Leaderboard

It's the Russians. The Guardian says so.

I'd like to declare on record that I'm happy to take any money to endorse anything. *waits by messages inbox*

I shall do my best. OP is concerned that people may be recommending bass equipment when they are, in fact, benefitting from these recommendations. Others are unconvinced that this either happens, or is a problem if it does. Some would like to benefit from bass equipment manufacturers by recommending gear (tongue-in-cheek mostly). I'm concerned about invisible moderators. Ricky 4000 is incontinent. 🚱 I hope that this is a fair & accurate summary.

Apparently not. The general consensus around seems to be that Led Zep should be handed that particular gong...

There's a tried and tested way to find out. Look in your sock drawer: if you discover a bombastic moustachioed chap waving a bogus lawsuit at you then it's John Hall. If it's a bare-chested, weasel-featured little f*ck smelling of cabbage and saying 'Ni-ertch ni-ertch ni-ertch' it's Putin.

I know I've been AWOL for a bit - but can anyone explain to me what this thread is actually about? Last time I felt like this, I was half way through Twin Peaks

A defining feature of Basschat is that it's only as strong as it's members and we reply on them to report anything suspicious - could you help us by flagging the posts you refer to?

There's a strong likelihood that a lot of others will feel exactly the same. Easy for me to say I know, but try not to overthink it. Yes it probably will be crap for the first little while, but patience and a positive attitude will definitely help get you past that stage. Enjoy!

.Upgrading to better quality equipment than you currently own has been scientifically proven, over & over, both to improve your playing and to make you happier and more productive in all aspects of your existence. There is no flaw to your musical understanding or deficiency in your technique that cannot be overcome by simply buying a new bass and amp. This effect is enhanced if the new arrival is in addition to your existing equipment, rather than as a replacement, and further optimised if the incoming equipment is purchased on finance

…. and more sanding! I'm quite pleased with how this is going and the joint between the two halves is looking really nice: I'm now at a point where I need to dismantle the walnut bass so I can transfer the neck to the spalted beech body. I need to do this to ensure the carve on the heel will blend into its new body and so I can get on with making progress on the new short scale neck.

I'm really keen to start playing again, so I recently signed up for this: https://abbey-road-music.com/abbey-road-army-registration/ The details have just come though and it looks like enough people have signed up to form five 'bands', including a good number of returners from the previous one (which has to be a good sign!) There will be a first meeting this month to divvy us up (a bit like the Sorting Hat?) There will be seven rehearsals starting in April and a seven-hour several bands gig on 19 May. I'm pretty much the target demographic (50's , haven't played in a band for decades, vaguely competent rather than talented...) and it's a lot cheaper than buying a Lamborghini. Now I know the timetable all the questions start coming... Who will I be playing with? What if the music they want is crap or needs a Billy Sheehan/Pino Palladino? What if I suggest a song then find out I can't play it &^£^%$*^!!!!! Big worry is I know it takes me an hour to settle down my nerves when playing with new folks so at first I will come across as complete crap! I know the aim (and what I want) is just to enjoy the crack and make some music but what if they all go off note-perfect first time like the Commmitments playing Mustang Sally.... Has anyone on BC done something similar? All the backline is supplied for practice and performance; for some reason taht's making me worry even more about choosing which bass to play. I suppose I should take the one I find easist first time,but it's tempting to think 'which one will sound best' or worse 'which one will give me the most cred'. Crikey this is worse than worrying about my first band audition over 30 years ago (which was a miserable disaster - I spent weeks trying to learn all the songs on a tape, then they didn't want to play any of them).

It can only be a good thing in my view. A genuine patina of use is one thing. Taking a sander to a perfectly good bass almost smacks of sharp practice....

OK. I'll come clean. I need to declare a commercial interest. Basically, I'm anybody's for a couple of jelly babies and a sherbet dib-dab.

That'll teach you for either leaving your bass too close to the radiator or writing all that anti communist claptrap on the gulag wall

Fücking Meercats, up to their usual tricks.

DNS attack out of Murmansk, obvs.

Oh come on, are you seriously suggesting there are basschatters out there in bands making money?? Gerroutofit!

Quite a few forum members seem to be actively plugging bands - some of them are even members of these bands!

Custom colors are looking tasty

I was a pro many moons ago and made a decent living, gigging, touring, doing studio work and teaching. I gave up on a career about 15-odd years ago and now don’t gig, and rarely play. I can easily say I’ve “called it a day” but I still really enjoy playing bass for my own pleasure. I wouldn’t look at things in such a black-and-white way - I find playing bass a great stress-buster and any playing you do on any instrument makes you a more rounded musician. Keep playing - even if it’s only occasional

It's about transparency, yet as clear as mud. Quite a feat, really.

You're a troll. And a whore. I'd like to add that I am not sponsored by Ric' International, and Mr Hall has in no way kidnapped my dog (I miss her so much!). ~ This post is brought to you by Tenna Incontinence Pants for Men - Now I can PMSL and not give a ****! 👍 ~

They say that the simple ideas are always the best. Instead of hunting around for a screwdriver, dropping the screws and spending ages looking for them you can hook a finger nail underneath and open the cavity. Saves sooo much time and angst. I know @Andyjr1515 didn't "invent" this but he sure as hell makes sure that it gets used to make life easier.

It'll come as no surprise to most that Yes are arguably my favourite band and Chris is without doubt my favourite bassist, but I also came to him late and in a rather Roundabout (sorry) way. I'd heard some of Relayer - as low level background music - when in my mid teens at a friend's one night, and remember I initially struggled to get my head round (a) Jon's voice and accent (in spite of me also being Northern) and (b) Sound Chaser, although I was aware that they were the favourite band of the cool set (yes, really) of 6th formers. At that point Chris didn't really register; I hadn't started playing yet. When I started playing bass I bought a Ric because of Lemmy, Geddy, Roger and Glenn; oh, and Gaye Advert, and Martin Roach, who was at the time bassist in the Blackpool Jazz Orchestra, who my dad played with. At the first gig I played, which was at my old school 6th form (I'd left by then but the rest of the band were still there), at the end of the gig one of the cool set said "bet you wish you could play like Chris Squire". I answered "I can" (I couldn't), with youthful ignorance and stupidity, not having any idea what he actually played like. Then a couple of years down the line I read in The Rickenbacker Book that Chris was famous for using Rickenbackers, so I thought I better check him out. I bought Classic Yes and that was it. Fave band, fave bassist. I was lucky enough to see him with Yes 5 or 6 times, and met him twice. The first time I told him that I had been playing bass for 30-odd years and that in my opinion he was the best there was. He said a very heartfelt thank you, which is a memory I'll always cherish. Thankfully I've also got the signed programmes to remind me. When he died I was in a pretty bad place anyway and also was still shellshocked from the number of other heroes who we'd recently lost, and it didn't really sink in. At the tail end of last year I was watching Yes at Glasto on Youtube and it suddenly registered with me that I'd never be able to see him again and I finally broke down. I miss you Chris, as I'm sure do thousands of others. R.I.P. As an aside, I also got to see Entwistle twice with The Who, although annoyingly I only heard him when they raised his level for solos. If he'd known how low he was in the mix, I'm sure he'd have gone bananas.

This sounds like it should be recurring comic strip in Viz

I got a £10 voucher from Thomman for doing a review - does that count?

I've decide to take the suggestion made by @TheGreek, @Andyjr1515, @wrinkleygit to use magnets to hold the control cover on. I've used neodymium magnets in the body and in the cover. I have to say, I do like the way this leaves the back of the bass very clean with only the bolt holes for the neck visible. I haven't put a notch in the body to allow this to be removed as it shouldn't need to be taken off but if necessary, a cocktail stick through the jack socket will do the job. Just trying to leave the back as clean as possible. So thanks chaps, a good idea that I will implement on other basses!

I’m a moderator on another popular electric stringed instrument forum - should I have declared this bias before? Or am I now as popular as the judean people’s front?

I’m worried this is a ruse by guitarists to gather bass players on to a ship then torpedo it.

As I've just said in a PM to one of the mods, I'm not going to name names, but I do think that if you work for a business, or take money from one, it should be declared out of professional courtesy, especially when expressing strong opinions about the gear made by your competition

There are sellers here who contribute to none of the threads. Their membership is clearly nothing more than a commercial venture.

I picked up a Handbox R400 last week but I’ve only really had a chance to play it properly today. wow! What a sound, full, grindy & just wonderful! I put it through my Barefaced Two 10 & they just work perfectly together. The levels were set flat for the bass & treble, the gain was set at “crunch” & the contour was off. The drive button was engaged. The sound was a slightly overdriven grind, which was nice I found that the contour makes everything more bassy 6603BEB3-4F71-4ECC-8485-392019805F33.MOV & a touch muffled. I have a rehearsal on Thursday, so will be able to try louder volumes & I may find that the settings need adjusting. I can’t wait to find out! Excuse the playing, it’s just to give an idea of the sound which was recorded onto my iPad.

Cool.

Coming soon to NAMM 2020

Maybe it wasn’t John Hall after all!

I did a gig last night with a shared backline and multiple bands playing and had a good night. It’s a long time since I have done this and it was really nice to see some other bands and bass players etc and everyone was really friendly and relaxed, a good gig! We all shared an old Trace 1x15 combo which was the same amp I had when I was starting out, and it sounded good once I tweaked the 7 band eq. In fact everyone sounded good through it, it sounded like a nice fat bass tone, nothing not to like. So I was basically sat there thinking all the bass players sounded good and punchy, with the same amp and different basses; Sire, Hohner, Ibanez Talman, and two Stingrays. None of them sounded bad, in fact in the room in a band context it was very difficult to tell the difference. So why the hell do I worry so much? I can’t say my Aguilar sounded greatly better than an old Trace (it’s a lot lighter though) and my Stingray was probably no better sounding than the cheap Ibanez. Yes I like a nice bass, but I am not going to delude myself I want nice basses for any more reason that it’s snobbery and aesthetics (and a little bit of playability to be fair). Although the Ibanez was very well made and felt great.

True, but I don't think any of them are telling you not to see other bands because they aren't very good...

Ha - P16M will be another game changer for you! You'll be - how the hell did I cope without stereo?! The good news is that freeing up an aux will open up further possibilities for the board! (Note - it's not essential to have a free aux to use this board... we've gone through many iterations as how the amp and board element should co-exist. With your particular setup, you'll have lots of options!) The board is coming along nicely, I think that we are nearly there from the first phase of getting the plans all computerised for CNC- just got to try and figure out what the cheapest way of getting the prototypes made... and currently trying to get all the elements (and especially the cool as !!!! badges made), cost effective. Not going to rush these things out - both of us want these to be bang on! (Both in performance and looks) - Once we have the first two out, I suspect Nick and me going to be taking them through their paces to refine as required. Stick with us - they are looking cool as hell!

I bought an Ibanez Mikro for my sons' 7th birthday he's loved playing & it's going to last him a good while, I've enjoyed using it too & can also say despite it being scaled down it is a very useful Instrument & I'll look to modding/upgrading components in the future.

Don’t think it’s been mentioned in the thread yet, but TB have a section of their profile setup where you declare any commercial affiliations, which then appear under your avatar. Nice little feature, but obviously works on trust that someone will use it when appropriate. See how one of my posts looks below, I’ve highlighted the feature: Si

Great job your attention to detail is exceptional! Love the finished look! Only problem now its got me Gassing for a Stingray!! 😁

I had to read that carefully as on first skin reading I read it as Ron Jeremy!!

I heard bits of them over the years (mainly OOALH and snatches of Close to the Edge): my prog route was Floyd > Rush + Dream Theater. On a whim (because Newcastle had a brilliant music store called Windows that sold instruments and CDs), I got Keys to Ascension 1+2, mainly because I'd always stopped to look at Roger Dean's artwork. Holy macaroni, what a noise the bass made (the rest weren't half bad either). After that I quickly worked my way through the 70s stuff. Echoing above: although tracks like Awaken or America (no wait, Siberian Khatru. No, Heart of the Sunrise...) are my fave Chris tracks, I think Relayer is my favourite Yes album. It's everything people (pffftt) hate about Prog, and it's utterly sublime.

Sounds exciting mate and try not to worry - the way I think of things nowadays is that in 100 years I won't be about anymore so sod it - go out and have fun.

Currently working on the most important feature: what colour should I make it? Thinking a nice oxblood tuff cab finish with either a black metal grill or black speaker cloth

I believe this is being worked on as we speak!

And who can forget Strawberry Fields by Candy Flip? Most people, probably.

I'd like to make it clear that I don't work for GTech vacuum cleaners (cf the Dyson thread in Off Topic) 😁

Ladies and gentlemen, I give you.... The BlazerRay 😊

If I had to go 'one knob' I'd want a tone knob. I've said it before and I'll say it again - I've never used a volume knob on a bass!