few, and a small 'frankenstein' kit spoke to me. Its a Sonor 503 bass and 2 toms, a Mapex venus snare (sounds amazing for a budget one and was what really sold me the kit tbh), a high quality hi hat stand, cant remember the brand, and the entry level Zildjan cymbal set and decent pearl stands. 20" bass drum which will be better for the brass band, and space taking upping. Pedal seems like good one, it plays really well anyway. All set up and tuned, new bass drum skin plus a set of vic firth dampeners thrown in. I paid £250 and was pretty happy with that.

There’s a bit of a ‘it’ll be ok’ attitude at times. I don’t want it to be ok. I want it to be the best it can be.

Never had a smoked bass, have tried smoked haddock 😀

That’s because you’re sick in the head tired of Tort, tired of life

Unboxing videos are a pet hate of mine. I don't care about the packaging, plug the funking thing in already!

Right you lot, just stop it with these Wals, OK; I'm running out of clean undies!

Hi all, I've always had a soft spot for Capri Orange and couldn't resist when this came up on Reverb a few weeks back. It's a 1993 MIJ '62 reissue, one of the "non-export" versions. A few battlescars, and the neck pickup doesn't work so I need to take it apart and see what's going on, but other than that it's a great bass and plays very nicely. Came with a non-original pickguard but I much prefer JB's without them anyway. Can't say I've seen many of these about - I think Capri Orange was only in production in 1993 and 1997, but it would be interesting to hear more. Enjoy the pics!

I've got one of these and use it for nearly every router based job now. Tough, reliable and capable piece of kit. My big 1/2" router is overkill for nearly everything except fitting locks. I think it would work a treat for cutting pickup cavities etc.

With a bit of luck it'll be a send or return socket, even the headphone socket. Where they sit never used, the contacts stay shut and get corroded. Get any cable plug, spray it with contact cleaner or even a very little wipe with WD40 on a cloth and insert into every socket there is on the front and back (preferably either switched off or with the volume down) a few times. Could be the vibrations are affecting one or more.

That relic was not done well, I would definitely not pay more for that. Why are we talking about respects etc. The most obvious thing is to get it attached to your towbar and drag it around a bit. You never order just one chip from the chippy, get some more, and gravy to go with

Annoying, it’s sounds like an absolute nightmare. So many of them in one band, life is too short to waste with these people.

Scuse me a second Paul....... zzzz

bloody hell, that's why I can't see them

Very possible PT

I'm also in the minority. I've played in the past with people who fell into most of those categories but I wouldn't tolerate that these days. I'm at a stage where I am really enjoying my playing and gigging and if there was someone spoiling my enjoyment then they would either need to change or I would walk Luckily we're all really accommodating and if something needs to change then we'll work out the best way to do it, no one moans, everyone turns up to rehearsals having learnt their parts, everyone turns up to the gig on time and we all get on really well

Been there - four across the front with the singer's mike in the middle?

It's amazing how I've managed to stay out of your photos, considering I was there both days the whole time

#4... I dunno why but that one has popped up loads of times for me. I dunno if it's just a safety blanket type reaction, but it's bloody annoying! Only seems to h guitarists that do it too! Keyboardists in my experience don't do it!

My number one annoyance is guitarist and drummer not being able to keep quiet at rehearsals. If we're working out new stuff, how the hell do I communicate with anyone if you pair of feckwits insist on playing random riffs and fills. The only other thing is placing the singers microphone dead centre on the stage area. Sounds wierd but there's three of us across the front all playing guitars, I have to stand to the singers left at the guitarists request as, for some reason, he can't cope if he's that side. If the singers mic is dead centre on a small stage that means his headstock is over in my area so I'll just stand behind the PA speaker then shall I. If we all take a step to our right then we'll all fit, but they just don't get it. Then they comment that in most pictures or video I'm obscured from vision. It's a small stage tonight (The Thistle in Plymouth if anyone's that way and bored ) so we'll see if they've worked it out yet.

I'm not currently gigging and haven't done so for some time because you can guarantee that 1-7 will be at the rehearsal plus uk_lefty's great guitard who's a s..t singer and the inevitable rubbish drummer.

Only the same way some guitarists need to play loud to get 'their' tone. They do not 'need' to, they want to. Same with drummers.

they make them without the black

Why are you the one turning up early to help cart all this junk around? It's bad enough you have to suffer through this dual PA nonsense let alone being the one carrying it all! I hope your gig doesn't involve stairs. If band members want to live through some infantile rock fantasy then the least they can do is load the equipment in and out of the van. I know it might be a futile effort but have you mentioned in ears to them?

Dawn's a bit early, could we manage lunchtime?

Thought you meant a Chapman stick. How anyone can make heads or tails of that is beyond me.

The most annoying thing in my band quit just before a USA tour two years ago. It's been great since then.

I've had all of those and a lot more over the years. The flawed personality type who is drawn to play in a band seems to have existed forever. Mozart probably had guys like this in his orchestra. If you can't change them or fire them learn how to deal with them. I'll endure almost anything if the gig is good. I've played with the mildly eccentric to the outright criminally insane, but I've met more good guys and they make up for it all.

In a former band the biggest annoyance was the guitarist insisting on also being the singer. He was an unbelievable guitarist, but he knew it, and didn't know that he was a terrible singer. The music overrode the poor quality vocal but that band would have been immense with a proper singer.

Had the same discussion ourselves recently!!! If you can't remember stuff like the key then you write it on your setlist with a marker. It comes across to me really amatuer, ruins the flow of the gig and must also spoil it for the audience too!

Most rechargeables have a lower voltage, just by their technology; some devices don't appreciate this and work less well. Not the case, in my experience, with instruments; sometimes an issue with pedals, however. Some will remember clock-radios, with their 'back-up' PP3 for the alarm, which got forgotten about until either the alarm failed, or runny stuff oozed from beneath (or both...). Smoke alarms. Anyone got one, that uses a battery..? The 'trick' as a reminder is to systematically go around all of these devices at Christmas, having bought a job lot. I use rechargeables everywhere, even in my Sony flashgun and the wall clock. It's been a long time since I bought a battery.

I just googled it - looks like there is a fair bit of pink streaks about. Maybe you beat the pink out of the wood?

Vintage white, mint and maple is just about as good as it gets. Class.

i like your prog! have listened 'echo' - nice chord chain and well produced piece. congratulations =)

Here's mine;

Me too, same offer buddy.

One of the things I find interesting about the VT Bass and other Character series is how little adjustment you have tend to have to make to the EQ controls; most of the drastic change in sound comes out of just altering the Character control and I rarely tweak the three band more than a few notches each way to account for room sound. Got some big gigs coming up this summer and we're probably going to have to move to in-ears, so I'm looking forward to seeing how well it works!

Scoop, this is a vintage quality bass. Do it a favour, take it to a proper geezer bloke luthier to sort the problems, and suck up the cost. You'll be glad you did in the end

I used to go out with her!

Showing off my CTM 100 with new Barefaced two10

Saw The Stranglers the other night, JJB's still up there.