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Showing content with the highest reputation on 25/11/22 in all areas

  1. For sale 2001 USA Musicman sterling 4 string in high gloss black finish A well kept rosewood fingerboard version in excellent used condition. Comes in original Musicman case From Musicman- Renowned for its slightly smaller body and neck profile, the Sterling 4 string bass boasts a big sound. Nine volt active 3 band EQ preamp, 3 position pickup selector switch, and a ceramic humbucker with hum canceling phantom coil come standard, equipping the Sterling to cut through any mix. The optional addition of a pickup in the neck position adds even more versatility to this innovative bass. The Sterling delivers comfort, functionality, and the precision craftsmanship and attention to detail you’ve come to expect from Ernie Ball Music Man. will add additional photos at earliest opportunity
    12 points
  2. Bought this little beauty yesterday. I liked the Tribute but this one is a real step up in terms of quality of finish (as you would expect). Lighter too, at 8.6lb.
    10 points
  3. Ok, here's the story. Very well attended. It was a good gig even though I thought some songs were sluggish and I wasn't particularly happy with my playing. I walked out with *$140.00 bucks. Blue * If I was making big money I'd never post what I make. Since it's not allot of money I post it merely as a reference to what guys make in this local lane. Blue
    7 points
  4. Rehearsals are for learning how to play the songs as band as opposed to a number of musicians who are all playing the same song at the same time. Also for those bands who care about such things (and you should) for sorting out the correct sounds for all the instruments and deciding what to do between songs.
    6 points
  5. Decided to treat myself to a short scale bass about a year ago, so got in touch with https://www.wilcocklondon.com/ to ask if he'd make basses for lefties, and turns out that he did... So after a bit of wait and choosing specs (alder body with sherwood green finish, roasted maple neck with rosewood fretboard), it finally arrived. Looks and sounds fantastic so far, surprising versatile range of sounds, considering its simplicity (passive, 3-way pickup toggle, tone and volume controls).
    5 points
  6. 72 Jazz, 75 P Bass and 77 P Bass
    5 points
  7. As someone who's been following this thread since it started 3 1/2 years ago when you were in a covers band, I wonder if it's maybe time to update the title to - "I used to hate gigging...but I've seen the light and actually mostly enjoy gigging now, provided I don't have to do it too often." or, more simply, just: "I used to hate gigging." 😊
    5 points
  8. I did the audition on Wednesday. As I expected, I played at about 50% of my ability under pressure. It was bit hot and my hands were sweaty which made my flats a bit sticky too. But, they want me in, so it was a good result. My little Barefaced One10 with the LM3 sounded fabulous with my P bass, I don't think I'd ever need anything bigger with this band. I learned six tunes for the audition including The Chicken, which they were quite pleased that I'd picked one of the more tricky tunes to audition with. I now have another 5 to get down before rehearsal next Wednesday. I have permanent jazz earworms at the moment! A couple of the band members will be at Jazz Jam tonight in Lancaster. I'm going down and hoping to do a few tunes with some new people. I feel like I've come a long way since buying my first bass almost a year ago. Onwards and upwards! Rob
    5 points
  9. That Kala Bass sounds well cool....
    4 points
  10. Ah that’s a single cut style build nearly finished
    4 points
  11. I don’t remember any of you lot paying for it 😂
    4 points
  12. @ped and I had a discussion about the pickguard positioning. I had noticed that most of the fixing screws were squiffy and, when I took it off, while it is clearly a genuinely old pickguard, I had wondered if it had been replaced at some stage - especially as the P pickup was also at an angle, as with the bridge and bridge pickup. Could it be shrinkage of the original, @ped speculated? Also, as fitted, there was a gap - and uneven at that - between the pickguard and the controls plate. And so, was the control plate original (especially there's an 'extra' screw hole underneath when you lift it off)? Whatever, there was a choice: leave it with squiffy screws; butt it up to the heel; butt it up to the control plate. And it was that last option that @ped decided - leave a larger gap at the heel end but butt it up to the fitted jack plate: And only two holes lined up...the rest each being around 2mm out. And guess which those two were? The two were the ones next to the control plate And so @ped was absolutely right. Almost certainly this is the original scratchplate AND controls plate and the scratch plate has indeed shrunk that much. But what about the squiffy P-pickup? Well... the wood underneath isn't squiffy - almost certainly that angle has resulted from the same problem. This was further supported by the fact that the P pair was hard against the plastic when I tried to lift the pickguard off. Everything else supports it - the pink stains on the back of the scratch plate, the original non-yellowed pearl where the original thumb rest was. All the screw holes except two were plugged with B-B-Q skewers (no need for with-grain large plugs here) and re-drilled and screws re-fitted nice and straight. And then I could position the neck pickup ring. It covers most of the P-pickup hole, except for the wedges left by that twist. Position was checked against the centre line of the fretboard dots... ...and couple of fixing screws fitted so I don't lose the position. Finally, the chamber shape marked for cutting out with the scroll saw in the morning
    4 points
  13. Time for some body sanding/buffing, and frets
    4 points
  14. I think you're missing the point. Really? Given your expertise, I would very much appreciate it if you could expand on how dancing and playing a musical instrument are similar enough that their rehearsal times provide a valid basis for comparison. Please let us know when you are. There are many bands full of professionals that do rehearse between gigs. The backing band for the Academy Awards for example. Maybe your brothers band is more accomplished perhaps? Or maybe the Academy Awards band is more accomplished than your brother's band? Hard to tell. Maybe "going through the motions" is the problem? Bring your A-game to rehearsal and show your audience some respect. Avoid the silly errors completely.
    4 points
  15. Do it!!!! Do it!!!! Do it!!!! Do it!!!!
    4 points
  16. 4 points
  17. I must be totally weird...after reading all theses hate gig comments..... Im 65, been playing double bass/electric bass since the age of 8. Played in bands aged 14, been all over the UK gigging and loved every single moment...from the rough and ready gigs to the very top end big payers! I love the drive to and from gigs, setting up and ragging down it just ticks every box l've ever wanted to do. I really do understand all the things everyone detests about gigging but for me, playing bass has been a privilege and a totally pleasure.....
    4 points
  18. Some lacquering! I like to put a couple of coats on maple fingerboards before fretting. I don’t like the Fender method where it’s flooded with lacquer after frets are in!
    4 points
  19. Not content with releasing their lovely new J basses, they've now released a PJ version! https://www.thomann.de/gb/search_dir.html?sw=Harley Benton MV-4PJ Gotoh
    3 points
  20. I had heard some good things about these basses, on account of the Custom Shop pickups, light(er)weight tuners and overall finish, so I couldn’t resist the chance to grab this one owner Precision. I have always been a sucker for White Fenders and especially so when combined with a glossy maple board! The bass is beautifully finished and plays and sounds superb. I was surprised at the thickness/depth of the neck, it has far more meat on it than I was expecting, but that is probably because I have spent a few months playing the old style C necks which are wide but shallow. It has a set of old Rotos at the moment but I will most likely swap them for some La Bella flats. I have not used flats on a through body for a long time, any advice as to what I should look out for would be greatly appreciated. I wouldn’t expect to remove them to put on another bass in the future!
    3 points
  21. June 1964 Fender Precision Bass. Acquired by myself in Scotland in 2020. I have it on good authority that it was purchased in Edinburgh in 1966 in this colour, originally intended to be Fiesta Red. There are some traces of what I think might be Sunburst under the Red which are visible near the neck heel. I bought this from a friend who purchased it as part of a job lot from the original owner, who gave us all the information above re original purchase dates etc. I think any buyer would probably want to discuss and look in detail at the bass, so I will do my best to facilitate this in a timely fashion. I travel around quite a bit so could possibly arrange a meeting if possible, anywhere between Scotland’s central belt and the South coast of England. A few key points about the bass. Yes, it’s a refinish, I know. But it was painted in this colour sometime between being completed in the US and being sold in the UK in 1966. Call that what you will. All parts original with the exception of the following. Strap button on the rear of the headstock and the top horn. They were missing. Volume pot. Seized solid so replaced with a new Fender vintage repro part. I have kept the original pot, featured on the (in situ) pictures. Scratchplate - Generally good with some scorch marks near the controls. Pickups - verified as correct, sound fantastic. Tuners - All good and working. The bass was refretted using original spec thin fret wire when I bought it, the original frets were too low. This work was carried out by Stuart Palmer in Doncaster who was happy to verify that the bass was right and as it should be. The neck has been varnished over at some point, it’s a smooth job on the neck playing area but the headstock has seen some pooling from overspray? Apparently this was quite a common practice way back when. I have gigged this bass quite a lot, and it sounds fantastic, whether recorded or live it just performs, loads of feedback for the player through the old wood and it looks fantastic under the lights on any stage. The paint has become a lot more Orange than Fiesta Red but it seems to change under certain lighting and always looks cool. It’s light too, 3.95Kg. I’ll do my best to answer any serious questions, so please feel free to ask. Serious enquiries only please. I know these things attract a unique type of critique and I know it’s an expensive item. I’m selling it as an appreciating asset, and this is a rare chance to own a piece of the story. I created a sound clip to help with any demo.. Thanks for looking.
    3 points
  22. I can’t remember who it was, but I remember reading that a top rock band did this in order to get their stamina up to be able to deliver a 3 hour performance. Might’ve been Zeppelin.
    3 points
  23. Steely Dan were in the studios when i was there rehearsing for an up-coming gig the following week. They had it booked for a full week altho much of that was guitar set ups and PA testing. A lot of techy stuff going on but the band were in there playing at one point during a Sun afternoon. Also seen Beyonce, Michael Schenker, Justin Currie and Amy McDonald all doing similar. Think the Michael Schenker thing was with Chris Glen's band tho. May well be this was their rehearsal before the tour start in Glasgow. Justin Currie was there over a 3-4 week period and Amy McDonald almost lives in the studios according to the studio engineers but i've never actually seen or heard her in there. ? Some of the older Pro rock bands used to say they hired a large venue or warehouse for a month before a tour and are in there every day. I guess its a good way to rehearse for a major tour. Dave
    3 points
  24. Fender Japan basses good value USA. very pricey
    3 points
  25. Well I never said it was a good deal! If I wanted a Corvette again (and I think I might, loved my old one) I'd just get a used German one for around £500. Warwick pricing is weird but they do seem to sell basses and have distinctive designs. Lower horn looks like a marital aid, upper horn looks like it's about to be twisted into a balloon animal.
    3 points
  26. A bit late to this post but just want to point you in the direction of my Sandberg customer service experience. Admittedly 4 years ago but the fix they did for me has lasted the test of time and this California TMII 5 is still my main bass and favourite I've ever owned. https://www.basschat.co.uk/topic/329476-credit-where-credit-is-due-sandberg-customer-service-experience/
    3 points
  27. I've been pretty impressed with the neck on the Fallout, I thought it would be a bit wide (based on G&Ls I've had in the past) but I'd say it's somewhere between the JMJ Mustang and my 1.5" nut Mustang (Mikey way). Pretty comfortable overall. Tonewise, it is a high output job, it's not that far off my US Sterling in series mode. The OMG can be a bit much but I find it adds a bit of depth at lower volumes, normally on a gig though I'd be pretty much 90% on the parallel setting. The single coil is a bit weedy to my ears but I'd expect that - never been a fan of Jazz type basses and I never run my Sterling single coil for the same reason. The US ones are nicely made, easily up with US EBMM but I've never owned a Tribute so I can't comment there. I've still got a hankering for a US Shortscale Ray but I can't really justify another shorty; if a Starry Night version came up though I might just crumble.
    3 points
  28. I always thought that rehearsals were for going through the motions to find those silly errors so they can be fixed! Maybe I've been doing it wrong? 🤣🤣 PS: I like gigging....and rehearsing....and practicing.....it's just the very late gigs and packing away are the downside (but nescessary evil) 👍
    3 points
  29. In that case... what are you waiting for! My wife is the same usually, but we have a baby due in January so I've had to reign in the impulse buying... But I do think the baby needs a short scale bass!
    3 points
  30. No doubt they were devastated.
    3 points
  31. 3 points
  32. It's definitely true, in my experience, that the threat of a gig is a great motivator for those who don't bring their A-game to rehearsals. But its not professional or fair on paying punters to expect them to watch a rehearsal. And if the gig is full of mistakes, it'll affect the band's reputation. OK so the band might not be anywhere near the performance level of Prince but Prince and most other acts rehearse for a reason. To see how things go and do whatever needs to be done to maximize confidence before they get in front of an audience.
    3 points
  33. Surgery cancelled. Quelle surprise... Rescheduled for 20th/30th Jan 23, bed -blocking in between to save having to travel home and back while trying to recover - 250 miles. I reckon I'll be lucky if it doesn't slip again. Bonus (!) is, once they start, they have to continue.
    3 points
  34. I can't believe this thread is still going. I started it 3 and a half years ago when I was in a covers band. I hated learning new songs week after week then going out gigging every weekend. It just felt like to much of a daily grind and sucked all the fun out of it. I'm now in an originals band which is much more creative. We're all really good friends so weekly rehearsals are a social event and extremely enjoyable. I still get really nervous at gigs but mostly enjoy it. I wouldn't go bank to gigging every weekend though. A dozen gigs a year is plenty.
    3 points
  35. Matching headstock finished. I’m reluctant to cut pickup holes until I have them! Still waiting on Bass Culture.
    3 points
  36. I bought this last month for £2199 from Bass Direct but I owe HMRC more than I happen to have, so it has to go. Mensinger Joker 5a, 30” Two Tone Sunburst - new and unused. Specifications; Body: chambered mahogany body, Flame maple top Neck: 3 pieces hard rock maple, 30” scale Fingerboard: Rosewood, 24 frets Nut width: 45mm Construction: set in Pickups: Delanos Electronics: Passive: maruszczyk Toneformer, three band eq, the treble control becomes a passive tone control in passive mode. Active/passive switch from master volume Finish: Satin, body/neck matte Hardware: Chrome, Mono Rails with 18mm string spacing, ETS knobs, incl. Gigbag and paperwork etc
    2 points
  37. After 40 years of playing guitar in bands, and never being without a band until 2016, I've got my first gig on bass! I first picked up a bass last November, so almost a year ago, and I was immediately hooked. I have practiced pretty much every day for at least an hour, until I felt confident enough to start looking for an opportunity to play with others. In the end, it was me who was approached, and we did our first rehearsal last night. It's an originals project, female singer/songwriter who plays guitar and piano and who is also a fabulous drummer (though she's not touching the kit in this project). Her husband is playing guitar, and the drummer is also female. Rehearsals were well organised, lots of info in advance including MP3 demos, in a brilliant live performance venue, proper stage, monitoring, a real piano, and even a house bass amp - Mark Bass CMD102P for me to use. They were pleased with what I was doing and it looks set to continue. This feels like a moment. Thanks for listening 😁 Cheers, Rob
    2 points
  38. I don't see much value in Fenders except with resale, even then only if you've bought it used in the first place. That said you can still take a hit with 2nd hand, not many folk clamouring to buy Dimension models. I like the look of the AV II 54 but £2050 is a hell of a price, then there's the fact demand for chubby neck single coil P-bass is limited. You could lose £500 if selling on. For that £500 hit I could easily build a 51/54 style P-bass. Truth be told with £500 I could , and have, build 2 of them 🙂
    2 points
  39. I'm sure Rush did something similar, might have been Zep but i have Deep Purple in my head but it was a long time ago i read it. Dave
    2 points
  40. bow just to setup the core and start some presets
    2 points
  41. I reckon you’d have to chose really old 78 rpm records as they’ll be no electricity and your only hope of playing discs will be on a wind up gramophone.🤣
    2 points
  42. Interesting this. I'm a bit of a Fender fan boi but I've recently been looking for a non PJ with slimmer neck. The most obvious is the Nate Mendel but by accident I saw/heard the following bit of soundcheck. I knew the neck profile was good, had a chat with the bass player who I've sort of known for 50 years and it's now in a rack behind me. This Bass Collection Power Bass is beautifully made, sounds great, is easy to play & less than half the price of a Nate. 1st gig with it tomorrow night. https://www.facebook.com/lin.davies.7902/videos/1270060980436930
    2 points
  43. Cracking basses these. My Fallout Launch edition will be getting a good workout at the weekend. Comes in handy at gigs where I need a bit more control over the sound (and the Mustangs struggle to cut through) and flicking between parallel and OMG gives a nice contrast in the set list.
    2 points
  44. 100% this. . . . . . .
    2 points
  45. To be honest I think he lost contact with earth some while ago.
    2 points
  46. They do that when you score more than 100% in the exam Pete. ? 😆 I got a few of those too. Dave
    2 points
  47. Lie Detector - Screaming Blue Messiahs...
    2 points
  48. I have a couple of 5A tops that I’m considering using. I know Wal have matching front and backs so I may go with the flame as I have two sets.
    2 points
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