Jump to content

stevie

Member
  • Posts

    3,922
  • Joined

  • Last visited

  • Days Won

    2

Everything posted by stevie

  1. I can maybe bring some prototypes for you to try.
  2. Lots. 😃 Remember, PU glue is your friend - as is fibreglass filler. I speak from experience. They both cover a multitude of bodges. Finish with Tuffcab and nobody will know.
  3. I've been working on a few ideas during lockdown. As I design first and foremost for my own use, I've been trying to push the boundaries of what's possible while still keeping the cabinets compact and relatively affordable - and trying to make them look great. Basically, I deserve the best (!) and that's what these will be. That's it for the moment. As I have a full-time job and a family to keep me busy, they'll be ready when they're ready. And I promise you lot will be the first to know.
  4. That's often the problem with these self-build projects. The Beyma 12" driver originally recommended for our 12" cabinet is now out of production. The horn for the BC112 MkIII is more or less only available from Blue Aran and has been out of stock for months - and now this. For this 10" cab, I deliberately specified components that would be readily available anywhere because it's not always possible to use alternative parts with these custom designs. I haven't checked, but I wouldn't expect Celestion to be out of stock for long.
  5. As long as you can handle the woodworking, it sounds like a good idea to me.
  6. No, it uses all neo drivers. It won't be available as a self-build, I'm afraid.
  7. I'd say so. It's certainly more frfr than many (more expensive) cabs on the market that claim to be so - and the only one, apart from the RCF PA cabs, that proves it with a frequency response graph. Plus, it will handle a lot more bass than frfr cabs designed for guitar. It wasn't designed specifically as an frfr cab, but my experience experimenting with bass guitar cabs over the past few years has taught me that a flat frequency response is desirable even if you're not going to use a modeller. The proof of the frfr pudding is playing music through the cab, and this one sounds convincing, with no nasties. So you can use it with guitar and a modeller or also as a keyboard cab if you want. As soon as I finished the design, I started working on a more advanced version and sent the parts to @Phil Starr to build up. Phil has tested it and gigged with it and will no doubt be along shortly to give you his opinion.
  8. This chap agrees with you, @Woodinblack
  9. As the grille has a wooden frame, it's certainly fixable with a bit of care if you feel like it.
  10. Looks very smart. But the grille seems to be obscuring most of the tweeter.
  11. I've been using rechargeables for years and have tried several brands. I can tell you that the best AAs by far are made by Eneloop. The professional version is worth the extra IMO, especially for wireless mic use. IKEA sell the Pro version under their own brand (also mail order). Although IKEA don't admit that they're Eneloops, several specialist websites have tested them as such. I can't say that I've been very happy with my chargers over the years and therefore can't recommend one. The really good ones are quite expensive.
  12. Gluing and screwing is a great technique that can do away with the need to use (buy) clamps. If you get the right size of screws, you can remove them and just tap a bit of matchstick in the hole with a dab of PVA. It's more work than clamps (as you still need to fill and sand over the holes) but it can work very well.
  13. Can you point us to a bass guitar driver with a superior off-axis response, @agedhorse? In the meantime, here's some information on polar response, with measurements: http://www.troelsgravesen.dk/Beaming.htm
  14. I don’t think anyone has said that slot or triangular ports haven’t been used or that they are unusable. John was explaining the reasoning behind our choice of single round port for this cab. There are some practical benefits to using alternative shapes but, if your aim is to minimise port chuffing/distortion/compression, a round port performs better than any other shape because it allows for the most uniform flow of air through the port. On small, high power cabinets, a carefully optimised port can make a big difference.
  15. It'll be interesting to find out what two sound like.
  16. I have a pair of Celestion TN1230 neodymium 12" drivers. I bought them originally to build a pair of PA speakers but have been too busy with other things to finish the project. They've been used for testing at low volumes only and have not been gigged. They're the 4-ohm version. Here's the spec. from Celestion: <https://celestion.com/product/tn1230/>. Yes, they work well in bass guitar cabs. I haven't had too much luck selling drivers on Basschat. So - fair warning - I'm putting them up on Ebay as well. £110 the pair. I'm happy to sell them individually as long as I get two sales. You're welcome to collect from Dorchester or postage at cost.
  17. Dunno so much about the bass sound but the playing was absolute quality. It doesn't get any tighter than that. Loved it.
  18. I'm not sure I'd put it quite like that, but yes. 😄 That's the beauty of it.
  19. Yes, with the BC12MkIII. However, that was a much more complex design with extensive bracing that benefited from being CNC'd (and encouraged quite a few forum members to build one who probably wouldn't have bothered). I'm not sure that CNC is the way to go with this cab though, because the assembly technique Phil developed simplifies the way the cab is put together. You just need to get the panels cut accurately, which many wood merchants will do for you at nominal cost. And then it almost assembles itself.
  20. Yes, there are pluses and minuses for front and rear porting and we agree about the fallibility of making subjective judgements. Chienmortbb makes a good port about the physical attack of a well designed front port (in a well-braced cabinet). A lot of that is going to be dissipated if the port is vented to the rear.
  21. I agree that front-mounted ports sound better on bass guitar cabs - not so much on hi-fi cabs though. Theoretically they shouldn't, and even acknowledged experts in the field can't agree on this one. If the cabinet is large, you could make a case for a reduction in port volume from the port in the nearfield due to distance. Bill's first point is a good one but I suspect you might not get a completely satisfactory answer to this question.
  22. Respectfully, agedhorse, you barged onto this thread, which was proceeding in a nice, friendly, positive manner, and claimed that the porting of the cabinet was flawed. The professional thing to do, as a member representing a commercial entity on here, would have been to send me a pm saying ‘I think there might be a problem with the porting of the box’. But no, you post on the thread that the “port area is too large for the driver”. So I had to spend time that I can ill afford explaining why this is not the case. The professional thing for you to do then would be to say simply, ‘it looks like I might have been wrong here’. That’s obviously not your style. No, you then double down and post in a really aggressive manner, implying that you can’t be wrong because ‘look who I am’ – really not impressive (a technique honed to perfection by Donald Trump if you don’t mind my saying). You don’t even acknowledge that you might have been a bit hasty and proceed to repeat your assertions about port aspect ratios, which you haven’t made any effort to substantiate and, frankly, I don’t think anyone has the slightest interest in. They’re certainly not pertinent to this thread. The only reason I responded to your first post was to explain for the benefit of the people already building the cab that the design was fine. I have already explained why I don’t agree with some of your ideas (which you have ignored) and I’m not in the slightest bit interested in arguing about them now. I was enjoying seeing the builds come together and hope we can dispense with this nonsense, call a halt here and resume the constructive spirit of the thread.
  23. Adding to the previous comments, although the Beyma would probably work quite well in this cabinet, I can't see any real benefit in using it. The xmax is about the same. I'd be suspicious about the 250W power handling, as the driver only has a 1.5" coil (compared with the 2" coil in the Celestion). It does seem to be slightly more extended in the HF, due I expect to the smaller coil, and its main breakup point is higher, which is a plus point. Unfortunately, this means that the crossover won't work as well as with the Pulse 10 and you'll get a peak at around 3.5kHz. Probably not a biggie in a budget cab. If you already owned the Beyma, I'd say - sure, try it. But otherwise, I'd stick with the Celestion personally. It's up to you: if you feel like experimenting, there's nothing to stop you and I certainly wouldn't expect it to be a disaster.
  24. As I explained to Jon in an earlier post, there isn’t a problem with the port length. Also, a 4-inch port isn’t too large for a 10-inch driver – that’s just a completely weird assertion. As far as port nonlinearity is concerned, the number one priority (by far) is maximising the size (and optimising the shape) of the port. The maximum vent air velocity in the cab at its rated output is currently about 14m/sec/Hz, which is very good and I dare say better than virtually any commercially built small bass guitar cabinet. Reducing the area of the port would mean going to a 3-inch port, which would nearly double the vent speed. In fact, 80W through the 3” port will take the vent air velocity to the same level that the 4” port experiences at 200W. Although most bass guitar cabinet designs would actually meet the two-to-one ratio requirement, it is purely arbitrary with no real basis. Try designing a compact subwoofer with those constraints in place and you won’t get very far. In fact, you can make a port as long as you like as long as you know how to deal with the trade-offs. We’re using a 100mm diameter port 170mm long. So that’s all right then. 🙂
  25. You're making some good points. The gap between the end of the port and the back panel certainly matters but the rule you mention applies to slot ports. If you have a full-width slot port, you should leave a gap equivalent to at least the height of the slot port between the end of the port and the rear panel of the cabinet. Otherwise, you’re constraining the air flow into the port, which will speed it up and cause turbulence. Designers have been trying for decades to find ways of reducing turbulence in ports – so this is the last thing you need. Round ports are different. You can go closer than the diameter of the port. The main thing is that the flow of air into the port isn’t constricted. You need to visualise it and use a bit of basic geometry. On your speaker you should have about 40mm of space behind the port. That’s fine. You could actually go closer than that without restricting the air flow. Nice work, by the way.😊
×
×
  • Create New...