Jump to content
Why become a member? ×

Leaderboard

Popular Content

Showing content with the highest reputation on 02/12/18 in Posts

  1. This is the same as mine (other than your case is painted and mine is tolex covered). These are fantastic amps. More power than you should ever need, versatile and superb build quality. Even using it flat (graphic out) it gives a superb tone for you to tweak just using the tone controls on your bass. Although 30 plus years old, mine is still the quietest running amp I’ve ever owned. Whoever gets this will not be disappointed. GLWTS.
    3 points
  2. Flagship or battleship. Meaningless to state the watts output with this amp. 250 means 250watts @ 4ohm. Although these amps are heavy, it’s still a one hand lift. I’ve gone round in circles during the last couple of years with the newer pocket stuff but I wanted to hear bass and returned to old faithful. This is an amp to love, not just like. It’s recently been serviced by Green Lane Music Walsall. I’ve had many Trace heads and the MK 4/5, Series 6 and the SMX were the best. The later stuff has gradually tapered off, made by god knows who. This is the last piece of my gear, it’s the earlier ‘painted’ model in good condition. Someone took a video recording/listening a while back of the band and I had the opportunity to make a comparison linking to 2x10+1x15 cabs with the AH250 and an EDEN WT400. They were both very similar in ‘thump, volume and definition’. I kept the AH250. Welcome to bring your cab and test here before buying if my last cab has been sold. I could post but...ahh...it should be ok if well bubbled etc. Geoff Coseley, West Mids WV149PU
    3 points
  3. So, fully recovered now. Made a small loss ( not including loss of earnings) but had the best experience - playing to a paying audience who are actually there and want to listen to you! We have also picked up some really nice dates for next year, so job done! Thanks for the responses to the thread, nice to have the support of fellow bass players (especially when you are on a bill with a bass virtuoso)! Just got to put that Fender amp up for sale now 😎
    3 points
  4. @SpondonBassed on answer to your question about how it hangs on a strap, for me it hangs perfectly I think if the top horn was shorter it might suffer a bit from neck dive?..........
    3 points
  5. I was in Wunjo's a couple of weeks ago and finally got my hands on a special. F**k me I was impressed! It was an all black, roasted maple board bass with fingerprints all over it. My No.1 bass is a 62 relic Custom shop P but if they had offered me a straight swap I would have. It was so light and easy to play... and that neck! Plugged in it was so versatile and punchy - the new pickup (single H version) and pre were amazing. So much so that I didn't want to try any other bass in there. Every slight of turn of the eq was valid plus finger placement really made such a difference. As a purely p bass guy these days I was sold! I used to play an 86 Stingray for many years but these specials are in a different league. The only negative - for want of a better word - was that acoustically the ray was not as vibrant or 'alive' sounding as my custom shop, but the new eq is the bomb and more than compensates. Imho the specials have lost nothing of the Stingray sound but gained so much more. Smitten!
    3 points
  6. Drove up to fellow BC member FinnDave to purchase/collect a bass he was selling. Had a great chat for an hour; he's a top bloke...and the bass, an Epiphone Thunderbird Classic Pro IV with Babicz bridge and Gotoh tuners...wow, what a bass. It's immediately become my prime gigging bass. Awesome feel, action, sound, looks...the total package. And the neck's almost 2 inches shorter than my Burns Bison, perfect for my short arms. Thanks BassChat for hooking us up.
    2 points
  7. There's a practical aspect to this. When I used to produce awards dinners (1000 diners - celeb presenter etc.) I always ensured there was a crew meal laid on for the gap between the rehearsal and the show, just to keep the crew from disappearing off to the kebab shop. Sandwiches, chips, cakes and lots of soft drinks and coffee do just fine. Same now with the band - if we get something like that I'm happy. One big dinner we played, they laid out plates and bowls of mayo and ketchup in our dressing room - then removed them as 'they weren't for us' - we all packed up and went down to the local 'spoons - if I was the the organiser, I wouldn't want the act dissappearing like that - but most of us had come directly form work - I'd driven 60 miles - and were starving. When an event is costing £50-60k to stage, you are a real pillock not to spend £60 on a plate of sarnies and a bowl or two of chips for the band.
    2 points
  8. Some thing those who say the band are not guests and shouldn't be fed need to think about is that quite often these days weddings are further and further away from towns and cities, I did a dep gig at a wedding in the lake district, we had to be there early to set up, a round trip to a normal food place would have been well over an hour at least, the band wouldn't have got into one car either. A meal in the hotel with a drink would have cost £30 a head easily so we could have either added £180 to the bill or asked for the band to be fed, which they did with platters of sandwiches in the meeting room they'd set aside as a green room.
    2 points
  9. You guys are definitely making me see RED, but I'm not putting the white flag up on my white Yammys just yet 😀 Apologies, couldn't resist, particularly as this thread has just made it to its 600th post => for me that just reflects what a great bass the Yammy BBs are!
    2 points
  10. As nice as that looks I just couldn't play an energetic gig after eating that. I don't like to eat closer than two hours before gig time, even then nothing heavy. I had to clean all sorts off my pedal board but my dinner isn't going to be one of them.
    2 points
  11. 2 points
  12. My current two. Chalk and cheese sound wise.
    2 points
  13. When the finishing is being done, the threads end up being a bit like watching paint dry... But heck - I've drilled three holes too!!! Got to be worth a picture:
    2 points
  14. Maybe it's because there are 5 of him. It's pretty intimidating - shades of 'Village of the Damned' when they all look at you.
    2 points
  15. Hi there, I've spent some time during the last few weeks and Geert and I managed to put some information we collected on Chris Larkin's instruments into a website honoring Chris and his work. Please take a good look around: https://chrislarkinowners.com/ Cheers, Christoph
    2 points
  16. AVRI 63' and Precision Deluxe.
    2 points
  17. For about a year now - Caravan Palace... I think I'm in love with the singer... And for this week - Pomplamousse. My son put me onto them:
    2 points
  18. They certainly are pretty special. I’m spending a lot of time playing mine now (after a momentary lapse of reason thinking I needed a HH) and the more I play it, the more I love it. As you say, the EQ is so useable throughout the range and to me seems far more controlled than the 3 band on a std ‘ray.
    2 points
  19. Speaking of which, am I the only one who absolutely loves the bass sound on Video Killed The Radio Star?
    2 points
  20. Nurse !!!! Kleenex for Pete, now
    2 points
  21. Too many to mention for me. Guy Pratt had a tone I liked on this.
    2 points
  22. Managed to knock off 3 of the remaining 14 jobs on this, including installing some blue luminlays: Assuming I remembered correctly, @eude wanted the dots on the fretlines rather than between. Assuming I didn't remember correctly, it makes no difference... @eude is getting the dots on the fretlines Probably going to start the final sanding and finishing pretty soon, then that can be hardening off while I finish the other bits and pieces.
    2 points
  23. Hi Guys I am selling a 2 channel Aguilar AG500 amp head. It is in pretty nice condition, and comes with the pictured case, power cable and also the channel footswitch. Collection from Maidstone, Kent. Until the 5th February, I can possibly sort out postage within the UK at buyers expense (courier and packaging). You can contact me on here, or by mobile at +44 seven 429 58812 six. Thanks! Matt P.s. I have been locked out of my old basschat account but can be found here: https://www.basschat.co.uk/profile/11275-matthewkeys/
    1 point
  24. Withdrawn from sale - sorry Bergantino NV115. 15” + 6” in sealed cabinet with tight, vintage response. With branded cover. £425. Based in Cambridge. Pick up, or meet up within reasonable distance. Not really after trades. From Bergantino website: Woofer: 1-15” Ceramic Magnet Woofer w/ Vented Pole Pieces Midrange: 1-6” Intelligibility NV Series Cone Midrange Driver Cabinet Design: Sealed Cabinet Material: Baltic Birch Plywood Cabinet Covering: Black Tolex Impedance: 8-ohms Power Handling: 400W RMS Crossover: Custom Phase-Coherent Crossover Frequency Response: 45hZ – 6.5KhZ Sensitivity: 96db @ 2.83v / 1-meter Dimensions: 24”H x 18-1/2”W x 15”D Weight: 53 Lbs.
    1 point
  25. But you can do that cutout in five minutes with a dremel
    1 point
  26. I'd take the unit and your headphones back to the shop and get them to check it... The promo for this trades on the zero set-up required so it's odd you get nothing except the tuner. Possible failure in the output circuitry. Get the shop to check and maybe try another unit?
    1 point
  27. Check out the Orange 4Stroke It's a very flexible amp that sounds great and is remarkably cheap at the moment.
    1 point
  28. Snow can happen in London throughout the winter until April. It usually doesn't last, but one or two days of it tend to be enough to make the capital and its surroundings grind to a near halt. The LBGS 2018 happened at the same time as one of The Beasts From The East - two horrid late-winter freezing spells that covered the whole of the country in snow when it normally should have been looking spring-like. Suffice to say that LBGS exhibitors and visitors were not impressed. Note: nothing to do with the guy with the cello above! He'd have frozen to death...
    1 point
  29. Wow that’s gorgeous 😍
    1 point
  30. Loved this thread, well done sir.
    1 point
  31. We should rename the amps and cabs section "kit for dinosaurs" 😜
    1 point
  32. Anything played by Bruce Thomas on an Elvis Costello song.
    1 point
  33. None but they do look cool 😀
    1 point
  34. Burnel on Peaches, never bettered for me, but a few Jam songs come close. Not my favourite songs but amazing bass sound.
    1 point
  35. ..and if it's September, at least it won't be snowing ❄️ !!
    1 point
  36. September!! Seems a long time to wait. Still, it might be better for me really, as I'm on holiday (again! 😁) in Feb, so it spreads the pleasures out through the year a bit more.
    1 point
  37. Andy you've gone, in the space of six months, from yielding-up all your basses to saying "Yes, yummy Yammy!" As impulses go, that's not a bad one
    1 point
  38. Is the matching cushion part of the build??
    1 point
  39. Me too, and it's going to be mine once it's done, which is nice 😎 I chose the Katalox as I wanted something dark and understated and it absolutely delivers. The carve may seem a little basic, but it's smooth and elegant. I originally carved it over several evenings until it felt right and that's a process that Andy also did which was good to hear. Personally, I'm absolutely delighted about how this bass is turning out, and given the customer is always right that trumps everything 😉 Eude
    1 point
  40. Whereabouts are you based? If you are anywhere near Gloucestershire, give me a shout and I'll sort the veneer for you.
    1 point
  41. I'm at work at the minute so I will try and get detail tomorrow, it's in the wirral cheshire, it's a fantastic bass all round Regards Derek
    1 point
  42. We've been looking forward to this one for a while: We were so grateful to be asked back to play the John Peel Centre. Shortly after arrival the exited manager tells us its sold out! We knew we were in for a good one! Sound was awesome, crowd were awesome, no technical hitches. Why aren't they all like this?
    1 point
  43. Yes indeed they did long scale. EB3L shipping figures peaked in 1973. Thank you, it really is a lovely bass, someone is going to be delighted with it. It's a pity i'm not using it more.
    1 point
  44. I'm not familiar with Birdsong. The string arrangement is purely to deal with the very different length of the low B as compared to the main 4-string set. It's weird but cool, and fully functional, and it sits very well with the carefully worked-out tailpiece configuration designed to give a different break angle for each string. When playing the bass I am completely unaware of any difference in feel or compliance across the five strings - this is a very nice piece of work by someone who knows exactly what he's doing.
    1 point
  45. Your advice started off nicely with the first sentence, which actually makes a lot of sense. But then you just spoiled it by being rude for two paragraphs. What a shame.
    1 point
  46. This post cannot be displayed because it is in a forum which requires at least 1 post to view.
×
×
  • Create New...