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Showing content with the highest reputation on 14/06/22 in Posts

  1. SOLD !!! thanks For Sale this Rare Fender Precision bass, limited edition International Series "Morocco Red". These instruments were produced between 1979 and 1981 in a limited run of particular and quite rare colors. This one has the S9 serial, I tried to check the pots, but I can't go back to the exact date, in any case the bass for my experience is 100% original and conforms to the time of construction. The bass is really very nice to play, it resonates a lot and it is a very badass rocking machine!! another thing worth noting is the weight .. 3.8 kg on my bathroom scale!!! which for an instrument of those years is something more unique than rare, which is why I would want to keep it !!! I took photos both outside and inside, the color that is very particular depending on the light can range from an orange similar to a fiesta red, to a more bright red similar to a dakota red. the neck is stable and straight.. truss rod turns easily. feel free to ask for anything else!!! i could consider trades and partial trades with other 4 string basses..
    10 points
  2. Bass demo.m4a Demo from Section of recording Never saw this day coming, but I was taking it to be defretted when I was offered my old EUB which I couldn’t resist and I need the funds. This has been used for one recording gig in November since I bought on this ere forum back in September-ish I believe? Otherwise been sat in it’s gig bag. Strung with black nylons which I think suit it nicely. The bridge piezo was removed (as is quite common with these) and replaced with a lovely Krivo mag. No feedback but still retains the woodyness when dialled in with the internal tone control. I will dig out the Spotify/iTunes link to the recording, or get a demo up. You can feel the quality of the build when played, and the nylons give it a nice upright sound. The ebony board is gert lush my babber. Looks cool as flip too! Needs to be played, not sat in a case. I am not posting this without a hard case I’m afraid. But will travel by negotiation within reasonable distance of Bath/Bristol/Bridgwater areas. I’m open to offers btw, but no trades. Specs: Factory Specification: Finish Aged Gloss Top Solid Spruce; Longitudinal Bracing Body Material Laminated Flame Maple Body Dimensions Lower Bout: 17" Upper Bout: 12.6" Waist: 10.25" Body Length: 21 Neck Material 5-pc Laminated; Hard Maple/Mahogany Neck Shape Rounded "C" shape Neck Joint Dovetail; Glued-In Scale Length 30.5" Headstock Historic Epiphone Dovewing with Pearloid "Banner" logos Headstock Inlay "Epiphone" logo in pearloid Truss Rod Dual-Action Truss Rod Cover Black PVC "Bullet"; 1-layer Fingerboard Material Ebony Frets 20 Medium Fingerboard Inlay Pearloid "Notched Diamond" Binding Body Top: 3 layer Body Back: 3 layer Fingerboard: 1-layer Nut Bone Nut Width 1.65" (42mm) Pickguard Imitation Tortoise (Installed) Hardware Aged Nickel Machine Heads Epiphone Historic Reissue Tuners with Marboloid "Crown" buttons; Improved to 18:1 ratio from vintage models Preamp eSonic™ HD (High Definition) Pickup Shadow NanoFlex™ HD; Under-saddle Power 9 Volt Battery Controls Master Volume Master EQ Pickup Selector 3-way Toggle Switch, Epiphone All-Metal; Toggle Cap, White Knobs Black Tophats with metal inserts Bridge Floating Adjustable; Ebonoid Tailpiece Epiphone Inspired By Bass Trapeze Output Jack 1/4" Saddle Compensated; Artificial Bone Strings D'Addario ETB92M Tape Wound Acoustic Bass Strings Serial Number 1930's Era Replica Soundhole Label
    10 points
  3. For sale this wonderful looking and sounding Warwick Corvette Limited Edition 2016. Black Korina top, Walnut body, WHITE (rare) ebony fingerboard, Nordstrand Bigman and Jazz pickups and 2 way EQ (push pull volume active/passive), rechargeable via USB (optional). MINT conditions. Comes with original leather case, masterbuilt certificates and tools.
    8 points
  4. Spector Euro 4LX in black trans finish, with some nice redish brownish accents which I have tried to capture in the photographs. Dates from 2012, so still in great shape given the age. £1350 shipped Mainland UK in flight case shown in photographs. No trades. Weight is 4.138kg Fitted with Tonerider P and J pickups. I tried many different pickup combinations in this bass as a different flavour to normal Spector EMGs and these Toneriders are by far my favourite. Note the covers are loose on these pickups so you could change to solid black pickup covers for a more traditional, sleeker look. Great overall condition, just a few minor rings as shown in photos, small scar on back of bass, some blemishing on the top of the 3rd fret area, some blemishing in the 13th fret. All fairly minor in my view and shown in photos.
    8 points
  5. So - extender. I found a piece of ebony offcut and cut it to the right depth, but 5mm longer than the extension distance I was planning for. I then filed an angle, for reasons I'll come to: Next, on the opposite face, I marked the position of the four strings and spotted them with a 7mm brad-point drill. Lining up with a square, I tweaked the angled face until a vertical drill would create me the necessary allowance for the break angle of the strings: Then to the little drill-press. 4mm holes for the bass strings, 3mm holes for the treble: A filing off of the angled ramp and a groove chiselled in so that the block would slot into the clasps and lay flat against the back of the bridge: And...to my admittedly great surprise...it works! Next is investigating those odd kinks in the standard string positioning...
    7 points
  6. Here's my 1986 Westone Thunder III Bass. Several modifications. Those Westone pickup covers hide EMG pups. A precision type at the neck and a dual coil at the bridge. Badass II bridge. EMG BTC tone control. Gotoh tuners. I've kept all the original circuitry and hardware so could put it back to 'stock' but I doubt I ever will. I bought it new from the Bass Centre London in 1986 for £386. It has been my main gigging bass for over thirty-five years and has stood the test of time better than I have. Incredibly low action, fast neck and fabulous tight, punchy 80s tone.
    6 points
  7. Cr@p, I forgot I was posting progress…. Ah well, please see completed build.
    6 points
  8. 5 points
  9. Second three-gig weekend on the trot (kind-of)... this time with three different bands. Friday was a dep at a club in Sunderland with an Eagles / CSNY / Byrds / Steely Dan etc. band I occasionally work with. This time they also had a dep guitarist, which kept things extra spicy. Lots of hoying in BVs and last-minute set additions to cater for the even newer dep. Gig two was a charity do with a bunch of pals. 250 people in a club in Cullercoats. Raised a load of cash for North East homeless. Here's a bit of a tune: ..and gig 3 was supposed to be the highlight, but unfortunately it wasn't to be. The first gig by another of my old bands in ten years at a festival not far from home. Very excited, people traveling from afar... but the British weather had other plans. Two songs in, the heavens opened. Ah, well. Here's to 2032.
    5 points
  10. *** Now Traded *** Hi Folks, Heavily modified 70s MIJ Maya Jazz 'Stealth Bass' , with John Birch pick-ups For Sale. Back in January, I was scouring the internet as you do, looking for an unusual bass to buy, and this one caught my eye on Gumtree. It's a heavily modified 70s Maya Jazz Bass (which in itself is a good thing IMHO) that has been turned into a 'Stealth Bass', complete with a body refinish in a kind of satin black (that's almost impossible to photograph), and kitted out with all black hardware, which I think looks great with the maple neck and black block inlays. The most interesting of all those mods are the two John Birch pick ups, which are not only very unusual, but super-loud and sound great! The guy I bought it from who had all the work done, said he wanted the loudest, punchiest sounding pick-ups he could find, so he chose these... There seems to be a lot of mystique around John Birch pick-ups, and I have to confess, I don't know much of the background .. But these pick ups - set up in a simple V/V/T configuration - really are quite different sounding to me.. Too my ears, they're much more like a proper vintage Thunderbird than a Jazz Bass, but there's a fab, old-skool, Motown tone to be had too from the neck pick up and, when balanced so that the bridge pick is more prominent, the sound reminds me a little of my old Wal Pro IIE basses.. I'm not 100% sure, but I think these are John Birch Hyperflux pick-ups.. See here for more details.. https://www.seymourduncan.com/blog/swd/years-ago-i-heard-of-a-company-out-of-birmingham-england-that-made-guitars-and-many-models-of-pickups-who-was-it-and-what-kind-of-pickups-did-they-make-lewis-harley-isle-of-sky-scotland And there's more info on John Birch as a luthier, and his pick up designs, here: https://en.m.wikipedia.org/wiki/John_Birch_(luthier) (I've included a couple of photos of basses fitted with John Birch pick-ups for reference..) When I bought it, the bass played well and sounded really good to my ears, but I was convinced that the bridge was slightly out of alignment. So, I took it to our very own @gary mac, who did an excellent job of moving the bridge 2mm, and giving the bass a good set up with a set of D'Addario NYXL strings... The action is set now at what I would call medium height , and the neck plays really well.. However, the truss rod is working as it should, so a lower action could definitely be achieved on this bass if required. Weight is 4.6kg (10.14 lbs). As quirky and cool as this bass is, I find myself still defaulting to either my G&L SB1 or my BC Rich Eagle when playing, so this is just not getting used.. Hence why, as part of my gear clear out, I've decided to put it up for sale. Hard to put a value on this, but it owes me the best part of £400, so I'm offering it for sale at Now Traded. Try out welcome and collection preferred from Potton, near Sandy in Bedfordshire, but postage is possible at buyers expense and risk. Please note that I don't have a case for this, but I would ensure that it is very well packaged up for shipping. Having said that, I do have a nice tweed Thomann case that could be included at an additional cost.. Any questions, please ask here or send me a PM and I'll do my best to answer them. Thanks for looking.. 😊 Nik
    4 points
  11. Facing up to the fact that as 90% of my work is unamplified gigs on upright and I can't have this sitting on a shelf... Cali 76, TX version that can run at 9V-18V. I used this on gigs a lot after first buying it and loved it, it has a few scuffs but is in very good condition overall - if you want more detailed pics of specific areas then let me know. It comes boxed with original manual and info. Asking £580 collected from Egham (minutes from M25 J13) but will also ship according to the buyer's preference. Optional extra: if you have a Noble DI then Jack made me a cable so you can run this at 18V from the Noble's 9V outlets.
    4 points
  12. Many years ago the band I was in were filmed for a TV programme. We all had a few drinks beforehand to chill and because we played better that way anyway. The show was never broadcast, and when I saw, but more importantly heard the tape I immediately knew why, we were appalling. Where we thought drink loosened us up and made us play better what it did was loosen us up so all the timing and precision was lost. Lesson learned for me, though I have to say to my shame I still played gigs drunk afterwards in both that and the next band. In my last band (fast forward some time from the above, and to where I no longer drink alcohol) the other guys might have one drink beforehand but we always worked on the thought that people were paying to see us so we should provide the best performance possible, playing drunk would be short changing them.
    4 points
  13. It must made out of 'Tone Tin' surely, or else it would sound terrible? 🙈
    4 points
  14. You lightweight Tim! Thursday - guitar with a Stones tribute Friday - rock’n’roll guitar Saturday - country bass Sunday - rock’n’roll guitar Monday (tonight) Tuesday Wednesday - Bowie tribute rehearsals (guitar)
    4 points
  15. just saw this Laurence taught me how to read music in London at what was Haringey Boys in 1983-85 in crouch end at the time he lived in Muswell hill. I still have the bass books he said i should buy and i still use them to this very day and the hand written notes scales he did for me after all these years. Without him i would not be able to play a note.
    4 points
  16. I am a real human who engages in real human activities. Less a bass player than a bass ally, but still interested to know what's going on. A big fan of a solid bassline, but more likely to create it on a synth of some sort. A friend has introduced me to these forums as he's serious about his bass and an excellent musician.
    3 points
  17. Hello everyone! I'd like share my YT channel where I play songs on bass with tabs on screen. I have a format where I try to have the most accurate tabs possible and another where I make a simplified version https://youtube.com/playlist?list=PLQbYhcxA7rYMa5DaWkF55M_EXG1IRXSxi https://youtube.com/playlist?list=PLQbYhcxA7rYMUigXZszy_bDS_x4w4tjL5 I hope some of you will be interested! Matt
    3 points
  18. I’m thinking to open an instagram page about “old basses & old tractors” 😂
    3 points
  19. Welcome to many a female bass player's world! I've come to believe that most musical instruments, not just basses, were originally designed for tall, strong male players. I guess it's a bit too late to try and fight the situation now, so you either confine yourself to small-bodied, short scale basses, or say to hell with that and play whatever bass makes you happy. If the size or the weight of the bass, or the length of its neck, doesn't affect your comfort while you play, just play what you like. It's not the size of the player that matters, it's how good he or she is at playing...
    3 points
  20. 3 points
  21. Third Eye Tool double whammy
    3 points
  22. I don’t drink so I’m always sober, it doesn’t make me play any better though 😁
    3 points
  23. I prefer to have a couple of drinks before/while playing, but everybody else prefers me not to. Used to play with a drummer who didn't have a car, so always cadged a lift with the guitarist. Guitarist had to stop after a pint or so, whereas drummer got so relaxed he'd be slipping off his drum stool. Playing gigs is great, drinking is great, but not at the same time.
    3 points
  24. Follow Through Follow Me - Genesis
    3 points
  25. As good as it appears to be, it is totally blown out of the water and into matchstick sized smithereens by the extraordinary teeny-tinies built by our own @Jabba_the_gut. They have to be heard to be believed. Here are a couple of shots of his amazing instruments from one of the South West Bass Bashes.
    3 points
  26. I would suspect that if the slot was not offset, then the amount of material between the screw hole and the string slot would not be enough to stop the saddle from breaking in two.
    3 points
  27. I would go for this G&L over the Squier: https://www.bax-shop.co.uk/right-handed-bass-guitar/g-l-tribute-series-jb-3-tone-sunburst-electric-bass-guitar
    3 points
  28. Good point. In my defence, I wear particularly thick socks, so the approximation to a planar surface doesn't apply.* * he says, quickly thinking on his feet.
    3 points
  29. Anybody who’s serious about singing in church should be open to having lessons. I took a couple of singing lessons off my own back and out of my own pocket recently, purely because I want to protect my voice and give the best of me to church. Anybody that wants to sing but won’t have lessons and won’t listen to constructive criticism is driven by ego and not faith.
    3 points
  30. Which reminds me of that gag that ends "Tony Curtis doesn't have his hair cut like that." "He does if he comes here." 😀
    3 points
  31. Want this gone to make room for incoming! for a hand made guitar that plays nicely, but needs a bit of love. Beautiful nylon electro acoustic. Handmade in Bulgaria, LR Baggs electrics. On closer inspection this has had a more substantial repair than I’d realised and have attached another picture of the inside under the bridge. Looks like it was to reverse some “top lifting”? Still has nice action, but obviously with the top “anchored” it has less movement/vibration acoustically. However, through the piezo this has less of an effect, only that the contact is less even across all strings, most noticeably the A string has a lower volume. As a result, I have reduced the price to reflect this and in interest of full disclosure. Has small scratch on back (see pics). Here are the specs from Kremona site https://www.kremonausa.com/en/signature-series/lulo-daimen-kremona/ Comes with new tourtech hard case and new unopened spare set of strings. Only selling as need to raise funds. Would prefer collection meet up, within Bath/Bristol areas or by negotiation. Otherwise could post as it has a hard case.
    2 points
  32. I suspect @nilorius is trying to get his rank up, but it is definitely coming across as a bit troll-ish as this is not the first thread that he's written to spark responses with multiple self-responses within an hour of posting. I would suggest you let people respond of their own free will and not relentlessly bump your posts - we are capable of reading and responding to posts if we chose to do so. I would also hazard a guess that you know full well the specs of this bass! But on the off-chance you are genuine, then I'd say the top and back woods are stabilised buckeye burl, the bridge is a Hipshot Type-B, the tuners are Hipshot Ultralite, the pre-amp is 18v (possible Bartolini, if you open the back cavity it'll be more obvious) and the pick ups are Bartolini. It appears to have a radiused ebony fretboard and perhaps an Ash body with maple mahogany neck. That's my 2 cents.
    2 points
  33. I like it more when the lineup isn’t too compelling. No rushing around the site to catch all the acts you’ve planned to see, more ambilng about catching random acts you’ve never heard of. Also, there’s nothing up against Macca
    2 points
  34. I'm 5' 4" and although I've tended to choose smaller bodied basses because I find them more comfortable to play, I never gave my height: bass size ratio a moment's thought. My main instrument is double bass, which is 6" taller than I am - never gave that a moment's thought either. As @obbm pointed out, Suzi Quattro spent most of her career dwarfed by a Precision but was still the coolest bassist on the planet at the time.
    2 points
  35. It Started With A Cyst Hot Chocolate
    2 points
  36. Never stopped me. At 5'6" I'm shorter than you, but for most of the 90s my main bass was a 36" Overwater Original as seen here: And here with a more conventional scale, but larger bodied Warwick StarBass II:
    2 points
  37. 2 points
  38. Hm, have done both but probably best to abstain for me. Interestingly, I met Allan Holdsworth before a gig and he was putting them away. Apparently helped him with his stage fright. When show time arrived he was staggeringly good...
    2 points
  39. Never played anything having touched a drop. I do like a drink, but as I was always driving, I've always operated a zero-tolerance policy when driving, and/or performing.
    2 points
  40. Sotally tober here... 🤪 Seriously, living in the sticks as we do, playing anywhere inevitably involves driving , so no alcohol. That said, the venues we've played so far this year (a local village hall twice and a couple of pubs) have all had an alcohol-free beer of some sort on offer, either bottled or on draught, which suits me just fine. Cheers!
    2 points
  41. I knew I should have stayed away from this forum, that is lovely! If either my bike or my saxophone sell soon enough..................
    2 points
  42. This Is The (Bell)End - Doors
    2 points
  43. The bit my foot pushes through is a hole..!
    2 points
  44. 2 points
  45. Ah yes, Wayne Ellis.... lovely bloke. I too always struggle with his use of a Stingray. As much because of the clicky hi-fi tone he gets from it as the way it looks in a Lizzy tribute. Speaking as someone who did a tribute for 25 years and paid 100% attention to detail that really bothered me. 'Tribute snob' that I am....
    2 points
  46. One fairly new to me 32” scale Aria TSB650 from 1979 next to my ‘72 Jazz. Both strung with TI jazz flats but the Aria thumps and growls like no Jazz bass ever has. Those pickups are amazing. It’s a dream to play and is my current gigging machine.
    2 points
  47. I've only ever commented on someone else's bass at a gig twice in my life, once when after some drink had been taken I approached the bassist from Limehouse Lizzy during the break (he was at the bar in a small club) and asked how come he was playing a Stingray...he said "Because I like Stingrays", and he's a big bloke, so I smiled, nodded, bought him a drink and we chatted about Stingrays (tho as a trib band I thought it was a valid question...they'd gone the extra mile with all the other stuff), and the second time when a bunch of kids (and I don't mean the 50-somethings 'bunch of kids' here, which can mean anyone under 30, I mean young teenagers) were playing before us in a bar (they were very, very good), and I had a chat with the bassist/singer's Dad, mostly to say how good I thought she was/they were, but also to gently suggest that a short(er) scale bass might make her life a bit easier - she did seem to be struggling on the full-sized Jazz she was playing - and he was actually very interested, having thought short scales weren't 'proper basses' - he was an ex-guitarist, after all... Other than that, yer honour... 😕🙂
    2 points
  48. For sale Origin Bassrig Super Vintage, Ampeg SVT in a box, 1 month old, never used. Unwanted gift. collection welcome UK delivery £10 SOLD based in Reading The BASSRIG Super Vintage is, quite simply, a complete vintage bass amp in a pedal. Based on the iconic Ampeg® SVT®, we have used all-analogue circuitry to recreate a complete valve amp-style signal path, along with an all-analogue cabinet simulator, giving you all the warmth, feel and drive of this classic bass rig in one small box. When the SVT® arrived on the scene in 1969, it rewrote the rulebook for purpose-built bass amplification. Thanks to its enormous power, deep bass, growling overdrive and purposeful control set, this tower of tone has remained the amp of choice for the most discerning bassists on the world’s biggest stages. With XLR and ¼” outputs, the BASSRIG Super Vintage will fit seamlessly into any signal chain, no matter how simple or complex, and our powerful Amp Out EQ tailors your sound to work with any amp, meaning you never have to compromise on tone.
    2 points
  49. NOW SOLD Before the introduction of the Sterling by Musicman range, OLP (Officially Licensed Product) briefly produced the MM22 bass - effectively an active budget Stingray with two humbuckers. Many OLPs have been modified to be active – this one was designed and built that way in the early 2000s. The MM22 was made in Korea, unlike its brand predecessors, and was good enough for Sterling Ball to reportedly say: ‘OLP quality was all over the board much to my disapointment… why do you think I cancelled the deal? The irony is that the last batch were made in Korea at a higher price point due to the Sub leaving the markiet and they were truly great... too good, but too late.’ My pristine example is finished in a metallic flecked grey/gold – very hard to describe but very attractive on stage. Also unlike earlier OLPs, it has a three-band EQ and five-position switching, which opens up many possibilities. On a physical level, having a second humbucker also lets habitual Fender players like me anchor their thumb, something I could never do on the three Stingrays I have previously owned. Switching options: 1. Bridge humbucker 2. Inner coils (both) 3. Both pickups 4. Outer coils (both) 5. Neck humbucker So the tonal options range from the bridge pickup’s anticipated Stingray tone through a hollow Gibson EB type sound through Bongo to Jazz (great for slap) and finally a P-like thump at the neck. If that’s not versatile... Hardware-wise, the metalwork is certainly as good as MIM Fender. The MM22 has a basswood body but also has contours, as per the ‘real thing’. But the real star of the show is the fast and very playable neck, 42mm at the nut. It has an attractive flame in it but is also lacquered – I never liked the painted US Sub neck nor did I get on with the oiled EBMM necks, so this scored with me. To cut a long story short, if you buy this you get a Stingray-esque bass for considerably less than Squier money. Its been cleaned, set up and re-strung with d’Addarios, ready to rock or funk as appropriate. Here’s a video demontrating a similar example, plus photos of the actual bass. Thanks for reading! STOP PRESS: PRICE REDUCTION TO £249
    2 points
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