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It's here! After a little wait & as usual, exquisite luthier work by the team at Overwater Basses & continued support. We have an Overwater Custom J5 Fretless with a few custom options. 35" Scale Walnut top & headstock facing Swapping out the bridge position J pickup and dropping in a Musicman pickup. Added passive tone control (as usual for myself) Luminlay sidedots This bass was specced & delivered very quickly for a specific tour to start shortly this year. It was commissioned due to the need of a 5 string fretless bass for quite a few tracks. Have two fretless basses in my collection already - 1976 Musicman Stingray & an early 1970's P Bass. Both four strings so not ideal for the job. I would like to send my thanks to Kirsty, Martin, Chris & the whole team at Overwater Basses for the amazing basses they make daily & for the continued support from the company also. Full Specification - 5 String 35” Scale Length Neck - Standard Bolt On One Piece Maple Straight Headstock with Walnut Veneer Fretless (24 fret neck) 46mm Nut Width 18mm Bridge Spacing Plain Unlined Ebony Fingerboard Luminlay Side Dots Body - Swamp Ash Walnut Top Electronics - Active Overwater 3 Band + Passive Tone Control Pickups - Overwater Jazz Single Coil + Musicman Humbucker Locking Jack Hardware - Overwater Bridge Hipshot Hardware in Black Satin Natural Lacquer Finish

Hello It has come to my attention that NBs need Declaring so here it goes 🙃 I’ve been considering getting a Reverend Decision P for a while, I tried to find one to try it first but couldn’t make it work, I researched youtube and the internet in general for info but there wasn’t so much and then last week, i jumped. It’s not the right thing to do (buying without trying) but I must say this time it worked out for me. My midnight black Reverend Decision P arrived today and I’ve been playing it all day. Love the thing. The way it feels, the sounds you can get out of it, the weight and yes also the way it looks. I will probably change the strings to flatwounds but in the meantime here’s a little vid and a photo for happiness Hope everyone is well DDR NBD.mov

One of our guitarists won a Les Paul from there. He was a bit wary, but it turned up - very nice too, must have failed Gibson QC due to not having anything wrong with it.

Great rehearsal with The Spacewasters last night, the first one with our new line up. The singer/rhythm guitarist has dropped guitar so we’ve brought in another guitarist and it’s made a really good change as he’s able to trade on lead solos with the regular guitarist, plus the singer is now able to concentrate on his vocals much better. We’ve a gig tomorrow evening and really looking forward to it with this new line up.

Happy new member of this club! Just got my EHB1505 today. Really delighted with it so far. Love the look, it's super comfy neck, and the sound. Plus it's ridiculously light!

To be honest, I associate Rex more with Spector than a Thunderbird

I seem to have added 'Laptop operator' to my tasks! This is a great sounding rig.

Recently picked up an Epifini UL901 and Bergantino 410 from @Mama Huhu. It has passed the rigorous approval process of my son. Looking forward to giving it a proper go at band practice tonight!

Theatre at 41 3rd March @ 19.30 Reelin' In The Years', 'Rikki Don't Lose That Number', 'Do It Again'...the classic songs of Steely Dan can be heard live at Theatre@41 in York on 3rd March thanks to The Steelers! An 8-piece band comprising of musicians from around the UK, The Steelers will perform a selection of timeless classics from such iconic albums as Pretzel Logic, The Royal Scam, Aja and Gaucho. Book your tickets at: https://tickets.41monkgate.co.uk/.../e8107140.../booking Comments

A good half way house (and including an excellent LED tuner for dark stages), is the Zoom B1-4. It has a significantly bigger feature set than the MS-60B and is amazingly good value for what it does. Recommend checking out.

The way I have the SOL fixed to the underside (Velcro and a long cable tie), it does sit a little further down than the stock Nano feet can cover. So I bought some larger feet from B&Q for about £2.50 (pic 1 below). They actually fit perfectly over the stock feet (pic 2), pushing on nicely (pic 3), and then popping off to go back in the bag. Gives you a slight rake/angle when in use which is nice (pic 4). In this setup you may well find a ‘naked’ 1590a would fit, I don’t think it would with just the stock feet. Cheers Si

Update on the quiet aux in issue... Contacted Laney, who arranged to have the unit collected, modified it so that the aux in is a much better level, and shipped it back to me under warranty 👌. Can't get any more fair than that!

Just bought back my old Streamer LX that I sold on here something like 15 years ago. Always missed it, so pleased to have it back. Sadly it’s had some damage in the meantime, and it’s cost a bit to get going, but now with its new EMG insides, it’s sounding great. Last two pics are from the first time around, back when I still had long hair

Good luck Steve. Make them good ones. If you do 'retire', don't leave BC though. Best S.

It's arrived! I've made a a separate NBD post over here

I hope you manage to get one together before that 🤣

I'm a big Rex fan, a huge Pantera fan and I loved my old Thunderbird but £1400? Not a chance. I paid a third that price for a new Vintage Pro only three years ago and that thing was brilliant. I really wish I still had it.

Sorry! I thought this might be a thread about parliament. As you were.

I bought this bass off this very forum about 5 years ago. Got it because it's a YOB bass, it was cheap, and it looked like it had a bit of mojo and had the idea of a project. When I got it, it played well, but the "Wear" was more like the wear you get from throwing it down the stairs rather than through 40 years of hardcore sex, drugs and rock n roll. And, for some reason, I got it in my head that all the bits were very specifically to this bass so it would involve more than a bit of DIY to get aftermarket parts fitted. Turns out i was wrong. I've used it a few times, but has mainly sat in a case. I'm doing a gig with an indy type band next month so felt a more edgier bass might look more the part so got this out. Still not happy with the look, I decided to give it a wee spruce up. Hopefully the original owner doesnt mind me nicking his photo's as unbeleivlably in 5 years of ownership i never photographed it. Things I did: sanded the body - took literally 40 minutes - the finish was extremely thin and I'm convinced not original resprayed with £6 furniture stain from The Range Lacquered with furniture lacquer from the Range - sanded then repeated. put on new pickup covers as the old ones were cracked cleaned the pick guard with car black cleaner. before it was old matt and faded, now it is jet black and almost shiny brasso'd the bridge resoldered a joint in the electrics as it disconnected during the taking apart put on new brass knobs Things I learnt: if the new pickup covers are tight, don't force them as it's now impossible to get the pickups out the covers - it's not longer a reversible mod the stain colour was far darker than i was expecting. I was aiming for a more red-ish stain, this is almost black. brasso is incredible What I will say is it plays superbly. It balances great, and the action can get quite low so its a breeze to play.However, for me its a bit too mid range growly; almost too characterful. So, I might look at changing the pups at some point. The finish is not pro level but i do like that you can see the grain. I wonder though if i really should've just left it!

After depping for them last year in the US, Becky has now joined the legendary Danes on a permanent basis. It's fabulous news and I'm totally made up for her -- she actually depped for me in the Destroyers once about a thousand years ago, and since then I've watched her star rising higher and higher, with bands like Hands Off Gretel and Fury. She's a superb, hardworking musician and a tremendous advocate for women in music. https://www.facebook.com/photo?fbid=927991258690357&set=a.267725878050235

Awesome fun. Katy Hurt and band opened the new south coast “Buck’n’Bull” pop up country and western themed night at Canvas in Bournemouth. Packed crowd all well up for it, and out of the ~350 strong crowd a fair percentage knew all the words to all Katy’s songs which was ace. It was fecking loud but that aside we had a blast 🤠

Where does 'heft' sit in relation to all of these? Surely that's the most important.

Why not take your MB cabs to a rehearsal?

Cute, and so is your son.

+1 ^^ But 5 banks of 10 patches, right?

Just to clarify: that's from me just looking at their site; I have no other knowledge. The last mention of these from BD was in one of their newsletters, mentioning "in the New Year", as I recall.

Yup, that's fair! Worth just checking the manual to give yourself an idea of what the Zoom wah is going to bring to the party. I had the X version briefly but didn't feel the wah pedal did that much extra and I quite like having a separate wah for use with other pedals - the Zoom wah will only be available for the Zoom multi, but maybe that's all you want to use it for? And tbf I'm not sure that the standard B1-4 pedal can be used with a separate wah anyway.

Absolutely spot on! It's all about creating that magical atmosphere for the guests, and you've nailed it. If you're ever looking to capture those unforgettable moments on video, check out https://www.the-wedding-videographer.co.uk/. From my personal experience with them, they have a talent for turning weddings into memories that last a lifetime!

That's because it's a more accurate representation in looks, build and sound to the original 60s Thunderbird then anything produced since the 80s with a Gibson Logo on.

If that's important to you then forget the SMX, you'll always just be wishing you had bought the MetroLine no matter how good the SMX is, and if you can afford to spend the extra £2k then go for it. If you can get past that though then you'll have a great bass and £2k to spend on something else.

Thanks Al, that was also on my radar! I wasn't sure again about switching between effects though, would I just have to up/down through patches? I know you can use up to 5 effects in each patch, but can you trigger them individually whilst performing?

I've used wood veneer as a shim before. It's about 0.6mm thick IIRC. Also toneshim! Lovely bit of walnut in there, will totally change the tone of the bass, can't you hear it?

The Ultimate Act Of Betrayal - Toranaga

I hear that. I think the original one looked very cool.... this one is absolutely beautiful, love it. I know about all the reviews, cheap, nasty, uncomfortable..... but man it looks lovely.

Sorry that turned into a bit of a rant

So much better without the scratch plate. 🙂

Yamaha are smart. They know that the B string is just a thumb rest and the G string isn't really a “bass” string, with frequencies only audible by dogs and small mammals like lead guitarists.

No, no, no.....! FFS... Noone wants an overpriced Epi Rex bird! If you're a Rex fan you know his sound is Spector. That's where your money goes. Why doesn't Gibson just reintroduce the Grabber, Ripper and G3, with cheaper high quality Epiphone versions (under £1k). THAT'S what the market is asking for!

Hi, me again. It's important to remember the ages and original resources available to luthiers making orchestral basses. Bass sizing is only a recent thing (as is players quoting "D" necks or "Eb" necks. Up to about 1920 you never heard of a 3/4 or 4/4 size.... They were just "big" or small, or chamber bass or baroque or parlour or solo basses. Also basses made in the 1600's were small as the developing chamber music was much quieter. Weras basses made in the 1850's facing Brahms, Bartok, Tchaikovsky, Mendelssohn had to be huge orchestral tone cannons. (then William Tarr, Panormo, Kennedy, Lott, JTL, Rubner and the big Germans were even bigger for Shostakovic, Bruckner, Walton, Wagner, R Strauss etc!) They were built for a purpose not for a set size - there weren't any set sizes. If for example in 1835 a Luthier like James Lott Snr received a commission from a tall gentleman he would make him a big bass and for a smaller chap would make a small bass to fit him. They were literally made to measure. There were no set sizes back then (there were for violins though). Additionally if a Luthier was making stock (like Kennedy did often) if he had a small lump of wood then he'd make a small bass, and vice versa. I've seen and played huge basses with short string lengths and one small English chamber bass with a almost unplayable 45" scale!! 😳 *hands like shovels.. Yes, it was all the rage around the turn of last century to cut down the top bouts and ribs but now luthiers can adapt a bass to be more acceptable and playable using less evasive techniques. The basses in pro orchestras are regarded as "full size" because they're just big original 150 to 350 year old basses. Modern orchestral instruments (from 1920) are made 4/4 so that they simply fit in the section with the original ancient beasts. Although my 1840 James Cole bass is tiny - these days I suppose it would be classed as a small 3/4, although the top ribs don't fit into a 3/4 size case! 😂 More than the sizes it's the sound. Just by listening I can tell the difference between an old big German, a French and an old gorgeous English bass (although there's also a massive difference between London built mid C1900 bass to a similar aged Northern English basses (Tarr, Howarth, Cole, Gilkes, Forster etc) superb sound but about 25% cheaper! Master Italian basses are harder to spot as they're so different and, well, just a bit weird... There you go, that's my two peneth. Orchestral basses are usually 4/4...... because that's what they've always been!