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my own frog

https://www.loudersound.com/news/geddy-lees-big-beautiful-book-of-bass-gets-release-date Looks interesting, especially for us Rush and Ged fanatics! 😁

Booyah! I'm a happy chappie.

Hello guys, This is Ryan Owens from Trickfish. Thanks for talking about the giveaway and the Trickfish Bullhead .5K! You are correct that we do not publish an RMS rating for the amplifier. We do this for the very reason of not wanting to publish confusing information. The fact is that there is no set protocol for establishing an RMS value and because of that you never know if comparing the RMS of two amplifiers is actually an apples to apples comparison. We have chosen to publish the most accurate specs we can to allow the user to be informed about the amplifier: 8 Ohms - (continuous power 235W @ .13% THD, 365W @ 1%THD), (peak power 506W @ .13% THD, 730W @ 1%THD) 4 Ohms - (continuous power 312W @ .13% THD, 702W @ 1%THD), (peak power 625W @ .13% THD, 1404W @ 1%THD) I will also add that the power section of the Bullhead .5K is the ICE 700ASE, the same power module in several other amplifiers in this price range. There is detailed info about this power module available online. I think there was also a question about the frequency selections on the Bullhead .5K. Let me describe the preamp a bit to help you get a better idea of how it works. The bass and treble settings on the amplifier are shelving EQ's. For the BASS setting you select you will be adjusting that frequency and everything below it..... for the TREBLE frequency you will be adjusting that frequency and everything above it. The LOW MID and HIGH MID are variable band pass EQ's. We have the width dialed in depending on which frequency you have selected. These frequency settings and widths are all very carefully dialed in for a bass instrument. To me, that is what makes the Mike Pope preamps so musical. The frequency selections are labeled on the amplifier so you will know exactly which frequencies you are dealing with. They are: Bass: 40Hz or 80Hz Low Mid: 333Hz or 473 Hz High Mid: 1kHz or 1.8kHz Treble: 4kHz or 8kHz I am happy to answer any other questions you guys may have and hopefully some more guys who have first hand experience with the amplifier will chime is to give their impressions. Thanks guys and good luck for those of you who entered the giveaway. Ryan Owens Ryan @ trickfishamps.com

Great stuff man, nice one!

SKB hardcase with jazz bass

I've already got it on pre-order

I hear they are good for playing a Tango or two

I think I overdid it yesterday, my foot was hurting again this morning but hey... it's getting close to the good bit now and I'm getting excited (I live a sheltered life ) First job was to cut the other jack plate recess. Then time for the final sanding, I sanded the back and sides down to 240 grit and the tops down to 180 grit; I did explain this before but just in case: Sanding with too fine a grit can lead to forming ripples where the sandpaper removes softer wood faster than the harder wood. Given that on Mahogany it is very unlikely you'll be able to see sanding marks from 240 grit I stopped there. The tops are getting grain filled and painted so there was no need to be too fussy, nothing will ever be seen even if I stopped at 80 grit. I also masked off the neck joint, I did a double layer just in case some spray got in there. After that and still before breakfast mind, such is my enthusiasm! I sprayed the first coat of sanding sealer from a rattle can as I was just feeling too lazy to set up the compressor. after an hour and breakfast I sanded them and sprayed another coat and left to dry off for a couple of hours. Then I cut them back right up to the banding so they were smooth but leaving the bindings straight from the can for protection against the grain filler. I masked the sides just for general tidiness then put on the first coat and wiped it smooth and went to sit down for a few hours. The destructions say 4 hours so that's what I gave them before cutting back with 240 grit again, It all looked good other than a couple of patches I wasn't sure about but either way they got a second coat of grain filler along with the headstocks, I did those too (forgot). That's it now until tomorrow, sand them back, give them a thorough inspection and maybe get the spraygun out and put the black on if I have the time

@intime-nick - it's all very addictive stuff. I would not want to do a gig any other way now. I know that they are perceived as very expensive headphones... but the performance of some of these IEMs... they are simply staggering. The lows on these 64s... I'm sure if I wasn't careful, they would be way, way, way too much. And when I look at my ACS where I started compared to where I am at now... well, there's just no comparison. I've been lucky to try quite a fair few IEMs in my time now, especially with all the tradeshows I do... and I just don't know why people wouldn;t go this route. It's just that to some people, dropping a shed load of cash on "headphones" just isn't as satisfying as buying some wedges. Personally I prefer not having to carry the wedges and having a superior monitor mix. But hey, thats just me! 😛

I have absolutely no complaints about my Jake 5, either. It exceeded my expectations, which were already high. Fit and finish are perfect.

I don't agree; there's quite orange of good stuff posted here.

What do you want - blood? 😀

You have to be careful with your pronunciation in certain places. You might get a sting in the tail otherwise.

Oooo, Nordstrand...I have a single Bigman pickup in one of my Shukers, it's basically two Big Singles, and I have it three-position-switched for single coil (front coil), parallel and rear coil (series was just wayyyy too mental) - it's a great pickup in a MM shell. Now then...a nice light P with two of these and the switching/controls of that MTD (two 3-way switches, plus blend)? Bwahahahaaaaa.... 😀

Either enjoy the space not having the other guitarist gives you as it also gives the audience a break from the wall of sound, or listen to more Jack Bruce and move the bass part around. Cream never sounded thin. Do some walking - or play some octaves with the drums. 3 piece bands (or 3 musicians and a singer !) are the best fun for bassists. Enjoy it!

Aye, there are loads. Lived there for 10+ years and go back once a month. Go to rue victor massé in the 9th. There are many side streets and parallel streets off that street with music shops. Rue victor massé is one long street of specialist music shops, at least 2 bass guitar dedicated ones, others dedicated for pedals, left hand only, vintage, acoustic, and even pointy headstocks. Lots of small stores. Much better than London (where I live now) imo

I wondered if anyone else had seen this recently...

I've never understood the "not versatile" thing, there must be an example of one being used in every genre of music to good affect. I think there are players that have a fixed way of playing that are used to being able to adjust from front to back pickup along with the tone or EQ controls to get a variety of sounds, imo it's the player that lacks the versatility not the bass.

The Stingray was always my dream bass, ideally in translucent teal green or natural with maple neck. When the band I was in got a record deal in 1998, we negotiated an advance each to buy new gear. I asked for £5k and popped to the Bass Centre in Wapping and got me a 3EQ translucent teal green Stingray. I was so excited, it was gorgeous but my excitement was short lived. No matter what I did, it just never sounded good for me. Thin, twangy, buzzy and just horrible. I was playing guitar punk pop and it just never worked where a Precision or Jazz was right. I eventually sold it. A few years later, having not given up on the idea, I bought myself a lovely natural 3eq Stingray to use in a new band but again, despite coming close, I just couldn't get it to work tonally so I sold it. Now, 8 years ago, and still not prepared to give up on my dream bass, I got myself a 2eq translucent teal green Stingray from Tom1946 on here and she is a totally different beast. Way more versatile tonally than a 3eq and I totally love her. I still don't think I will be fully comfortable with the Stingray tone over a Precision or Jazz but the 2eq certainly is a lot closer and easier to dial in for me so for now I am happy.

Leave 20 quid or so in your budget for a decent sack-type trolley. Your back will thank you.

Hi everyone, I had some interest on this particular part of the forum before, so here is a quick note to let you know I have a new analysis on my Jamerson Analysed site. This time I take a look at an old favourite 'Darling Dear' by the Jackson Five. I breakdown the line, looking at his melodic and rhythmic decisions, before covering the track in a video at the end of the article. If you haven't visited the site already then take a look - there are a load of other Jamerson tracks broken down and analysed. Cheers! Chris. Article is here - http://www.jamersonanalysed.co.uk/2012/01/darling-dear-jackson-5-1970.html Or if you just want to watch the cover video then you can here - https://www.youtube.com/watch?v=5kg9_2teoA8

I've got a Rootmaster 800 for sale on here, only selling it as I have two, plus an ABM. Sounds good for a class D, nice and light, too. Played many gigs with one or other my RM800s and a Super Compact.

Tough!!

Amazing and superb playing in the video. Probably one of my favourite bass lines ever. Thank you for sharing.

Yes, it's the same bass with the same discolouration near the trussrod "bullet" mentioned by Alan himself.

Nah, this thread is strictly for dinosaurs. 😛

It sounds a bit like the tweeter dial wasn't set flat. It works in the opposite direction to that of a normal tweeter attenuator. I'd also hazard a guess that most super tweeters spike in their sensitive region whereas the crossover in the BT2 will probably endeavour t keep the spike out of the sound and thus it won't have that 'tear your ears off' quality. Just some possibilities but I can not answer for sure as I wasn't there. If I were I'd be able to give a definitive answer Ok, my answer? IEMs.. (That really doesn't help ha ha!)

Some people are just glass (of orange) half empty....

Si bought a Lakland bass from me. Perfectly easy sale, great comms and cool dude to boot! Enjoy mate 😁

If I could have just one higher cost bass then it's a Stingray in natural finish. Only a Fender Jazz , also natural finish, comes close. Why? mainly because Louis Johnson - my fave player - played one in his Star Licks video. This is what taught me to play slap / funk bass. I can't justify the £2k price tag so got myself a SUB. Despite being less than £300 it certainly doesn't feel or play like a cheap bass. Not that I gig much these days I wouldn't be at all ashamed about playing one in public.

Pawel bought a set of flats off me. Done several string trades with this gent and this time was yet another effortlessly smooth transaction. Nae danger here

WOW ! Can she even play an instrument yet? So glad it's going well, all the best mate

That trans white 55-94 and tobacco 55-14 are both awesome!! Very cool Si

CDs, you’re so 20th century 😊

OK, obi 2 kenobi, what we really want to know is what exactly were you searching for to get this as a result ??? Traditional untainted German culture?............... Ahem..... Tight leather shorts????..........Cough............. Band vacancies in Bavaria ??????????????

OK, this has been playing on my mind for the longest time, in the end I thought I needed to get one. I figured the 25 wasn't much use because of the size but I couldn't justify the 49 (not even thought of the 61). In the end I thought I would get a 25 as it was reasonably affordable second hand, if I didn't like it I could flog it again, if I did like it I could flog it and put it towards the 49. My 25 came yesterday and it is so different to the demo units I had tried. There is no drag and it is the most expressive keyboard experience I have ever had access too. The thing is wonderful, if I had had this when i was 14 I woudl never have given up the keyboard and taken up the guitar. So I will keep it for a while and if I am still regulalarly playing it in a few months, I will get a 49.

This is me with my Gibson Thunderbird.

I think they finally learnt to glue it properly (fingers crossed, I use my Two10s regularly and they still look fine) edit: one of the handles seems to be coming loose... I'm not kidding. Really. Deep breath.

There is no way I'd ever be able to buy a Fodera so I'd be thrilled to win that. I'd keep it and gig the crap out of it.

I'd say my nanyo bass collection. 200 quid and it's bloody astounding. Everything of it feels quality. I bought it basically to try it, as I'd heard good things... But it absolutely exceeded expectations! It's my #1 bass now. I've played dep gigs with absolute strangers who've commented mid set on how clear and precise it sounds. Obviously I take full credit for it, but it's entirely this bass!

Eww. just kidding!!

ha ha ha hahahahahahahaahahahahaha hahahahahahahahahahahahahahahaha hahahahahahahahahahahahahahahahahahahahahahahahahahahahahahaha Never.