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Showing content with the highest reputation on 20/04/22 in all areas

  1. For sale is my 2021 Fender American Professional II Jazz Bass limited edition with the limited run rosewood fingerboard. It's in immaculate condition and weighs in at 9lbs. I have a love/hate relationship with Jazzes but this is the closest I've come to perfection in terms of Jazz basses. Sadly though, they still don't work ergonomically. It comes with all accessories, hang tags, case and after market Pearloid pickguard as well as the original black one. These are really hard to come by right now and cost over £1,600 new. I'm looking for £1,400 delivered insured. No trades please.
    13 points
  2. Had this made by James Mitchell in Electric Relic Co in Bath Lot of thought went into what i wanted - aftermarket natural 54 contour body in alder not ash, chunky neck no fake logo, hand wound Fralin pickup, cloth wiring, 0.10 orange drop capacitor, old bridge, low tension La Bella flats and then let James do his thing - had to tweak it a bit since getting it and had one proper rehearsal but love the thing already - took 8 weeks from order to delivery approx and sold 2 basses to pay for it - inc one PB that I loved - but I'm happy - it's fairly lightweight and sounds like the 70s - I doubt i'd have the money if this was original - it wasn't cheap but it's a lovely thing
    12 points
  3. Incoming next week. Hotter-than-hell Serek Midwestern in capri orange with competition stripes and Aguilar ceramic P pickup. Phwoarrr
    11 points
  4. Next jobs will be the neck carve and headstock plate. Neck profile will be a pretty much standard 'C' shape. I will rough it out with some templates and then fine-tune it by feel - plenty of air-bass coming up For the headstock plate, I'm going to do an inset/flush truss rod cover in the same ilk as my recent ebony 6-string electric build, where the cover is fine-saw cut from the blank itself. It creates a really neat and clean looking solution: And this morning, we have shavings! Most builders will tell you that the most satisfying part of a guitar or bass build is carving the neck. Trouble is, it's usually over the quickest too! I use a variety of tools. First, I take the corners off the volute with a block plane: And that lets the spokeshave, that comes next, to take full-length sweeps from heel to headstock to rough out the shape. The spine is pencil marked as all of the carving will be up to this point to preserve the planned neck depth: And that gets a rough oversize shape ready for the micro plane that will take less material away at a time and allow me to guard against going too far at any one stroke - which is easy to do with a spokeshave...this is after less than 15 minutes spokeshaving! :
    7 points
  5. This might be of interest to some here. This is very decent. Kim and Matt from Soundgarden, Krist from Nirvana, Bubba from Void and a couple a really good singers. The riffs are pure Soundgarden, never a bad thing, and it has received quite a few listens from me. Very good indeed. It's nice to see Novoselic playing again, I have to say.
    5 points
  6. Building myself a 4 string PJ. 34” scale Gotoh hardware (chrome) Quartersawn Bubinga neck with graphite rods Kaya Mahogany body, Ambrosia Maple top EMG Geezer pups Passive Wenge fretboard Stainless Steel frets Pics to follow.
    4 points
  7. i gig in covers bands, tribute shows and write, record and perform in originals bands I am basically a musical prostitute and will play wherever someone pays me to
    4 points
  8. That line-up at The Roundhouse on Sunday is insane
    4 points
  9. Anybody off to Desertfest next week? Been bit of a rollercoaster with the lineup chopping and changing but seems like it’s actually going ahead!
    4 points
  10. So do I with my Big Band. But that doesn't affect the comedy of it. To be honest it really annoys me.... I play jazz because I don't like crowds but the sods turn up anyway.
    4 points
  11. I used to say this to my band mates all the time. We had one guy who was our acoustic guitar player who was the most miserable bugger ever when he was playing. I used to say try to at least look like you are enjoying yourself. We stopped short at dressing a certain way but I honestly think a band that looks like they are enjoying playing rubs off onto the punters.
    4 points
  12. If that is your audience then that's what you have to do. What's the point in playing complicated musical pieces of original material if no one is going to bother coming? Lots of people slag off cover bands for doing certain songs but sometimes they are forced to. We started playing music WE wanted to play and soon found out the hard way that we had to play what THEY wanted to hear. I happen to think we were good at it too as we were not short of bookings. This snobbery at cover bands gets right up me.
    4 points
  13. Good spot, it's always the little details the forgeries can't get right. On further inspection it seems like the neck and body might even be from the same bass which definitely rules it out as the genuine article
    4 points
  14. All the control knobs are the same colour so I don't think this a genuine PCGC unfortunately, probably one of those cheap copies from AliExpress.
    4 points
  15. Rickenbacker 4001 Azureglo Cool vintage Rick in a scarce Azureglo. The serial number dates it back to 1974. It seems that 2 tuners have been replaced, as they have less patina than the other two. Otherwise they look the same to me. The neck has had the infamous cracks which a lot of 4001s have suffered, due to incorrect truss rod adjustment. This has been repaired many years ago and stable since (though it could be finished better with a matching color lacquer). The neck is straight and allows a lovely low action. The truss rods are functional too. Otherwise the bass has a lot of cosmetic damages and lacquer checking. The playability is just great. Like said the neck is straight and allows a nice low action. The sound is like you expect from a good Rick. Weight is 4,18kg on my kitchen scale. Asking €2.750 I'm located in the Netherlands, but I am happy to ship at buyers risk and expense. I am also interested in trading for a 1965 or older jazz bas(max 4kg, Brazil fretboard & clay dots). Refinish or some minor parts exchange aren't a dealbreaker.
    3 points
  16. Fantastically well respected fgn basses aren't easy to get and are beautifully built. This has active emg pickups, I have removed the push pull coil switching onto simpler microswitch. Comes with the original scratchplate if you want to return to stock. This has a few nicks on it, nothing ugly, as it was the show bass for fgn. Finish is trans black over Ash. Recently restrung. Pics show it more brown than it is in real life, more a darer grey...
    3 points
  17. 3 points
  18. I wasn't sure which box to tick, as I play in a blues band which is 90% covers plus a couple of originals, and a band which only plays the music of the Grateful Dead, who were themselves at least 50% a covers band. I have only played one wedding, and despite reading about how much wading bands get paid, it actually cost me money as I had to pay the rest of the band. Still, I can't really complain as it was my daughter's wedding.
    3 points
  19. I had a second-hand 2-pickup Combustion over a decade ago, and although I loved how it played, I could never get it to sound the way I liked, despite pickup upgrades etc. I bought this 5/3 new a couple of months ago, and it's a very different animal. I upgraded the FD-3N pickups to a set of Super Fatty II's, which gave a subtle lift in the mids and overall warmth of tone, and my other basses (Lakland, Bogart, Status) don't seem to get a look-in now. After going to hear Sheldon Dingwall speak at guitarguitar in Epsom a couple of weeks ago I'm considering a Canadian build, but they're well beyond my budget for now. There's a very nice AB1 on eBay at the moment though...
    3 points
  20. NBD. 2006 CIJ Mustang in the very rare sunburst paint scheme (most are oly white or fiesta red). I bought this before the Easter bank holiday, only for a dream s/s bass to appear (see next post) so may have to sell this on quickly even though its fab 😬
    3 points
  21. People put themselves forward to serve. Not all of them have the correct skillset. Sometimes that can be nipped in the bud and they can be told "yeah, but let us walk through techniques etc for a couple of months before we let you loose on a Sunday morning". Teaching that skillset is time consuming. Time is not what a lot of us have. This means that people slip through the net and as we play we are thinking "is that ok?" and "why would you play that there?". Not every week, but some weeks. The beauty of it is that a lot of it goes over most people's heads. It is SUPER frustrating for those of us who have put the hours in. But I guess it is a mentoring situation - a bit like Brass Banding. The tricky bit is the "you are not doing that right, let me help you" and the finding time. But being in community is costly. I would prefer to have one acoustic played well and one vocal and leave it at that. It is leading, not performing. Sometimes that is a difficult convesation. As long as the congregation have a cue to start singing in the right place, everything else is secondary. If we are relying on a stellar band rocking it out to whip up something, then there is a problem right there. I very certainly do not look to playing in church to get my musical jollies. It is to serve - like stacking the chairs, and no more than that.
    3 points
  22. Great basses. I have a beautiful ‘BB1024 Tobacco Brown Sunburst’ for sale at the moment if anyone is interested. It needs a good home. Check out the ad here...
    3 points
  23. During lockdown I stepped down from a Bon Jovi tribute band for a cocktail of reasons that resulted in my heart just not being in it. So I'm in just one band now, a blues/rock trio covering stuff from Hendrix, Cream, ZZ Top, Jeff Healey, Freddie King etc. Most usually we 'interpret' songs our own way. There's some rumblings about chucking in the odd original but I'm not convinced. We're not busy, nor do we want to be - this year we have 9 gigs in the diary, two now done. Coming up is a support slot for a pro touring blues band, a slot at the Dereham Blues Festival and the rest pub gigs. Hopefully we'll also get a slot at the Ipswich Maritime festival this year but that has yet to be announced. I've been in quite a few bands over the years but this one resonates with my soul more than any other, playing music I love that I grew up with and is part of my DNA
    3 points
  24. It's about 5 years since I left the 'jeans and T shirt' approach. Not that there's anything wrong with that but, certainly for a band or genre tribute, you have to at least look and act the part. I think that's the difference between 10 and 50 gigs a year.
    3 points
  25. Is the problem that they copy another design or that they copy another *cheap* design? I don't hear so many complaints about, say, Jazz style basses
    3 points
  26. I think another consideration is the effort that needs to be put into tribute bands outside of the music. We probably spend as much, if not more time on the marketing, choreography and 'the look' of the stage and band members as we do on the music. This level of attention to detail has probably made the difference in terms of getting in work as we get lots of positive comments and generally no problems on the forward bookings.
    3 points
  27. Building a Baritone, commissioned by a friend. Brief: 28” scale, but keep overall length same as a normal scale guitar, inspired by the Jazzmaster design. Just dropping some pics, as I haven’t been on the forum much. Alder Body 28” Maple neck Wenge fretboard Decent but budget black hardware Double humbuckers
    2 points
  28. This is an absolutely immaculate Euro Spector in stunning metallic blue. Gorgeous silky smooth roasted maple neck and plays like a dream. Punchy tight Spector growl from the Aguilar hum free pickups enhanced further by a TonePump (with gain trim pot - not the Jnr) preamp upgrade. Comes with the original Spector gigbag and tools. This is a really classy, stunning looking bass which has to be seen in person to be appreciated. Metallic Blue finish looks fab in person. I prefer it to some of Spector's more fussy finishes! The roasted neck also needs to be seen and felt to appreciated. The TonePump is a very satisfying musical unit that only adds to the character. This is also a very light bass. Probably the lightest I've owned and right up there with my Sadowsky for lightness. Super comfortable bass. I bought this on a punt without being able to try it first. It ticks all of my boxes, but unfortunately due to having small hands and being used to a jazz neck, I couldn't get on with the more substantial Precision like neck width (1.64"). Otherwise it'd be a keeper. From Spector: The EuroBolt model adds a new dimension to the classic Spector sound. Crafted using bolt-on construction, the EuroBolt features a 3-piece maple neck & fingerboard that is roasted to perfection. The roasting process improves strength and stability while preserving the clear, present tones that is characteristic of North American Maple. The classic NS body is carved from Alder, a classic tonewood that’s revered for it’s lightweight and balanced sound. EuroBolt models also feature hum-cancelling Aguilar P/J pickups and an Aguilar OBP-2 active tone circuit. This combination of professional-grade electronics provides a wide palette of tones that perfectly complements the natural tones of the EuroBolt. ROASTED MAPLE NECK The EuroBolt features a three-piece Roasted Maple neck for improved stability and resonance. AGUILAR ELECTRONICS All EuroBolt models feature pickups & electronics from Aguilar. The combination of their passive pickups and active pre-amp results in a versatile and powerful array of tones. PROFESSIONAL GRADE HARDWARE Each EuroBolt is outfitted with Spector's locking bridge for solid intonation and reliable performance. EURO SERIES EUROBOLT 4 SPECIFICATIONS BODY & CONSTRUCTION BODY WOOD European Alder NECK NECK WOOD 3-Piece Roasted Maple FRETBOARD Roasted Maple NUMBER OF FRETS 24 INLAYS Mother of Pearl Crown NUTGraphite NUT WIDTH 1.64" SCALE34" PICKUPS & ELECTRONICS CONTROLSNeck Volume, Bridge Volume, Bass Cut/Boost, Treble Cut/Boost PICKUPSAG 4P/J-HC PICKUP CONFIGURATION P/J PREAMP SYSTEMAguilar OBP-2 HARDWARE HARDWAREBlack BRIDGEAluminum LockingTUNERS Sealed Die-Cast OTHER FINISH Metallic Blue high gloss CASE GIG BAG ADDITIONAL INFO String Spacing - .75"; 16" Radius
    2 points
  29. For sale this beautiful black Laurus Quasar T800, Made in Italy Body : Neck-through Fingerboard : Ebony Scale : 34 24 Frets Pickups : Benedetti Controls are: volume, pickup blend, bass, mid and treble. The bass is in good condition, a few marks on the body, nothing serious. Comes with original Laurus gigbag and materials (trussrod-wrench, etc.) and some papers. Price : 1850£/2200€ only 1800 euros for this beauty
    2 points
  30. Bit more progress... The utilities have now been moled the 200ft up the garden. Got water, 16mm 3 core cable and sewage in place. Builder reckons 5 weeks-ish to completion.
    2 points
  31. That is beautiful 😍 I don’t really need one but, oh lord I’d certainly love one!
    2 points
  32. Pasties and a G String (At The 2 O'clock Club ) Tom Waits
    2 points
  33. Pithecanthropus Erectus Mingus
    2 points
  34. NBD. 2006 CIJ Mustang in the very rare sunburst paint scheme (most are oly white or fiesta red)
    2 points
  35. We have all been in bands down the local pub where not everyone is pulling their weight. Church is no different. It is just people.
    2 points
  36. Thanks to everyone for their input. I have ordered some bits and pieces to try and will send back what we don't like (or more likely order more) I never thought I would have lighting GAS.
    2 points
  37. Beautiful bass and sounding great in Miami blue. Lovely maple neck and not a mark anywhere. Has ashtray cover but everything else is stock. I’m keeping the case but can provide a gig bag. Priced to sell quickly. first to see will buy! Contact me on 07933597589 Collection from Coventry or Windsor only
    2 points
  38. Are you sure the drummer can hear the guitar?
    2 points
  39. Can’t pop no style
    2 points
  40. Sounds like a P bass with valve o/d from the look of the videos I saw he’s using a Marshall super bass
    2 points
  41. My dad was a teenage dance band drummer in the early years of WW2*. They sound like they were wild gigs. Bomber crews dancing with easily impressed local girls. Wouldn’t it have been fantastic to play walking basslines to that audience? *eventually he was conscripted and hit the beach as a Green Howard on D-Day.
    2 points
  42. I can think of many words to describe Gene Simmons but 'Sleek' isn't one of them.
    2 points
  43. Based on the Fulltone OCD, this pedal is a beast. Thick and juicy overdrive, all the way to almost fuzz territory. This one has the 2nd drive mod, so you can have two different drive settings at the touch of a switch. More info here.
    2 points
  44. 2 points
  45. I can’t think of anything more boring than playing everything identically to a record. Most bands who wrote the originals don’t even do that.
    2 points
  46. When I first joined Basschat, in 2009, I had one bass. That didn't last long.
    2 points
  47. Got it back with a replacement drive pot and a clean bill of health from the amp tech today. Apparently in surprisingly good nick inside, looks like I landed an absolute steal.
    2 points
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