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Showing content with the highest reputation on 13/04/23 in Posts

  1. Update: a former band mate sent me the following "I’ve not spoken to Rob but have talked to his brother. He’s OK but completely off social media etc. I’ll pass on your concern again and hopefully he’ll get back to you." So its good news and - given he clearly wants to be incommunicado - my view is we let it rest there.
    18 points
  2. So I’ve been hankering after that classic P sound after listening to too much 70s/80s stuff. Wanted something not too expensive and this (discontinued around 2017 I think?) made in Indonesia fitted the bill at £260. Yeah I know 5 strings wasn’t a thing back in the 70s, but I’ve been a 5er man for decades! As far as I can tell it’s completely “stock” and in great condition. Just needed a little truss rod tweak and the saddles adjusted and it sounds great!
    10 points
  3. For sale brand new Sadowsky Germany Masterbuilt Single Cut Buckeye top. Buyed on Thomann few months ago and in new conditions. With original case, certificate and accessories.
    7 points
  4. So this arrived today after reading many reviews Some reviews said they struggled with the Gain / Drive / EQ but I’ve found quite the opposite it sounds bloody amazing even everything flat and drive Off and Gain low. Can go from warm clean to gritty valve kind of tone and a lot in between Will put it through it paces at rehearsals and see what the band thinks. Prices have dropped a bit so it’s a decent price new for Aguilar stuff and it seems a quality product
    6 points
  5. Price now £900. Available again. For sale is my FNA Jazzman 5 string. Not been used in a little while so I think its time to move on. The photos are from a year or two ago. Will grab it out and get some fresh ones if there is interest. This started out fretted and a blonde finish. It was dinged up when I got it so decided to get it refinished and defretted at the same time to complement my other Warwick. Whilst I love this bass it hasn't been used in years and I think it deserves to be played. Refinish and defret was done by John Shuker. All done to the highest quality. Body was slimmed slightly to remove the digs to the bass. Frets have been filled with ebony veneer and the board has been given a polyester finish, still has the original wenge fretboard. I am in Dronfield, Derbyshire near Sheffield and Chesterfield. Happy for people to come and check it out sometime. Update: I have been able to source packing materials and a hard case. I am happy to ship this bass. Please fee free to get in touch with any offers.
    5 points
  6. For a moment there I thought it said Sainsbury's...
    5 points
  7. Hi I play in both an 80’s & Punk band. Both are loud and I’ve never even thought about feedback and I've experienced none whatsoever I run mine through 2 TC Electronic RS112’s with an RH750 head Its a fantastic bass so just go for it 👍
    5 points
  8. Hi everyone proud owner of a New FGN mighty Jazz Bass absolutely love it bought it from. BAX MUSIC for a good price
    4 points
  9. Wasn't thinking about buying a bass. Then found myself buying this 70s Antoria, fujigen made. I've kinda been a silent fan, of dare I say Japcrap instruments of the era and I fancied something different and vintage. And this one is in exceptional condition so I bought it. I believe its 73 to 75? Its pretty much all original. Came with the pu covers. Needed some standard setup work. But for a 50 year old instrument it's excellent, zero setup issues. Neck is straight with no weird ski jumps, fret board and frets perfect. Original electrics work perfectly, might of had a new jack. Hardware is half decent. Reserving judgment on tone as only played it through powered speaker no pre amp! And used strings. Slightly worried that those maxon pickups will be rubbish. Not overly heavy, but not light. What wood(s) is the body made from? I know its a chopping block construction. Made me wonder where did this fit in, on the quality hierarchy back in the day? I assume it was a more budget instrument? I'm really impressed by its quality and how well the wood in the neck has managed to not do anything weird. I've seen a lot of basses with ski jumps and all sorts at a few years old, nevermind 50 years.
    4 points
  10. Bass Direct will be getting 10 of the 82. At least one of them is spoken for 😎. #officiallyoutofthe2023abstinence
    4 points
  11. Part of my clear out, I figured why do I need one of these when I’ve got an original Mutron III on my pedal board? Because, as it turns out having just had a play with it, it's a really nice piece of kit. Great condition, the internal duck is still alive and well and quacks and burps quite happily when you stick a jack plug up it. Comes with proper UK power supply, copy of instructions, and stupid wooden box made to be big enough for the pedal to rattle around in but not quite big enough to fit the power supply in as well. Everything works as it should, no Velcro on the bottom, very good condition generally apart from a bit of corrosion along the front edge. Happy to post of course.
    4 points
  12. I recently bought a 2011 Overwater Aspiration Elite from Bass Direct and I am really impressed with how good it is. I was in the market for a nice but inexpensive fretted 5 as a second bass, and this fitted the bill really well. However, I have decided I really don't need it as it's relegated my fretless to storage, and that's much too nice a bass to not be gigged! So, first of all it's in great condition. I don't think there's a mark on it anywhere. The fingerboard needed an oil, but other than that all is good. It's a five piece neck through, maple and something walnut-like would be my guess, with what appears to be an ash body capped with a burl maple top. It's 35" scale, so a nice tight B string, and the 19mm spacing at the bridge is perfect for me (same as my Franz basses) and the main reason I got it. EQ is a three band Overwater system designed by John East. The control cavity is thoroughly shielded using paint and copper tape. The bridge and pickups are Overwater branded too, but I assume made in Korea along with the bass itself. The standard tuners were mini Gotoh-like ones, but as the bass was a bit neck heavy I have swapped them for Gotoh ResOLites which take the weight to bang on 9 lbs and have sorted the balance. Other than that the bass is stock. I've also added threaded screws to hold the control cavity cover in place. Live, the bass is really articulate: every note comes through crisp and clear. I honestly wasn't expecting it to sound as good as it does. I've played basses way more expensive than this that weren't half as good! £400 is a bargain considering the tuners were over £100. I will include a cheap gig bag. Would prefer not to ship as I have no box, but such things are always negotiable!
    4 points
  13. I think i would reserve my judgement for the quantity and quality of their output, not whether they talked while doing it or looked like they were working, that seems to smack more of the presenteeism that is common in lot of UK management styles i have seen - doesnt matter how much someone does as long as they do longer hours and appears to work
    4 points
  14. My thoughts: 1. If costs are rising, manufacturers either have to increase their prices or reduce costs, which means economising on materials, etc. So you either get the same quality for more money or lesser quality for the same price. 2. That's because the greatest improvements happened in budget instruments, as automated production, computer aided design and CNC machining enabled manufacturers to give the customer more for the same money. There was less room for improvement for high-end stuff, which was built more for quality than to meet a price point. So the gap in quality between inexpensive and expensive instruments narrowed. I'm 70 this year and my first instruments were terrible. Today's starter instruments blow them out of the water. 3. That is relatively recent. For several decades, people have been able to afford better quality due to improvements in manufacturing techniques, opening of factories in low-wage economies and similar. It couldn't last for ever. We are seeing a period of consolidation at the moment, as equilibrium re-establishes itself.
    4 points
  15. It's high time I had a clear out and so first up is my old Hartke HA7000, which I've had for probably about 25 years. Basically it's two HA3500s in one (checks maths and nods) with a crossover. It works really nicely bi-amped with my rig comprising a 2 x10" and 1 x 15" cab and equally happy with just the 2x10" for smaller gigs. Everything works on it, it's in a rackmount case (which is knackered to be fair) but I've still got all the edges, corners and feet should you want to take it out of the rack. Comes with the instructions as well! I've had a quick look and can't find any others for sale so it's hard to put a price on it. I'd say it's a lot of amp for the money and it's in great shape so I think £150 is fair but I'm open to offers and would definitely consider accepting more if pushed. Happy to discuss shipping options if required but collection preferred. I also have a couple of old cabs which I'll be putting up for sale too at some point, a Peavey 210TX and a Peavey 115 so keep an eye out if you want a cheap loud rig!
    3 points
  16. 3 points
  17. I had a bolt-on 5 string Thumb. My first 'high end' bass. I bought it circa year 2000 from the old Bass Centre in Wapping along with a Warwick CCL combo amp. IIRC, it was ovankol body and neck, with wenge fingerboard. The former of which required regular waxing, and the latter feeding with lemon oil to stop it drying out. The tone was fantastic and was my main bass for a number of years. I've never heard another bass with that kind of growly piano tone... and that B string was perfect. But as others have mentioned regarding ergonomics, the neck dive and first fret reach got to me (I'm only 5'7" so the nut felt like it was in the next post code). Repetitive lines in the first few frets would make my left hand cramp up, and I ended up in pain for a couple of days after every gig due to the neck dive. It ended up living in a gig bag for a number of years before I finally sold it. However. I have since heard that Warwick basses made around that time had chunkier necks and were more prone to neck dive - mine was huge D shaped bassball bat of a neck. I quite liked it actually, other than the dive. Apparently more recent models within the last 10 years have slimmer profile necks again and balance better. But I would still recommend trying one with a strap, just to make sure the reach is okay.
    3 points
  18. Sorry, no photos yet because it’s currently in my in-laws’ garage; extricating it would entail: * Having to have a conversation with my in-laws * Being reminded about all the other stuff we’ve still got at their place and asked when I’m going to take all of that away * Fixing their wifi / TV / email / printer * Making sympathetic noises about the size of their gas bill * Finding something else on which to dump a pile of car engine parts So, it’s something I’m psyching myself up for. Anyhoo, it’s probably about 25 years old, something like that. Has had very little use and still works perfectly. Ported 1x15”, single jack socket on back. I fitted castors on the bottom so it’s nice and portable (ish). Specs from datasheet: 400w / 4 Ohm, 68.3h x 62.2w x 43.8d cm excluding castors, 70lbs. No Peavey badge on it because I took it off; partly because I didn’t want anyone to know it was a Peavey (I was a gear snob well before I could afford to be) and partly because it was an accident waiting to happen. To be fair, it did come in handy for self defence once when we played at a martial arts club and things got out of hand... but I digress. Also for sale are my Hartke HA7000 amp (£150) and Peavey 210TX cab (£80). Just want the lot gone so make me an offer, happy to sell the whole rig for £300. I should point out I'm only reasonably confident it's a 115BX. It certainly looks like one, I'm very confident it's the Scorpion rather than the Black Widow speaker. Here’s an artist’s impression of it in use:
    3 points
  19. Bought new from Bass Direct, it arrived this evening. I did not expect it to be so good - I don't why I thought that - but it is really an incredible bass for the money: £1300. I swapped the steel strings for La Bella Deep Talking black nylon tapes, and they fit perfectly. Everything about this bass reeks of quality. The hardware is all very good, and the setup could not be bettered. Superb fingerboard, best I've had on a fretless. I did wonder if a 30" string length would provide a good fretless sound, but it most certainly does. One dislike: described as "faded red", but turns out be more pink-red. I might consider changing that, though it's a big hassle to do so. But I'll definitely be keeping it. Full name: Sandberg California II V84 Lionel Candy Apple Red "Soft Core Aged" - quite a mouthful. Pictured next to my theorbo...😎
    3 points
  20. Holy thread resurrection 🙃 I posted a wanted ad for a fretless 4 string 30" earlier in the week and Alain, aka ead sent me a link to this very bass on Ebay, which I hadn't seen of course; took me about 5 minutes to look at the pics, find this very thread, think a bit and press buy it now😍 Had a good exchange with Rob on Ebay and he wrapped it in enough bubble wrap to cover a michelin man so Parcelforce didn't damage it and it arrived this morning as promised So nice, so very, very nice. I am no longer sad at selling the Status necked Jazz back to three, as I had a noodle on that over the weekend before packing it and had some remorse. All gone now, 30" is where I am at now Bass is slightly more light aged than when Rob bought it which I am happy about, I don't have to worry about marking it so it will be out of its case and ready to play a lot. I might even get slightly proficient 😀
    3 points
  21. Shoplifters Of The World Unite – The Smiths
    3 points
  22. Velcro for the amp would solve the first part, second, well no problem there that I can see 🤣
    3 points
  23. A 39.5" Shuker and a Zon Hyperbass?? AWESOME!! I shall try to get some orange smarties too.
    3 points
  24. Another mod... the EMG HZ pickups are 4 wire, so after a bit of internet research I've coil tapped them using a pair of push-pull pots for the volume controls. The taps operate the inner coils, i.e. the two closest to each other. The end result is very satisfying, an extra bit of colour for the tonal palette.
    3 points
  25. I’ll go the other way then… I’ll bring the 39.5 inch folly I got Mr Shuker to build…
    3 points
  26. I am pondering getting one of these : A just 25.5" (that is standard Fender guitar scale) scale length bass from Glarry, with the model number GW101, with a narrower neck to fit the small size, that is a just 36mm (Edit!!!: I stated 34mm nut, it is actually 36mm, still more narrow than the standard narrow 38mm nut) nut width, and narrower at the bridge too than regular basses. At the ridiculous low price of just 98.23 Euro or 98.99£. And they get great reviews too. Comes in transparent red or yellow finish as well: I think they look astonishing! If I go through with this and get one it would then be for tuning it in C standard tuning, that it 4 half steps bellow regular guitar E standard tuning. So planning on kind of using it like a baritone tenor guitar. https://www.glarry.co.uk/glarry-gw101-36in-kid-s-electric-bass-guitar-p282.html They are sold out at the moment, but it says a new batch should be ready by June.
    3 points
  27. Okay, Here we have a Conn alto (called a shooting star due to the bell engraving) These don't generally have the greatest reputation if you're into saxophones however, this one, does not conform to the usual opinion. It's got a great warm and rounded tone, blows superbly, no leaks, pads not that old by the looks of it. Comes with a Conn flight case, a Yamaha 4c mouthpiece and lig and some cork grease and a strap. A great starter sax that will also hold it's own on gigs. NOT the usual Conn starter level instrument. I guess this was the one that got built before they all clocked off for the first round of Tequilas. No real issues except a few age related marks and one screw missing from the lower guard (pic 4) It's £175 which is not a lot for a well usuable alto. Postage no problem or try out, and pick up near Swaffham. Tea/coffee/biscuits supplied. Thanks for looking.
    2 points
  28. NOW SOLD Almost mint condition Gear4Music rack case 3u and just over 16" deep so it's good for full size bass amps. It even has a funky little pocket inside the lid for leads and foot switches. Would swap/px for a half decent gig bag too Collection from near Harlow/Bishops Stortford or local meet up by arrangement
    2 points
  29. 2007 Korean Lakland DJ5 with bound maple board/white pearloid block markers. Subtle black sparkle finish and matching headstock. Upgraded with Delano pickups and John East DJ Retro preamp with separate battery box. 35" scale 45mm at the nut 74mm at the 12th fret 19mm spacing at the bridge, with bridge and thru-body stringing. 4.5kg weight Very very minor dings to top of headstock, otherwise all in tip top condition. Previous owner had a professional setup and some high frets levelled back in 2021 and it plays like a dream. Strung with new D'Addario Nickels with .130 B string. Tried a couple of Laklands now, amazing quality guitars and THAT B string but I’m a Fender fanboy at heart and so back to my Jazzes I go. Collection preferred or can meet within 30 mins of Cardiff.
    2 points
  30. Had a play at home with the new Shure GLXD16+ and its a fantastic bit of kit. No change in tone going from wireless to cable which is something i hadn't really noticed with my previous wireless but with this its actually noticeable in comparison with old wireless. Built like a brick s**t house both transmitter and receiver. Pretty easy to follow once i got the basic knowledge of the buttons but it really sets itself up straight from the box once you link the Tx to the Rx. Tuner is pretty good too and will be easy to read on a dull stage area. This is the pedalboard wireless receiver version. Few criticisms being the transmitter belt / strap clip. Its not great and leaves the Tx wobbling about on my strap so i've used the holder from the old system and its a perfect fit and the cable to your bass has a straight jack plug where an angled one would suit me better but its not a big deal.. Not the cheapest wireless on the market but i'm very impressed with the quality and operation at home so far. 11-12 hrs battery use on Tx. Will take to rehearsals this weekend and then a gig week after. Something that is a nice touch on this version is that if the transmitter goes down for any reason you can just plug a lead into the receiver unit and it acts like any other pedal (tuner) rather than re-arranging pedalboards on the hoof at a gig. Dave
    2 points
  31. Hmmm. 4 String. Definitely a Jazz body, perhaps a Boner just to be different. One piece (if poss) Ash body in Natural. B/W/B scratchplate. Quartersawn Maple neck with a nice straight grain. LH on a RH body. Carbon reinforcing rods on the neck. A brass nut, compensated if possible. Bullet truss-rod adjustment at the headstock end. Ebony slab board. Stainless Jumbo frets. Only a double dot at the twelfth fret on the fun face. Dots as usual along the top edge. Passive VVTT (Dual concentric) electrics Using CTS pots and a sprague caps. No notches on the controls. Edge mounted jack socket.. recessed, Not on a plate (like a Warwick) Let's have that cavity (and the pickup routs nicely shielded with copper tape then lacquered so it stays shiny Overwound neck pickup. Badass II bridge. Hipshot lightweight or Gotoh tuners. Schaller Straplock compatible buttons. Strung with DR Sunbeams...
    2 points
  32. Stewardess survives Olympic ramming. I think a fair few people might get the wrong idea about that film.
    2 points
  33. Great price on one of these. On the basis of the neck job that Dan had done on this by Jon S I did the same to my US Sterling. Lovely job and a definite upgrade to those of us who prefer a lacquered neck to the oil/wax rub jobby.
    2 points
  34. Difficult to see where they'd have the opportunity to do all that here: Never mind, there will be something else along for you to have a rant at shortly.
    2 points
  35. I had to take the pickguard off and file out the pickup holes before i could get any moverment, although i mainly did that as it was microphonic
    2 points
  36. That's a severe bummer. 🙁 These are such great all-round basses - a P, a Jazz and a Stingray all rolled into one!
    2 points
  37. That's a 2015 model year, Cor-Tek build as you probably already know, simple, efficient and very pretty indeed, particularly that neck wood. 😎
    2 points
  38. Cost cutting in the workplace doesn't have to be replacing people with machines. Example. Cut out the unofficial coffee breaks, cigarette breaks, unnecessary phone and texting breaks, talking breaks and here I mean people who do very little but talk ALL day long and think that is work when in fact they are not putting in any effort to do even a scrap of the physical part of their job. i.e. making product. Wastage by not doing the job properly the first time so it has to be done again (no money in doing it twice) Teams of overpaid parasitic idiots stood around presentation boards talking testicleese while claiming to be part of 5 or 6 s groups. Clear away that little lot and you could get over twice as much quality product out the door for less cost.
    2 points
  39. So I'm pretty sure C24 and C25 are supposed to be 10n. Even with the gain of the inverting "attack" amp all the way up (2x), you would barely hear the boost at frequencies below 7 or 8 kHz. 10n caps there would bring the cutoff frequency down around 500 Hz, which gives you lots of boost around the 1-2k "pick" frequencies and above. Maybe I'm missing something; what happens with the OUTB signal before it hits the final mixing amp is very confusing without a clearer picture.
    2 points
  40. I’m hoping to get along to this - always enjoy the bass bashes!! All being well, I’ll bring along a 27” scale 5 string, a Status S3000 and a whatever else fits in the car…….
    2 points
  41. Thank you for the info. Big thanks. Doesn't appear to be a refinish, ive had the neck off to fit a shim. Which I don't like doing but the neck had no angle at all and saddles were nearly on the deck. Actually I've had it all apart forgot to take pictures of under the pickups. Pickups cavity same colour as the body. To my surprise there was a shim already. Seen that rickenbacker pickups will fit straight in. I'm ight replace both with high gains or a high gain and a toaster. I will rework the electrics too if I do. Actually looking at the sides of the body I wonder if it is a refinish??? They did come in those colour though looking online. Hmm
    2 points
  42. Yep, that's had a bash on the strap button alright. Provided you're otherwise 100% happy with the bass, I'd unscrew/remove the button first and if no damage to the wood. Then send this pic to Thomann saying you don't consider it's worth full RRP as received but you may keep it if they refund the difference between A and B stock value. In my experience, their after-sales support is excellent.
    2 points
  43. Having given it a quick listen I'm not sure that the sheet music is totally correct, which doesn't help matters at all. It feels to me like the B chord isn't really Bm, but rather it's more of a Bsus4 thing - there's frequently an E melody note over it in the instrumental sections. The bass also plays a fill that sounds distinctly major in character at one point. So I'd think of it as being in E major, but nobody is really committing to playing the 3rd on the B chord, giving us I - bVII - V (or Vsus4, if you like). The D major chord is a very common substitution, it's a borrowed chord from the parallel key of E minor and is labelled as 'flat 7 major'. This chord crops up all over the place, often with another borrowed chord (flat 6 major) before it. Think about the turnaround of 'Crazy Little Thing Called Love', we're in D major, but we get Bb - C - D (bVI - bVII - I) Totally agree on the first point, being able to actually play the thing takes top priority. But... it's hard to 'learn the language' if you don't know what the words mean. A trained ear is a wonderful thing to have, but we need labels to put on the sounds we hear so we can categorise them - that, for me, is the value of theory.
    2 points
  44. As I always mention on these threads, the worst cover ever, Sound of Silence by disturbed.
    2 points
  45. Let us not forget that people can change their opinions (not saying Clapton has or hasn`t mind). At one gig I played a few years back a member of the audience got chatting to me and over the course of the conversation it went that he used to run with the far-right then one day a light-bulb moment happened and now he does all he can to fight against his former allies.
    2 points
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