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Showing content with the highest reputation on 09/07/25 in all areas
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Continuing my post-midlife crisis 'straying from Precisions' period, I couldn't resist this absolute stunner over the weekend. Just... look at it. It's a 1998 model, and was actually the L-2000 they used in the catalogue that year. A couple of honest dings here an there, but otherwise spot-on. I'll be gigging it on Friday.14 points
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I was rather bemused when my son told me there was a pedal-sized parcel for me today. I knew I hadn’t ordered anything as I’ve been having to tighten my purse strings due to impending major change of circumstances. I was therefore completely taken by surprise to find this incredibly lovely gesture and gift when I opened the box: Folks, this was totally unexpected and unnecessary, nevertheless I want to express my profound gratitude to the anonymous benefactors who were kind enough to do this. Thank you! My faith in humanity has been given a much needed boost after the kicking it’s been getting lately. ❤️9 points
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So, that is how it went to Heiko, and it came back last week, but I had to do my part of the job, as we agreed that I'll do all the reassembly. It's now fitted with a brand new BassLab/Richter 3 bands with variable mids preamp, the mandatory Richter status LED between the Delano SBC 5 HE/S pickups, some new ETS knobs, a new output barrel jack, a set of Dunlop Straploks instead of the usual Schaller ones, a new Gotoh battery box, the BassLab identification brand that was removed/missing on the bow, the official side "dots" with the F-clef at the octave on the front, a new "bracing" for the top, a new zero fret, some repairs in the carbon that were needed and the pickups support correctly glued as well as the ETS tuning system put the right way round with the correct screws (check the photos). It's now tuned E to C; the action is very low going from 1.2 to 1.5 mm at the octave with the perfect neck relief; the playability is, of course, amazing and the tone is really huge with a kind of permanent reverb, even dead flat or in passive mode, and becomes immense when you start using the 3 bands EQ with variable mids preamp. It's also hyper ergonomic and very light at 3.445 kilos. The colour is the official Maserati Yellow. It took around 5 months to Heiko to finalise the resurrection of this extraordinary instrument, but it was worth it as it's almost as new, even if it's a very early model without truss rod or serial number, so from 1998 or 1999. Enjoy, and especially @Dazed!8 points
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EXCITING DAY!! I've managed to buy an Aguilar J-M pickup set from Sweetwater in the US and get it shipped over with the help of a friend in California. I tried to buy one 'locally' (i.e. UK & Europe) a couple of months ago but no-one had stock and or even any deliveries scheduled. I was told it would be 'several months' at least. Anyway, the set arrived yesterday and I'm just off to see Kevin at Taunton Audio Visual to get my Sandberg upgraded (he also sells guitars). And I am definitely expecting it to be an upgrade based on the wonderful Aguilar J-J set that's standard on my Vox Starstream A2S. Watch this space!!7 points
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6 points
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So last night I told my band (The Spacewasters) I’m going to be leaving and they’ll need to replace me. Since I did my lower back in a couple of years ago I’ve just not enjoyed pretty much everything about gigging, aside from the actual playing, as it’s just made it difficult & painful. I see an osteopath and we’ve got it pretty much as good as it will get but the strains of gigging just too much. I did feel sad on the way home as I’ve really enjoyed being in this band, the music is great, the lads are a good laugh and the relaxed manner in which we do stuff has really suited me. Had some great experiences too - recording an album at Boz Boorers studio in Portugal the main one. Not walking away tho, until a replacement is found I’m still there, my intention is to just not be gigging next year. Now just need to write a hit single so I can retire on the publishing…..5 points
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I’d pay 6k if it made me play as good as him 😁5 points
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Well as per my other thread I’m now winding down gigging, but: The Spacewasters - original material, garage punk/rock I suppose. Been going for 20 years, I’ve been with them since 2021. 10 gigs a year approximately, obtained usually by people asking us to play. Used to be only London-ish gigs but now stretch to south coast, plus a few overseas. Knock Off - original material, street punk/Oi. Started 2013, I left 2019 but am back standing in for the rest of this year. They were doing 50 odd gigs a year, all over UK and Europe but have scaled back a bit to concentrate on less but better gigs, these usually obtained by being asked. Thunderkunt - instrumental classic rock covers, a non gigging band, a bunch of old mates we rehearse every few weeks and have a laugh, and play some ridiculously complicated riffs - 70s drugs must have been strong maa-an!5 points
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This seems like a good place to put this video, Freddie is such a great player5 points
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It's absolutely nuts. Bonkers price. Hard pass.5 points
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Finally getting round to updating the studio, I've been doing it piecemeal for years and the cabling has gotten scruffy, plus I need to move some rack units around to make room for some new kit. Having a new rack unit built to house the amps and storage, and adding 2 new units to the upper racks, an RND Master Buss Processor and an RND Master Buss Transformer, a second Shelford will eventually be added and the UAD X16 will go into the side rack. I foresee an extended period of cable wrangling in my immediate future...4 points
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Up for grabs is this Belfast-built Kithara Samson shortscale bass in Turbine Bronze, as played by the likes of Dave Landreth, Finneas, and Lewis Capaldi to name a few. I'm really torn about letting this go, as it adds something a little different to my collection and is impeccably built, but since it's acquisition two 60's bucket list basses have joined my collection and i just can't justify having them all! Hipshot extender removed. I will also switch back in the original strap buttons. Currently strung D'addario 45-100, but I have the original La Bella flats, Ernie Ball Group Flats and a lighter Dunlop flats set all included. Again, happy to string up and setup to a buyers preference! Fits a guitar gigbag, one of which I'll happily include. Bronze metallic finish is unlike any i've seen... and changes vastly depending on the light. Seems a little more red in photos than in real life. Collection preferred, well packed courier possible, and i'm around the country for gigs so feel free to ask! Here's the spec... BODY Wood: Alder Colour: Turbine Bronze Finish: Aged Pickguard: Aged 3 Ply Black Bridge: 19mm Spacing Pickup: Curtis Novak BS/DS Controls: Master Volume Push/Pull: Push - Darkstar voicing / Pull - BiSonic voicing. Master Tone NECK Neck Material: Maple Scale Length: 30” Fingerboard: Indian Rosewood Fingerboard Radius: 9.5” Number of Frets: 19 Nut Material: Bone Truss Rod: Dual Action Spoke-wheel Finish: Aged Gloss, back of neck sanded down to a more satin-esque/vintage worn finish. Tuners: Hipshot Ultralite4 points -
I've finally decided to sell my ATS amp and cab. Quite honestly, I think these are some of the best bits of kit on the market with a phenomenal, articulate sound. The LB MK3 is a beauty with one channel ideal for acoustic or double bass and the other providing loads of tweakability! The amp has its own tough carry bag and cables. The ATS SL310 cab weighs approx 10kg, and is really portable. The tweeter is easily adjustable and is a great addition to enhance the sound. The ATS Italy company is in limbo as the owner has retired but it currently looking for someone to take over the business. I would consider a trade for a decent bass :O) Collection would be ideal but I can post securely at buyers cost.4 points -
Glad someone on here got it Rob and your health to enjoy it4 points
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Quite a useful comparison here: https://www.talkbass.com/threads/mxr-bass-synth-sb301.1673883/page-5#post-291529964 points
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It is! Its great, pretty much a Moog MF101 with a few more controls and a board friendly footprint.4 points
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Ive always thought it makes sense for the band members to call the final shots over the monitors. After all, they are the ones that will be using them.3 points
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I’m one half of Deadlight Dance, Wiltshire’s darkest boy band! I guess we’d be filed under 80s goth. Nick and I met in a Sixth Form goth band in 1989. We did our first gig together and have been friends for over 35yrs now. Here’s a one minute showreel of our greatest hits. Deadlight formed over lockdown as we thought we’d have a jam when restrictions eased, to see if we could play the old songs properly. It just grew. We decided to write together and wound up signed to Ray Records with an album out. Last count, we’d been streamed in 75 countries. I appreciate it’s not rivalling the big bands but it’s not bad for two old mates just having a jam when the restrictions ease! As to the question of originals or covers, we do both. We booked an old Saxon Church (is there such a thing as a new Saxon Church?) in 2023 and recorded a covers album of the songs that first inspired us. We made a short film about it. We can go out as the “full” band with our backing tracks we wrote or chuck some quirky folk instruments into the back of the car and go out acoustic style. I did the numbers on gigs and it really varies. It’s usually at least 20 a year but it has been much higher. We get gigs whenever the Batphone rings.3 points
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Earthbound AD. Female-fronted original metal. Based in NY/NJ, USA. Been playing with them for 6-odd years at this point, we put out an album a couple of years back and have been recording tracks for a new EP. We're pretty much a band consisting of immigrants - I'm from the UK, Mark, our drummer, is Indian, and Joe, our guitarist, is Guatemalan! Only Jackie, our vocalist, was born in the US! Haven't done much gigging as of late due to one thing and another, but hopefully going to throw ourselves back into it on the back of this EP release. Here's a live vid from a gig we did at the end of last year. EDIT: New track, "Ashes Of Paradise", now out on Bandcamp - will be out on Spotify, Apple, Tidal, etc in the next day or two: https://earthboundad.bandcamp.com/track/ashes-of-paradise3 points
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Thanks Martin, I’m staying with my non-gigging instrumental classic rock band which rehearses once every few weeks, so yes will be keeping my hand in so to speak, similarly I find it great fun. I’ve also got the rest of the year standing in for my old band but it’s only 5 or so gigs (very decent ones though).3 points
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I wish you well Lozz As you know I packed it all in last year and sold up. Do I miss gigging ? Not at all as I think I’ve had the better years of gigging and it felt sad but very right to retire from it. I now own a couple of nice guitars and an Orange Combo amp and I jam with my old band buddies once a month on a Saturday afternoon! More fun than late night gigging for a few quid ! Im liking being back on the guitar but I do think fondly of playing bass. In your situation perhaps keep your hand in minus the gigs as I’ve done and being with your buddies jamming is as good as any gig in my opinion Wish you luck bud 🎸🤟3 points
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I'm not blaming you - I just have a different idea of what I'm prepared to pay for any bass, and these surpass that level by a fair order of magnitude.3 points
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No argument there, honestly on most gigs people really cant tell what bass you are using. A playable bass isn't a price item, I am happy to play my OLP or my Shuker or my Ibanez - hugely different price points. over christmas I played my Aliexpress acrylic bass, its not as nice to play as it is really heavy and the pickups aren't great, but it plays and it lights up with LEDs and people notice that much more than the sound! I buy the expensive basses for me, because I like them but if I didn't care about that, there is no gig I couldn't have done without a sub £200 bass and a sub £200 amplifier / speaker.3 points
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In the copper colour, it was on a Portuguese site. I found the owner before the copper edition and thanks to him and Heiko, we were able to date it: October 2000, so one of the last without truss rod. Here are the four colour stages, pickups and preamp modifications of this bass from 2000 to 2025.3 points
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I have one bass I actually use and an endless procession of others that attempt to topple the king!3 points
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Worth an extra £50 to Clarky simply for being able to use ‘egregious’ in a bass for sale ad 😉3 points -
pb622 points -
I played it this afternoon, it's really excellent and different from all my other basses, that clarity and definition, alongside the inherent reverb and the total homogeneity sound wise, are so amazing that you can boost the EQ to the maximum and it still remains musical, simply with more bass, mids and treble without becoming muddy. The Richter preamp is also the most transparent one to date, and I think I tried almost everything available on the market, but I already knew it as I had a few basses equipped with this wonderful preamp. And the blend is so progressive that it's the first time this pot is really blending the two pickups homogeneously without loss, really impressive. I wanted one for close to 3 decades as it was love at first sight and now I can say it's love at first touch (you know what I mean).2 points
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Who's the American guy who looks just like Pino and happens to play like him also? 😄2 points
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Those are also over-priced 😄2 points
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Just appeared on fb...2 points
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I know it's harder for some folk, but at the end of the day we're the entertainment. It's our job to convince people that they're having a good time (and hopefully to buy more drinks etc). If that happens then everybody wins and we hopefully get rebooked. For me that starts with looking like I'm enjoying myself. I'm lucky enough to be able to gig as a hobby, so it's supposed to be fun, otherwise why would I bother?2 points
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So that’s why they’ve not been making FLs for a while 🤔2 points
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Have you developed British understatement She pretty much nailed that and so did the band. I wonder if Led Zeppelin recorded through that mic would have sonded an awful lot better? She's a lovely person too, she thanked the bassist first If you are playing with people like that no-one is going to notice you smiling, and it would be a shame if anyone upstaged her. Just wind her up and let her go.2 points
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I totally get the attraction of being a one bass bloke. I shall never achieve it.2 points
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It’s like a very cool banana!2 points
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Looking forward to Sunday 👍2 points
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This is well out of my budget, but just wanted to say that thats a beautiful bit of kit!2 points -
£2500!!!!! Blimey! There'll need to be £2000 worth of £50 notes stuffed between the wood plys to get me to buy that! 😂 🤣 (And another £500 stuffed in both the neck cracks! 😂)2 points
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It would need to play & sound utterly sublime to justify that price tag for a bass in that condition. I get mojo, I get roadworn, I get "has lived a life", but that bass looks as if it was used for target practice. For grenades.2 points
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2 outdoor gigs in North London for me yesterday. First gigs on bass for quite a while. First was at the Heath street festival in Hampstead. Nice stage and good sound. I had my new preamp with me but didnt use it at either gigs. First gig was with an Ampeg combo. Really nice sound. Quite tempted to get one at some point. It did rain a bit but that didnt seem to deter the crowd and we were covered. Second was in a private estate in Highgate. We were supposed to have a proper stage but it turned out to be a Gazebo with a small raised playing area. No side protection at all. Of course, the heavens opened up as we were approaching to set up. Again, backline was supplied so this time i used MB 3x10 combo. I had planned on using a preamp with this, but looking at the extension socket, filled with rain, I decided I wasn't going anywhere near it. Again, decent sound, which did surprise me as ive never been a fan of MB cabs. Highlight was when the sound guy turned the supplied Tube driven guitar combo on and a firework display emerged out the back of it. Apparently due to the tube being hot, a tiny drop of cold rain had shattered the glass. Guitarist ended up going DI from hisHelix Stomp. We had a really good sound though. Thoroughly enjoyed both gigs. What also struck me was how easy it was setting up. Never needed any effects, didnt even miss not using a preamp etc.2 points
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I must be really boring using the same kit every gig 😂 Sunday afternoon/evening at the White Hart in Melton Mowbray. It was a little bit quiet, possibly due to the Grand Prix, possibly due to being very close to Leicestershire schools breaking up for the summer. Still, we had a decent crowd, plenty of dancing and pointing phone cameras - although not by me because I forgot. Sir Duke was much better for its 2nd (and 3rd!) outing. We also had some great feedback - "How on earth do you make that sound with just 3 of you?" made me smile. Then this morning from a chap that comes to see us a lot, talking about our Mackie SRM450s which only have the vocals going through them, the rest just backline... "Morning Danny, great gig yesterday. Just again realised how perfect your PA setup is. When you first started, I thought it could do with being a bit louder, Ian said what a perfect sound. Later on I went to the toilet, I listened right from the back of the room for one song. I could hear every note and vocals were absolutely crystal clear. And it was still loud enough. Have to say it now, but even in the barn at Barkby, with all Micks expensive gear it wasn't such a nice sound. The harmonies just somehow didn't seem as good. A fantastic job of entertaining us last night as always, let the boys know! Take care." Always nice to hear that kind of thing, especially as we only ever do a line check. The landlord was telling us about a recent band that took 4 hours to do a sound check - sod that!!! 😄2 points
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Finished up at the bluegrass festival this afternoon in very heavy rain. Full 5 piece band and we had a good rehearsal before our set and then found out it was shortened to 30 minutes instead of the normal 45-55 minutes. Not much playing and a two hour drive each way. Yesterday we played at noon and the band was in good form and we were very tight and did a beautiful version of Seven Bridges Road, the acapella part was wonderful four part harmony, a good set and the crowd enjoyed it and our leader and lead vocal was back in good health. Usual festival set up, Czech DB with Nux wireless into Traynor amp and DI to PA, excellent sound guys and we sounded good.2 points
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Busy weekend, after a while of not doing anything. Had an hour slot at a local festival, Party by the Parrett, and got the 6pm slot which was nice. We had played a wedding and a party at the venue, and the guy that run the club liked us. Very well organised (stocked fridge back stage and everything) and handily the two main sound guys were the guitarists friend and one of the guitarists in my other band. We had argued a bit trying to get the set list down, we had been asked to do mainly rock (there was a more poppy band and a ska band on after us, so we stuck to the rock mostly) seemed to go down well and we managed to get it down to 1hr and 3 minutes, so went over a bit, which messed stuff up a bit but not too bad. We had quite a few dancers . My guitarist / sound guy did a video from the side WhatsApp Video 2025-07-05 at 18.45.55.mp4 Today we played a pub, outside, on shingle which is a bit of a pain for getting dust everywhere and trying to stand your drink up. Also not good for wasps (or well, good depending on if you are a wasp or not!), back to the normal 2.5 hour set. To be honest I wasn't really feeling it as my hand hurt for some reason but it went well with only a few notable mistakes, like going to do the organ backing section of Brick in the wall, and not realising I didn't change my patch from the backing track of Baker street (which is like a bell), which was quite amusing. We had a request for timber which we hadn't done for a year or so but the singer couldn't remember how to play it! Glad to get back to work tomorrow for a rest!2 points
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Did a really lovely gig by the seaside near Swanage and, as well as a large fee, was allowed to order anything form the menu, which included this £70 lobster. Would have been rude not to!2 points
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Yesterday I was a Punk Pirate, having been to the Brighton Guitar Show with #2 son during the day and managed to avoid an impulse buy of a 72 P bass. It was very nice as was the 73 and the canary yellow 75 , but I just resisted. Having left there around 3:30 and dropped son off I headed over to Emsworth for a little light pirating at Kingsfest. Almost didn’t bother with IEM’s because it was quick turnarounds, but guitar from my usual main band said the onstage sound was a bit muddled, so in the end I set it up and just took a mono aux with bass, guitar and vox and put one plug in and it worked well. Timings for the day got out of sync due to weather and the Fest starting indoors then moving out. Would have helped if the acoustic duo had used the second stage rather than main, so when the compère said “the Pirates will be on in 15 minutes” there were cries of “I don’t think so!” but we were on pretty quick. Still somewhat curtailed of set time, not helped by my right leg going through the stage just before we started so so quick patching required…”I be capsizin’ cap’n” … “‘‘tis but a scratch ya scurvy scum” 🤣 Pretty solid set generally. Some flubs, but we’re Punk Pirates, nobody died, and it was generally good. Good crowd up for it and a lot of money made for a dementia charity, so all good. 90725182-ba33-4dba-ac6a-e0da656b2980.mp42 points
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We put a fresh set of DR Neon strings on the 4 string earlier and it's really annoying, it sounds better than my Ibanez that cost 10 times as much. It plays really nicely as well2 points
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