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"Rick: I know, let's put Neil's speaker in front of the door! Neil: Oh, not that speaker! Jimi Hendrix once pi$$ed on that!" The Young Ones - 1982

Surely that's going to be an MIA Roger Waters P bass.

Man... if that piece of music doesn’t appear to be going anywhere it’s because it’s already arrived. Is there anything better than just being in a groove? I say just like it isn’t a holy thing, an everything... Man... That, right there, is it.

Right where I am now. Edit to expand. I'm a bit surprised at the number of people who seem to think I'm freeloading because I don't drive. Look, I'm not saying no one should drive. I have my reasons for not driving, and I'm sticking with them. I realise that my choices mean I will not be gigging with a 4x10, but I'm happy with that. I started this thread because I'm interested in hearing about how other people cart their gear around by public transport, not to criticise people who do drive.

(I’ve just set the comment above as the headline to the thread to alert anyone who may come across this link, hope that’s ok!)

Well I have sold the Godin A4 (slight lip wobble) and on Saturday I put the money from the sale down as a deposit on a Chowny SWB Pro via my local music shop, hopefully they will put that order in with Chowny today. This is the first time I’ve ordered an instrument without trying it first so I’m a bit nervous but I’ve done all the research I can and I think it’s the right bass for me. I just happened to be driving past Bass Direct the previous Saturday so I dropped in because I knew they had an SWB Pro so I managed to see one but I didn’t get a chance to try it, let alone buy it, because the guy in the shop was tied up with other customers, so be it, I didn’t have long anyway but just loooking at it gave me some idea of the quality. So, the guy in the shop told me 6-8 weeks after phoning Chowny, now comes the wait. Hopefully I can sell my Fenders (fretless Modern Player and Aerodyne) so I can get an order in for an SWB-1 fretless and see if having all three types of bass in short scale will actually stop GAS?

Just wanted to (belatedly) show the two beauties that I have recently purchased from fellow BassChatters. They are pretty different animals for me (both through neck, twin pickup) as I’ve mainly been a Precision or Stingray player for a long time. First up, a 1991 (I think) Made in Korea Spector NS-2A. This particular model came highly recommended to me by a fellow BCer and I’ve not been disappointed. With it’s shorter top horn, I was a little concerned that it would take some getting used to playing on a strap, but it’s been fine. It feels and plays like a top quality instrument and my thoughts of swapping out the preamp and pickups have been put to bed as I used it at a gig last weekend and it sounded great, cutting through and sounding punchy. I think I now know what players mean when they describe ‘piano like’ clarity. Next up a gorgeous 1981 Aria Pro II SB-R80. This really is in beautiful condition save for a couple of dings which are pretty well camouflaged (the joy of a natural finish). I once lusted after a ‘standard’ SB and was gutted once I tried one as I couldn’t get on with the string spacing. However, this R version with the more traditional neck dimensions feels great. I’m loving the different sounds available from this bass. Obviously a very different beast to the Spector, but still punchy and able to go from a nasally honk to full fat dub in an instant. All in all, I’m a very happy chappy and many thanks again to Maut and James for the smooth transactions.

Yup, can't disagree with that! Here's mine, beautifully refinished by @Grangur of this estate. Maybe you should let him loose on yours, too, and he'll be able to turn it into something worth nearer £400 rather than £40?

Summary: Wow, what great pickups - totally perfect - buy them now!. Bought from some bass happy chappy on a FarceBook bass group and fitted them to my VanderEnd the other day. My bass usefully has a route for either a P or a J under the scratchplate - it's messy but useful. I've been inquisitive for a while to try it as PJ rather than the JJ jazz it's been since I got it. I had scratch-it make me both a JJ & PJ plate shortly after I received the bass and it was clearly time to try out the PJ pickguard too, cue the new pick up purchase justifications. So now the EMGGB's PJ's coupled up with my Aguilar OB3 preamp (with passive tone), has made one hell of a versatile beast and I'm loving the passive sounds too. So next strap in and prepare for the worst sound description ever...hmmm, less mid honk than the typical Fender pickups, not as dark as SD Quarterpounders on a dark night and they've made me smile more than Lindy Fralin's have ever done (which I also really like lots). It does have a very smooth sound spectrum with a sweet warm and defined low end and slightly rolled off highs...it's more akin to the 'soul/Motown sound' in my opinion but clearly this Geezer chappy is a bit of a rocker so I hear....so it must be good for that music right? It's probably the most balanced pick up I've ever used across all strings. The P on it's own is defined and warm (warm is the key sound description). The bridge J is surprising, very funky and full, not brittle like some bridge pickups...it's funky, it's a fatter Jaco, Old Gregg has blessed this pickup, (funky is the key sound description). Together they're a good compliment too, smooth like chocolate, no power imbalance - they're friends, ...(Chocolate is the key sound description here!). I like em' a lot. Conclusion: Warm Funky Chocolate!

Perhaps they could do a deluxe version of the guitar with a bone nut & saddle

The DBs live in the upstairs study, amps, cabs and stands in the garage.

Where's the elf in the port photo?!

-

No, I don't have kids. heh. We have this:

What guitar amp is he using? If you haven't got the stage size and venue size, I'm pretty sure he's got the wrong gear for the gig... or at least being a knob with the volume control.

Dang! Need to get me one of those (a bass playing g/f, that is)!

Album Notes Hello guys this is my first solo album that i have been working for the past 3 years. I hope you like it! You can also check my Official Web Page :http://www.villiskabadais.com for news etc. Official facebook page : https://www.facebook.com/villiskabas Youtube Channel : https://www.youtube.com/user/villis23

I probably wouldn't listen to the material but I'd have to say 'Rock and Roll (Parts 1 & 2)' would feel more acceptable than 'Do You Want to Touch Me'.

Going for a single 4 ohm Cab is a bit limiting. Go for two 8 ohm cabs in parallel.

Yup. I had a Compact and a Midget. Compact was deep but lacked a tightness at the top end. Midget was tight at the top but lacked bottom. Together they sound brilliant. I replaced these two with a Supercompact, which sounds like the two together in one cab.

Sweet (I know it's a Hot Chocolate quote really)

...And when you share a house it's hardly self-indulgent at all. Heeheehee. I really have to watch myself. It would not take much more for Channel 4 to become interested in me for one of their Hoarder Yukumentaries. I take your point however, it is nice to have everything to hand.

I've said it before but if your songs need a specific bass sound to work live then you have bad songs.

Hershey? Galaxy? Belvas?

That was the first version of the song that I heard. I usually find that I prefer the original versions of most songs but have to admit WASP really nailed it.

Ever since I missed out on a Fiesta Red Limelight P, with J width neck - I've been kicking myself However, I recently became a convert to the P/J arrangement of pickups.... So I decided to order my very own Fiesta Red P/J from Mark, having reached a milestone in work This bass is absolutely amazing in every way. I've not played a pre-cbs Fender, but I imagine this is how they would feel and sound Very very pleased with my present to myself. Pics courtesy of Mark at Limelight EDIT: PS. Hutton... they are worth the wait

Nudge nudge - If you go to a second poster featuring basses, I hope you will remember the first ten of us by way of a loyalty discount on ordering a second poster. - Wink wink.

Clearly advertised as a Deko - but I'm not convinced the seller's at all clear what a Deko actually is...

I hope the next song wasn't the Lost Prophets......

Living in Twickenham is expensive.

Living alone in a very small one-bedroom flat, I keep my gear exactly where I want it, which is more or less everywhere. Most of it fills one large corner, with my favourite bass in comfortable arm's reach from my work chair. A couple of basses have escaped to the other side of the room and guitar cases to the foot of the bed. Oh and also two basses at work and one with my son in Nashville.

Love this. Thanks for posting

I prefer D'Addario EXPs to Elixirs.

That's fair, but in my experience of non-driving drummers (who, of course, have the most kit to move around) they just stand there looking like lost puppies until someone loads their gear and takes them home. That is definitely selfish behaviour, and I will not put up with it any longer.

so if you live in London you can just about get away with it (but you must be severely restricting your options) provided the venue has PA and drum shells but I suspect it's a no no anywhere else, I've had a go at busking a couple of times in Nottingham, caught the bus with my acoustic guitar small Roland amp and mic and stand, not a very pleasant experience tbh (the busking or the bus ride)

Ian bought himself a Bass (Charrington) clock - ideal for helping to keep good time. Smooth transaction as you'd expect from one of BC finest...

So I did a largish pub gig last week used the 112c for the top end and the 115c on the bottom - used the splitter box etc. it sounded amazing tbh - took a little while to set up of course but the control with both pick up volume at 8 and plenty volume on the amps was very useful - especially when as ever others started turning up as the set progressed ive bought a 500w amp and think I’m gonna experiment with that with a separate high power 1x15 for the bottom end ( still using the 112c for top) benefit is I can just use the 112 for rehearsals and use the full rig for gigs im a bit fussy about sound so it has to be just right collect the amp Sunday will let you know how I get on 👍

You won't want to play any other basses once you get that Wal.

The transcription is wrong; Stu is outlining E7, not Fbmaj7. It's a modal tune in Eb Dorian. If you listen to the verse, the electric piano is playing quartal voicings — Ebm7 moving up to Em7, and then back down. Interestingly, Stu's bass line suggests E7, though I would imagine that he just chose notes that sounded good to him. Here's my take on it:

If you're deliberating over whether or not to accept two weeks paid work and a free cruise because you can't have a beer after the show, you either don't really want the job or you have a bigger problem with alcohol than you can admit.