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Hi all, thanks for your feedback. This is way more complicated than it was supposed to be. I'm going to stop the trial because it's turning into a PITA.

Well I did this. Love it

Wel either the plug in isn't working, or Ezoic isn't recognising the cookies or there are browser issues but one way or another, it's not acceptable. I have no desire to erode the trust and goodwill within this community.

I just got my beloved Euro LX4 back from my master tech geezer, who fitted my preferred EMGX pickups. This was my first ever Spector, and for some reason known to no one, I sold it on. Idiot. Instant regret. I managed to get it back about 4 weeks ago after 18 months apart, and I’m just so happy about it. Anyway, it’s now sounding the way it should, plus is now volume, pickup selector, bass, treble. I can’t wait to start gigging with it. Happy days. Cheers ✨

Blimey. So sad so many Basschatters don't get to share their passion. I suppose I'm lucky - my partner knows loads of people on the local music scene. But I'm not shy and chat to any and everyone about music - I met a guy who was looking at the same guitar as me in crack converters and ended up gigging with him. My advice is just start conversations. It can be as anodyne as vanilla, people are usually grateful to talk something interesting. Went to a celebration of a lost friend tonight. Chap I jammed with at Monday's open mike was there, we spent a good hour chinwagging. music is an icebreaker. Please don't be shy of talking to people, especially bands. 98.7% of bass players appreciate being approached by another bassist!

Another fun Jam Night at McCafferty’s in Epsom. The drummer (Paul) is a regular but it was the first time we’d played with him. It was the first time the singer (Vicky) had been with us since May. The 1 fingered salute was in the 1st song, so I assume it wasn’t aimed at us 😀. (It’s the 1st time I’ve used the Vimeo editor, so please excuse the rather uninspiring transitions and text). And I do agree with @Cat Burrito a few pages back about musicians arriving late and disappearing early. Apart from it not being supportive of fellow musicians, they are missing out on some cracking entertainment.

Hello all, I play bass guitar and Chapman Stick from a bassist perspective. Here's a video of me playing slap bass and melody chords at the same time. Hope you like it. Thanks! -Kevin

Thank you. As much as I would love to be cast as the hero, I'm feeling seriously pissed off frustrated that things aren't turning out in the way they were supposed to. It's not due to a lack of care on my part, this is why I wanted to trial things rather than impose a change. I'm feeling pretty grateful that everyone has offered constructive feedback and some understanding.

Well, not overly sure just how thin to make stuff, but at least this is now ringing out with sub-harmonics and definite bass /treble tap notes from the upper and lower halves respectively. Then the linings were relieved where the main cross braces will go that will lock the main strength-critical braces to the sides: Quick check fit, looking for gaps: And the old adage that you can never have too many clamps And tidied up: Next jobs will be fitting a bridge plate, doing the first rough-fit of the neck angle and pondering on whether to add a side sound hole or not

https://www.theguardian.com/film/2023/sep/28/spinal-taps-derek-smalls-id-like-to-collaborate-with-mozart-i-know-chords-hes-never-used

On a more serious note : in what way may the BC contingent assist with the necessary financing to keep the site popular and useful..? Do you have alternative suggestions, or would you like some..? There seems to be a consensus that most (all..?) members would lend an attentive ear to any proposals in that direction. Can we (the Members...) help..?

Trying out a setup at tonight's rehearshal for this weekends gig. Perhaps just a tad overkill for a small pub venue. Glorious sounding combination though and another tick on the bucket list of fantasy gig rigs. MK500 + '98 P-bass + custom 2x12 500 watt ported Marshall cab running @ 4 ohms. Lots of cubic inches does seem to make a difference.

What the hell? Have people actually seen the vendor list you’re potentially voluntarily and forcibly consenting to? I’m on an iPhone and I can scroll non stop down a list of companies I’ve never heard of for minutes, there’s hundreds of them, on my phone all pre consented to, and some vendors have an automatic consent tick box that you can’t untick? If you have a spare hour you can untick the ones that let you and suffer the rest. I don’t consent to any of these third parties having my data. There are no reject all options, so what are my options as a PAYING user on this platform? Is my only option to stop using the site? seriously what gives?

I picked up some Bongo electronics. I have owned some (!) Bongos in the past but found them uncomfortable when seated. But I loved the electronics. Our own @Manton Customs did the routing work and all that malarky. New scratchplate, control cavity, battery and pickups. The control knobs are all sorts of wrong, but I will source some better ones. The before pictures are here. Share my joy.

Ooh - its a long time until the second week of July!

The board itself seems to be a sofa... do you not have problems fitting that on stage?

Took delivery of the Sandberg Florence from Bass Direct on Tuesday. It's a very nice bass, skinnier neck than I'm used to (I usually use a Serek MW2 5 string and it has a chunky neck), but the mud bucker has a super cool tone. Almost P-ish but less mid-range and highs. The only slight con is the balance is a bit towards the body, but not hugely and it'll be fine on strap.

1. @cetera - Charvel 3B, ESP Surveyor '87, Fender FSR PJ Precision, Hamer Impact, Italia Imola, Spector NS2, Spector Euro, Spector EuroX (Spectorbird), Spector Pulse II, Spector Dimension 4HP, Gallien Krueger 400RB & Legacy800 heads, GenzBenz Neox 2x12 cab 2. @TheGreek - All short scale this year - a @Jabba_the_gut scale 5er, Mini Ray, Short scale P bass 3. @Harlequin74 - Zoot Performer, Status Shark, Spector QV4 , Markbass TTE501 and Matching CAB. Maybe the Lehle Basswitch… 4. @Frank Blank - @Jabba_the_gut short scale fretted and fretless, JMJ Mustang, QSC K12.2, Grace Design Alix 5. @TrevorR - Mk 1 Wal, Wal Pro IIE, Aria SB700, Frankenjazz, pedals and MarkBass LMII & Traveler 2x10 6. @bnt - travelling light, probably a couple of pedals such as T-Rex Diva Drive, Orange KongPressor 7. @bass_dinger - 1999 Washburn XB500, 1994 Washburn XB500, Washburn XB925 in zebrawood, Washburn XB925 in bits, Boulder Creek 5 string (likely to be for sale), SWR Workingmans 12. 8. @greentext- 2008 Spector NS4-H2, 2015 Sandberg VS4, 2000 Trace Elliot T-Bass, my pedalboard and my tin of picks 😈 9. @prowla - Probably a couple of Rickenbackers and some interesting oddities. Amp-wise a Markbass EVO and a 1x12 (last year I bought some others to try and never switched them on, as the EVO sounded spot-on). 10. @SuperSeagull - Status S2, Feline P Bass, Modded Fender Lyte, Flea Jazz, MB Combo 11. @Merton - various short and medium scale ACGs, Zoots and Conway basses, Barefaced cabs, modern Trace Elliot amps 12. @MacDaddy - Shuker (probably no3), Snapdragon Folding Bass, possibly a Rob Allen Mouse. 13. @neilp - matching pair of fretted and fretless 1980 Aria SB1000s, possibly my fretless Wal mk1, Ashdown ABM500/Ampeg 4x10, Tech 21 Bass Fly Rig 14. @NickD - Strunal Schonbach 5 String DB, and whatever else I can shoehorn in the car around it... hopefully a MD CMD121 H, Zoom B6, and maybe a Maruszczyk Jake and a Shuker Series 2. 15. @WalMan - converted Wal Pro, Zon Legacy Elite, Status S2, G&L L2500 fretless, McMillen 12Step & DSI MoPho, Two Notes Bass Revolt, Trondheim Audio SkarBassOne, BackBeat2 (and my BackBeat1 will probably be available for sale). 16. Darkglass Microtubes500 and one of the Barefaced cabs. All depends how late I leave and what will fit in the new car 🚙 😁 16. @Smanth - With my small, light, battery powered gear (mostly) ... IBBY-Ibanez GSRM25 5 str sub short scale, 'ELIMA - Kala California 5 str fretless ubass, QUINN- HB 5 Str Fretless, MOD Dwarf based pedalboard, Boss Dual Cube Bass LX. (Also some toys to sell) 17. @Jean-Luc Pickguard - NS Design CR5M, Squier Bass VI, Roland MicroCube Bass RX and some pedals. 18. @tauzero - the basses that @TheGreek made me buy (handmade 6-string headless, Pedulla 6 fretless), Roland GR-55, one or two Seis, anything else that occurs to me, Mrs Zero (probably) 19. @Stingray5 - EBMM Stingray 5, a trio of Tunes i.e. TWB-6, TWB-4z, SWV4-BB, Boss GT-6B, Eden EC180 combo. 20. @rumblefish - Reverend Rumblefish, GB basses, Mesa Walkabout amp, Vanderkley 112 MNT. 21. @Paul S - might be space for a shorty? If not never mind. I have nothing of interest 22. @bassace97 - Musicman stingray basses, Fender Mustang bass, Pedalboard and my Mesa TT800 + SL112 cabs 23. @BillyBass - Reverend Decision P, Gallien-Krueger Fusion S1200 and Barefaced Midget 24. @silverfoxnik - some basses and noise amplifying boxes.

Here's my new Brian May RS It's neon pink. Purely for my 80s duo and band. It's a great guitar (my third Brian May guitar)

Great - so we are here - just tell us what you need to keep this site wonderful - cheers

Agreed on Cort basses, pretty much fabulous at most price points. The GB5 looks awesome. Also agreed about Jeff. He's an enigma for sure. His playing..... well lets be honest he's a genius. However I was lucky enough to fall out with him on a FB thread a few years ago, where he argued that you absolutely have to have a solid grounding in theory to be a good bass player. I argued that I'd been playing 40 years and knew next to nothing and had managed as a semi pro in the past (although nothing like the dizzy heights of people like him, obviously), learning almost exclusively by ear. We had a lengthy argument about it on the thread, it got a bit heated and I left it alone. I actually met him at a bassday gathering in Manchester a few years previous, and he's an absolutely lovey and funny chap, but he has some odd opinions.

Man's a genius.

Jeff Berlin is also strongly against the use of metronomes when practicing, but otherwise has some rather reactionary old fashioned views on the subject of learning and teaching. Of course neither takes away from his indisputably absolutely astonishing chops on a bass, but I would personally hesitate taking advice from him. That said Cort instruments in general are incredible value for the money, even the cheapest budget basses leaving their factories are genuinely great instruments.

Yeah, I totally agree, thank to @Frank n funker for bringing this to our attention

Hi all, thanks for your feedback. This is way more complicated than it was supposed to be. I'm going to stop the trial.

If you use a blocker to remove the tab all you are doing removing the ability to user edit the settings. It doesn't prevent Ezoic or even Basschat from changing the default settings behind your back. The current use of the tab is poor coding. If it must be there it should be a link at the bottom of the page next to the (now out of date) Cookies one. I currently have Basschat sandboxed in its own browser which is only used to view Basschat and nothing else. It is also set to delete all cookies on exit, which has the added advantage that I'll get the privacy menu pop up when I log in and check if any settings have changed. I've removed the Basschat bookmark from usual browser so I don't inadvertently click on it while doing my other browsing. This also means that the Basschat bookmark has been removed from both my phone and tablet, so I won't be viewing it on either of these devices. I notice that neither @Kiwi or @dewww have seen fit to comment since this all kicked off.

Well I have no idea what this site costs to run - but I believe the members here would like to keep the site running I have read that some would leave altogether - this would be a great shame - so are enough people interested enough in keeping it free from trackers and ads - I don't know how many supporting members there are now - I don't know if there is a big shortfall, a small shortfall , or no shortfall - I also think administrators et al deserve some payment - a tennis club would cost more or any other club - this one is for Bassists - I have already bought a couple of bits of gear the people I bought them off were top notch - well they're bassists aren't they - save this the way it is - a great bass site

Just heard the start of Mariah Carey “Without You”. #”No I can’t forget the semen on your face as you were leaving”.

What you can't do with the common kitchen fork eh

No, because what I said at the time was factual. I haven't had any additional involvement in the cookie stuff and I don't really have any dealings with Ezoics, or trust them. But it clearly doesn't work like this. But maybe it is in some way my fault for not having any actual involvement with the cookies being in as I stay out of finances and stuff. I am just here to fix stuff that goes wrong with the actual server.

My 5 piece band for a change. Pub gig....they have 2 food vans in the car park Fish & Chip & Turkish and you can eat them in the pub....ideal gig

Blimey! I thought I was a Zoom fanboy, but you win! I loved my B9.1ut.

I remember him coming on here a few years ago to talk about things (Unless that was TB and I'm hallucinating). He accepts his idiosyncracy and over-opinionated views and has tried to mellow out in recent years (possibly because he fell out with too many people!) I've listened to most of his available output on Spotify and he is definitely brilliant. I like the noise he makes with the Cort, not sure I like the look of it - but it was built to his specs, so I guess there's always a Fender signature model if he doesn't float your boat.

Dancing Fool — Frank Zappa

Finished adding support for 1 Series (G1/B1ON/XON, custom firmware or not) and G Series (G3/G3X/B3, these can't be customized). So far tested with models MS50G, MS60B, MS70CDR, B3, G1XON and B1XON. Should work with G3/G3X/G1ON/B1ON too but I haven't tested them yet. Will test G3 when I get mine back in some days and I think I also have access to a B1ON from a friend (that could allow for G1ON testing too, with a firmware swap on Zoom Effect Manager). ZOOMIDO-UTILS Just a backup/restore/organize tool for your G/MS/1 series patches, no matter if your firmware is custom/hacked or not.

Where is this 'consensus'?

I couldn't care less about a lil' orange tab, it's ALL the shlt therein I want rid of!

There should be a legal requirement to have a one click reject all button, that does just what it says. Love the way this shlt is called "privacy" when it's actually the reverse of that, bit like Orwell's "ministry of truth" "Reject all" is available widely, can't be rocket science, so let's have it here please.

After a few days child-minding the said special little people, I'm back in the cellar For the bracing, I am using my home-made 25 foot radius dish although, for this build, will dispense with the Go-bar deck - I should be able to get away with just clamps and cauls. The bracing pattern is going to be pretty basic X-bracing with the standard-recommended tightly vertically-grained spruce. I've taken a bit of a guess at how much to scale them down. I started with the X-brace with gluing the cruciform and then sanding the bottom curve on the radius dish: This was glued to the top with a long caul keeping the curved brace bottoms pressed against the radius dish while the glue cured : After that was set, it was time to add the other braces and sound bars. All of the braces will be chiselled to create the nodes, etc, once it has dried overnight: And here it is ready for tomorrow's chisel and tap-tuning work :

My take on this is a bit different. I bought them all, to see what he had done. I was pleasantly surprised that most of his standard amp setup was similar to something that I had already built, so I haven't used those patches. You could argue that was a waste of money. However, I was still glad to see what somebody else had done in detail for a general purpose set of patches. His synth patches were more imaginative, particularly the use of press and hold on some footswitches to trigger different behaviour. I haven't used them live as they wouldn't work in the smoothish music that we tend to go for in our church (!), but have enjoyed fiddling with them at home. I have previously used Dr Tone patches as well to see what others used as a starting point - but had the best results with making my own patches from scratch. My personal favourite is to use the tube mic pre model, combined with tape saturation (retro reel), then add effects as needed (reverb, chorus, octave). SVT is fun, Fender Bassman has tons of character, but all the amp and cab models seemed to not let enough of the instrument sound through for my liking, even after putting on a parallel path with <50% going to the amps. Your mileage will definitely vary! Phil

A few? I t was over 60 if you took your time to scroll through the whole list.