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Showing content with the highest reputation on 10/06/20 in Posts
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If I was interested in playing music I'd likely easily define a good all rounder and stick to it. As my primary hobby is sending and receiving carboard boxes, clearly the unitary approach won't suffice.8 points
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Okay, so I didn't expect to find one of these so soon but thanks to @gareth it's New Vintage Squier Bullet Bass Day! I used to have a USA Fender Bullet Bass Deluxe which, although a bit niche, was a great bass to play and was on some great records. When I had to sell it I was gutted, but on this forum I managed to score a MIJ Squier Bullet Bass. Which is even more niche, but I'm into the niche gear. So this little oddball beauty arrived this afternoon. I tore into the package and unwrapped it, and... it's blowing me away! I'm fully aware that most folks wouldn't have these on their radar because why would they? Who's gonna get excited by the combination of a cut-down Precision body with Mustang pickups and a fat AF Tele bass neck? Well, me. Yeah, I'm that weirdo First impressions: much lighter than my old USA Bullet bass but still feels super solid. The neck is a dead ringer for the USA Bullet neck and feels the same as my old one. Win! 👍 The tug bar is on the wrong side of the strings for me 'cause I pluck with the side of my thumb, but that's an easy move. Overall, I'm getting a great vibe off this already. Straight away I had to take off the roundwound strings and get some flats on there. Thought I'd experiment with a set of Fender 45-100 flats, they only cost me £14 so why not? Seemingly within a few minutes the stiffer string tension and higher action that I'm used to was there. Plugged it into the only amp I have (1970s Fender Vibro Champ) and started playing some Afrobeat and dub basslines. Lost a couple of hours, easy. Bonded with it instantly. Properly enjoyed meself. I'm looking forward to recording with it and eventually gigging it. Absolutely chuffed with it. So, big thanks to Gareth for hooking me up with this one, I flipping love it. Great bass + nice price + pro packaging + hassle free delivery = happy Meterman. Cheers Gareth 🙏6 points
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I'd been umming and ahhing about @willgatesbass' California VM5 on the for sale boards and this thread tipped me over the edge! So, NBD. First impressions are very, very good indeed.6 points
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Just uploaded my performance of Bach's first Cello Suite In G major. Link is for the prelude but the 6 movement playlist should open via the link5 points
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My experience of people with "just one bass" tends to be either younger players starting out or guitarists who use it to record at home. I went down to just two Squiers for about 3 years around 2013 but I quite like having a collection so went back up to about 8 (I think!) and don't sweat about it. If you can manage on one, good for you and if you own dozens, it's your life! Who are any of us to judge others?4 points
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4 points
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I was happy with 4 basses, then I joined BC and read the Sandberg thread, and bought one, read the Yamaha thread, and bought one, read the 5 string thread, and bought one, etc, I’ve now got 12 basses, 5 amps, 4 cabs and 3 pedals 😁4 points
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I had one bass for 35 years until I discovered BC. I have since gone through over 50 since 2011 and currently have 15! 😉4 points
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I suppose it is possible but also very selfish. Imagine all those guitar manufacturers and shops that will go to the wall. Imagine the cash flow implications to the economy from a limited secondhand market. No, in these hardened times we must all buy as many basses as we can just to keep the economy flowing. I only bought my recent fretless for that one reason! 😉 😀4 points
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I often find myself with these thoughts Crawford, you’re not alone in this. I just rationalise it as playing bass is my hobby, and given that I neither drink nor smoke, well I may as well spend my spare cash on my hobby. When I drank I’d spend more in a year than what my whole instrument collection has cost me, so I don’t look at it as wasted money.4 points
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Shamelessly stolen from a post on Thomann's farcebook page... Your favourite non-guitar, non-bass solos. Sax, piano, drums, whatever. Just not guitar or bass. One of mine for starters... the late Kenny Kirkland’s brilliant piano solo on Sting’s live version of ‘When The World Is Running Down’, from the Bring On The Night album. Three minutes of ivory-tinkling fabulousness.3 points
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Just found this by accident, and of course it's Tears For Fears Curt Smith and daughter Diva doing a lockdown rendition of Mad World. She's very competent , and a very appropriate track right now3 points
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3 points
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3 points
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I really like my GK MB800 Fusion with its valve pre. Interestingly, my other amp is a Subway D800+ and I really can't decide which I prefer. In practice, I tend to choose according to the nature of the venue. That would make the TT800 a pretty obvious choice for me if money were no object - but unfortunately it is.3 points
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Thanks Cuzzie. More detail for anyone interested: California II VM5 in satin virgin white with a matched headstock. Sandberg electronics and pickups. Paulownia fingerboard. First impressions compared to my Stingray are: A lot lighter. 3.95kg compared to 4.65kg. 700g doesn't seem like a lot, but boy is it noticable. Much more compact body. Shallower neck profile. Much more like my old Maruszczyk. Immediately easy to play. Fantastic low action, lower than I can get on the Ray, not by much though. Plugging in I was a bit confused, it sounded muffled, however I swapped the strings (tuning pegs felt perfect, just the right weight/resistance) to my preferred brand and that sorted it out. I can't get tones immediately articulate or usable as I can with the ray, but I think I need a bit of time with the 2 band to find my sweet spot. It's fantastically well built and I can see what the fuss is about. Here it is with the Stingray, just because I can. I've come over all monochrome, must be time for a gold sparkle thunderbird next!3 points
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Ha ha, yes, I stayed with a friend in the Alps last year, his house number was in the high 600s, so having just turned onto their road and passing number 40 we assumed that we would need to drive a long way up into the hills. Passed another house, which we reasonably assumed was number 41 and carried on. Long story short, we got stuck on a rock trying to reverse back down the mountain having driven right up the the end of the track, and our friends, and most of the local community it seems, had to come and lift the car off the offending boulder. 'Number 41' was of course our friends' house (although actually number 600 and something), because - amazingly - in that street the house numbers are determined by how many metres they are from the start of the street. God bless France3 points
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3 points
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Realistically I could never, ever choose between my Shuker and my Wal. It'd almost be like asking me to choose between my children.3 points
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3 points
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3 points
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No bass acrobatics, just a little riff repeated over the different settings. IMG_2173.MOV3 points
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Loving this latest one. Always been a fave bassline of mine and thrilled that people are discovering the Toy Matinee album which has been in my Top 3 albums ever since I first discovered it some 15 years ago....!3 points
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I'm possibly at the point where I'd happily play nothing but Valerie for an hour straight. You don't know what you've got 'til it's gone, as they say.3 points
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@Merton tagged me in something on Instagram. Not quite the crowning glory I’d anticipated, in fact it’s a bit of a mess. But...done within the hour. Remember this track being a real ear opener when I’d been used to the Later pop ballad Level 42 my dad listened to. Might have another crack at this with the Sadowsky and actually set up the sound (and re-learn the song 😉)3 points
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With all this lock down malarkey, it's got me thinking. Could I live with just one bass? I currently have 5 and recently I have been trying to convince myself I only need one. Has anyone managed to cull a collection down to just one bass?2 points
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So I was looking for an amp with the compactness of an elf, the sound of a GK, but with built in fx of the Laney, and the eq of a Genz Benz. Finally, this (and a roll of duct tape) and I have the perfect amp head. Actually, I just got a bit carried away in a bit of a post lockdown splurge.2 points
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In good condition, works as it should, no major dings. Fitted with well worn in Rotosound jazz flats. It’s only been played in the house for the 2 years I’ve had it. Bridge and pick up covers fitted by the previous owner. There is a small mark by the bridge probably caused by a tiny bit of rust or something under the bridge cover. It might come off with the right cleaner. Comes with a hard case. No trades. Will ship at cost.2 points
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*on hold for local trade* This is a used Windmill Jazz with Rough Crystal jazz pickups. There are some dings on the bottom side but nothing major. The Rough Crystal pickups are from the makers of Lefay. The pickups are in the 70s' jazz bass position (4" between the two pickups). The bass is pretty light at around 3.8kg and the neck is thin and fast. Selling to fund a purchase - no trades please. Spec: Color: 3 TS Neck width at the first fret: 38.5 mm Neck at the 20th fret: 63 mm Scale: Longscale 34 " Neck: maple with 20 medium frets Fingerboard: flamed maple with binding Body: swamp ash Tuners: Schaller Vintage Tuner Brass nut (Warwick style) Truss Rod: with adjusting screw at the heel of the neck Pickguard: black Electronics: passive with volume, volume and tone Bridge: vintage style (4 corner screws) Pick ups: 2 x Le Fay single coil jazz bass Strap locks: Schaller Security Locks2 points
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Stew. If you buy one used try and get a rough idea when the seller bought it. When I took the plate through to Brian so he could make his template it was from the November 2017 run. That plate is good for PB-50's going back to 2013. March 2018 Thomann used a different factory and the plates changed to thinner horns. Dropped the 2018 plate off at the weekend so he now offers both just like @Basscabman said.2 points
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I've spent a couple of hours with it now and discovered just this. The controls are pretty sensitive and a little bit goes a long way. I'm very much enjoying having a p pickup back in the mix.2 points
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2 points
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2 points
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+1 My first solder iron was a 15W one, and it worked... but not well. You need something a bit hotter to make your life easier. I have a little soldering station now after seeing it recommended in this very forum years ago, and I'd recommend you get one too. Having a nice setup so that you can hold the iron, adjust temperatures etc is very useful and makes soldering so much easier.2 points
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I'd only ever gone out gigging with one bass for years. It's only been in the last year or two that I have taken a second one - initially as a spare but then I decided to use one for the first set and another for the second. Usually the one for the first set has flats as a lot of the first half is disco, funk and soul but the second half has more rock and pop so I have a second bass with stainless steel rounds for the second set. I don't agree that you have to spend a lot of money to get a good bass, in fact my Player Precision is already sold and I am in the process of selling my Stingray. I figured that it may be next year before I get to play so didn't see the point in having so much money tied up in these basses. When we start gigging again, my main and only basses will both be Harley Bentons. The first set bass will be a JB-20 with licenced Hipshot Ultralites, Fender pickups and a Wilkinson high mass bridge. This will have D'addario flats. The second set bass is a JB-75MN. This has EMGs with BTS tone controls, Fender high mass bridge and Hipshot US Ultralites with D-tuner on the E. This will have D'addario prosteels. I already had the parts for the first one and the Ultralites for the second one. I've only bought the EMGs and Fender bridge specially. If I was playing a gig with minimal gear then I could take either and leave the other one at home2 points
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2 points
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The Covid pandemic has really made me wonder about having so many instruments generally, as well as how many basses. There's no doubt I could manage with one for everything - it has to be light as possible, well made / reliable and plays and sounds to my liking. Hence I could flog everything but my favourite Precision Lyte. However, I can never sell my 63 P-bass, so that makes it two without even considering the heartbreak of losing my Dano, Washburn acoustic/electric and a few more. That, combined with the market causing prices to be low, means they're all staying where they are. 😊2 points
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Yes it's possible! I have bought and sold more than I care to think about since starting BC. However when it comes down to it I really like the idea of having a bass that's 'me' - my sound, and what I use for everything. Kind of like some of may favourite players have had a bass which they are known for playing. It's a nice place to be, because otherwise I was always second guessing which bass I should be using for what and it became a distraction. So after years of this cycle (which, although I wouldn't want to go back to that now, was a great way to try out lots of instruments and learn about what I liked) I realised that one bass always ended up back at the top of the pile and the others got sold or swapped. To this day I still have that 'one' bass that I know is just perfect for me, but it doesn't 100% stop me wanting to buy and experiment with others too, so that way I look at it is that I have MY bass, and sometimes one or two others that I play with for fun, but I never buy them for keeps, and can easily slim right back to that one bass at any point.2 points
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I used to have one bass. It was a bitsa Jazz with a Precision neck. I was fine with that. That was less than 10 years ago. Now I have 13? Damn you basschat!2 points
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2 points
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Thanks a million for that Gary, I'm pleased you like it, the video is great, sounds better live of course, I know! Earphones or PC speakers can only do so much 🔊 Good you're leaving it in your lovely P, I hope you get some live action with it soon, see what the rest of the band think, especially in B mode 😎 Cheerz, John2 points
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Picked up a well-used Hohner B2A last Saturday, mostly out of curiosity but I happen to like it a lot. Ergonomics are weird, without anything like a body to rest your lower arm on and with the upper strap button behind the 21st/22nd fret, moving the far end of the neck really far away from your body. But it's a really fun bass to play, and was surprised how good it sounds with the preamp engaged. The passive tone is dull and weak though.2 points
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2 points
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NOT missing the following: 1. Me: Soundcheck? Band: Nah, use our first number. 2. (Usually drunk, mostly female) punter: Can you play X, Y or Z? Me: Ask the band. Punter: The band? Oh. I thought *you* played the setlist [on the tablet] 3. (Generally male) punter, usually while we're grappling with DB feedback: That's a big cello. BUT, I AM missing the following 1. Venue/pub manager to band: That was great, guys, perfectly balanced sound and volume. @Happy Jack to manager: Thank our sound engineer for that... 2. Random punter(s) to me while I'm checking the sound levels in the crowd: I'm in a band, would you like to work with us as a sound engineer?2 points
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Bought from Mr. Discreet on this forum and love it to bits but it's also made me realise that I still love 5-strings and Ibanez so I'm putting it back up for sale. It's still in as new condition, having being played for just a few hours. Strings are in great condition and the setup is fantastic. Comes with a black pickguard that I never got round to fitting as well as bridge cover (which I did fit, but was done after these photos were taken). I have a box to pack it in but P&P will need to be arranged by the buyer. Payment by bank transfer only.2 points
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2 points
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My Ric 4001 bought new in 1974 from Sound City, London (£325 w/case). Had it 7 years and sold it on for pastures new. Why, oh why???2 points
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Bit more progress today. - Cavity routed - Cavity cover - Arm contour (just needs final sanding) - Belly contour (just needs final sanding)2 points
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2 points