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Showing content with the highest reputation on 07/03/24 in all areas

  1. Against my own better judgment, I present 'Wishadelic Demotune', a mix of two of the great audible art installations of the past decade - namely, Psychedelic Tuning and the infamous Wishbass Demo from youtube. I apologise in advance if this causes distress or genuine harm. It may be an idea to remove small children or animals from the room first. Psychedelic Wishtune.mp3 EDIT: on second thoughts, I shall rename it 'Wishadelic Demotune'.
    14 points
  2. Witness the full horror for yourself.
    10 points
  3. Putting up for sale my Atelier Z DAL-5 Super Duper Jazz Bass in Pearl Blue. I got this from @Happypants a while back and love it so much that I have bought another in a natural finish. I just can't afford to keep two and prefer the natural finish. Originally born in 1997, it was originally black, body re-finished by David Wilson in Hexam, commissioned when @bubinga5 owned it. This is the original thread about the refinish: https://www.basschat.co.uk/topic/465355-atelier-z-body-assembled/ One of the early golden era AZ basses made by Mas Hino who made the early Sadowsky Metro series basses when he left Atelier. The neck is all original with original Gotoh tuners. 9.4lbs on bathroom scales Generally excellent condition. There's a couple of very, very minor marks and swirls but no dings or missing finish. Some minor oxidisation of hardware but the neck is amazing and the gloss finish feels great. When I got it, i wasn't keen on the bare look and look the Atelier Z look with the clear perspex scratch plate so I commissioned someone I know with a laser cutter to make me one as a template from the original one I got from Andrew (Bubinga5). When fitted, there was a an issue with a stuck screw so the guy who did it had to remove it by making a slightly bigger hole. A smidge of wood filler and touch up and you can't barely see it. It behind the scratch plate and behind the screw so pretty much invisible. Anyway, I think this really sets it off - looks like a jazz but plays like a super duper jazz! These easily equate to much more expensive custom stuff and I dread to think what this would cost you new now. Specs are: Maple Neck and Fingerboard Chambered Alder body with Ash top Neck: 34", Maple, 21 Frets Tuners: Gotoh GB-30 Bridge: Gotoh 205B-5/18P Pickups: Atelier Z JBZ-5 Preamp: Nordstrand 2B-4B (2 Band Preamps - Nordstrand Audio) Controls: Vol, Pickup Blend, Bass Boost/Cut, Treble Boost/Cut Weight 4.3 kg Nut Width: 47mm String Spacing at the Bridge: 18mm It balances well, sounds amazing and is a great bass. If you pay the asking price I will include the gator ProGo gig bag with the bass - this is pretty much new and about £150 a pop! I can and happy to post - should be about the £30 mark. I kinda need a quick sale as have pulled the trigger on a new one and need to recoup! Can possibly drive to meet someway if that helps. Get in touch with questions. Carl.
    9 points
  4. Hi Folks, For Sale/For Trade: Fender 50's Classic Lacquer MIM Precision bass. I'm looking for £750 ono (which is what I paid for it). But I could also be tempted by an interesting trade - quality cab, short-scale bass, et, etc.. So, I bought this fantastic sounding P Bass here on Basschat a year ago from Jon, aka @Mudpup, who I'm sure will attest to what a great bass it is... It's called a Classic P Bass for a reason, and that's because it sound like you always imagined a P Bass should! Its punchy, growly, full and warm sounding and works great in just about any musical setting you can think of where electric basses are used... I bought it for a recording project (which it was perfect for) but now that particular project's finished, I find I'm not using it so much - preferring instead, my G&L SB1 because it has more of a Jazz neck profile.. To quote Jon: ".. this has a Nitro finish and is the same series as the sought after Mexican Roadworn basses. It's effectively a Roadworn without the factory relic job - you can give it some genuine wear yourself. And of course it's iconic Black and Maple 🙂" Alder body, one piece lightly sanded maple neck with the skunk stripe and the truss rod is working fine. Possibly due to the wider neck, these basses are very stable and very resonant sounding. Weighs is approx 8.6lbs. Previous owner fitted a Hipshot Detuner which correctly matches the reverse winding tuners on this model. And the original tuner comes with the bass. A Black White Black WD pickguard has been fitted, but the original brass anodised guard is also included. Another quote from Jon's For Sale ad last year, which still holds true: "Condition is used with some dinks and marks in the nitro finish. There is light scratching on the back but not full on buckle rash. You can see buckleworm on the back up close. It's all genuine mojo wear though and looks fine from a few feet away - this is a gig machine rather than a case queen." A Fender deluxe gig bag is included. Ideally, collection from Potton in Central Bedfordshire, 3 miles from the Beds/Cambs border is preferred, but I'd be happy to meet up within a reasonable distance if that helps. Trial of the bass is welcomed. I've got amps in the house and a Zoom B3 + headphones set up for a car meet if it helps. Plus the obligatory tea/coffee /biscuits of course.. Thanks for looking and please message me if you have any other questions. 😊 Cheers Nik
    8 points
  5. 3 tracks in-studio session. Sound should be pretty good Not sure if you all can get this in the UK https://www.rte.ie/radio/2fm/ I figured if anyone was on and interested... We're on the Dan Hegarty alternative show. National station!
    8 points
  6. For Merciless tone shaping ability, no doubt.
    8 points
  7. This is the greatest thread ever started on here. Some fabulous and hilarious (and very well written) tales. Great stuff. Thanks chaps.
    7 points
  8. Taking the thread is about people who became famous later: Jean-Michel Jarre. I was to study in Paris in the mid '70s, and one of my teachers-to-be introduced me to one JeanMi, a semi-ex-student who reportedly was recording an album ... in his kitchen LOL. Amongst other things, JeanMi showed me around in Paris, guided me to my dwellings, and told me we were gonna be great friends. Didn't see him again after that ... ... until I recognised his face in a musicians' mag much later - in an article about him and a certain album called "Oxygène". Only recently did I happen upon the fact that Jean-Michel in fact used "Jammie" as his moniker, not JeanMi, and it explains how I really didn't get it when he wanted me to pronounce it without any sound that could remind of a half-hidden "n".
    6 points
  9. Seconds after the recording stopped Jim Marshall appeared and scrubbed his name off the amp.
    6 points
  10. Many moons ago my then band played a gig with a bunch of youngsters who were called The Jennifers, later to become Supergrass.
    5 points
  11. Funnily enough, that's very very close to what happened to us after the Mahooosive Kit Drummer Hoohah I mentioned earlier - a few days after the main auditions, we were running through some songs (without a drummer) on a Satdy afternoon, and three kids banged on the shutter doors of the rehearsal room, and one of them said 'My mate's a drummer, can he have a go?' Said kid was about 14 or 15, but by that point we'd try anything, and within 8 bars we knew he was fantastic. He joined and played with us for a while, but then left and had a career touring and recording around the world with the likes of Blaze Bailey, Kill II This, China Beach and all sorts. Sadly, his Wiki page doesn't mention the backstreet lockup...
    5 points
  12. I just played that and now my dog won't be my best friend anymore.
    5 points
  13. Our furthest east gig coming up in May, we'll have to dig out our skimpy mankinis and practice bending over backwards... First time even visiting Nottingham for me!
    5 points
  14. Just had a good laugh at myself and gained some perspective after reading this... If I was into cricket then I'd probably be sheepishly admitting that I don't even play for a club anymore, whilst staring at a wall full of bats that I keep hoovering up from the for sale section of BatChat.
    5 points
  15. Let me see. . . . a musician is having some success and the Basschat massive isn't happy about it. Well there's a surprise.
    5 points
  16. A fantastic Barefaced Big Twin 2 cab for sale. Comes with soft padded cover. As we all know Barefaced cabs are the very best in light weight design and fat punchy sound. Collection from Torquay only as I have no packaging.
    4 points
  17. Only the tiniest of brushes for me. For a year or so back in 1999 I lived in a flat that was next to 'The House that Jagger' owned (My partner at the time was flatsitting long term for a super well off college friend). On a couple of occasions, we were kept up into the wee hours by the sound of partying and the smell of weed (Jagger had bought the flat below the one we were in and turned it into a music space. About 7 years ago the ukulele band I was in (playing ubass) got the chance to perform on the main stage at the Brighton Dome (OMG it was SO much fun!), where ABBA won Eurovision ... and to top it off, we were assigned the same dressing room they had used ... jättebra!! Sam x
    4 points
  18. When living at a pub on Anglesey, what was left of Lieutenant Pigeon played our pub and let me join in on bass for Mouldy Old Dough. Can say I've played a number one song with a number one band.....technically
    4 points
  19. It would be easier if FB Marketplace place just renamed itself FB Scams, Lies and Tosspots.
    4 points
  20. Thanks! It does look great and it pains me to let it go... but this is on it's way to me: I'm a sucker for a natural finish!
    4 points
  21. My wonderful old 1966 Precision. It's the best one I've ever played, but it's too valuable to take out on tour. I do use it for the odd local gig. The picture is about 1994. I've owned it since about 1984 or so. Best £260 I ever spent.
    4 points
  22. I still have my Marshall VBA-400 and the VBC-810 fridge, sits mostly unused these days, as I use something much smaller and lighter for gigs. One day, one day soon, it will be unleashed for the hell of it.
    4 points
  23. Tbh, the clip I uploaded is the best bit, the other 19 minutes of him tuning his guitar is far worse.
    4 points
  24. Bloody hell! I have power tools that sound better.
    4 points
  25. I’ve been drunk many times in my life, but never Ali Express Dingwall with a Tesco logo drunk
    4 points
  26. After a few beers at Christmas I ordered a knock off Dingwall from Ali express.. I woke up the next morning to an email from the seller asking what “customisations” I wanted.. what a treat.. a custom bass!!… so I went to town, orange finish, 3 x pickups, maple neck… and a custom headstock logo! It arrived this morning - it’s awesome!! Obviously it’s not actually a finely crafted, custom instrument - but the finish is pretty clean and it sounds good, all the electrics work and it’s very playable!! The hardware is a bit lightweight… but for £279… it’s a lot of bass!
    3 points
  27. 3 points
  28. The heady perfume of exotic wood shavings. I miss these - currently out of reach. Certainly not to everybody's taste but to me, Alembic build a lovely instrument
    3 points
  29. How awesome! I also have a story about LP, possibly trumping yours, my father was in Lieutenant Pigeon
    3 points
  30. Here's a nice story...... https://www.bbc.co.uk/news/uk-england-beds-bucks-herts-68440336 TL:DR - a band records a single in the 80s, but it doesn't chart and they disband. Fast forward to 2022, a DJ picks it up in a 2nd hand shop. Plays it in clubs that specialise in 80s music in LA & Paris, a record exec hears it and the band have just been signed. Maybe a record company will find my old bands MySpace page in 30 years time and I'll embark on a world tour......
    3 points
  31. 3 points
  32. I'll never unsee those legs.
    3 points
  33. You just need to install Sklar's "producer switch" onto your favorite bass.....
    3 points
  34. A situation he should have been able to predict. Sessions range from bringing your own gear and playing what you want, to playing the notes the producer wants on the instrument the producer wants. If you see interviews with US A list session guys, they bring 5 or 6 basses, from a Hofner Club to a Precision with flats. They say they usually end up playing the Precision/flats basses.
    3 points
  35. Yeah the current MS-60B has an external midi footswitch connection to make live use easier, which the new MS-50B+ is lacking which is a shame assuming the same will be true of the MS-60B+. But fingers crossed that scrolling through the patches using the bottom two scroll pads should be doable with a bit of care. Dunno if the USB-C port might allow connectivity to external footswitches or is going to be limited to patch editing duties?
    3 points
  36. Debut London show for my humble little duo that seems to be growing nicely. Fiddler's Elbow in Camden.
    3 points
  37. New venue for us...looking forward to it
    3 points
  38. It's lovely when she wears a low cut top. But sometimes she wears a turtle neck and totally spoils it.
    3 points
  39. So, today on the way home from a work trip I met a chap that sold me an amp... That amp was a Marshall VBA400 with a Jubilee 410 and 115. The cabs have seen better days, cosmetically they have their war wounds, but the work a treat! The amp has a few tiny little marks, but would probably rank 8.5 out of 10 for condition. Just lugged this colossus down to the garden studio some 300ft away from the driveway (yes, my spine is now dust) and set it up. It's quite monstrous... it's current set at about one quarter volume and gain and its still making my ears bleed. Given it has 8 KT88 valves powering it I shouldn't be too surprised. Pumps out +400w of glorious Marshall valve bass goodness! Given I play 6 string bass, and mostly prefer a more HiFi sound, I am pleasantly surprised that the 'bright' button really does hit the mark for me. Been lusting after one of these for probably 20 years! Happy to now have one and not be disappointed.
    3 points
  40. Hey everybody! It's taken me a while to get around to finishing this, but finally done! The only piece missing was the port rings. @SamIAm kindly scanned the one I had, and 3D printed me a pair! I've cleaned and sanded them up, made a foam gasket for the back side of the flanges, and added a decal to the front, just for fun! 😊 Thanks so much for your help with this project Sam!
    3 points
  41. Needing versus wanting aka the curse of being human in a materialistic/consumerist world 🤔
    3 points
  42. I hear distant overtones of Pink Floyd's Seamus.
    3 points
  43. Obviously you've never had to teach my father-in-law how to use a label printer. Or Sky remote.
    3 points
  44. sound was good. happy with my performance. if anyone is interested: https://www.rte.ie/radio/2fm/dan-hegarty-the-alternative/2024/0305/1436214-dan-hegarty-the-alternative-tuesday-5-march-2024/ we do three songs, 23:30, 27:05 and just after 35:00 i get some C4 synth action in on the last one.
    3 points
  45. Bass Amigos, Its Steve Fishman aka Steve Lawrence here. Someone asked about my gear and sound with Hugh. Missed this one by a decade or two. Its P bass for me and even the Burns bison (UK c.1980) is a PJ . Most of my basses have had J pickups (added before I found them) but I use the P pickup only as a general rule. I still have the Peavey Max but last several years have been using a Genz Benz Streamliner a lot. Theyre great but I dont love the eq with 3 fixed (not my fave) frequencies prolly to sound SVT-like SVT isnt my 1st choice. I endorsed PV and have a couple of T40s and a Midibass. I also have a cool vintage Carlsbro 200W valve amp for loud bands. Im currently doing projects incl Glen Matlock & The Maestros w Clem Burke and Gilby Clarke and Intergalactic (post psych postpunk). Im gonna try to look on this a bit more often. Love to all bottomly people!! XX Steve https://epi5050.com/musician
    3 points
  46. About ten years ago we were looking for a new drummer. First chap we tried spent over an hour setting up the biggest kit we had ever seen, and then proceeded to drown the rest of us out. Mutual agreement he wasn't the best for the band. Out of desperation we then tried a 14 year old kid who volunteered through a friend. Sort of did it as a favour as he had never been in a band before - turns out Sam was God's gift to drumming. He won the Yamaha U18 drummer of the year competition a year later, we recorded a bunch of Toto songs for his A-levels, and then he left us in his dust when he disappeared off to become a session musician! It was quite humbling to have a tiny part in his development.
    3 points
  47. Keyboards Dave was almost as weird as the drummer.... So eight years ago I got together with a guitarist and singer to do 80s indie I guess you'd call it. I liked the two of them and we clicked so we got some songs together as bass, two guitars and vox and looked for a drummer. Drummer answers ad saying all the right things. Except he wants to rehearse a long way away, being the only one with a car out of the three of us I'm happy to drive us there. We get there and the drummer, I think also a Dave, is flapping around with the studio staff because the kit isn't right and he needs something really specific and can't believe they haven't got it... Etc. We play one or two songs and he's ok. He can't stop talking though. He keeps telling us how it would be great if we did Crazy Horses by the Osmonds, Robbie Williams Let Me Entertain You... We are fixed on Talking Heads, Camper Van Beethoven, the Waterboys so we don't think this will fit. The guy just doesn't stop talking about how his last bands were so great playing the Osmonds. We have a drinks break and we can't get a word in edgeways. Drummer keeps saying how some people don't like him because he has all these ideas but surely we should just talk about it and agree or disagree. This is a valid point though his actions are suggesting he will talk until you agree with him. He gave us a set list he thinks we should do... Having not met us before, not registered that we've already been working on something, and not registered that we aren't doing karaoke in a flat-roof pub type songs. We play some more. He tells us how on stage he wants us to set up with his drums at the front because nobody else does that. He tells us he has a headset mic and wants to lead vox on some songs. When we are leaving with all our gear packed up he runs over, slams the door shut, turns off the lights and then starts playing with glow in the dark drum sticks. We leave confused, slightly scared. And never contact him again.
    3 points
  48. I see your singers and raise you a keyboardist. This is where my lifelong distrust and aversion for keyboardists comes from... Once upon a time I answered an ad for a funk band with female singers. It was like an X factor style audition being run by the guitarist who was a decent enough chap but the songs were more indie rock. There were loads of other guitarists and drummers there but only me as a bassist so I was kept. A week later and we audition a keys player. Dave shows up, long hair, looks like he wants a job in IT support but isn't bright enough, spends forever setting up his scaffolding for all his keyboards while talking about all these festivals he's played where the soundman didn't even have x, y z but of kit we've never heard of. Eventually he's ready to play a song. He hasn't listened to the audition songs or come prepared in any way. Stereophonics song? "Oh..... Errrr, Welsh band aren't they? I think I might have heard them on a cassette. My girlfriend is Welsh." Ummm thanks Dave. He plink plonks a couple of notes while we play. He doesn't even try to overwhelm us with weird sound effects, he just stands there looking confused the whole night, even when we tell him the chords. Guitarist invites him back the next week if he can learn some of the songs. Next week. Dave has clearly not learned anything and I doubt if he could achieve Grade 1 piano. After bashing through some songs hoping he will catch up guitarists says "let's pack away and when he goes get all our gear back out". I've packed away and Dave is still dismantling his huge keys rig so I get bored and say F this I'm off home. Half an hour later I get a call from the guitarist through gritted teeth: "I know you haven't got them, but can you check all your pockets and cases for Dave's car keys? We've turned the place upside down and just can't find them." I didn't have them. A long while later I get a text. Dave's car keys were eventually found after checking everywhere including in the till of the pub. They were in the pocket of his hoodie all along. I never saw Dave again. I've never played with a keys player since.
    3 points
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