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Great Thread I still can't get my head around EB bringing out a budget line and calling it Sterling (CEO vanity perhaps) I have a full fat EB USA Sterling, and it's sublime. The quality of the finish and the very slim neck as well as very sturdy high Quality hardware make it a joy to play. I owned it years ago and part traded it, I was very lucky to manage to get it back. It has a one piece Ash body with very unique grain and a matched headstock. It was modded by a previous owner with a Nordstrand vintage pickup, So it has the vintage voiced Alnico pickup, making it sound closer to a Stingray. I occasionally think I could sell it and get one off the far East Sterling SB and unlock some cash,but then I pick it up and I know id regret it. The USA made Sterlings are so well made and as stated smaller bodies and thin necks, great for smaller fellows like me 😁 also they are good enough for Joe Dart etc 😂

New feature alert... Topics in the Marketplace now feature a thumbnail of the item in question. You can either let it automatically choose to generate a thumbnail from your first uploaded image, or upload a specific one when you write your advert. You can also hide the thumbnails if you don't like 'em. I hope it makes browsing the Marketplatz even more attractive. Items you've viewed will be greyed out slightly upon seeing them again. If you're wanting to change your thumbnail then any mod can choose a different image from your uploaded pics, or you can edit your advert and upload a new one. Cheers ped

Thought I'd give the blocks a go, with the frets in. Not as neat as I'd like, but I'm confident I'll do better next time. First 2 in.

Yeah that's new. It also shows moderation events. I think it adds a slight piss-taking twist when someone replies to an old thread 🤣

Hi all, This won't be to everyone's taste, but this guy appeared this morning on my Facebook. I think his playing is pretty cool. Some here might enjoy it.

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So you clubbed him round the head with one.

I did the whole tribute act thing in my 20s - it was hard work, but great fun. 'Twas a Queen act, aided massively by our singer looking (and sounding) uncannily like Freddie, and our drummer having the same hair as Prof. Brian May. As the bassist I wore shorts and a T-shirt, a la Wembley '86, but TBF, all of the attention is on Freddie, so it really didn't matter what we looked like. I think if the band has an iconic look (Angus, Freddie, Lemmy etc...) then I think it's only fair that you try to emulate that, but the sound has to come first.

I feel that I should chime in here as a tribute thingy myself. Of course the music has to be good and sound like the band but in the case of the Police, they sounded rockier live than the records and a bit different depending on the era of their live shows. It has been said that I look a bit like Sting, so that does actually add to the show. I've also studied how he moves on stage and was given the greatest compliment by Billy Kulke (Letz Zep) when he said, you've really nailed that Sting thing. We use the correct instruments (replicas) and I always try to wear an appropriate outfit, depending on what bass I'm using. I saw Wrong Jovi and they did the lookalike thing really well, Ritchie was a touch short but musically they were spot on. Horses for courses of course but the punters do like to see a look a like (I think they do)

A little trick we used on my old band was to put an original in a 3 song medley. Worked really well.

This has degenerated into standard stories of specs, jugs and brock and roll and should be badged as such.

Yup, 3-way selector gives 'Reverse P', then 'Normal P', then Mudbucker.

So you could move it from the Basses I Regret Missing Out On pile to the Basses I Regret Selling pile?

At least you didn't get. . . . "Play something you know!"

I love the stylings of Reverends. They always feel reassuring familiar but strangely exotic to me 👍

This is great, but I can see it costing me money 😁

Here you go! https://www.basschat.co.uk/topic/452759-new-topic-thumbnails/?tab=comments#comment-4522839 It's a feature I've been wanting to make for a long time!

Kiemsa started out, and continued until the end, as an Originals band, (bass, drums, two guitars, three brass and a lively singer...). The very first dates were self-promoted concerts, but quickly expanded to all venues in an ever-widening radius from the Home Town. After self-financing (from gig takings...) their first CD, they became regional, then national. That's when I 'stepped off the bus' (I started off doing the sound, then the lights when the drummer changed; the ex-drummer did the sound...). Having been self-managed up till then, a management deal was struck and they carried on for a couple more years, touring France and Germany. I was invited to the extremely lively 'Farewell' concert when they split. None of the material was covers, from start to finish. Difficult, even, to categorise; I used to say 'ska/punk/rock'. It always went down well; I have many memories of cafés, bars and pubs where the jammed-in crowd exploded the place with exuberance. It's true that the original songs (and their performance...) was very good indeed, and Martin, the front man, took on the role like a fish to water. If the songs and music are up to it, I see no reason why they wouldn't be well received (but they have to be darned good..!). Here's extracts from one of the larger concerts; the repertoire and energy was the same in tiny bars and clubs (Our Eldest on guitar, stage left; I did the lights...). Happy daze..!

The guy in the Bootleg Beatles tought himself to play lefthanded, when he arually played guitar righthanded, respect

Indeed.. it was an utter piece of sh!t... but, it was OUR utter piece of sh!t...

Also, you've got to have faith in your original material. Absolutely bloody love it? Getting that feeling back from people who've heard it? Get it out there. Playing it 'cos it's nothing special, and people aren't that interested, but hey, it's original and that's what counts...? Maybe have a rethink.

I hope he used tonelego.

Personally I loathe covers bands. I’m in a minority though. Generally the public would rather hear p155 poor Oasis covers than a set list of music that has potential to be great given time. Tricky one.

I had a Hofner 185 Artist, for which I paid £30 in 1973, and played it until I got a Hayman 4040 in 1974 and a Fender P in 1975. I gave it to a friend. Looking back, it was a much better bass than I realised at the time. I wish I still had it.

We used to dance to this at Edwardians Nite Spot in Chester many years ago!

I’ve absolutely no idea what you are talking about ! 😂

I read so many ‘reviews’ on here and on the ‘net which does nothing more than list the specs and make claims about how this product, if it can do X,Y and Z will deliver the goods only to find out that the said bit of gear lives on a shelf, in a rack with ten other basses and never once sees a stage. This is so common on music sites where I’d be surprised if they’ve even played the bass - they’re just regurgitating the press release. I saw it recently with the Dark Ray - it might have been posted on that BC thread about it. Or it’s the gushing ‘review’ followed by the for sale ad a few weeks later citing its pristine ‘unused’ condition.

Nail --> Head. I hate it when people buy something new and immediately 'review' it. I need to spend some time with this before I know what to say. Something that was instantly obvious was that the strings are going to have to go. Nothing wrong with them at all, but I won't be happy until I hear this bass with LaBella flats.

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Has to be said, not bad attempts. With frets in much more complicated, so well done.

I’ve seen the pics. I feel it may have been my fault…🤣

I would love the white one which a few on here passed around… think @GreeneKingand @Beedster had it at various points in 2013/14

New Zealand Maori metal... I like these guys. They bring in themes of indigenous history, use indigenous language, and they're very metal...

Ooh, I’m seeing pictures in the unread content list (just the for sale section?), I like that. 👍

If it sounds good, then you're doing it right. I use a three-band EQ pedal into an active PA speaker, and that's it; never been happier.

Steinberg have a sale on at the moment and all upgrades are discounted. I have the Variaudio in my Cubase Pro (although I am just an amateur !!) and it is very good. I believe that the Variaudio is included with Cubase Artist nowadays. Also - you said in an earlier post that you do a load of takes of your vocals.... the Artist version and the Pro version of Cubase have a special "comping" function to help you assemble the best of your material.

I would say, a lot of these kinds of events DO have licences. Schools, church fetes etc would know to obtain a licence because their main premises (the school (hall), the church hall etc) would already have one. It is the venue's responsibility to have a licence, not the performer(s). Unless you are the owner/lessee of the venue, you don't need to worry.

I'd be more worried about where they're being released from...

I also spend a lot of time doing retakes of my vocals - not that you'd notice - and many of my verses are a take for each line or phrase. I know it's a confidence/practice thing because sometimes I get something spot on, only to stumble over the lyrics or something. At one point I considered joining a local rock choir to boost my confidence and literally "find my voice". I went along to one session which was OK but when I saw the list of songs I decided that I just couldn't do it -too much mid 80s soft rock and worship stuff for me but I;m still convinced thats the kinda thing I need - as well as maybe a bit of help from an the vst.

Seeing as I will shortly be fitting flats, this is the only opportunity I'll get to record some samples with the original strings. I've cobbled together a simple backing track from some raw, unprocessed recordings I made last Xmas, just to provide some context. I've selected this particular guitar break because the bassline takes me across all four strings. Here are the six recordings in sequence: Reverse P Open Tone.mp3 Normal P Open Tone.mp3 Mudbucker Open Tone.mp3 Reverse P Closed Tone.mp3 Normal P Closed Tone.mp3 Mudbucker Closed Tone.mp3 And here are the same six on a single file: All Six Recordings.mp3

well i've got the bass for it! 😎

I learned this one on electric bass very early on in my playing career after seeing it performed on TV on an Oscar Peterson fronted Jazz programme. I recorded the programme on VHS video cassette and then recorded the soundtrack off that onto a C90 tape cassette before learning the piece (I didn't write it down that time as I was not reading). No Transcribe software in those days The tune is called 'Airpower' and features the bass player Neils Henning Orsted Pedersen ripping us all a new one. https://bilbosbassbites.co.uk/airpower-niels-henning-orsted-pedersen/

Well despite what I said about launching into a 'review' five minutes after taking delivery, one thing that is immediately very in-yer-face with the OE roundwound strings is the amazing sensitivity to both pickup selection and plucking location. The Mudbucker is less distinctive than either of the split-P selections, but you can certainly hear the differences between the three switch positions. Bring in the Tone knob (which is not just an on/off switch, as is so often the case) and you have a very good range of tones available before you get near the amp's EQ section.

I read quite a lot of reviews when I got Fralin P pickups put in my P bass. The only place that stocked them in the Uk then was Chandler’s Experience in Kew. This was over 10 years ago and the thought of changing them has never crossed my mind.

I've predominately played original stuff over the last 34yrs but done a handful of covers bands. My favourite covers bands do one or two originals just to show that we can and I like that. If a band naturally develops that way, fine, but otherwise 2 or 3 is plenty. Simply put your options are you either role with the general flow or you walk. If I find myself out of thinking with the general band view, I go rather than continuing to be the one person arguing. if it isn't a big problem, put up with it.

Leg

True badger story Many years ago, I was driving down a lane in Kent that i knew very well, slowed for a corner and saw a lump in the road, i pulled up, in the lights i saw a flicker of an eye in this "lump".. I jump out of the motor and there at my feet a badger, clearly just been hit by a previous car and still just alive.. I had an old blanket in the car so bundled him up in it and put him on the passenger seat.. My plan was to take him to a local stables where i knew them very well, and ask about a vet or whatever, assuming the badger didn't die shortly. Anyway I drive off with my patient, the place was circa 10 mins away..after a few minutes in the warm car, I'm aware of stirring in the seat beside me, seems to be perking up a bit... Good sign anyway, five mins later when nearing my destination, the badger was by now fully conscious and standing up with his front paws on the car door looking out of the window ! Clearly he'd been hit and stunned but otherwise seemed ok on the face of it.. I arrive at the stables and we confer about what to do with him.. We decide to put him in a spare stable overnight with straw bedding and water to drink, and re- appraise in the morning, getting the vet to him if it looks to be necessary. After a bit of a chat i go and watch him for a while in his temporary "accommodation" by this time he's quite lively and trying to climb up the old brick walls of the stable to get out... After a bit more serious conferring we decide he doesn't appear to have suffered any serious injury, and on balance seems the best plan to release him... obviously we'd never have done so if we had any doubts that he had injuries, the lady who owned the stables was very experienced, over decades, with all types of animal so I'd trust her judgement, this was my impression also. It was about 10 pm by now, so I quietly opened the stable door and stood away... Or friend had a bit of a sniff round, then trotted off out of the door and down the big field behind the stables.. He looked absolutely fine with a fairly jaunty swagger as he disappeared into the night. He'd easily be able to back track to where he came from, hopefully going via the farmer's fields rather than the road ! And that's my close encounter with a badger... People say they're savage and will have your fingers off, but this one was happy enough in the car with me it seems, even quite chilled out like a dog or something! I'm sure he was fine, hope he learned a life lesson about roads and traffic for the future.