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Showing content with the highest reputation on 13/01/26 in all areas
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Hey Barabas (and all) thank you for being patient! For a few reasons we've experienced a lil delay in getting reviews out, but I can confirm that I have submitted my full review and my edited (and produced) video to the magazine! The review includes both the Monaco and Silverstone II so you can compare the two! I can see them both having their place in a wide range of situations and they easily deliver the sort of sound that I demand behind me.10 points
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Here we have a Fender Mustang Vintera 2 short scale 30 inch bass in as new condition. Brand new D`Adarrio medium scale strings, weight is 3.7 kg or 8.1 lbs, Fender deluxe gig bag. It is described by Fender as Burgundy in colour but it looks more blue to me and as you move the bass in the light the colour very subtelely changes. Collection from Paisley only at the moment, not looking for trades of any kind. Specs below Alder Body 7.25" Radius Rosewood Fingerboard with Vintage Tall Frets Early '70s "C"-Shape Neck Vintage-Style '70s Split-Coil Pickup Vintage-Style Mustang Bass Bridge Vintage-Style Open-Back Tuning Machines Includes deluxe gig bag8 points
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Hey all, I just managed to get hold of a bargain Vanderkley 410LNT (4ohms) to pair with my 210LNT (8 ohms), powered by my Glock Heart Rock II (putting out the full 1000 watts @ 2.67 ohms). Although it also sounded great when I had a 4 ohm 210LNT (now for sale here!) paired with the 8 ohm 210LNT, something bothered me about having unequal power going to the same cab types. This is has scratched that itch. Good Lord. It sounds huge. (Sorry, neighbours)7 points
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Remarkably, quite a few people made their way through the frozen snow to the Cannock Social Club to see us on Saturday (including us). And an hour or so before we went on, Jayler's guitarist[1] rang up our BL and asked if he could come along and play with us. He said yes, so we had a fairly full stage. All went well - James is an excellent guitarist and proved adept at picking up songs he'd never played before. Admittedly this is mainly 12-bar R&B but there are a few more awkward songs and he picked those up OK. We also had our regular interval singer Amelie along. Sei Jazz 5 -> M-Vave wireless -> Zoom MS-60B+ -> Tecamp Puma 900 -> GR Bass AT212. Velcro fastening trainers replacing the usual Caravelles. [1] Young rock band, will be supporting Guns N Roses and Deep Purple this year6 points
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This was a fabulous day out and one of the many highlights was @Mike Brooks doing this interview with Chris Childs. It’s a very insightful chat and even if you’re not that familiar with Chris’ work and extensive resume, it’s fascinating and very funny in places. Very enjoyable watching.5 points
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Hello all! Selling my Sterling Joe Dart II. This is an incredible bass but sadly needs must and l’m looking to downsize my gear collection ahead of a house move. It’s still as new as it has only been played a handful of times. Never gigged or taken out of the house! Asking Price: £650 Collection preferred but also happy to organise courier at additional cost. DM for more info!5 points
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Electrik Soup, at The Beehive, Brentford that London Saturday's gig. When we were offered it, we said about possible low attendance due to it being early January but they were up for it, and fortunately there was an audience. We brought a few people and the pub was full, without being packed. We were set up in a corner, but the pub extends around the bar, so we could hear applause from people not in front of us, who we couldn't see. Our 90s and 00s indie classics went down well, even though one of our guitarists was peely-wally. Fortunately adrenaline kicked in and he was glad he made it. The bar staff and Guvnors were all lovely, and we've been offered follow up gigs. Gear: Shuker 3 is at the menders having some DR Neons fitted (Xmas gift) so I used Camille (Shuker 1) -> Getaria wireless -> TC Electronics BH800 (DI out to PA) -> Orange isobaric 2x12. My opinion has changed about the BH800. I previously thought it only sounded good if using the tone prints, but it sounded great FOH on the recording even when I wasn't using FX. Footwear: Blues ASICS trainers.5 points
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Up for grabs is a custom SB14 I bought here on basschat a few months back. It's a great bass and sounds amazing. Just not getting used So need to move on. Originally customised by the previous owner, It's now running the brilliant Aguiler OBP-1, and has been refinished in lime white wax and shellac. It's good, not perfect. Humbucker is Cat's Whiskers (UK and handwound). About 8lbs, plays brilliantly. Hipshot Ultralite tuners and La Bella Low Tension strings. Luthier setup. Can courier. Free postage Any questions, just ask.4 points
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2012 SPECTOR® Coda Deluxe 4 USA MODEL MADE IN THE WOODSTOCK, NY WORKSHOP. Here is a stunning example of Stuart Spector's work, this CODA is adorned with a superb piece of high grade buckeye burl and has a Pau Ferro fingerboard fitted with quality abalone Spector crown inlays. NECK CONSTRUCTION: 1-Piece Rock Maple, SPECTOR® 1962 Neck Shape™ FINGERBOARD: Pau Ferro NECK INLAYS: Abalone Spector inlays NUMBER OF FRETS: 20 SCALE LENGTH: 34" RADIUS: 7.25" WIDTH AT NUT: 1.5" STRING SPACING AT BRIDGE: 0.75" Hardware BRIDGE HEX KEY SIZE: 2mm TRUSS HEX KEY SIZE: 5mm COLOR: Chrome BRIDGE: Hipshot A style TUNERS: Schaller® STRAP BUTTONS: Dunlop® Dual Design™ Electronics TONE CIRCUIT: Aguilar® OBP-2™ with passive tone and active/passive switching CIRCUIT TYPE: 9-Volt Active BRIDGE PICKUP: Aguilar® J™ NECK PICKUP: Aguilar® J™ PICKUP TYPE: Passive - Single Coil, This bass is Active or Passive via Push-Pull Pot Body SPECTOR® Original Coda™ Body Shape BODY CONSTRUCTION: Lightweight Alder PICK GUARD: None Top: Buckeye Burl top - £400 option FINISH OPTIONS: High Gloss Weight: 4.125kg/9lb 1.8oz Condition is excellent/unmarked other than a single ding on the body top inside edge; shown circled in one photo. Comes with a Spector Hardcase with key (made in Canada by TKL), a Spector Deluxe padded gig bag, a premium quality leather Right On Spector branded strap fitted with a pair of Dunlop strap locks and the truss rod and bridge allen keys. Price is £3,000 by cash/bank transfer collected or localish meet up nearish to Bury Saint Edmunds. No trades please, just a straight sale, thank you for looking. More info and review below the photos. Please PM me for more info/photos. ABOUT THE CODA 4™ It is no joke that Stuart Spector is always thinking about new ways to bring new avenues to improve player experience and offer new soundscapes for musicians to explore. The Coda™ Bass is the perfect example of how Stuart looks to take classic ideas and put a decidedly SPECTOR® twist on them. Part homage to the great bass sounds and styles of the past and yet new and refreshing because of the attention to detail and hand-crafted construction, the Coda™ is nothing short of a new SPECTOR® Classic. "But why do something that's been done before?" Do not let the familiar and more traditional styling deceive you. This bass is a thoroughbred SPECTOR® through and through. All of the things that make our NS-Bass™ models so popular are present in the Coda™. It's these little details and the fact that these basses are hand-made by Stuart Spector and his master craftsmen in our Woodstock Workshop that sets the Coda™ apart from the rest. SPECTOR® players are always first to point out how the necks of their guitars and basses are notably better than any instrument they've ever played. We invite you to try a Coda™ and see if you don't agree with us. "We feel we've created something new and special honouring those classic designs of years past. " ~ Stuart Spector Spector Coda Review 2011 Stuart Spector is a legend in the bass world. His instruments have provided the backbone to bands like Metallica and Living Colour, and have often been imitated. Spector’s Coda series is made by hand by the man himself and his small team in the USA, and unlike his more sleek models like the NS, which still looks futuristic over 30 years after its debut, the Coda pays tribute to an altogether more vintage aesthetic. THE LOWDOWN I reviewed both the Coda 4 (four string) and Coda 5 (five string) basses. Each features: a one-piece rock-maple neck with a 20-fret Pau Ferro (Bolivian rose¬wood) fretboard carved into Spector’s 1962 neck shape; a lightweight alder body; Aguilar OBP-2 active tone circuits; passive Aguilar J single coils; Schaller tuners; Dunlop Dual Design strap pins; and 34-inch scale lengths. The fret radius on each instrument is a curvy and comfortable 7.25 inches. Lined or unlined fretless fretboards are available at no additional charge. The Coda is available in four colours: creme, solid black, candy tangerine and metallic blue. I reviewed the Coda 4 in Candy Tangerine and the Coda 5 in solid black. The workmanship of both basses was absolutely flawless. The crucial neck joint area is unbelievably tight, ensuring unfettered energy transfer between the wood grains of the neck and body. The finish is perfectly applied – something you really appreciate on a jet-black instrument like the Coda 5 on review – and the fretwork is incredible. Bass players often aren’t as picky about the condition of their frets as guitarists, since there’s less bending involved, so I’ve played some basses with pretty woeful frets. The Codas leave them all in the dust. The sheer smoothness of the fret ends encouraged me to get more adventurous in my arrangements, throwing in more slides and grace notes than I would otherwise attempt, simply because the instruments felt so damn agreeable to such techniques. FACE THE BASS The Coda’s tones are very punchy, powerful, dynamic and balanced. The low end is deep and tight, the treble is present and raspy (in a good way) and the midrange is very musical, placed smack bang in the middle of the midrange spectrum rather than being an overly boomy low-mid or overly honky upper-mid voice. The bass’ unplugged tone is noticeably piano-like in tone, attack and sustain, and I quite happily spent about an hour and a half playing the Coda 5 unplugged before it dawned upon me that I should plug it in and hear what it could do through an amp. The Coda’s “plugged in” tone is similar to it’s unplugged voice: balanced, sustaining and with great dynamics. Because the pickups are passive and only the pre¬amp is active, you can switch the preamp off and use the bass with a more vintage tone, which is great for straight-ahead rock and old-school soul and R&B. The ability to boost the treble and bass via the active pre-amp maintains the balanced tone and sustain characteristics while building upon them for a percussive, snappy slap-and-pop tone, and dipping out the treble and keeping the bass up high creates a killer dub voice. I also liked using the bass pot to reduce the low frequency a little, to allow the instrument to sit more neatly within a recording that featured double-tracked seven-string electric guitars. IN A CLASS OF THEIR OWN The Codas are world-class basses that are built with a discriminating touch to create, dare I say it, champagne tones. The workmanship really is second to none, and the only reason I’m not immediately wiring money to the distributor so I can keep the basses instead of returning them after the review is because my bank manager would kill me. By Peter Hodgson Price: RRP $4199.99 (Coda 4); $4399.99 (Coda 5)4 points
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So I spotted this on Guitar Guitar second hand page. Looked nice and I have always missed a black and maple one I bought in new 2009 and foolishly sold. It arrived today and it`s a Z8 serial so 2008 - 2012. The thing is it`s like a brand new bass, not a mark on it anywhere, it still has the original film on the pickguard that looks kinda yucky to be honest, the case is mint and it has all the goodies inside which is very unusual. There is a tag in there from a different UK instrument shop price marked down from £1343 to £1103. I paid £1099 which is around the going rate but like I say it`s mint. I wonder what happened with it? Did it sit in the back of some store forgotten or did someone buy it and stick it under the bed? At the end of the day it`s just another P bass but I`m well happy with it. Anyway pics or it doesn`t exist!4 points
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Simple but with a lot of thought going into it. Peterson Strobostomp HD - Mojohand Cream Pie - Beta MK1 - Subdecay Noise Theory - Bright Onion Patchbay - Darkglass Element. This was basically my gigging rig until I got the Anagram, it’s just so blissfully simple, sounds great, easy to dial in, everything stacks. I have an effects loop where I can drop a filter or modulation after the noise theory and any other gain or octave pedals just slot in before the board. Gigrig Generator into a Cioks 4 gives me the ability to power the board with IEC or Usb C, also I can use the power out of the Peterson to power anything I add in the patchbay. Board is also tall enough that if I ever wanted to add something, the Element fits underneath. Very pleased with how this has turned out.4 points
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Ooh ooh ooh. I have a Chris Childs story! As he moved up the ladder, he left a vacant spot with a Cardiff based Theatre Company which were pushing forward the boundries of theatre as we then knew it. They were called Brith Gof. With substantial Arts Council funding. I have no idea how my name came up. I lived 5 hours away at the other end of Wales. Anyway, they were writing their next production (8 way sound system on 40 foot scaff towers in one of the Harland and Wolf shipyard buildings). One player on each tower and a joystick to pan us to anywhere while the audience were pounded by waves of sound. They were also dodging earth and chalk dust. While the performers flew in on harnesses. I was sent a cassette of what Chris had put down. It was a fretless concerto. I immediately knew that I was WAY out of my depth and my time with them would last the 10 minutes it took for the MD to realise I was not Chris and never would be Chris. Astonishingly I was kept on. If you ever read this Chris, cheers! I had a lot of fun.3 points
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Just managed to get in the workshop for a couple of hours . Fingerboard side markers installed . Fingerboard dressed with home made radius sanding block made from a section of 110mm underground drainage so 55mm radius . Fingerboard waxed with black bison wax . Just got to give metalwork a quick polish and wax and we are done. Just got to learn how to play it a bit better and I will put up some sound clips . I'm quite pleased with the understated side dots down to fret 24 . Almost invisible unless you are looking for them . They are for my benefit only .3 points
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2018 Fender USA Limited Edition Parallel Universe '51 Telecaster PJ Bass in excellent/new condition with all original paperwork, tools and case. Weight: 4.3kg / 9.48lbs. This is a lovely passive PJ bass with an amazing tone, described by Fender as "punchy, growling, seismic and like nothing you've heard before." I agreed when I tried it, hence why I purchased it from new. However, my recent retirement now dictates that my bass collection be trimmed to fund my other addictions. As a Limited Edition it is relatively rare, with a unique set of features which also appealed to me. The translucent nitrocellulose lacquer blonde finish allows the ash grain to show through beautifully IMO. Also included is the framed Fender promotional Parallel Universe '51 Telecaster PJ Bass artwork to adorn your studio/man cave wall. Happy to provide more information or photos on here or via Personal Messenger, just ask. Price is £1500 collected from Bury Saint Edmunds or localish meet up. No trades please, just a straight sale, thank you for looking. Link to Fender video:- Specifications:- Body: Solid Ash. Body Finish: Blackguard Blonde Gloss Nitrocellulose Lacquer. Neck: Maple with maple fingerboard. Neck Finish: Gloss Nitrocellulose Lacquer Front, Satin Nitrocellulose Lacquer Back. Scale Length: 34 inches (864 mm). Fingerboard Radius: 9.5 inches (241 mm). Nut Width: 1.625 inches (41.3 mm). Controls: Dual Concentric Volumes, Master Tone. Custom Shop '60s P Bass split-coil middle pickup, Custom Shop '60s Jazz Bass single-coil bridge pickup. Stacked volume knob, where the top knob adjusts the volume of the Precision Bass pickup and the bottom adjusts the Jazz Bass pickup. Master tone control. Bridge: 4-Saddle Hi Mass Vintage-Style Bass with vintage-style nickel-plated brass saddles. Tuning Machines: Fender® Lightweight Vintage-Style Keys with Tapered Shafts. Fender blurb:- The authentic style extends from the slab body, distinctive single-ply black pickguard to the dual-concentric volume knobs and vintage spaghetti logo on the Telecaster-style headstock — original-era touches brought into the present. What's more, the neck recalls the time of James Jamerson, as it's based on a '63 P Bass profile ideal for funky, thumb-over playing, and the 9.5"-radius fingerboard makes for fast, low action. In all, the '51 Telecaster PJ Bass has the look of the bass that started it all, but several contemporary trappings. The result is a bass that is punchy, growling, seismic and like nothing you've heard or seen before.3 points
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All good thanks, me and my daughter went and we are now set up for 1hr a week (30mins each). It's at a music academy (although that makes it sound posher than it is, it is a bit of a shabby building next to a train station) which is quite a cool and inspiring place as you walk past rooms of people learning drums, singing, guitars etc. He was good at tailoring things, had my daughter playing a game linked to an iPad to make horses race as you play the right notes - which had her wanting to carry on with it at home. And had me improvising I IV V chords in root/third/fifth positions as he played basslines - which inspired me to do some new rehearsing routines. And he's already getting me set up to learn some songs that I can play with the Hammond sounds with the Band (Liquidator, Green Onions) rather than purely going down the Grade route. Trinity grades looked more appealing to me but this teacher does ABRSM and as it seems like he won't ridgedly stick to it for all the teaching I think we'll go with that (he can do Trinity if we want but he doesn't have the materials to copy/lend). He confirmed that I am on about Grade 3 for playing and theory. Interestingly, he recommended I don't bother spending time on theory much at this point and to not bother with theory Grade tests until Grade 5 as that's where it is necessary to progress to the next Grades, he said I'd pick up a lot of what's needded as I do the performance stuff.3 points
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I'd video reviewed the original Session combo about ten years ago and more recently the newer Mk3 30W version. I think as a little practice amplifer it's a cracking unit. Of course, it has a small speaker so don't expect window rattling low end, but it has a nice rounded tone - and didn't sound boxy in my studio. The Mk3 also has a bluetooth input, handy for jamming along to your mobile device's music selection or a practice app like Guitar Pro. I'd appreciate a like, share and a positive comment on my video *as a reviewer I am allowed to say what I want, no one sanitises my produce before it is released.3 points
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Belatedly learned this morning, from @miles'tone, of @SamIAm's death earlier in the year. Really upsetting, Sam was a whirlwind of life, ideas and good humour. Looking at the McMillan page I realise her surname was Margerison which is my aunt's maiden name. It's not a common name so there is probably some relationship. RIP Sam - hope you and the big Maker are having fun. https://samanthamargerison.muchloved.com/3 points
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Just wanted to introduce my bass in case there’s any interest! I bought it 14 years ago after searching for a USA made Lakland in the UK - unsuccessfully! I was on the verge of importing a new 4 94 from the USA when this popped up on eBay from a collector in Chicago. It’s a one off 4 94 made by Ed Reynolds from parts supplied by Dan Lakin. Ed was luthier consultant to the fledgling Lakland operation. It has a chambered body, pre-CBS Jazz pickup in neck position, Seymour Duncan MM in bridge position, nitro paint finish (lots of dings!) and fabulous neck. It’s been my go-to bass since I bought it and I love it, though very few bass players I meet in the UK seem to know much about USA Laklands, let alone a one-off like this!3 points
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Maybe they’re hoping Trump supporters don’t know that’s Mexico 😂3 points
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After selling the purple 55-02 back to Paddy777 I was happy as a sand boy to get this last week.3 points
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Our first gig of the new year. We played with a dep drummer on New Year's Eve, as our own drummer had a long standing arrangement for a family party in Wales. I turned up a bit frazzled after having forgotten a couple of things and having to go back home for them. The parking was difficult. We had people shutting the rear door of the venue as we were loading in which didn't help and a couple of people were getting in our way. We were a bit loose in the first half. The second half was a lot better.3 points
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Hey All, Thinking of parting with my FBass BN5. Comes with a FBass gig bag. I'm building a studio and could do with some more funds. I've got a number of modern 5 strings so I might sell one of those and keep this. Might be interested in trades. In particular Sadowsky (as they are my jam!), a Rhodes or studio gear (500 series, preamps etc).3 points
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Not mine, but if it's still unsold when I get my income tax check... This is a custom model based on the Jaguar bass. The body is made of ash, the fingerboard of rosewood, and the neck of maple. It features both a PB-type pickup and a Music Man-style. Controls include a master volume, pickup balancer, and tone knob, allowing seamless blending between the PB pickup and the Music Man pickup.2 points
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Nope. Too much jazz, not enough punk Don't tell anyone else here but I don't like the sound of fretless. It sounds like a mental kazoo to me.2 points
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Blimey! Thank you, Sean, glad the content is working for you. I'll keep at it! Mike2 points
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For sale is my Barefaced BigTwin II Generation 3, in like new condition, with cover, I believe these are about £1750 new with a waiting list. Sounds really nice, only selling as I want to get a Super Twin instead. Located in Sudbury Suffolk can meet locally if needed, or you are more than welcome to collect from me and try it out. Edit seems like I was a bit out on pricing (couldn't find any yesterday) I have reduced. £1100 Thanks2 points
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I have to say I was browsing in Anderton's last week and tried a 5 string Dingwall Combustion Nashville Edition. Call me mad but I totally fell for the banjo sized frets it had. My hands just glided over the fretboard with barely any effort. Playability for days...2 points
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This Saturday I am playing guitar with Rebel Heroes at Pound Arts in Corsham, Wiltshire. Expect 2 hours of cracking David Bowie covers, from the first single issued under his adopted name, to material from his final studio album. There will be loads of hits of course, but also some ‘deep cut’ album tracks. Tickets are just £18 from this link: https://poundarts.ticketsolve.com/ticketbooth/shows/1173663861/events/428706891/seats?zone=Seated2 points
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2006 Squire Vintage Modified Precision Bass in Olympic White for sale - with some modifications to dress it up like a 70s P bass. I will include the Thomann gig bag with the sale. I have always wanted a 70s P, but as a mainly 5 string player I knew I wouldn't use it that much so I didn't want to commit too much cash to one. So, I found a Squire VM P bass in Olympic white which had a few dings online and then proceeded to create my own. Personally I think it looks great and it saddens me to sell it but I could do with a little cash injection right now. So, the main change is the headstock. The squire details were removed and sanded flat, some discolouration added to age the wood, a 70s decal added and then a vintage amber Nitro lacquer from NorthWest Guitars. I have flatted it back and flatted off the sheen from the back of the neck so it's nice and smooth. Aged string retainer and neck F plate was added (I always intended to add aged tuners and bridge but never got round to it.) Body - it had a few dinks here and there which have been added to (nothing major to be honest) and the bass still has the Seymore Duncan designed pickups, original bridge and tuners. The olympic white has aged and yellowed really nicely and the rosewood board is nice and dark. I know this won't be to everyone's taste but if you fancy a 70s P and don't fancy the price of one, this could be for you! I have included a picture of the original squire serial number for information. Not sure what else to add about the bass. It plays great and sounds just like a P should. The previous owner changed the wiring to cloth wiring and added an orange drop cap to the tone control. Any trial is welcome and I have packaging to post. Will look at quotes and would be happy to share the postage costs.2 points
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Trying and seeing what sounds best is the only reliable way, but as this is an internet forum and relies on keyboard warriors spouting opinions I would go HX one first as it's probably designed to have the whole signal hit it without any pre-processing especially if you are using modulation effects, then the drive/preamp/EQ for further tone tweaking and finally the compressor just to level the signal.2 points
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Needs a '2x2' headstock on that 1st double cutaway model. Fender '4 on top' style just looks plain wrong...2 points
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Plenty of parallel processing going on in my board but I use a EHX tri mixer as is gives me more flexibility over volumes and phase.2 points
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The Bakelite Earplugs - the legendary heavy metal tribute to Glen Miller. Now on tour supporting Crackly Pot.2 points
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Just the pickup rings now but otherwise she’s ready to go….2 points
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@Al Krow thanks for your info. I've spent a lot of time today with the unit and going into the manual in depth and despite some blunders I'm now getting there. I think the Headrush MX5 was a lot more intuitive to get started, but the Boss is less intuitive because there are so many possibilities for configuration and that makes it so much more powerful... Plus the Boss effects are better! I'd still like to have it a bit more intuitive and better graphics on the screen but that's a trade off for other features I guess, can't have it all.2 points
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Finally got my hands on the Anagram! Been a HX Stomp user since 2018. This thing feels like the Stomp but on steriods!2 points
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Hi everyone. Price dropped to £1850 having looked at historical prices. Here’s my Spector Euro4 LT Rudy Sarzo in gloriously glossy scarlet red. I need to raise some car funds so you’ll see other lovely basses up for grabs in the next week or so. Serial Number NB18023 , so made Late 2021 to early 2022 in Czech Republic. I bought this from a Basschatter , though on Ebay , in March 2023. As usual, it’s had limited home use only due to my other basses pleading with me to play them. The previous owner didn’t leave any signs of wear at all so it really is in Mint Condition. Not even any minor swirls on the body, no fret wear and the ebony board is dark and pristine. Gorgeous mother of pearl inlays and the gold hardware contrasts so well with the body and glossy headstock. Measured with my digital calliper's it’s 41mm across Nut. ( Spec says 42 ) 43mm at first fret. 53.5mm at 12th and string spacing 18mm at saddles. 3.6kg 7lbs 14oz. Balances beautifully with a strap so feels even lighter. The lower rear corner of the bridge has some tiny tarnish spots , I can’t capture them on camera , they are so small. I polished the frets today, the board looks epic so I left that alone. Truss rod hasn’t been used by me but I tested it anyway and it adjusts smooth as silk. My usual 15-20 thou relief currently, fretting at first fret and near body. Nut slots are spot on for a business card under the strings at first fret when fretted at 3rd 👍. D’Addario nickel wounds 45 65 80 100. Not new but sound great to me. The Fishman Fluence humbucker pickups are superb and noiseless, powerful with great clarity. I’ve included screenshots of information below. If you watch reviews with RS on them you won’t learn much to be honest. Along with the Fishman 2 band pre amp , pickup blend and Volume controls the switch gives you 3 “Voicings” Classic, Fat and Round - Fishman say this is “Passive” “Active” - Full frequency range and full dynamics. “Active” - with Mids scooped. These are not passive pickups , the battery is engaged all the time so Fishman are using the words to describe the kind of tone really. If you pull the Volume knob you get a calmed down version of the 3 tones via the switch. “Coil Split “ they say, and it’s a good description. My Spector Euro 5LX has EMG Twin pickups and the single coil tones on that are just more subtle, in the same way as on my 4LT. There’s a lot of duff info out there but I’ve written the above description based on Fishman info only. I bought this bass because I was so curious, I haven’t been disappointed and I’m sure you won’t be either. It’s so versatile and responsive and with Spector characteristics too. I still have my Euro 5LX and a Pulse II 4 for Spector thrills ! My price includes UK mainland insured FedEx delivery so I’ll ask for an extra contribution if you are further away. The Spector , well padded, gigbag is included but I can use a good hard case instead if you’d prefer. Thanks for looking.2 points
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That was the reason they gave and it’s to be expected, they generally offer superb service but not necessarily the best prices I’m discovering2 points
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it's lovely. mine is a "classic" variant with alder body and a bit darker sounding than the usual ash/maple ones - and the low output dark pickups the sound has such a middy thing going on that Bart preamp basically had such a mid knob that acted almost as a volume! The East pre is amazing - really really high fidelity and you can set it inside to react like you want - on my one I borrowed a pre-EB stingray and tried to match the preamp on that as much as I could with the bass and treble controls. So much so I didn't buy the stingray. With the preamp and pickups now it's in the situation where the bass doesn't get much play time at home - then I take it out and in the Mix it just works so so so well!2 points
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Godin Classic Shifter 4 Bass.Made in Canada.P/J pickup configured,basswood body,maple neck.4 way selector neck,bridge,series and parallel.String through or top loading bridge.Creme brulee finish.Comes with tatty but functional Godin bag.Jazz type neck.Pretty rare bass.... Really is a Fender beater...very versatile.Testing the waters here,looking to get hold of something else and the wife has that look on her face.Pickup from Falkirk but have box and will post UK only.2 points
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I am building a replica of the Audiovox 736 and have got it to the roughly to shape stage, whilst I test set up and get the pickup to fit properly. It is a through neck with side wings glued on in Sapele Mahogany with a side wheel type truss rod and an Indian Ebony fretboard with stainless steel frets. Machine heads are Hofner violin bass type and the unorthodox arrangement takes a bit of getting used to whilst tuning. The graphite nut is 38mm wide and the strings are only 13mm apart at the bridge like the original. This is wider than the Fender Bass 6 do not impossible to get used to. At the moment, the pickup is an Artec 30k mudbucker under the scratchplate which will eventually be fitted with a bar type polepiece through the scratchplate like the ones Paul Tutmarc used. Action at the 12th fret is 2mm at the moment and it plays very nicely although quietly with the big string/pickup spacing. I fitted a jack socket where the cable comes out on the original and fitted strap hangers, so there is no neck dive and with a right angle jack plug, the cable is no problem. Still needs final sanding and finishing with tung oil.2 points
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Given that’s the case and with you being in metal bands I’d be tempted to go BEAD. Loved my time playing in that tuning for a few years.2 points
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I have one, and love it deeply. It is thumpy, particularly with my TI flats, but I use a high pass filter/splitter to get acceptable brightness... I also added a 'bridge' pickup to get tighter tones, and now it's a monster.2 points
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Here’s my new, much simplified board. The Origin Effects pedals are amazing, and with some more tweaking the HX One will give me all I need effects-wise. My trusty Rockboard power bank means no need for a mains PSU, but I have a connection tucked away if it’s ever needed. Patch leads were made up by me using high quality Van Damme cable and good quality jacks. Tuner>Cali 76>DCX>HX One>Amp The DCX is set to EQ mode, and really does just make things sound better. The footswitch bottom left is to move up or down through the HX One presets; I’m working on just using drive, octaver, chorus and an envelope filter.2 points
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Empires and Dance - Simple Minds All (well, most) of the songs are built around Derek Forbes' brilliant driving bass lines, it's my second favourite album of all time but that disheveled bar steward with the moist towelettes, @upside downer, beat me to it. If I were wearing a cravat and monocle and perhaps sporting a cane it would be Gentlemen Take Polaroids - Japan2 points
