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Showing content with the highest reputation on 13/06/23 in Posts

  1. Yeah, well, predictably it wasn't . I got bored with the wood, so paint happened: Lots of masking tape, scalpel blades and swearing.
    8 points
  2. Recent rebuild and some new additions. Flow goes: Tuner>Octave>Hamstead>Chorus>Helix (With Pedalnetics footswitches)>Dispatch Master>EP Booster Keeping my sub/synth all grouped together on the left. Helix is the brain, but I use it heavily between sessions. It's been a revelation especially with presets, snapshots and per bass settings. All powered by GigRig. Whilst I've never had any issues, I don't know if I would go with them again. The Helix needs to be the only system on the distributor, otherwise you get a terrible buzzing sound. So I had to buy 2 isolators to stop that. So by the time I bought all of that, I could've afforded a Cioks. I do love customising the size of the power cables though.
    7 points
  3. Beautiful 100% original Tokai Jazz Bass 45. Made in Japan early 1980s at the peak of Tokai's powers Three colour sunburst Only a few small nicks from the last 40 years. Great action Straight neck Collection from Leamington Spa, close to M6/M40/M42. Thanks for looking..............
    5 points
  4. This is my much loved Moollon J5 hand built for me by Joon Park in 2017. If you are thinking of ordering one of these its now a 2 year waiting list. It is without question one of the finest bases I have ever played and its been a pleasure to own it. I will regret this. I've been to visit Young Joon Park in Seoul and a finer gent and craftsman you will not meet. I've put some build pics in. The man is obsessed with quality and creating an honest vintage sound and that includes properly integrating an authentic B. If Leo had a five string in the 60's, this is what it would sound like. I've attached pictures of the bass when new. I'll attach some more in a few days showing body wear which is normal in Nitro finishes like this. Otherwise no marks. This is a 60's pick up positioning passive J5. I had this built to match my 62 jazz bass Olympic white with natural head and tort guard. Comes with Moollon hard case. Why am I selling? I guess that after all is said and done I'm lucky to have an original 62 Fender Jazz and for 5 string I'm pretty much on active now. Price excludes shipping & insurance. Body wood Alder Neck wood Hard Maple Fingerboard Wood Macassar Ebony With 7.25\" Radius Frets Medium Size Nickel Silver Bridge Moollon Vintage Style Tuners Moollon Vintage Style Nut Bone Pots CTS Jack Switchcraft Pickups Moollon VJ-60 Inlays Clay dot Finish Nitrocellulose Lacquer Controls Volume/Volume/Master Tone Video of the bass being here:
    5 points
  5. I'd never broken a string ever, right up to the point when I did. 😁
    5 points
  6. Myself and the lovely @Adee compared a few Mustang variants 3 or 4 years ago, I did write a detailed post summarising my thoughts at the time but I can't seem to find it now, but as I recall the edited highlights were, IMO; Mexican PJ, decent little bass and has those classic Fender sounds. No frills build quality but solid enough in its own right. Slim jazz like neck profile. Limited sounds from the 3 way selector switch but a blend pot mod really opens up the flexibility for only a few £. American Performer, feels better quality in terms of construction, hardware and finish compared to the Mexican but tonally very bland, the Mex had way much more inherent character in its sound. This just sounded like a bass, any bass but with no real personality of its own. At the time I think it was nearly 3 times the cost of the Mexican but not worth it, IMO. Same slim neck profile as the Mexican. JMJ - the king of the hill by a mile. It simply oozes character with its big powerful tone and chunky but comfortable neck. The fake roadworn look is a bit naff and not particularly well done, certainly when compared to something like a Sandberg relic job, but once you plug it in and play it you can forgive the aesthetics. It sounds a feels like a Precision, only smaller and easier to play. Oh, and stick some rounds on it, forget flats! Vintera - we didn't have one to try but I have played one in a shop before and I have no real feelings about it either way, I don't remember anything astounding or underwhelming about it. Squire VM - felt like a cheap option, which it is! Not a bad bass for the money and potentially a reasonable platform to mod to your own preferences. So, IMO, if you like Precisions and a big grin inducing tone, the JMJ is without doubt the one to go for. At the time we compared them the American was way more expensive than the Mexican (£1000 vs £400 at the time, I think?) but I prefered the tone of the cheaper Mexican. The American one felt nice, but not £600+ nicer. The Vintera is a decent enough bass but if you're looking to spend that sort of money, spend a little more and get a JMJ.
    5 points
  7. Well, duh. That's why you've got a girlfriend.
    5 points
  8. Just been told that the venue i played Sat night which had us booked for later in year and had sold 80 tickets was now sold out after our visit on Sat. Holds 130. Quite chuffed with that. Dave
    5 points
  9. Hi all, Reluctantly parting with my Squier Classic Vibe Jaguar as I need to free up funds for a camera (another expensive hobby...). I have had this bass about 2 and a half years (bought new from Andertons) but as you can imagine with the pandemic it hasn't had a huge amount of action. It's been gigged once, but the rest of the time it has lived in a padded gig bag and been well protected. As you can see from the photos it's in almost as new condition. Apart from some plectrum wear on the scratchplate you would struggle to know it had been used. It has been my first medium scale bass and I really liked how playable that made it. I am a fan of a Jazz width nut (my P-bass has a Jazz neck) so I took to it immediately. The P/J configuration is great for a variety of tones too. In terms of postage etc I would really prefer to meet / arrange collection as I don't have the box for this anymore so I would really struggle to package it up safely for a courier. I'm Leeds based but travel weekly to Cheshire so can reasonably meet along that whole M62 / M60 area. Overview and specs from the Fender website: The Classic Vibe Jaguar Bass turns up the volume on retro style, combining the iconic body shape of the Jaguar with the massive tone of its Fender-Designed alnico pickups. Player-friendly features include a medium 32” scale length, a slim, comfortable “C”-shaped neck profile with an easy-playing 9.5”-radius fingerboard and narrow-tall frets as well as a vintage-style bridge with slotted barrel saddles. This throwback Squier model also features 1970s-inspired headstock markings, rich-looking nickel-plated hardware and a slick vintage-tint gloss neck finish for an old-school vibe. Body Material: Nyatoh Body Shape: Jaguar® Bass Body Finish: Gloss Polyurethane Neck Material: Maple Neck Finish: Tinted Gloss Urethane Neck Shape: "C" Shape Scale Length: 32" (813 mm) Fingerboard Material: Indian Laurel Fingerboard Radius: 9.5" (241 mm) Number of Frets: 20 Fret Size: Narrow Tall Nut Material: Bone Nut Width: 1.5" (38.1 mm) Position Inlays: White Pearloid Block Truss Rod: Head Adjust Bridge Pickup: Fender® Designed Alnico Single-Coil Neck Pickup: Fender® Designed Alnico Split Single-Coil Controls: Stacked Concentric Controls Volume 1. (Neck Pickup), Tone 1. (Neck Pickup), Volume 2. (Bridge Pickup), Tone 2. (Bridge Pickup) Switching: None Configuration: PJ Bridge: 4-Saddle Vintage-Style Hardware Finish: Nickel Tuning Machines: Vintage-Style Pickguard: 3-Ply Black Control Knobs: Knurled Chrome/Black Concentric Neck Plate: 4-Bolt Squier® Here are some photos:
    4 points
  10. Kevin Nation Army ~ Whites Tripes
    4 points
  11. Biggest gig so far for us, Rebellion!
    4 points
  12. Seriously impressed with mine... headstock takes some getting used to, and a couple on minor QC issues (blemished scratchplate and blemished tuner) that Andertons were very quick and painless with putting right, and I wouldn't expect to be the normal order. Other than that though, killer bass and one of the best necks I've ever played. Every gig now is a challenge whether I chose this or my Sandberg California II VT4 (which is my ride or die for playing comfort) and the sire comes out on top at least 8/10 gigs. I could've bought 4 of the Sire bass for the cost of the Sandberg, too!
    4 points
  13. I'm in full agreement with following the singer, almost all the time. In one former band, the singer would do verses and choruses at random, and was quite likely to start a verse before the end of the guitar solo. The exception was when playing "Maria" with Mrs Zero singing, when somehow she managed to get herself into a loop. About the fourth time round, I started singing what should have come next and extracted us, otherwise we'd still be there.
    4 points
  14. This is my other band... Formed nearly 40 years ago with no actual success apart from playing with Mikey Dread at the Warehouse in Leeds back in 1985. However, the drummer went off to form the Utah Saints via MDMA, one guitarist went back to the USA and played with the Rollins Band, other guitarist is now with successful Goth band Cassandra Complex (top 10 record in Germany last month) and keyboard player was Jay Rayner! Only little 'ol me had no stardom! This is what we (unsuccessfully!) produced after reforming for drummer's wedding (we're still playing!) - vid shot in my garden and edited by me...
    4 points
  15. Now £450! Bass Centre Guy Pratt Betsy bass up for grabs. The bass is in excellent condition, comes with the original Bass Centre gig bag and has recently been setup with a new set of Jim Dunlop Nickels. Much has been said about these basses offering exceptional build quality and tones for a shockingly low price, and I can only agree. They really take some beating! This bass plays and sounds great well with a very low action if desired. Here's the link to the Bass Centre page for more info for the uninitiated https://www.basscentre.com/british-bass-masters/bbm-betsy.html Collection from Margate or I can box it up if a courier is required.
    3 points
  16. I finally took the advice everyone is given and started DB lessons, of course I should have done that in 2015 when I went upright. After weekly lessons since last October I actually got to play my first orchestra gig on Saturday and I am still just floating...what an experience, and it was only being one of several adults filling out the low end of a youth orchestra. I loved it! 😊 Over the years I have played in many groups including large concert bands but never just strings and this is THE BEST. I posted details and photos in the "How Was Your Gig Last Night?" thread in the General Discussion forum. Main point: take the lessons they will improve your playing and you never know where it might lead.
    3 points
  17. Interesting reading this thread. I only play in church, if the bass failed it wouldn't be a huge deal except to me so one bass is fine. In a parallel universe where I was paid to gig then I would have to buy a spare bass and take it along, for all the reasons everyone else says. Low chance of failure, but very high impact, and easy to remediate the risk.
    3 points
  18. I haven’t broken a string ever. Doesn’t mean I can’t or won’t though.
    3 points
  19. The CA glue I tend to use for this kind of job is this: Even if I wasn't drilling any holes, I would still tend to use a precision dispensing tip. They just push over the bottle spout - this size below has an outside diameter of less than 0.5mm and therefore allows you to control quite accurately the amount of glue coming out of the bottle and making sure it is running along the crack line and nowhere else: But, whether using a tip or not, do wear rubber gloves - it can flow very freely and you really, really don't want to get your bass neck stuck to your skin! Option 2 has a fair chance of working OK. However, if you did want to try Option 3 and you have a drill, the only other thing you need is a 1mm or 1.5mm twist drill. This below was a 70's custom that a well-known Notts player of the era hadn't played for decades because of cracks and movement in the set-neck jointing. Here's the drill I used and the CA glue tip I would be using to dispense the glue with: And some of the holes I drilled along the crack lines. Here I am checking that the dispenser tube would go into the hole deep enough: I drilled more holes for the cracks either side too, then - after masking it all up and putting my rubber gloves on - pushed the nozzle onto glue bottle and squeezed a liberal amount of CA deep into each crack, letting the capillary wicking process to suck all the glue into all of the hidden areas of the cracks. When he passed it across to me, you could move the neck in any direction with no effort at all. I passed it back to him after the above and he was gigging with it the following weekend for the first time in 30 years
    3 points
  20. Why share this....there's only going to be limited stock and I was thinking about picking one up again. Now I need to accelerate my thinking and make a desiciton dammit!!!! 😂 Ps. Exciting news!!!!
    3 points
  21. https://www.cogeffects.co.uk/r-1.php
    3 points
  22. Thank you so much for all of your replies! I will take it all into account and visit some shops and try some out. This forum is amazing! So many helpful people. I will certainly be buying my bass from here if I find what I need. The prices look great and its obviously run by people who care a lot about basses in general. Thank you again.
    3 points
  23. Progress on the h/w side. The rendered 3D model of the Trampa enclosure looks like this Patty managed to print it and I'm nearly there with the assembly. Searching around for the 4th OLED display (which is in hiding!). The unsightly wires are there to allow me to use it with the development system to get the code running as desired, when this is complete the wires will be contained in the enclosure. On the right hand side are a USB-C connector (for midi and power) and the jack for an expression pedal. Now ... to get back to the s/w coding side! S'manth x
    3 points
  24. I sing lead and do BV when playing with other singers I'm depping with a great band and the drummer does all the obvious harmonies, so I look for different ones. We ended up with 4 part harmonies on I fought the Law, on Friday night. (guitarist sings to). Sounded quite good
    3 points
  25. I sing bv’s, enjoy it, and get satisfaction when I can hear myself consistently to stay on pitch in multi-part harmony arrangements. I find in-ears a great help for this. In general, I find the average jo-public to be more aware of the vocal quality of a band than the sound of the instruments. Bass……..what’s that?
    3 points
  26. Mistakes are but fleeting moments in time. Back when I was starting out, Mrs. Neepheid had way more experience than me, singing and playing sax in bands. She took a teatowel in her hand and said "See this? This is your mistake", then quickly scrumpled it up and threw it behind her over her shoulder. I'd say one's own personal mistakes on bass - don't dwell on it, just keep going. If it's a bad one, take a breath, join back in at the next phrase/repetition of riff/verse/chorus. In more widespread muckups, if the singer skips to the wrong bit of song, go with them or else it's going to sound daft. I have learned to make light of mistakes - a smile, a nod, a laugh between band members looks way better than scowls and looking daggers at each other. 'Twas not always so - my drummer is still mentally scarred from the Death Stare of '09...
    3 points
  27. Sadly not; they were younger than me...if I'm ever called into a police lineup, I'm bringing a bass with me: no-one'll ever pick me out...
    3 points
  28. Always worth remembering that a mistake is ancient history the moment after it is made. Never beat yourself up about it.
    3 points
  29. so in a slight change to all this, I'm currently depping in a well known local band. Their bass player, Iain (who is on BC but I don't know his user name) has a detached retina and is out for a month (maybe 2). They have an enormous set list, it's all new wave/ska. I did a gig with them 3 weeks ago but now I've done 3 last weekend and have 3 more this weekend and 4 the next. I work full time and am learning the songs virtually. I listen to them at work all day, and work the bass parts out, mostly in my head Yes I am making mistakes during the songs but I am trying to remember which ones are knowledge based and which ones are just hitting the wrong note. I managed to put the knowledge based ones right. EG, I was missing a chord in Lip up fatty. It was an E and a B flat. The keyboard solo in No More Heroes is longer than I think so I keep my eye on the guitarist's left hand. Each gig they try and vary the set, so I have lots to look at between the gigs too. It's great fun working this way and the punters don't really notice the mistakes. No car crashes so far keep smiling, laughing and dancing. It's all about the show
    3 points
  30. Linger(ie) - the cranberries
    3 points
  31. Hello all, I had this custom built as I wanted to try a lightweight 32" P bass, sadly for me, it looks (to my mind) absurd against my Rik Waller like frame. Plays and sounds wonderfully as you'd expect. A modern P sound I'd say. As new. Matt flame burst body West Indian fingerboard with a poly finish neck, C shape Extremely light weight Passive standard controls Comes with case candy, soft case and comfort strap. Hipshot D-tuner Currently strung with (my fav's), low tension flexible flats. I can chuck in the unused strings it came with if I can find them Hardly used (5 gigs maybe?). I can courier at your expense and risk, drive a reasonable distance to meet or come and have a cuppa, try it through the V4.
    2 points
  32. Hi All Price Update 11/6/23 - Reduced to £900 *Would also consider part trade against a DB751 + cash Thinning the herd! Sad to part with it but I just don't play it anymore so someone else should benefit. It's literally sat in its' case since 2019! For sale is my Fender US Std Jazz from 2014. I bought it new from GAK in Brighton. Comes with the original case, plus all the candy. I fitted a set of Aguilar AG 4J - HC pickups (currently £200 ish) but include the original Custom Shop pickups in case you want to swap back. It also has LOXX strap locks fitted (plus the fitting tool) but I've mislaid the original ones. The neck has been wire wooled down and is very smooth now under the hand (the original finish was quite 'grabby'). It has one major 'bump', as shown in the pictures, on the top edge of the bass. Another guitar fell on it at a gig! Other that that, there's very minor wear. It's a great honest bass, sounds fab and not too heavy at 4.2KG. I'm asking £1000 £900 collected from Tunbridge Wells, Kent where the bass can be played before you buy. Delivery will have to be discussed, as it seems almost impossible to get a carrier to insure a guitar now and I'll not send unless it's fully insured. Happy for the buyer to arrange their own collection, but entirely at their own risk! Cash on collection or PayPal please. Not looking for any other trades*, thanks. Thanks for looking.
    2 points
  33. kevin knows I'm miserable now - the smiths
    2 points
  34. All Your Sisters - Mazzy Star
    2 points
  35. Of all the things my pedal board has had to contend with, a car hasn't happened yet! I suppose actually you will find out and as you have the plans you can always print again. Oh yes I remember those now. I know if the future impact came in cases that size I would probably still have one!
    2 points
  36. Something else I've noticed with the LaBella flats, I don't think any other strings I've had sound as good as these with the tone rolled completely off.
    2 points
  37. I have had my Future Compact in use for few years with no issues.
    2 points
  38. I've just remembered something I meant to say earlier. Yes, mistakes are transient. All these moments will be lost in time, like tears in rain. However, I do try and make a mental note of them, as one-off mistakes can be indicators that something needs some extra work (notably endings), and if they get repeated gig after gig they're definitely indicators of a problem.
    2 points
  39. Frosties The Snowman - The Ronettes
    2 points
  40. Hi There are a number of variations of neck heel design across the Cort models. But what I don't know, is whether any of them are compatible with the 'standard' Fender heel shape and length. I would be less worried about the hole positioning, though - you would just drill new holes in the Cort positions. In terms of mending the present one, I think there are three options: 1. The 'proper' way. Big job and not risk free. Removal of the fretboard; splitting of the scarf joint; clean up; reglue; replacement of fretboard; levelling and re-crowning of the frets 2. The DIY 'might work' way. This is a variation of @songofthewind's suggestion. Standard wood glue, such as titebond, is no good for my variation. A proper low-viscosity CA glue is best for this (I can send a link to ones that will work). This glue is so thin that it 'wicks' into the crack by capillary action. - Mask round either side of the join line with decorators masking tape; bend the neck as you described to open the joint a touch more; apply the CA around the joint, which will suck the glue deep into the cracks, until it won't take any more; release the tension on the neck and wait the the CA to fully cure. On this kind of process, I would leave it at least an hour before restringing it. 3. A variation of method 2 and is a DIY method that 'probably will work'. Here, you drill a few very small holes directly into the crack and use a micro tube end for the CA glue. You then push the micro tube into the hole and squeeze the CA glue in until it starts appearing around the crack. You are, of course, left with a few small holes showing but this method ensures the maximum chance to get the CA glue deep inside the crack. I'm out in a few minutes but this evening, I'll send a few shots of this method to show what I'm talking about. and send some links to the glue and microtubes.
    2 points
  41. Good to know. It shows that basses still sell quickly if they are priced correctly 😁
    2 points
  42. It is, but it ain't "one" either. I care, and I like it. Now this thread wasn't for critiquing other people's music, but I do think @snorkie635 and the lads could've recorded and released this officially and it could've been a hit too. Nothing wrong with the song; "everything" wrong with what makes or breaks a hit. When I started the thread, I was originally thinking of music that could never be a hit (like classical, jazz, experimental etc), but changed my scope before writing the OP, and hoped many would feel at home in the thread, like people who could've had a hit but didn't. From what I've heard up to now (I can play most of the YT vids on my tv, and none of the rest), many kinds of music are represented, which is good in my book. Keep'em coming!
    2 points
  43. Dear Sir, I write this to you from hospital, having been removed from a tree by a passing fire-engine ... ... 🤯
    2 points
  44. 2 points
  45. Just had the pleasure of meeting Nik in person, purchasing his Schroeder 21012L cab. What a lovely chap! We were chatting bass (what else?) for a good while. It's people like Nik who are the heart and soul of BC and help make it the great community and resource that it is. The cab is in excellent condition and sounds superb. Just what I was looking for. It was more like meeting an old friend than buying a piece of gear! Deal with Nik with the utmost confidence. Alex.
    2 points
  46. Can someone explain what 'mistake' is please. Never come across this before? 😂
    2 points
  47. Did a bit of an update to sort out some spacing and power issues. Took the opportunity to do a bit of a better job at the cable management too!
    2 points
  48. Whatever the singer is doing is the song, so follow them. If individual musicians get it wrong then keep to the arrangement and let them catch up.
    2 points
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