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Showing content with the highest reputation on 02/07/20 in Posts

  1. 8 points
  2. So that shuker I bought recently isn't right for me, the neck and the string spacing is too big for my hands, and the number of strings is just confusing to me, but one thing I realised is how the quality of the build was. So with quite a bit of talking to Jon, selling my stick and a few other things, and a longing that has been with me since the LBGS in 17, I present something that pretty well everyone who went to the LBGS in 2017 will probably remember. Shuker Uberhorn, 33" neck, 17mm spacing, delano pickups and john east pre. Weighs about nothing!
    6 points
  3. I’ve not sold a bass in a month. I know, I know. Pre-tty Im-pressive...
    5 points
  4. Visited Happy Jack yesterday and came away with less money and a Variax 705. I'd wanted one for a while, on and off, but as I've decided to get serious about doing some home recording, I thought I should actually bite the bullet and buy one instead of deciding not to and then regretting it (again). Also had a play on assorted other Happy Jack basses, which was fun. It's in very decent nick for a generation one and a half Variax. Firmware was as up to date as it will ever get. The neck is a little chunkier than my ideal neck but it's comfortable enough. More experimentation coming up, plus the combination of that and my HD500 which should be fun. And it was nice to meet Happy Jack and Bluejay too.
    5 points
  5. I read that the Damian Erskine book is brilliant and it seemed to be structured in a way that I meant would actually read it. I did a Google to order one and upon seeing a picture of the cover I thought, "hmmm, that rings a bell." Went over to my music shelf and there it was! 3 years old, unopened and rather dusty! 😂
    5 points
  6. I know exactly how you feel. I love my current basses and rig, yet it doesn't stop me looking a new shiny gear that I see on here and you tube basically every day. However I have decided to try and focus my spare time on playing rather than researching. To hold myself to account I have signed up for Skype lessons with Phil Mann. I'm sure that will keep me busy!
    4 points
  7. Hi from Finland Heres my BT 6 from 1990 with macassar ebony top. - Mikko
    4 points
  8. Am I allowed to turn this into a "why I hate relic'd instruments" Topic? No? Thought not. As you were.
    4 points
  9. Steve Harris Precision, the current one. It ticks many boxes for me but just couldn’t have an instrument with another teams badge on it -and to be honest I wouldn’t want my own teams badge on an instrument either.
    4 points
  10. Bought on this forum in April for £2200 and basically the same condition etc, bar changed strings for 'old school' style Pyramid flatwounds (has tweed hard case, candy etc etc). Obviously not left the house in that time ... Original FS ad link here: I adore the looks and the history but - having given it a couple of months 'crack of the whip' - I just am not comfortable with the chunky neck over extended periods of playing (I prefer short/medium scale and my other Precision has a skinny 70's neck). I broke my left hand a decade ago and I cannot cope with clubbier necks, unfortunately, despite how lovely this bass is. Socially-distanced handover in SW13 (south of Hammersmith) or post for £30 on top within UK (£60 to EU). Pics below including two different 'tug bars', original maple and black dyed maple one courtesy of Rick's Fine '52 PS, no trades thanks. Kind of need the money given COVID impact on finances
    3 points
  11. Hey folks, Does anyone else get to that point where they're totally happy with their gear and thinks "yep, that's me, I'm done. Shouldn't need to change anything for a long time, if ever"...... And then feel like they're just waiting in anticipation for their tastes to change /GAS to kick in /a new 'need' to arise, etc, etc.? Or is it just me?! 😂 I'm totally happy at the mo by the way, shouldn't need to buy anything else ever..... 🤔
    3 points
  12. Hello! Great workhorse basses, these. Details below: : Weight: 9.7 lbs / 4.4 kg on the bathroom scales Scale: 34” Bridge: 19mm 21 frets Nut: 1 11/16” Radius: 10” Body: Alder Neck: Maple Fingerboard: Rosewood Bolt-on neck Hardware: Gold Pickups: 2 alnico single coil (stacked hum cancelling) Electronics: volume, blend, 3 band EQ (+/- treble / bass and two mids presets - the mid control is a 3-way rotary selector switch to select between flat and the two presets) Mother of Pearl and Abalone inlays, gloss finish It's a really nice active super-jazz. Without the offset body. An example of this model demo'd very expertly here: ...by the redoubtable Jeff Andrews (RIP); and this actual bass demo'd significantly less effectively here, by me: Happy to answer any questions here on the thread or by PM. Shipping: obvs better for you to come and try out here in Elephant & Castle (I'll provide some socially-distanced biscuits and a cuppa), but if that's not possible, I can ship to you via your choice of courier at your additional expense, or, if it's reasonable, deliver to you in my car for a contribution to the fuel money, whichever is cheaper for you. Trades: thank you, no. Many thanks for checking out the ad!
    3 points
  13. Be joining you next week ladies and gents.
    3 points
  14. I too am a labella LTF user, for many years I used deep talkin flats and then about a year ago I tried the LTF’s and liked the sound , tension and feel , I’ve now got 4 jazzes and 1 P bass with them .
    3 points
  15. This may come as a surprise to most on here but I actually think Im sorted and 100% Happy with my lot. Only thing Im looking at is that bloody Noble Pre but I don't 'need it'! I have a REDDI coming in so that should ease the gas🤣
    3 points
  16. Boring for everyone I'm sure, but was just thinking back through all the Sandbergs I've had over the past 10 or so years, since I fell in love with them. It's been a voyage of discovery to figure out exactly what makes my perfect sandberg. Disclaimer: first few pics are off the Internet, mine are probably on an old laptop somewhere! Used Sandberg Basic 4 Natural Used Sandberg California PM4 Used Sandberg Basic 4 Greenburst (which I later made a trans pickguard for) Used Sandberg Basic Ken Taylor 5 Custom order Sandberg Basic Ken Taylor 5 Custom order Sandberg Classic Booster 5 Custom order Sandberg California VM5 Custom order Sandberg california TT5 passive
    3 points
  17. Good grief, @Billy Apple, did you have advance knowledge of Covid-19? I think we should be told ...
    3 points
  18. Real wear = absolutely fine. Fake wear done well = pretty much pointless, but can work under some circumstances. Fake wear badly done (i.e. what we're normally offered) = utterly pointless and frankly a bit embarrassing all round. Spending five minutes with an orbital sander does absolutely nothing to improve any instrument, and will only fool a passing 9-year-old.
    3 points
  19. Pretty much all Fenders. The headstock makes me want to barf. The whole Ibanez Soundgear range. Lovely basses, but the SDGR logo makes them look like a child's toy. Single cut high end basses like Fodera. I'd love to try one, but there's absolutely no need for the top of the body to go half way up the neck. It just looks crap.
    3 points
  20. What a ridiculous idea! Only getting a bass when you know "what for" 😂
    3 points
  21. What a load of old tosh. There's no racism on here. We're all far too busy being sexist. 😘
    3 points
  22. So, a change of strings - weight and type - can completely change the feel and sound of a bass -we know this. What may not be appreciated is how some strings can be so much louder than others. I've just taken an old set of 45-105 Olympus flats off my PJ as they were getting increasingly 'grabby' I've put on Ernie Ball Hybrid Slinky cobalt flats, same weights. Without changing any settings on my headphone amp they're about 20% - 30% quieter than the old Olympus - the greatest volume change I can ever remember experiencing with a change of strings. I won't comment on their sound as all new strings sound wonderful, but the volume thing is a bit weird. There's always something new to learn about strings! But it is an expensive journey. 😕
    3 points
  23. Yeah. I nabbed it. Not sure how I'm gonna conceal that fact domestically, but it seemed too good to miss.
    3 points
  24. Hi all, So having recently been in the market for a high end guitar, I strangely found myself in possession of two USA PRS beauties. I decided to move one on and see what other interesting beasts are out there and after heavily debating a Reiver Kompakt 6, and doing some googling on the subject, I came upon a Reiver Kompakt T7, I couldn't resist so I bought it and now it's currently on it's way to me from the Dolomite Mountains! Can't wait to play this monster, it looks absolutely exceptional. I've owned a number of ACG basses, and currently have 2 that I'll be keeping until I die, so knowing the quality of Alan's work, this is sure to be an amazing instrument!
    2 points
  25. Never say never, but I reckon I'm done. My gig rig is a Sadowsky bass, an Aguilar amp and Barefaced cabs. My back-up rig is a Mike Lull bass, Thunderfunk amp and different Barefaced cabs. My home practice rig is either bass, a different Aguilar amp and yet more Barefaced cabs. I've spent more on lessons in the last few years than gear. That's where my GAS is.
    2 points
  26. A fantastic amplifier - really lightweight and powerful. This amp packs a punch (900w @ 4 ohms) and sounds really great either running your bass clean or engaging the overdrives which include the well-known 'Vintage Microtubes' and the 'B3K'. This amp hasn't been gigged at all so is in excellent condition and comes in original packaging (minus the information booklet). It also includes the intelligent footswitch which allows you to mute the head or switch between the effects. Full specs found here: https://www.darkglass.com/microtubes-900/ Price includes postage to a UK address. Payment via Paypal or Monzo. Thanks!
    2 points
  27. I’ve got those andy on another 2 jazzes, they are nice, they take a while to play in then the sound and feel just gets better and better
    2 points
  28. 2 points
  29. If we are doing journeys...... Great bass but left the fold Only the DK remains This is sitting Around awaiting me to make it up - 5 string Been fortunate to play a whole heap more tho
    2 points
  30. @Deeper and down Check out the feedback thread, if the buyer/seller has good positive feedback from others on the site, then you know you're in safe hands. Otherwise, if you're uncertain, then try and collect with cash or pay via PayPal good payments and know that the 4% is your payment for a safety net if things goes sideways. Also, check out the buyer/sellers profile, see if they are active members that contribute to threads regularly, if so, again you're probably in safe hands, if the buyer/seller is brand new to the site, maybe try and talk to them via PM, get a vibe for who they are and if they know the gear they're buying/selling. If ANYTHING smells fishy, abort! Or, at the VERY least, use PayPal goods and pay the 4% for that important safety net! Thems be my advice!
    2 points
  31. Kim to Free World: 'Want join band. Can shred like motherfücker, play all Johnny Cash'
    2 points
  32. Basschat is a real f**ker for the stirring those feelings of discontent and fuelling the need for more, better shiny new gear!! I think I've hit a (probably short lived) feeling of zen around my current bass gear. I've concluded that I don't need more than 2 basses, that I don't want an electric guitar anymore and that my bass amp is perfectly adequate for my current needs. The Helix has also solved all my pedal needs so I'm not even thinking about drive and fuzz pedals! Everything else is for sale. In the unlikely event I join a new band playing large outdoor gigs then I may get a new DI pedal and upgrade the amp to something more capable but for rehearsals, playing at home and local pub gigs the 30w tube amp is plenty. It's a great feeling, I hope it lasts!!
    2 points
  33. It's a fun gig, basically a booze cruise. We play for 1. 5 hours. $20 00 a head . We get a good percentage of the take . The load in and parking is not great. Blue
    2 points
  34. Yep, thing of beauty - a little out of my range though And finally not!
    2 points
  35. I have one of the older Ray34CA ones.Great bass and my own humble opinion is these are better than the regular Ray34. The EQ has a fat sounding bottom end with just enough treble/click/sizzle and to my ears always sounds warm and musical. The whole thing is put together extremely well too. I honestly have trouble finding fault with mine at all. Yes the neck could be a bit wider at the nut to help further the illusion and yes, while I would love a pre EB, a Classic StingRay or a regular 2EQ USA StingRay, this does the job I need it to do. If you’re at home on a Jazz then the neck will feel familiar. MusicMan for a while did the SLO Specials which had a J width nut and those were always highly sought after by players wanting the MM tone with a J width neck. I haven’t ever played the newer Ray24. I like the finish options and the price is lower but beyond that I don’t know anything about them other than what’s on YouTube videos of them. The Ray34CA basses don’t pop up too often, though are probably going for near what you can get a Ray24 new for.
    2 points
  36. I'm the opposite! I MUCH prefer the looks, feel and (in particular) sound of my Spectorbird NS2X, Fernandes Non-Reverse Spectorbird copy, Jackson TBird and Fernandes TBird to any Gibson/Epi Tbird I've owned or played....
    2 points
  37. Lol! I'm suddenly feeling a lot less isolated in doing exactly the same with bass books and CDs! In this case it's clearly not 'wisdom' but 'age'.
    2 points
  38. Aye i wish you good luck with that one and it was nice knowing you. Just remember that Hospitals are dangerous places to be in at the moment Dave
    2 points
  39. I ordered one, and the guy pratt book while I was there. Then I saw the Ariane Cap book and thought I would get that too, then I thought, no, I will see if i read the others first!
    2 points
  40. Not a slab body nor particularly heavy. Owned 6 of them, none over 9.5 lb. Sorry @oldslapper never saw your post 👍
    2 points
  41. The best relics I have seen are made by Nash and Limelight.
    2 points
  42. I have a Sandberg California and the relic job on it is faultless. When I first set eyes on it, I never knew about them and I was convinced it was a real relic.
    2 points
  43. True, Hebburn IS missing an angel, its along the road in Gateshead
    2 points
  44. Fair play - could have just been an ooompah band
    2 points
  45. That’s because he is a d ick
    2 points
  46. I thought he was singing "In this ever changing world in which we're livin..."
    2 points
  47. Me, playing the same Camco kit bought new in the early '70s...
    2 points
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