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Showing content with the highest reputation on 11/07/21 in all areas

  1. Most children are light enough to lift off of a surface without assistance. If it is an exceptionally heavy child seek help from another adult.
    7 points
  2. As others have said they were very much heavy metal. But just as R&B is unrecognisable today from what it used to mean ,Deep Purple sound closer to jazz than metal in 2021. It's actually a very interesting topic @Killed_by_Death because it speaks to the evolution of popular music.
    5 points
  3. Courtesy of Walshy for the stunning body, Lindy Fralin for the PUPs, Kiogon for the loom and an unknown manufacturer for the neck, this is on the basis of going back through photos my 19th bitsa build, and one of the best. Lightweight, resonant and articulate. Check out the wood.....
    5 points
  4. Eh up So..... It's been years since I was here last. Most of you won't remember me, but a few oldies might. I've been here since the start, since the "Bassworld" days which most of you won't remember. I've been totally out of it all now for at least a couple of years. I totally lost all enthusiasm for bass, and making music generally for no reason I can put my finger on other than concentrating on art. I've had every bass you can imagine.... I must be into 3 figures of them... fender, lakland, musician, sadowsky, ibanez, Yamaha etc.... from 3k to £100 (best P bass I ever had... a 100 quid knackered MIJ Squier from the bay).... Anyway.... 2yrs since letting my last 2 Yamaha BBs go..... I got the itch again... my Mrs has bought me (with my guidance) an old Yamaha RBX460. It's, really fun to play, made in Taiwan, around 1997 I think. I'm already looking for pickup upgrades lol.... but it decent as it is... anyways.. Just dropping in.... 👍🏻
    4 points
  5. STOP !!! STOP !!! STOP !!! STOP !!! STOP !!! STOP !!! Are you crazy, Mick ? It's a nitro finish and acetone (or nail varnish remover) will remove it too ! Don't ever do this to a nitro finish !!!
    4 points
  6. Just looking at this I think you've had some good advice. One of your queries was about power. Most of the amps have power sections that use basically similar or identical electronics. There are a lot that do 300W into 8ohms and 500W into 4ohms. Frankly this is enough for anyone and conveniently matches the power handling of a single 8ohm cab, and two cabs give four ohms so you still have the power of the amp and speakers pretty much where you want. With so much choice at the 300/500W range you may as well start looking there. I notice there is a fairly pristine Ashdown Rootmaster in the for sale ads here. Buying used means you can get most or all of your money back if you change your mind. The outlier amongst what you've been recommended is the Bugera which uses a bridged version of the Behringer power amps for the output and puts out a genuine 800W. I've only heard positive rsponses from people who own this amp. Ashdown are a great company, they are British and they take after sales really seriously often repairing gear long after their legal guarantees run out and always willing to offer advice, often in these forums. Hats off to @Ashdown Engineering The thing is with such a wide range of choices you really need to start testing things out because they will all do the job and the difference is in the sound. No amount of internet advice will help you there. In the end after buying a MarkBass and trying a range of others I bought a Peavey Minimax and just love the sound straight out of the box. It looks however like you are a combo man so try those first. It's hard to go wrong really so choose on sound and enjoy your new band.
    4 points
  7. Scarf joints cut, sanded and glued: The small holes at the edge of the necks are where they were pinned during gluing to stop them slipping when clamped.
    4 points
  8. 4 points
  9. Needs a 'not any more' option. A lot of 'classic' hard rock would've been called heavy metal at the time but as the music's become more extreme, the term's been redefined. Lots of speculation about the origin of the term - I've always understood it to have come from biker slang for large capacity (and therefore loud) motorcycles - hence its appearance in the lyrics of Steppenwolf's Born To Be Wild. Which would have been pretty heavy in its day.
    4 points
  10. This is my one: a Fender Japan Unlined Fretless Jazz neck, a swamp ash P Bass body I had made for me and a set of EMG Jazz pickups.
    4 points
  11. No. My kids think about it and my spidey senses tingle and I tape their hands into closed fists
    3 points
  12. Ask David Wilson. In fact, I’ll ask him for you. Stand by….
    3 points
  13. These kind of classifications are obviously entirely arbitrary and completely subjective and they've also evolved massively over time. As an analogy, it's like saying "is this a fast car or not?" Do you consider a Golf GTI to be a fast car or do you have to get into Porsche 911 territory for it to be classed as fast? And what about how things have changed over time? Back in 1901 this car held the land speed record at 65.79 miles an hour (achievable now on a 125cc learner legal motorcycle) but today I wouldn't want to be stuck behind one for too long in my 10 year old 1.6 Diesel Peugeot. Long and short of it - there's no answer to this question. 🤷‍♂️
    3 points
  14. It wasn't classic rock when it came out though.
    3 points
  15. Lots of pieces for this ready to go! These were originally going to use the birdseye veneer for facing the headstock but I'm going to try to source some walnut veneer to match the body instead.
    3 points
  16. This project is to make two semi hollow basses, on fretted and one fretless. One of the basses will use the body of a semi hollow bass I made a while back with a new neck. The second bass will be a copy of the first. When I built the first bass I had bought two pieces of walnut at the same time so I should be able to make these look very similar. The reason for making a new neck for the first bass is to change the scale length from 30" to 32". Both necks will also be made with angled headstocks to do away with string trees. Both basses will be maple bodies with an American walnut top, have birdseye maple necks, ebony fretboard (with an extended thumb rest), Luminlay side dots, Shadow piezo pickup, East preamp and a satin finish.
    3 points
  17. That tempted fate didn't it?!!! Not entirely sure how, but the chuck must have not been tight enough and router bit moved out putting a hole in the back of the neck. Time to build another neck...... I actually needed to build another two necks for another project so I've started making them all at the same time. After thicknessing all the neck blanks I used a bandsaw to cut the angle for the scarf joint. After lots of very tedious sanding (I really must build a jig to make this easier and quicker) I ended up with these: It pays to take time and get this right as it makes for a nice, tight joint. These are the three necks prior to gluing: The worst thing about wrecking the original neck is that I need to make new veneers for the headstock. I bought some ash veneer from different places but it just didn't match to my satisfaction so I made some by cutting thin slices from the offcuts from the body then sanding to thickness. That took ages the first time and now I've got to repeat it!! Oh well, it will be worth it in the end. Cheers
    3 points
  18. I’m all for discussing music, but that’s not what this thread is. As @Cato says, it’s about pigeonholing. It’s been done before (by you) and I don’t get it either 🤷‍♂️. What next? Was Elvis ‘The King of Rock and Roll? Was Michael Jackson ‘The King of Pop’? Was James Brown ‘The Godfather of Soul’? Can Marc Almond hold a tune? Are the Pet Shop Boys the best live act you’ll ever see? The answer to the last two are definitely ‘No”, but you get my drift?
    3 points
  19. Yeah, we shouldn't have Music discussions on a Music forum. What was I thinking?!
    3 points
  20. Nut, tuners and string retainers sorted. Side dots also done. And first coat of red stain on (will be sanded back). Staining Alder is always a little challenging, multiple coats and sanding back ensures a consistent finish.
    3 points
  21. It's landed and sounds sweet. Excellent build quality, the tuners are something else, and the tones!
    3 points
  22. For sale or trade this beautiful Alembic Deluxe Stanley Clarke Signature 1988 Body : mahogany with maple laminations Top and back : Cocobolo or walnut or zoricote Fngerboard : Ebony with Abalone inlays Neck : maple & purpleheart i think Scale : 30,7 Tuners : Schaller Preamp : Alembic Pickups : Alembic Price : 6500 Pounds or 7500€ II can accept a basses plus money or 3 basses depends.
    2 points
  23. ON HOLD For sale is a lovely 70's Ovation Magnum 1, in excellent condition. I've wanted one of these for years, having been a fan of Howard Devoto and Magazine in my youth and the brilliant, gurgling basslines of Barry Adamson. I finally found this one not long ago, but quickly came to the realisation that I'm not really Barry Adamson, Jah Wobble, Kim Gordon or Ross Vallory for that matter! So slightly grudgingly, I've decided to part with it. All fully functional (including the string mute) and even the case is in great nick for a 45+ year old bass. Unlike some examples of this bass that can weigh several tons, this one comes in at a very reasonable 4.5kg and sits on the knee or a strap beautifully. £1500 + UK shipping. Sorry, but I'm not looking for any trades.
    2 points
  24. Yes - bet Richard Branson’s looking nervously over his shoulder right now
    2 points
  25. 2 points
  26. The response was this: “Automotive panel wipe Get it from car paint shop supplies Upol brand is very good” ”You may have to polish it out with car polish , I use auto glym just there regular polish” “Think it’s called resin polish”
    2 points
  27. I have a Doug Wimbish Euro in Amber (didn't realise that they did other colours) but I beg to differ on the metal/crossover thing. I love mine, especially for recording, it's my go-to bass for our band's recording. The sound is immense.
    2 points
  28. Indeed. It’s semantics though. There was a discussion not long ago about if Judas Priest were Heavy Metal. They were classed as that when I was a teenager and were notable at least to my ears as being distinctively less rooted in the blues than their predecessors.
    2 points
  29. Am I allowed to kinda bump this thread, for any newbies around here that may be interested? If I’m not, let me know, and I er, won’t do it. Oops, done it. (Just let me know mods, and I’ll comply - honest, guv) I’m now up to 20 reviews on Amazon, and those that have bought it and read it seem to have really enjoyed it, although I’m still not contemplating packing the day job in. So, it’s still up there and out there, for anyone who missed the initial launch and my non-appearances on The Graham Norton Show, The One Show, This Morning, etc.
    2 points
  30. https://en.wikipedia.org/wiki/Heavy_metal_music#Etymology
    2 points
  31. Hello All. Up for sale this incredible Banana effects synth pedal. Very hard to come by in the UK. Possibley the smallest synth pedal with the most incredible range of functions and tone. Mint condition, just plug in and away you go. £120 Following clips will give you an idea of thew scope of this pedal. https://www.guitarpedalx.com/news/news/japans-banana-effects-is-helping-to-redefine-the-role-and-status-of-mini-pedals
    2 points
  32. Prosaic answer: From 1981, I'm sure Lars never owned a copy... And how many artists mentioned on the front would by any stretch be considered 'metal' at any point after, say, 1985?
    2 points
  33. That was what divided the playground when I was at primary school in the early 60s! I'm off now to a rehearsal about 1/4 mile from that very school!
    2 points
  34. They were a 'heavy' band back in the day but the genre has evolved into something completely different, as R&B, Funk and Jazz have all spawned more modern versions of themselves. Can't wait to find out what Thrash Metal turns into.......on second thoughts, I can wait (the longer the better in fact).
    2 points
  35. You can probably use your stomp to send PC messages to change patches on the FI. If you don’t have to make quick changes, you can double-tap the FI’s Program button to scroll down by 1. Obviously I’d recommend getting a Morningstar controller as it’ll unlock options on your FI and your Stomp.
    2 points
  36. Excuse me! I'll have you know that I am an extremely attention seeking bass player!
    2 points
  37. Sorry, but I’ll disagree. I think it might be helpful in terms of a new originals band that nobody’s ever heard to give an indication of what they are about by broadly categorising them as ‘rock’ or ‘soul’, but to be having conversations about categorising 50 year old songs? I just don’t see the point. YMMV of course.
    2 points
  38. Operates the pickup pan control. The lever/slider moves one gear which moves gears controlling two separate volume pots (the other slider is a master volume). Not sure why they used such a complicated solution as stereos with balance controls already existed in that era. Admittedly, the gears are plastic rather than brass... The bass is full of crazy features including active preamp (only on the bridge pickup) and a mercury switch to mute the bass when vertical on a stand and disconnect the battery - and this still functions perfectly 57 years on. I know they were doing the preamps at least as early as '63 and know of someone with a Meazzi guitar dated '59 which has the preamp as well. Makes me wonder who was first, them, Burns or someone else. Very well made bass. Full 34" scale, Brazilian rosewood (with matching rosewood binding to cover the fret tangs), hardware equal in quality to Fender, metal inserts for most screws (something I thought of only with modern 'boutique' basses), individual polepiece adjustment very much like on the old Guild/Hagstrom pickups. Really cool bass, though heavy.
    2 points
  39. It sounds like a P bass, played superbly, recorded in an expensive studio and produced by someone who knew what they were doing. As for re-creating that sound live, how much do you want to spend?
    2 points
  40. It's the 2X version for two pickups. Check this for further details : https://www.fretnation.com/dingwall-2x-rotary-selector-switch
    2 points
  41. Too many audible lyrics. Too much melody. Not enough drum hits per second. Laid back guitar solo. Way too much fidelity all around.
    2 points
  42. My latest acquisition
    2 points
  43. Again I'm afraid I have no info on that specific model but I have a 5 string I have had for 20 years and it's an incredible instrument.
    2 points
  44. Fender Logo JV P Bass - Made In Japan. This Fender Logo P Bass is a PB 62 for the Japanese Domestic Market. I'm settling on my gear to use for gigs when things are 100% open so listing up a few that have duplicate functions. Will list for a few days on here before running the gauntlet by listing up elsewhere!! Dates from 1984. Black Plate added but original white plate will also be included. Good overall condition given the age - a few scuffs and scrapes on the body and on the end of the headstock. All works as it should, truss rod and bridge all adjust fine and I've had this set up well with Low Tension TI Flats to Heavy Gauges strings with no problems. My photos are on the glass table outside, I've also added some from the original importer showing the white plate, both plates will be included in the sale of course. Then a couple of close up pics at the end showing some of the scuffs. Near the bridge, I think from a restring, and near the truss access, where someone has tried to adjust the truss rod without removing the neck I guess.
    2 points
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