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Showing content with the highest reputation on 12/09/21 in Posts

  1. **No longer for sale. Too nice to let go so keeping it ** edit : was asked for dimensions/weights so will put them here too Nut width 48mm String spacing at bridge 17mm Weight 11 lbs 1996 G&L L5500 in see thru red over ash body with quartersawn maple neck with carbon graphite strengthening rods and rosewood fingerboard, G&L saddle lock bridge, G&L stamped elephant ear tuners, EMG humbuckers with EMG BTC 2 band active EQ. Built in small numbers (less than 500 I’m led to believe) before the L-2500 appeared in 1997. This model was the transition model between the L-5000 which had a very narrow nut and string spacing and the L-2500 and used the EMG pickups and circuit while G&L were getting their five string MFD pickups ready. This bass is in nice condition for its 25 years. There is tarnishing on the machine heads, bridge saddles and most notably on the black crinkle neck plate, some buckle rash, some crazing in the lacquer on the back and there a couple of slightly duller patches on the front which can only be seen from close up and at certain angles. There are numerous small knocks around the bass (none which go through to the wood) commensurate with the age of the bass. No structural, electronics or playability issues though the pots could do with a spray of electrical contact cleaner. They are fine when set and cause no problems. The bass comes with the certificate of authenticity and user manual etc and has the original G&L hard shell case which though scratched, functions perfectly. Not looking for trades and no cash offers. This is a USA G&L made in Fullerton,CA and is priced to sell with no further price reductions. I am on shropshire/Staffordshire/Cheshire borders. Can travel up to an hours drive for a meet.
    6 points
  2. 1973 Vintage Guild - JS II Electric Bass Guitar - Walnut Brown w/ Gig Bag. I imported this from the USA about 6 months ago. All Original! The JS bass models were the direct descendent of the . like the Jetstar, it had a mahogany body, three-piece mahogany neck with rosewood fingerboard, 21 frets, Chesterfield and Guild inlays and Hagstrom bridge and Guild humbucker pickups. This bass is in very good condition and sounds fantastic. Fast thin neck with a 30.5 inch scale. Guild JS bass chronology Guild bass humbucker circa 1975 - The earliest models were fitted with Hagstrom humbuckers, but by 1971 or 72 these had been replaced by Guilds own pickups, as heralded in this 1971 1967 Last Jetstar bass manufactured - model discontinued in 1969[1] 1970 JS bass launched as the one-pickup JS bass I ($270) and the two-pickup JS bass II ($350) [2]. Finishes: Cherry, Sunburst or Black[3] 1971 Hagstrom bisonic single-coil pickups replaced with Guild humbucker pickups 1972 Long scale (JS bass I LS, JS bass II LS) stereo, and fretless models added to the range 1973 Aswell as the existing finshes, natural and walnut are now available[4] 1974 Optional carved top (advertised as natural models only, although maybe other finishes). 1976 JS bass 1 withdrawn[5] 1977 JS bass I also have some Curtis Novak pickups for sale on BC that are a perfect match for this bass. I did try these pickups but the bass isn't for me so returned it to stock. Will post at buyer's expense.
    6 points
  3. Fender USA Dimension Deluxe 4HH Now £695 trade Warwick bass with cash either way. Streamer/Corvette/ Thumb etc *2014 build, metallic rootbeer finish *Maple neck with asymmetric profile and Posiflex Graphite rods. Truss rod wheel adjustment. Hand rubbed oil finish. *Maple fingerboard and bone nut. Nut width 1.625” (41.3mm) Compound radius (9.5” to 14”) *Fender humbuckers matched to 18v preamp with 3EQ (cut & boost on treble/mid/bass)and five way switch (both inner coils and both outer coils on in-between positions) *Fender high mass bridge *Fender F stamped tuners with tapered string shafts and strong arm retainer on the A string Great playing bass with powerful humbuckers giving a wide array of tones. Bass has a number of small marks on it though nothing that could be seen from anything other than close up. There is also a couple of small indentations at the volume at the back of the neck where it meets the headstock. No structural, electronics or playability issues £695 with deluxe MusicMan gig bag Bass can be auditioned in Market Drayton(Shropshire/Staffordshire/ Cheshire borders) Should be able to meet locally and will post if buyer arranges their own courier/level of cover. Thanks for looking! Keir
    5 points
  4. Here is my BB1025 in action Direct DI from the Bergantino Forté HP
    5 points
  5. This is a CIJ reissue 51 slab body Precision with ashtrays. I purchased the bass from this forum in 2015. This is the description from the seller (Hope you don’t mind the plagiarism). “Lightweight bass, originally the bass was a yellow - butterscotch - colour but has been professionally refinished in natural and looks very nice indeed. Neck is straight, minimal fret wear and trussrod works as it should. The bridge is a four saddle job so probably a replacement.” Since 2015 had little use as just after purchase moved fully to short scale bass. Bass has some very small dings on the body, mostly around strap post, a bit of buckle rash and an inch scratch on scratch plate, but the neck and head stock are in good condition without bumps or bruises. Set up pre COVID with new set of flat strings at Reidys Home of Music. Only played to tune up since. Bit of crackle on the pots due to little use. Collection from Rossendale, Lancashire
    4 points
  6. Following on from the @Bobthedog thread last week about consolidation, I think I've finally reached as consolidated position as I can myself with regards to guitars and basses. A few months ago I found that I had in excess of a dozen guitars and basses and honestly, the majority of them were getting no playing time whatsoever, so I decided to really try and whittle down my collection to what I consider would be go-to instruments: my toolbox if you will. Anyway, after a pleasant trip to Bass Direct this morning I traded in a few basses (at very reasonable valuations I hasten to add) and left with my new Stingray Special 5 String. This bass wasn't a stranger to me as I'd nipped up several times to try it before but finally decided to go for it and I'm glad I did. It's a super super bass in my favourite colour scheme. So that leaves me with my P Bass, my Fretless and my new SR5. That's it. And I feel happier for it. Guitar-wise I'm left with my Martin D18, an American Original Thinline Tele and my American Pro ii Strat. Again, I think this will do me for what I really need and want, and I'm hoping that everything will get played significantly more than it had done. I feel strangely cleansed
    4 points
  7. Not bad for a day's work. I messed up the pickup cavity a little - thank god for scratchplates. The wood doesn't look so great in its rough sanded form - before I sliced into it it was a beautiful red colour. I'm hoping with more sanding and an oil finish it'll look pretty sweet. Whether it looks good with that shiny yellow neck remains to be seen. It'll be nice to have this bass (or a version of it) back on the squad
    4 points
  8. Hello basschatters I sell a Fodera AJ6 Signature from 1992 in very good condition. Spalted maple top. Mahogany body. Bartolinis pick-ups. Original Hazlabs with dip switches. Scale 34". Strings passing at the bridge: 19mm. Switch actif / Passif. Switch On / off. Volume - Blend - Bass & Trebble. Weight: 5 kgs. Original Hard case in excellent condition. The bass is in the North of France near Boulogne sur Mer. Collection is possible in Lille, Arras, Boulogne sur Mer, Calais.... Shipping in UE without problem. Price: £5200 or 6000€ + shipping.
    3 points
  9. For sale or partial trade this stunning Sandberg Custom 5 Buckeye Maple Gold in almost new condition. The Sandberg is a custom handmade bass from Sandberg, Germany, and has a mahogany body with a buckeye maple top and matching headstock. And look at that beautiful fretboard wood. Golden hardware, Delano X-Tender humbuckers and 3-bands electronics with push/pull for active/passive. New price right now is slightly above €2700. I have the certificate and original gigbag. Weight: 4.2 kg. My price is: €1750. The bass is almost new condition. I can ship in EU (UK is difficult). Please feel free to send me a PM with an offer or request.
    3 points
  10. I had some berg hd's years ago and foolishly sold em and have been chasing that sound ever since , had Aguilar DBs, SLs, BF , Aero , berg neos etc On Friday I saw bd had a pair of second hand hd112s and I had a gig south of Birmingham so enroute I played em and bought em trading in my barefaced 210 ( very fair price from Mark) and wow what a difference , punchy low mids , sparkly refined highs , it's like I can hear myself again , the bf was loud and light but I haven't got any other positives for it , the HDs are heavy but it's like night and day for me
    3 points
  11. **NOW SOLD** Bought on here a couple of months ago. Has largely been my go to bass in that time but I am after another bass that has caught my eye and a couple of my basses will have to go to fund it. Ash body finished in transluscent white. Nicely figured neck with a bit of birdseye. Rosewood fingerboard. Lakland bridge, hipshot tuners, Lakland vintage J pickups. Lakland Levy’s deluxe gig bag. Bass is in excellent condition. Has a mark at the end of the headstock on the edge, otherwise very clean. The neck has been plek’d, plays beautifully and has the lowest action of all my basses. Guarantee that first to try will buy. Fantastically good passive jazz bass. Very reluctant sale. No cash offers or trades. I’m on Shropshire/Staffordshire/Cheshire borders. Could meet locally. Postage will be difficult as I don’t have a shipping box but I may be able to source one. Postage will be £25 to UK mainland though this does not include insurance/cover. edit: weighed the bass and it comes out at 4.26kg/9lb 7oz
    3 points
  12. Is that not the sign of a great gig where the adrenelin is still running when you get home. I'm always like that. Have to wind down with a coffee and biccy when i get home no matter what time it is. Dave
    3 points
  13. Its a bit like when I listen to Stephan Grappelli for the first time. Im amazed. Im sure she plays a Grappelli riff in her playing. Mind bending piano playing from Hiromi Uehara.
    3 points
  14. To me her best era is definitely with Simon Phillips and Anthony Jackson ! Period. I think I've listened to all her material with whoever. Don't forget that she was Chick Corea's protégée and they recorded an excellent, but now hard to find, record with them both on piano, simply called Duet. She also recorded a few albums with Stanley Clarke ! Listen to this live and don't underestimate Steve Smith on drums and Anthony Jackson in his certainly favourite style of music :
    3 points
  15. Wigan Diggers Festival last night. Brilliant big stage and sound system. Great crowd. The only negative was the shared drum kit. In hindsight I should have insisted I use my own but I don't like to rock the boat. It looks like an adult brought breakables to a kids drum kit! And there was no rug so the bass drum was wandering around
    3 points
  16. Yeah but he only actually played three of those drums, the rest were just for show. He could have used Ringo's kit
    3 points
  17. Did a wedding tonight, went well, everyone happy, nice venue, not a cheap event. 9-12. Quite a lot of people in a nice country place. But the most impressive thing to me was we played for 2hrs and 55 minutes, and the bride danced to every song and out set list is random (we are not a wedding band by any means)
    3 points
  18. My band Black Atlas played a local weekend festival called Balstock. wonderful gig in a small pub. Had the privilege of playing just before @Salt on your Bass? Absolutely wonderful sound he had going on, and he let me borrow his cab(s) (same as what I use which was brill, I didn’t have to bring mine)
    3 points
  19. With @binkybongo today… shame we weren’t sat in a pub with @three but we’ll get there again soon.
    3 points
  20. Two midweek (instead of weekend) gigs this week which makes a change. First Reading and then Folkestone, both great gigs and well worth the trek from Yorkshire. Again, good to see audiences prepared to come and and support bands, certainly makes me optimistic for the future.
    3 points
  21. Purchased in June 21 from SoundPure in USA. Only used at home. I purchased an additional tort pickguard which I think looks great against white. Will come with the original Decoboom pickguard. The waiting list is over a year for a Serek now so nice opportunity to get one of these boutique short scales. Model: Midwestern Serial: MW-120 Weight: 8.15 lbs Body Material: Mahogany Body Finish: Nitrocellulose Lacquer Finish Color: Vintage White Nut Width: 1 5/8" Nut Type: Bone Fingerboard: Chechen Fingerboard Radius: 12-14" Compound Frets: 20 Med/Wide Nickel Scale: 30" Neck Pickup: Novak BS-DS (Parchment) Bridge Pickup: Pickguard: Decoboom Streamliner White/Black/White Bridge: Hipshot 2-Point Supertone Body Thickness: 1 3/8" Overall Length: 40 5/8" Tuners: Hipshot Ultralite Tuning Keys: Lollipop Strings: Hi-Beams Case: Serek Sleeve No offers on this one as I have already given a massive discount (I paid nearly £400 in duties and shipping) **Open to trade for a USA P (Fender/Lakland) bass and possibly cash either way depending on relative value. Also interested in Gibson Midtown Standard. Will ship in its original box but that is at cost and risk to buyer.
    2 points
  22. TRADES FOR SOMETHING 4 STRING AND MORE TRADITIONAL!! WHY? Hi All I bought this just as another came up that I had been waiting for but given up on!? 😬 So here we have a bass I know next to nothing about? Looks very Warwick influenced which attracted me to it firstly. Nice light bass with head turning looks due to the grain fill against the light wood? body. I don't know the body wood but it has a slightly sculpted back and sounds great. Worth pointing out that the grain grooves can be felt on the surface it's not a flat finish. Like the Warwick line it has MEC J pickups married to a 2 band eq. 24 fret 5 piece laminate maple neck with rosewood board. Black hardware with a very robust bridge which seems to mimic through body stringing. 34" scale. (EDIT) Volume knob is active/passive push pull pot. The current variants start at £775 upwards so I think this is a decent priceAs it is unmarked as far as I can see. States on the web that these are hand made but?... Nicely made branded hard case included. A bit of tarnish on a couple of frets but should come off easily enough. Weight at a guess is 3.5kgs will weigh later. Any questions I will try my best to answer. Cheers Craig.
    2 points
  23. As some of you may know, I have been on the hunt for a Motown and old-school (rock) bass for quite some time. Well, the hunt is over as I recently bought this Fender American Pro II P bass in the dark night finish. Very nice bass. I especially like the smooth neck and the build quality. It was a bit difficult to actually find a Pro II in this finish. Couldn't find one in the UK. I eventually got hold of one on reverb, seller was LL Music Center in Belgium https://www.llmusiccenter.com/gitaren/bas.html The owner Luc was very nice and packed the bass super safely (double boxing). The whole transaction went smoothly and I definitely would buy from Luc again. As you can see from the photos, I added a Dark Knight hologram sticker I found on Etsy. I just could not resist. As I always buy and sell basses (this year, so far, I've bought six and also sold six), I got a replacement pickguard to protect the original one from unwanted sticker glue. The company is called d'Andrea and the pickguard is of excellent quality with perfect fit. I cannot notice any difference between this one and Fender's original one. Could it be that they produce pickguards for Fender? Would not surprise me. Anyway, I can recommend d'Andrea in case you are looking for a replacement pickguard. I got mine from Thomann. https://www.thomann.de/gb/dandrea_p_bass_style_pickguards_for_bass.html I also added a thumb rest. It came with two screws but I am only using one as I did not want to drill an extra hole. Still works perfectly as I am anchoring my thumb near the end of the thumb rest where the screw is. Finally, I changed the strings to LaBella 760 FS. I love these strings. They really help create the sound I had in my mind for this bass. So far, so good 🙂
    2 points
  24. NOW SOLD Squier Mustang for sale only. Sold one of these last year and missed the wee guy so managed to pick this one up s/hand locally. I intended to have it as a living room noodle bass but it has sat in the corner un-played. In great condition apart from 2 holes above the pickup where the previous owned had a thumb rest and a small mark on the bridge next the saddle. You can barley see it in the last photo. Weight is 3.6 kg or 7.9 lb`s. Price is £250 shipped UK mainland only or £235 collected from me in Paisley, no trade thanks. Body: Nato Bolt-on neck: Maple Fretboard: Indian laurel Fretboard inlays: Pearloid dots Neck profile: C Fretboard radius: 241 mm (9.49") Scale: 762 mm (30") Nut width: 38 mm (1.5") Bone nut 20 Narrow Tall frets Pickup: 1 Fender Designed Alnico split coil (middle) Volume and tone controls 4-Layer tortoise pickguard Mustang bass bridge with 4 saddles Vintage-style machine heads Nickel hardware Ex-factory stringing: Fender USA Bass 7250M .045 - .105 (Article no. 142933) Colour: Olympic White
    2 points
  25. Today I got the pickup backing plate trimmed and filed, so the pickups are test-fit mounted. I’ll shield the cavity and refit them later. Also did a dry run with a cereal box control plate.
    2 points
  26. Ding a ding dang my dang a long ling long. Jesus Built My Hotrod - Ministry
    2 points
  27. Fixed it for you. I recognise someone having a little lie down when I see it. 😁
    2 points
  28. Thanks @Al Krow Yes, the settings are right. I roll back the tone 30/40%.
    2 points
  29. Excellent condition nice low action just restrung with a cheap set of strings but they sound and play well. It comes with original gig bag please note it has bridge replaced. It is nice and low action with lots of movement on bridge and truss rod. Real rosewood fingerboard. Can add ashtrays for £25..
    2 points
  30. @acroxixo kicking in from 0:58 what a great full meaty bass tone and fits so well with the style of music! I was trying to work out your settings from the video - looked like you had it on PJ combined and I'm guessing with the treble dialled down a bit? And another nice demo of what a great bass the BB1025 is!
    2 points
  31. I love my single coil P-basses , so much I ended up with few. Some other variations on the theme. @lowlandtrees I would suggest you try and play one first . If the tone is not for you then it's game over ; I tried plenty of different pickups/caps in the builds , no matter the magnet type/ wire count it doesn't alter the character by much.
    2 points
  32. This is what I went for: - micro board = Zoom B1-4 - gigging mini board = FI-->OC5-->Octava-->Proton-->B1-4 - 'creative' larger home board In terms of signal chain, I'd have been fine swapping the synth and octave pedals around at the start - but PB tetris dictated the final order on that one. The remainder were my preferred choice signal chain order. So we just now need to work out who was closest out of you good chaps who played, in terms of (i) exact pedal selection or at least (ii) the correct pedal 'genre' (e.g. synth, dirt) and (iii) tie-breaker of signal chain order.
    2 points
  33. I bought this new as a 5 string Uke. I have always wanted to try the super short scale thing. I put proper machine heads on it because the originals were made of cheese. You can see the origianal screw holes. Jez (Jabba_the_gut)(he is a wood whisperer) did all the hardcore woodwork which needed doing to turn it into a properly functioning instrument. The reality is that a 21" scale length is just too short for the B to work. But I had to try. If you fancy a 5 string strung E to C at proper bass pitch, then this is it. If you fancy one of those new fangled octave up basses strung B to G then this is it. It is properly set up and is frankly a lot of fun as well as sounding like a proper bass - until you get to the bottom B. It has the same preamp as it originally had when it was a 5 string Bass Uke. Vol/bass/mid/treble. The vol has a center detent in it. Crazy. Fancy it you know you do!
    2 points
  34. So you're saying it is a circle then! 😁
    2 points
  35. Its an Atelier Z as you can see. Im sure I said I didn't like the Jazz bass thin sound any more. This bass is anything but thin sounding. It's huge. Im not sure why, the preamp is Atelier, the pickups are Atelier. Its all original. Ive been playing it for a while now and its just Marcus Miller. .. I said my Suhr sounded Marcus Miller and it did but it didnt have the girth that this Z has. It is beautifully made. I have carefully taken it apart and it is stunning the way they make these. I literally had a hard time getting the neck out from the body. The neck binding is perfection. . One thing that stands out to me. The Gotoh resolite tuners are just engineering magic the way they stamp out the Gotoh Resolite on the tuners.! . Thankyou Jo.
    2 points
  36. That's not so impressive. Anyone could do that.
    2 points
  37. No they're not! 😁 While she's definitely the most awesome piano-board player, the band with the Fuze was on a whole other level...
    2 points
  38. May the drum thingy guy, Neil something or other might have a tad more involvement… 😂🤣
    2 points
  39. Did you tell them it was fretless or did they notice themselves? The covers band I'm with, that I told I played fretless when I started, noticed that I played fretless after a year.
    2 points
  40. Another curveball, Buzz basses from Restauracja Gitar are awesome traditional-ish Ps and Js with loads of customisability. 3-4 months (not years) wait and slightly cheaper than MV.
    2 points
  41. Things stalled a bit this past week. I chickened out of drilling the bridge holes and thought I’d do something simple instead; mounting the machine heads. Well that turned out to be less straight forward than I expected. First the headstock ferrules were loose and kept falling out so I tried packing them with a bit of tape. That was less than satisfactory but I pressed on. Then I didn’t have a drill bit small enough for the mounting screw holes so I used a bradawl. Also not great. This totally amateurish approach caused me to ruin several screws so I ordered a couple of packets more. When they turned up they were the wrong ones and I ended up with 20 string tree screws can you believe! I decided to leave things and stepped away from it for a few days. Today I remembered that I had another set of no name machine heads and the ferrules from those fit the holes perfectly. The mounting screws from that set were also a shade narrower than the ones I’d ruined and fit the holes nicely. So job done, that’s another step forward.
    2 points
  42. 2 years later... I've finally moved house and am no longer attempting to make basses in the tiny spare room of tiny flat. Got my workshop set up in the garage and thought this relatively simple project would be a good way to ease myself back into it. I had a chunk of mahogany that I bought for another project but it wasn't right. Planed down it's pretty gorgeous. More pics of that soon. So far I've just cut it roughly on a bandsaw and am now routing the shape using a template The new Bosch vacuum is no match for the router, it would seem 🤣
    2 points
  43. To complicate matters further... Even if it sounds OK at the rehearsal, it's all going to change on the night of the gig itself. Fish batter is a notorious acoustic sponge - it'll soak up all the reflections, which will have its pros and cons. You might lose the slapjack / timing issues mentioned earlier, at the expense of being to hear the other half of the band. Is it too late to suggest a change to pie & chips instead? That might mitigate the problem somewhat.
    2 points
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