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Showing content with the highest reputation on 02/11/25 in all areas

  1. Friday night (Halloween), played Grays Inn in Mastrick, Aberdeen with Nine Lives. Wasn't the best of gigs, file it under "alright". Oddly, the pub didn't seem to be doing anything for Halloween, but that didn't stop a bunch of people being in fancy dress anyway. Including me - who you gonna call? Neepbusters! Anyhoo, we were late starting because one table of folk who had finished their dinner wouldn't vacate the area for ages, leaving us a lot less time to set up than we usually have. Grr! Put me in a bad mood, ngl. But we got going about 10 mins late, and managed to get an OK sound from the get-go. It was busy enough at the start, but I suspect a lot of folk had kids and once they left, the place cleared out pretty bad. There were a few stragglers, but it was mostly dead, leading to a fairly meh gig. Oh well, still get paid, I suppose. Gear was the Sire Z7 followed by the Yamaha BB1200, into the ISO Standard modular bass rig.
    19 points
  2. It was ok, but a quiet night 🙁 Those that were there seemed to be enjoying themselves but mostly superglued to their seats other than a few dancing girls. One guitarist down but we’ve done it before so no problem, just tailor the set to songs that didn’t need the second guitar. Sound was ok, and fine in my IEM’s. Towards the end on the second set I had a couple of really bad attack of cramp in my fretting hand. Possibly dehydration, and maybe the fact that I have missed a load of my immune suppressant drugs because of Covid a month or so back & two courses of antibiotics so my arthritis is starting to flare up. Picked up a Darkglass Anagram during the week and set up a quick stomp box preserve with Compressor always on and then Octaver, Chorus and Flanger controlled by the buttons. Went well but will need some experimenting. Apparently it was the pubs Halloween party so face paint and dress up Gear: FrankenJazz, Anagram, Microtubes 500 and Barefaced BB2.Status S2 in reserve Shoes: Barefoot (red and silver)
    18 points
  3. Good gig. Second set wasn't so great. BL called songs we haven't played in years.No complaints and I was home by 7:30. Daryl
    17 points
  4. Stood in with a blues band for a 45-minute support slot at a blues club. I don’t normally get nervous about performing but I was conscious this would be a more discerning audience than the usual gaggle of pub punters, plus the headlining band would probably be listening from the wings. As it was, I felt I acquitted myself pretty well, and we got good feedback from the audience. It was quite amusing when one of the sound techs offered me a hand onto the stage with my Barefaced cab, and I lifted it with one finger! I was surprised how many women there were in the audience. I expected a blues club audience to consist of 98% gentlemen of a certain age, but most of them seemed to have brought along their significant others.
    16 points
  5. Katy Hurt was booked to play a private event last night, run by the same people who run the Buck and Bull pop up saloon club nights we’ve played before. Big marquee at Tweseldown Racecourse near Fleet, 200 guests, line dancing, DJ, bucking bronco… standard UK “country” themed night. Since this was essentially a private version of the Buck and Bull event, no expense was spared. Pro PA and lighting rigs and engineers made for a wonderful experience, plenty of soundcheck time so the onstage sound was crystal clear and devoid of all the issues from the previous week. The only real downer was the marquee had no heating so it needed the bodies in there to make it warm, it was very chilly in the run up to there being a party in full swing. Our normal drumming options were all unavailable so I pinched the drummer (and my brother in law) from my pub rock band, and he stepped in brilliantly. Being a private party, the crowd weren’t quite the same as the Buck and Bull clientele, and never really fully got going (vs them being totally up for it from the second we walk onstage at a real club night), but we had moments of fun watching some of the better line dancers try not to trip over the less good as we ripped through our two sets of covers and originals. So yes, in some respects a mixed bag but I was home and in bed by 00.30 and throughly enjoyed the playing bit. Basses were my trust ACG RetroBs, via Laney Digbeth pre, Trace TE1200 and Barefaced Two10. Shoes were DC hi tops Hat was Cavender’s of Texas 🤠
    16 points
  6. Played Duff's bar in leicester last night with The Jam tribute What a great gig. Used the HW4003 thru the V4B. Mega
    15 points
  7. A couple of decent gigs….. loving the P bass and favouring the TC BQ500 & 4x10 at the moment. One night in Leeds…. and one in Stoke…. Both fun ones, and the new songs seemed to go down well.
    11 points
  8. Well the Cort GB Short scale bass arrived, I bought it from Jimmy Egypt in Glasgow last Monday and they set it up and posted it Tuesday, express 24, due to the ineptitude of Parcelforce it was delivered on Friday afternoon. I should add that the family at Jimmy Egypt were great chasing up the parcel and getting things sorted even though it was parcelforce at fault. I didn't get a chance to look at it Friday evening so not much time with it before our gig Sat, initial impressions were very good, the fit and finsh is perfect, fret ends smooth & lovely feeling roasted neck. The controls feel solid and have centre detent's for the eq knobs. bbot bridge is adequate and nut slots filed well. Tuners are smooth and do the job well. It was set up before delivery so just needed a few minor tweaks to get it perfect for me, the truss rod adjustment wheel at the heel of the neck is a joy and it was easy to get the action low with no fret buzz. The bass weighs exactly 7.5lbs and balances perfectly on the strap, it feels solid and the neck is comfotable, I did roll the fretboard edges as it is a fairly flat board with 15"radius which helps with the feel. The stock strings are not great so I changed them for a set of D'addario nickel round wounds. I used it for the whole gig, the Markbass preamp is great and the humbucker is like a small musicman pickup, positioned a little more forward from the bridge than a Ray. It has a 3 way switch for series, split and parallel, series is a big fat slightly edgey tone great for the rock covers we do, the split coil uses the rear coil of the humbucker and has a similar tone just a bit cleaner and brighter, the parallel is a clean tone with less mids. With the 3 band eq a lot of tweaking is available, I played throuh a Trace Elliot motion b preamp set flat into an Ashdown ABM600 again everything pretty much flat using the series setting on the bass and the preamp for minor adjustments for different songs the cab was a Laney 4x10 with Celestion Neo drivers. I was very pleased with sound I was getting, it was fat, powerful and smooth and sat well in the music and was easy to make small adjustments on the go. The black side dots are difficult to see on a dark stage so I will fit some luminlays For a bass that cost £299 the quality and spec are really quite amazing, I will use this bass a lot, it is an equal to my more expensive basses and the short scale is great for playability and the smaller pubs we play in.
    10 points
  9. 1973 Fender Jazz in Olympic white When I got this I was told it was the original colour by the deceased wife who also gave me a pic of him playing it in 1990 Upon closer inspection it looks to have be oversprayed as the original guard holes were filled in to accomodate the new guard, they obviously didnt match up So not 100% to its original colour but there are remanents of a darke white in the pocket, anyway on to the bass itself Apart from the guard that I got from the states that has been reliced some, not cheap these Various marks and minor dings but nothing nasty Tug bar is aftermarket, most of the screws are original, pots date to 73 , serial plate 424488 is 73, pickups are dated 73 I had saved pics of the pickups. but cant find them but I can take them out again for the new owner if wished Weight without the covers is 4.1 Kg's Frets in good condition, truss rod works both ways Some lacquer flaking to the neck but the neck is now completly smooth so you wont feel the flaked lacquer Some stiffness in the tuners but holds in tune well Good action and straight neck Fitted with broken in flats will be sent in a generic case, I have a later 70's case of the new buyer wishes to discuss, its the maroon velvet interior I have priced this keenly due to the refinish, all original would be about 3.5K Hopefully thats everything covered, courier is included in the price
    7 points
  10. Just got in from my penultimate Spacewasters gig at the New Cross Inn, SE London, last day of the 3 day Psychobilly Freakout. Reasonable sized crowd for a 5:50 set - some people had done all 3 days! Played well on our 40min set, and in our new matching rock n roll bowling shirts looked the part too. Audience was very appreciative. Back line was provided, a TC amp of some sort into an Orange cab, was easy to get a good sound with my JMJ Mustang. Footwear was DM Dealer boots. I’m going to miss this gigging lark, but sadly it just does me in now.
    6 points
  11. Supported the Bluetones in Brum on Friday and at Hangar 34 in Liverpool yesterday. Great room sound in Liverpool. Absolutely freezing loading into the house at 3am this morning but nice to be still doing gigs like this occasionally, worth savouring
    6 points
  12. A couple of pics by the audience from Thursday...
    6 points
  13. I always suspected Julia Hofer was classically trained in some way, shape or form. Now I find out she's a Cellist like me. Interesting performance, too...
    5 points
  14. I’m selling my 2022 Empire ‘58 Journeyman Precision, finished in Aged White Blonde with a roasted Alder body and one piece roasted Maple neck and fingerboard. The description found on Empire Music’s site is as follows; “The Fender Custom Shop Empire 58 Precision Bass was designed in-house by our resident bassist and Director of Sales, Anthony Pecora. Based off of his very own 58 Custom Shop P with a few nods to the 60’s models, this bass takes the best from both eras into a player-centric package. We’ve worked closely with Custom Shop Masterbuilder Vincent Van Trigt to develop our exclusive Empire 58 Precision Pickup that can only be found in these basses. This pickup offers all of the responsiveness needed to fit any playing style and any genre while never losing the characteristic P-Bass growl and punch. Features like roasted one-piece quartersawn maple necks, roasted bodies, and a 60’s Oval C Profile provide a unique and comfortable playing experience centered around a vintage Fender tone and aesthetic. These basses are ONLY available through Empire Music!” I have been lucky enough to have owned many Custom Shop basses and this is my second favourite of all time (the favourite being the exact same model but in pearl black and a new old stock finish, which suits my bass ocd better and is a keeper!). I wanted a Custom Shop bass that was different from the usual stock but could no way even consider a Masterbuilt one. These Empire exclusives fitted the brief perfectly with a hand-wound pickup designed in connection with a Masterbuilder, a roasted body and a quartersawn roasted neck with a very comfortable 9.5 inch fingerboard radius and tall narrow frets. I understand from Anthony at Empire that they only ordered about 50 of these in each of the NOS, Journeyman and Relic finishes. Being a Journeyman finish it has plenty of checking to the nitro with a selection of nicks and dings but no severe rash of any kind. The neck has lost a bit of its sheen so is not quite as glossy as a new old stock variant and there are just a few bare patches on the fingerboard for an aged look. The tuners and other metal parts are of course aged accordingly. The action is nice and easy, even with some oldish roundwound strings on it. It comes complete with the G&G tweed case, paperwork, tag, wallet, strap and picks plus key for the case. The case is in excellent condition but has one slightly temperamental latch which does close and lock, with a bit of patience! I’m only selling it because I only ever play the NOS version. Postage can be arranged but I would obviously prefer collection so you can play it! Needless to say, coffee and biscuits supplied if you visit!
    5 points
  15. Had our first gig at the Walthamstow Trade hall last night. Odd one. Great crowd, dancing all night. A few minor mistakes, and two big ones (singer couldn't pitch Valerie and stopped the song saying the bass player was in the wrong key lol). My IEM set up was problematic, but im glad i took a lot of extra gear to ensure I had what I needed. Hopefully going back next year.
    5 points
  16. 10CC are one of those bands that were so high profile during their time, but have been kind of air brushed from history subsequently. I remember well how important they were in their heyday, but they are seldom cited as an influence by musicians nowadays or feted in the mainstream media for their extraordinary talents. I think a lot of that has to do with 10CC being an unapologetically clever band. In their own way, they were a kind of Mancunian Steely Dan. Every track was an art project, and they tried to be playful and provocative with the pop music medium they were working within. Therein lay their downfall, because particularly after punk rock happened anti-intellectualism became the only acceptable stance for critics and the listeners they influenced. The fact remains however, that 10CC were a very popular mainstream band in the 1970's, just like ABBA and ELO. They had UK Number 1 singles when that was still a big deal. They were ever-present on radio, regularly on television, did big live shows, loads of people liked their music and bought their records. 10CC wrote great songs that really connected with people, not surprising if they've got people a songwriterwith pedigree like Graham Gouldman in the band, and they definitely deserve to be rediscovered and given the credit they deserve.
    5 points
  17. Just completed my Filter board extension for the HX loop. It works just how I wanted!! This is with everything hooked up - no digital noise, we seem to be up and running! the sounds on offer from this lot are endlessly creative. I started making the filter board because I had much loved pedals I wasn’t using: now I remember why I love the QTron, the funk face and the Soundblox envelope filter. The SYB-5 managed to fit, and the new pedals - the digitech, the lovely prunes and custard clone I bought from @LukeFRC and the B-tron, all have something to bring. FUN! And the Drolo Kiwami is BONKERS (another great BassChat purchase from @Lunoxx!) . I repaired that one by replacing a gain knob, fiddly but so rewarding, that thing makes the maddest noises! https://www.basexperience.co.uk/new-bass-filter-pedalboard/
    5 points
  18. No gigs all month after a busy period At least I get to see plenty of gigs, Cardinal Black last night.
    5 points
  19. Found it! It's Johnny Heartsman. Bay Area blues artist.
    5 points
  20. I'm not a classical guitarist. However I do love noodling on a nylon strung acoustic. Many years ago we bought my son a classical guitar, which he barely played but I loved. He took it away to university. After missing it for 12 months or so I've finally treated myself. It's only a cheap one - a Martinez SM-80 that I picked from Ebay. It's a few years old but I don't think it's really been out of the packaging. I've had it a week or two and have just this evening fitted a new set of strings (D'Addario Pro-Arté EJ-45). I rarely pick up a guitar at home normally but I've not been able to put this one down.
    4 points
  21. Well I’ve still got my non-gigging classic rock band so will still be doing that once every couple of weeks, and I really enjoy it too so it’s not all bad.
    4 points
  22. If I wanted more crying babies I'd join talkbass (oooooooo)
    4 points
  23. Just a short one as I have 'things' going on.* A halloween party gig at The Cricketers in Westcliff on Friday. Decent turnout with a lot of people making the effort to dress up. We were a guitarist down and used yet another female dep singer who we didn'tt have much to to prep with. She did a decent job, but a couple of songs clearly weren't in her comfort zone, so we should have addressed that sooner. I felt quite liberated being able to fill some of the physical and musical space left by the absent guitarist, throwing in extra licks and fills here and there, juicing up my usual tone with a little more overdrive, and I had prepared a couple of special presets on my Anagram to simulate powerchords blended with my bass tone for several songs. The crowd seemed to enjoy it, dancing for most of the evening, and gained some new followers. So a decent result. *lets just say I had a colonoscopy the day before and the results are not what I had hoped for. Still yet to have more scans before knowing conclusively and what impact it will have.
    4 points
  24. Want to become an audiophile? First cut a small hole in one of your pants pockets, about a half inch across. Walk to the nearest toy store, buy a packet of marbles. Empty the packet into the pocket with the hole cut in it. Walk home. As you’re walking one by one the marbles will fall through the hole in your pocket. When you’ve lost all your marbles congratulations! You’re now an audiophile!
    4 points
  25. @jonno1981 I’m sure you can follow the same approach, in your case instead of the blend you have a switch. To have it like mine you just need to change your volume pot for a push/pull pot. If you decide to install the ToneStyler it will be super straightforward too. Looking at the wiring for the 414 you will need to re-wire the bridge pickup to the new vol pot and then from the vol pot to the pick up selector. I’ll attached the diagram that Don from StellarTone helped me produce. Important to note that in this wiring configuration, when in series it always work as both pickups on, you cannot blend, and if you have the bridge pickup selected it will mute the bass. The pickup Selector will have to either be on neck or both pickups to get the series sound. I recommend you using the CTS 250k pot https://ebay.us/m/eK4hvR You won’t need this but for anyone interested this is the blend pot I’ve used: https://ebay.us/m/OQenuP I purchased the ToneStyler from Bassdirect but if you buy directly from StellarTone they also sell the CTS pots. Wiring diagrams. The top is the one I’ve used and the second one is for your bass. You just have to compare your switch to the blend pot and follow the other wires connections.
    4 points
  26. I managed to get some workshop time in today, and scrubbed the Tolex clean (well, cleaner, at any rate). Then I was able to connect the speakers, screw them in and replace the grille, which I'd cleaned with a carefully-applied pressure washer. I hooked it all up to two different amps and tried it out; oh my goodness it's loud! I also noticed that it made the differences between each amp very apparent, so I'm happy about that; it also gave a lot of definition in terms of the tone and volume controls on the (cheap plywood) bass. So far I'm very happy with it. Thanks once again to everyone who chipped in with advice etc; I'm looking forward to getting it into the practise room on Tuesday and giving it a workout. Cheers, JRK
    4 points
  27. £1600 My last listing of this bass lasted about 24 hrs before sellers remorse kicked in - let's see how long I last this time. It's a stunning bass, but want is very different to need so I'm reluctantly listing this. My modded ‘95 Ray gets more attention as it’s a highly nostalgic bass for me, so as much as I like this Special I’m struggling to justify keeping it. Made in 2020, great condition, Ivory White with Rosewood fingerboard. Super comfy to play and sounds spot on - sound clip posted below. Weighs 4kg / 8.9lb. Comes with case and candy. Sound clip... - Preamp EQ is flat. - Strings are well worn in. - Played into Logic and Aguilar Plugin Suite, AG amp set flat, 2x12 cab. Link to my feedback thread Cheers 👍
    3 points
  28. I bought this new recently after being wowed by the various videos that are online. It is a stonking jazz bass! The neck is unbelievably nice with a played-in feel and excellent attention to detail. It's lightweight thanks to the body chambering, and the legendary Sire preamp ensures it sounds immense. It is as-new with the cellophane still on the pickups and control cover. The DR Dragonskin strings are great and also fresh as a daisy. No case but I have the original box if postage is required.
    3 points
  29. Hi folks, don’t sell much on here, usually end up buying instead 🤣.This thing is pretty special, only putting this up for the usual reasons of too many other basses etc, oh and the fact I need a new van for work!! Any try out is of course most welcome and actively encouraged, kettle’s always on! Weight is 4.4kg. UK sale only and I won’t post. If anyone is seriously interested in this I’m sure they would what to try it first as I indeed would! many thanks for looking kind regards Jeff
    3 points
  30. Sounds like a solid buy with very few downsides for a £300 single pickup bass. Probably enough space to add another pickup if you fancied but doesn't sound like it needs it. Will be an absolute steal second hand if/when they come around!
    3 points
  31. We're back on track, first coat of white primer down. For the finish it's going to be all white with some special details! I first joined BC to keep myself awake during nighttime feeds of my daughter. Amazingly she's now almost at toddler stage and can wield a paintbrush, so she will be adding the finishing touches herself!
    3 points
  32. They might, yes. I'm not sure where things would stand with long standing published articles by other websites about his previous activity - articles that could be accessed by anyone regardless of social media presence. It seems that any specific comments might have to jump through a series of hoops to be deemed influential enough to be contempt. It might just be easier for a judge to ban jurors from accessing the internet for the duration of the trial. Some of the examples in the article you provided would be considered breaches of other areas of law as well e.g. libellous, invasion of privacy etc. But given a judge's opinion is the final word, in the interests of risk management, perhaps it would be prudent to keep comments and particularly speculation about the trial proceedings offline until there's a verdict.
    3 points
  33. Thank you for the votes. I got lucky this time. See you all for the next round. I was inspired recently when fishing at a wonderful village called Olhos de Agua on the Algarve. I took a photo and think it would be very suitable to inspire us again to create. te he.
    3 points
  34. What the f*** does a guitarist know about anything? I don’t know why you, someone smart enough to play bass, would even listen to someone struggling to get beyond baby-babble
    3 points
  35. Royal Blues at The Troubadour, Earls Court, that London. 4 bands, though not remotely similar. Pretty much a capacity crowd, not bad for a Thursday night. We were up for it, lots of friends and family in the (paying) audience. Played two new songs, which went down well. The house bass rig was an Orange 4 stroke bass head and Orange cab. I set everything flat with the compressor half way. It sounded glorious. Ibanez UB804 -> Airbridge wireless -> Orange 4 stroke bass amp -> Orange cab. Footwear -> Maroon brothel creepers.
    3 points
  36. Mapped out my biggest pedal board build. Power is next. Going through Boss Looper on floor along with a few bass pedals. Guitar to stereo amp and bass to bass amp, with rhythm going to both. Bass and Guitar are both going through the Boss Looper
    2 points
  37. It's November already, and I am barely ready for the exam, scheduled for the 10th. Grade 2 has been a very unsatisfactory experience. I have played the exam pieces so often that I have grown to loathe them. For Grade 3 piano, I plan to try a different approach. I will play each piece for two weeks, and then move on to the next piece regardless of whether it is exam-ready. Hopefully, that will stop me getting bored with playing. Moreover, I will practice for longer each day, without distraction.
    2 points
  38. Thoughts are with you at a worrying time Greg. Take care and hope you get the results we all want to hear. Dave
    2 points
  39. Two 'Best Purchases' for me, nothing particularly bad this year... First is a Warwick Streamer LX that I got from eBay for an absolute steal. Needed new tuners (which I got from here!) and new strings, which I had, other than that its in exceptional condition and sounds brutal with that awesome Warwick growl. The second, was a Tamburo Opera Stave 7 piece kit with a full suite of Meinl Custom Classic Dark cymbals. This is an astonishing kit... FAR better than I deserve, but I love it.
    2 points
  40. @Greg Edwards69, same here. Hope you get sorted swiftly.
    2 points
  41. Ibanez SR700 up for grabs. This bass is in amazing condition and has undergone a recent clean and setup including a new set of D'Adarrio strings. It plays beautifully and sounds great. These basses offer incredible value for money! "The SR700 features a double-cutaway mahogany body bolted to a jatoba and bubinga SR4 neck with a 24-fret rosewood fingerboard with abalone ovals position markers. Components include a pair of Bartolini MK-1 pickups, an Accu-cast B20 fixed bridge with 19mm string spacing, die-cast machine heads. Controls consist of a single volume, balancer, and Bartolini MK1 3-band EQ with treble, bass, and mid boost/cut"
    2 points
  42. My best bass purchase – also my only major one – was the battered Hohner "The Jack" that I bought off here in June. It gave me a fun project to while away the summer afternoons and has turned out to be a really lovely bass. Here's the "before" pic. And here's the after: I've been pleasantly surprised by how good it sounds. My expectation was that it would be light, practical and a bit bland. And, well, it sort of is, but in a good way. I've never played a bass with p-bass pickups much before (these pickups are reverse Ps in humbucker cases), but I'm starting to get the appeal. My other fretted bass has a MM pickup and a really aggressive sound. It sounds amazing when everything's just so, but can be very finicky. The Hohner just sounds, er, solid, I guess. A nice smooth sound, almost like it's been compressed and tweaked already. I can just run it straight into my interface and be perfectly satisfied. The worst purchase would be Montana Color "Fire Red" paint. This turned out to be a shade of red no-one's ever seen in a fire or indeed anywhere outside of the Barbie dream house.
    2 points
  43. @Sean that band sound like proper gaslighters!
    2 points
  44. BbKing playing a strat which has a giant ginger cat for a neck???? I can't un see it. Charlie Watts was the old man in the Rolling Stones, with a regular haircut, check.
    2 points
  45. I know what you mean. It is a pale blue but most pics make it look bordering on white. This was my bass outside in natural light which, from memory, is a fairly true representation of the colour.
    2 points
  46. A band i was in criticised my tone in a Deep Purple tribute because i didn't use a pick. I made it clear that's how i play and happy to step aside and let them get someone else. They decided it wasn't an issue after that. I eventually left that band with that issue being a small part of my reasoning. My current Glam band now 6yrs the guitarist once made that same comment that my tone didn't have enough attack and i should use a pick. I told him the same thing and once again he decided it wasn't that big an issue after all. He's now gone 3yrs ago and replaced with a guitarist that loves my style of playing and regularly compliments me after a gig. Him and the singer love it when i do the Steve Harris gallop tone in some songs and to be honest that's probably closest to how i prefer my tone but doesn't fit every Glam song and i have to reign it back a bit. Dave
    2 points
  47. Rickenbacker 4003 from what I believe is 1998. Bought very recently from bassbros but to be completely honest (and I do this a lot) whenever I buy a ‘bucket list’ bass I always find my way back to P basses. The recent I went for this specific one is it has a really warm fireglo. Some look very bleached in the middle but this is lovely and vintage looking. It has had a full set up at PSG Guitars in Radcliffe where it was fitted with my favourite Elites Groundwound strings. What comes with the bass:- · Original Ric hardcase with keys · Bridge pickup bezel with thumbrest · Zero Mod clear thumbrest as per pics · Neck pickup cover Currently has Loxx strap locks fitted, can leave on and give you the strap fittings too or I can switch out for plain strap buttons. Ive tried to love this bass, I really have. It looks stunning and some evenings it sits on its stand and I just stare at it J. However, as per when ive bought Spectors, Burns, Warwicks etc in the past its only really Fender P’s that feel right in my hands – to this affect im going after something late 70’s fender P – black/black/maple would be ideal but the search continues. Condition – its played and is absolutely not a case queen. There is buckle rash to the back, several dings on the sides which ill try my best to picture and a few small knocks. Ive highly recommend coming to play and view this in person. Im also willing to travel for the right deal. Im looking to recoup close to my initial outlay (ignoring the set up, strings, zero mod etc) if at all possible but im very conscious of the current climate so serious enquiries and offers would be cosindered. Trades – as mention I like vintage P’s (late 70’s blacks with maple boards) J’s are a constant tease to me also. Not into 5 strings, actives or anything other than standard Fender thigs to be honest (I know im boring). Location is Bolton, Greater Manchester
    2 points
  48. On Saturday we rocked up bright and early and set up at one of our favourite venues in Bolton. Our dep drummer walked in just after 8 with his phone to his ear and a stunned expression. He said his elderly mum had had a fall and was on the flooring her kitchen and he had to go sort her out with an ambulance. He said he'd be back asap. A bit of a shock, but we decided that our only way forward was to play the two sets acoustically, instead of the 4-5 we were going to start with. Our dep drummer didn't reappear as he was in A&E at Wythenshawe hospital and his mum was only seen at 2am. I felt so sorry for the dreadful situation with his mum. He sent us an awful photo of her bruised face. He did exactly the right thing. Fortunately it went down very well and we even threw in some songs we'd never played together before. It's such a pleasure to have my new guitarist in the band. There's enthusiasm now, as opposed to the 'getting through it' that we had before.
    2 points
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