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Showing content with the highest reputation on 31/07/18 in Posts

  1. Came across these on Facebook the other day and subsequently searched Youtube and there's plenty there too, absolutely awesome. Here's their version of Distant early warning:
    4 points
  2. In the last 10 years I've only played Bergantino and Barefaced. The Berg tone was particularly impressive and I felt I'd reached a whole other level in bass sound when I got them. IMO my Barefaced cabs are another level again, they are monsters for sound and get even more positive comments than my Bergs did, and they generated a lot of praise. IME people do notice the bass player, if you sound good enough! The BF cabs are lighter and I need fewer of them to cover all levels of volume that I require. If my rig was stolen I'd happily replace it with either, but a BF rig would be at the top of the list. I'd expect all of these cabs to sound totally different to your Markbass rig. You might find that a little off putting, maybe not, but the difference will be very noticeable. IMO the difference was a revelation to me and the extra tone and clarity gave my bass playing a boost. I've not heard an amp that didin't sound good through either Bergs or BF cabs. You can go down to Brighton and try Barefaced cabs in the factory. If they have a demo unit on the shelf you can borrow it. You can send the Barefaced cabs back if you don't like them. You can't audition the other cabs and you'll be stuck with them if you change your mind. I'm sure that if I heard one I'd love the VDK. At this level there are no bad cabs, just preferences. PS Sorry, but Barefaced cabs are not flimsy. Don't confuse light for "flimsy". They are as solid as any standard designed cab. If you are careless enough to damage a BF cab you'll have done more damage to a regular cab. I carry all my gear and don't have access to roadies. In 10 years my cabs have never even been scratched. Good covers and care are all that is needed. my 2p
    4 points
  3. Coffee and KitKat at inflated price at a convenient filling station.
    3 points
  4. This has the makings of one of the most useful BC threads ever.
    3 points
  5. More my era of Rush, but this is terrific, too, especially the vocal: I've heard Geddy worse...
    3 points
  6. For sale or trade is my beautiful Music Man 25th Anniversary 5 string. The Music Man case is included. The Bass is in a very good condition and has only some really small scratches on the backside. The sound is incredible versatile. It has a authentic p-bass and Musicman tone. The 4-band eq is mighty! some soundfiles and specs: https://www.bonedo.de/artikel/einzelansicht/music-man-25th-anniversary-bass.html The bass is located in Germany. Shipping is possible. Cheers Chris
    2 points
  7. Hi everyone, I bought a cheap bass Sunday for parts or maybe another build, its a spider bass ? never heard of them. Anyway it has pups and tuners a bridge the neck has been very poorly converted to fretless, the body is a plywood thing that has been butchered in the neck pocket, I thought about re fretting it but ive never done that before but it hasn't cost anything yet so nothing to lose, this is were you come in what fret wire do I buy ? this may not happen depending on the state of the neck, it has been filled in the slots with a softish filler so it might clean up without to much hassle because I haven't got a fret cutting saw. I have an old front door that I took apart to make a body but I wont start that until I sought the neck out, ideas and criticism gratefully received.
    2 points
  8. I too used Markbass very happily for many years, had 2x10, 4x10, 1x12 (x2) and 1x15(x2) and have held onto a couple 1x12s. Still great stuff but Vanderkley and Barefaced are in a different league, which their price would suggest I visited Bass Direct a few years back and did a direct comparison between Bergantinos and Vanderkleys, and I went for the Vanderkleys.. I have been using Vanderkleys for about five years. I recently acquired a preowned Barefaced Super 12T which is a superb one cab solution and I now have trouble choosing between this and two MNT112 or a single LNT210. I visited Barefaced in Brighton and did a direct comparison between the Big Twin and Super Twin. The Big Twin was probably the best single bass cabinet I have ever heard, but as I am nearly always DI'd hrough PA, I went for the portability of the smaller cab, but sonically the Big Twin Is quite a bit more impressive. Barefaced cabs do use relatively thin ply, but are very rigid and well braced. If you respect them and dont hurl them about they are robust enough and really easy to touch-up. The pre and after sales service at Barefaced is excellent . Vanderkley cabs use thicker ply, have less bracing and do seem more robust. I have always preferred tough carpet covering to Tolex, but the 'lumpy' paint on Barefaced cabs is a doddle to maintain. Vanderkley use custom Faital Pro drivers, Barefaced use Eminence drivers wound to Alex's specs. Both companies give exceptional service. A difficult choice, unless you get both!!
    2 points
  9. It's one of those things, they'll all be good, but you just have to make the best guess, if you can't try them. Everyone is just going to say what they use is best for X reason. FWIW, I had a VK 212MNT. Don't be put off by it being rated at only 600w... It's a hugely loud cab and took all a 900w amp had to offer. With very strong lows and clear highs. I went back to Markbass however, and for what I want it does the job far better. Its obviously not a better cab, just better suited to what I need.
    2 points
  10. I love playing The 100 Club, iconic venue, you just get the feel of the place when there. Also love The Star & Garter in Manchester, just great gigs and great audiences, in a venue that is standing proud in a development area and not moving. And lastly The Rebellion Festival at The Winter Gardens in Blackpool, just love that, the biggest and best punk festival, being asked to play there is awesome. 200+ bands over a weekend, you get to catch up with so many people that you`ve met over the previous year, it`s just an amazing time. We`re setting off tomorrow (playing Sunday afternoon), am so looking forward to it.
    2 points
  11. @TimAl. Been on your site. Very nice job! Seeing that you can make everything you are the obvious choice.
    2 points
  12. I saw that clip last week and was really impressed. The bass player gets a great Geddy sound from his G&L bass. Another fun Rush cover band are "Fred Barchetta" who feature Uriah Duffy (ex Whitesnake) on bass. The girl singer really nails the early Rush vocal on this track, I've included a YouTube link below: (Incidentally, how do you embed YouTube clips in replied on this forum?) http://youtu.be/HodK8zn7xz4
    2 points
  13. These puns are boring; the're just going rind and rind.
    2 points
  14. FRFR. Line out from your preamp of choice (or amp, just don't use the power stage), into... RCF 735A or RCF 745A. Will smoke all the aforementioned cabs, especially on treble extension.
    2 points
  15. My back wants me to like Barefaced, but 40 odd years of playing through cabs with ‘baked in tone’ mean I struggle to hear what my brain wants to hear with the ‘clean’ output of the Barefaced range. i haven’t tried the Bergantino, but have played through the Vanderkley albeit at low volume, and I loved the sound. Very creamy and musical sounding, even with the matching amp set ‘flat’. If I was to be persuaded to move away from my SWR Goliath, then the Vanderkley would be top of my list.
    2 points
  16. Based on this I would say Barefaced. They're the one cab that with the 12's I couldn't give you and description of their voice. They're just very flat, and I'm often really surprised at how different, different amps can sound with the same cab. The treble extension with the BT2 is also really nicely executed. The Bergantinos have probably more of the colour I prefer, but they are coloured, which isn't really what you're after based on that quote. Not much experience with the Vanderkleys, I was always recommended against them for one reason or another at the time of buying. Barefaced it is in my view!
    2 points
  17. Gigs I love? I love playing in big fields. Open air festivals, that is. Big stages, big sound systems, big stage sound, captive and appreciative audiences and you also get to see some great bands on the bill. We were booked to play one early this year that was washed out and had to be rescheduled but I haven't been rained on at an open air gig in a few years.
    2 points
  18. Withdrawn. It makes no sense to try to sell this bass for an amount that is close to the amount I spent refurbishing it in the past 12 months. I will keep it although I am committed to playing 6 string basses now and will find another way to fund the ACG build I want. Thanks for all the kind words. John
    2 points
  19. I was trying to think of a polite way of pointing that out too haha Si
    2 points
  20. Hmmmmm....seen at the double bass bash in April......
    2 points
  21. 2 points
  22. 1972 all original Fender Jazz, with the original case, she’s aged beautifully with great looking wear and checking all over, she was Olympic white but is now a gorgeous buttermilk colour with the most beautiful piece of tort I’ve seen, I think my soul was a small price to pay.
    1 point
  23. This is 27 years old but has recently been completely refurbished/refinished and refretted, consequently it’s in mint condition. The refinish was done by Sims guitars in Kent, they’ve done a truly fantastic job. It features a thuya root face and back with an ash core. The neck is wenge and maple with a 24 fret ebony fretboard which has a very thin band of lighter wood purfling running along the edge. It’s 34” scale length with twin Kent Armstrong humbucking pickups and a Bartolini preamp. The bass is amazingly easy and comfortable to play, and very lightweight. The string spacing is about 18mm at the bridge. I would prefer collection from Birmingham, or I can deliver for train fare. The instrument comes with a Hiscox case. Trades welcome for cheaper 6 string basses plus cash my way. I particularly like the headless thing, so maybe Status?
    1 point
  24. In very good condition with one of the nicest necks I've ever used. Sounds like a smooth Ray IMO but can be quite aggressive when required. Not looking for any trades really and can post if required or collection from Chorley,Lancs.
    1 point
  25. For sale/trade. Like new Mike Lull non -reverse thunderbird NRT5 custom. A piece of art, pure vintage sound. Very lightweight under 4kg. Custom 34" scale. With original hard case. Trade considered with 4/5 strings Fodera, Sadowsky, Fbass, Alleva Coppolo, Mtd. Lakland Ecc
    1 point
  26. Now SOLD - thanks for looking! ☺ Hi Folks For sale only, this completely unique Custom Build Non-Reverse Thunderbird bass that I bought here on Basschat 7 months ago from Sean, aka Billy Apple. The bass comes with an excellent quality hard case that I bought from chimike especially for this bass, as it's a bit longer than most standard 34" scale basses. For the bass & case, I'm looking for £575 (or near offer). The history of this bass from when it was first commissioned in 2013 is quite a story in itself; read more about it here: To describe the bass properly and give it it's full due, I hope Sean won't mind me quoting him from his For Sale advert last December: "Completely unique custom built NR Thunderbird. The last of the Bachbird body blanks made from mahogany and a lovely rosewood board. Bach also supplied the two piece bridge. Routed to vintage specs by the Bass Doc, with a hand-made bone nut, vintage white scratch-plate, TRC and control cover. Pups are '66's from Steve at the Thunderbucker Ranch, along with one bevel surround and shim. Tuners are Gotoh Resolite GB528's. Vintage white top-hats with a matte white finish and set-up from John Williams at Noiseworks." I'm only selling this because a chance to buy a very special Roscoe Beck V came up recently (which I couldn't ignore), so I'm selling a few things to recoup that outlay - otherwise, I'd be keeping this because it's totally unique - a one-off - and it sounds amazing and gets so much attention at gigs because it looks so cool! Collection from Littlehampton, West Sussex preferred, but am happy to drive to meet up if it's within a reasonable distance. I could courier it (at your expense) in the right circumstances, but only if it's a fully-insured service.. Otherwise, it's just too risky! Anyway, thanks for looking and if you've any questions about this amazing Thunderbird, please ask away here or PM me. Nik
    1 point
  27. That hurt my peelings
    1 point
  28. 1 point
  29. Plaza Fish and Chips 142 London Road, Leicester, LE2 1EB Opens till 1am I have wound up here many times on the way home from evenings out, and some on-street parking nearby if you've got a car full of kit from the gig. Good burgers, fish, salads etc.
    1 point
  30. Whoops sorry. The GK MB500 really rocks through my Barefaced Super12T too. Surprised it's still here, if I didn't have one already I would have bought it at this price!
    1 point
  31. PS @Wolverinebass Come to the dark side and kill Rock n Roll.
    1 point
  32. That's very very well done, and not easy to do.
    1 point
  33. 1 point
  34. Eleven-year-old zombie thread resurrection! FWIW and IME body wood makes very little (if any) difference to the overall 'tone' of a bass guitar. Pickups, pickup placement, electronics and strings make a huge difference, however. The biggest difference is down to the player. Yes! It's all in the fingers. In My Humble Opinion. YMMV, etc etc... *unfollows thread and hides*
    1 point
  35. Just PMd you Rikkers :-) Thanks for kind words Andy - much appreciated :-)
    1 point
  36. I understand where you're coming from with this comment. When I had problems with my Elwood last year, Adrian sorted them and I decided to post nothing at the time out of loyalty to the M brand and because nobody gets it right every time. In view of the recent experiences of others, I decided to share mine because: a) it's obvious that there is a significant quality issue, b) I am still a big fan of Adrian M, c) constructive criticism is IMHO what he needs and (last but not least) d) I know that Pierreganseman will feed this stuff back to Mr M. I think Public Peace has now reached the point where he has to put in place proper quality-control and customer-complaint systems run by people with the necessary specialist skills.
    1 point
  37. Well if Pat is on bass, the show will be well worth it. Great player and great bloke!
    1 point
  38. I think they finally learnt to glue it properly (fingers crossed, I use my Two10s regularly and they still look fine) edit: one of the handles seems to be coming loose... I'm not kidding. Really. Deep breath.
    1 point
  39. Bloody ear bleed Andy lol
    1 point
  40. I've got a spare logo for one of these. Happy to send it to the buyer. Or seller. Whatever. A great combo at a great price, by the way.
    1 point
  41. Speak to our very own @TimAl who will use yours as a pattern and then work his magic on the Greco logo for you.
    1 point
  42. Was always quite proud with how this came out, a playthrough of an old electronic/dubstep band I was in. You absolutely need headphones or decent speakers, listening on your phone or laptop speakers? Don’t bother pressing play . There’s no bass sounds on the track, all me! The verses are just OC-2 (-1 Octave, no direct) and this slow gear effect on the ME-50B (basically a volume swell). The synthy ‘choruses’ are all tapped on my fretting hand so my right hand can operate the Hot Hand for the enevelope changes. So that’s a Source Audio BEF, OC-2, Orbit CoPilot Fuzz & the ME-50B for some chorus and the whammy bits at the end of the phrase. Worked nicely live. Basically every modular bass synth sound is Envelope filter, fuzz, modulation and pitch in some variation. Si
    1 point
  43. The Grecian 2 Cromwell Road, St Andrews, Bristol, BS6 5AA Hundreds of times, and it opens until 5am. If you’re in Bristol the Grecian is an establishment that needs no introduction. A freshly cooked pizza and (proper) chips for just £5, kebabs and a whole host of cheap but delicious produce. Been going here 20 years, and the veggie options are brilliant too. Perfect for a post-gig bite. Amazing! http://www.greciankebabhouse.com/bristol/
    1 point
  44. This must win some kind of commitment to tone award! Here 🥇
    1 point
  45. Mine has to be a favourite place I used to play as I don't gig anymore..... Rock City Nottingham... Iconic Rock venue, just about every famous Band you can mention has played there at some point. The Stereophonics tribute band I was in has played the main stage there 5 times. It was an all day charity event ( I'm far from famous 😉) but the crowd loved us. it was always a sell out (2450 capacity) raising thousands of pounds for the relevant charity but the best bit was the on stage sound. There was a front of house soundman AND at the side of the stage, a sound man that just gave you a monitor mix ...he was BRILLIANT ….anything you wanted in your monitor at sound check was delivered in seconds. I know the combination of Tribute band and Charity gig is an anathema to many on here but they were the gigs of my life and I would do them again, at the drop of a hat , If only I was well enough.
    1 point
  46. That Lego cab is class. Just think you could take it to a gig in a lightweight plastic tub, assemble, play, disassemble and take it home. Just think of all the configurations you could build a cab for every occasion. Maybe a new concept here - must contact Laney.
    1 point
  47. My new custom overdrive has arrived. All in all it is two complete Nightfall units, with all controls on each channel, and the possibility to use A or B or cascade A into B. Also switchable via stereo tele jack from my Boss ES8 switcher. Sounds very nice!
    1 point
  48. Now that really isn’t fair, it was gorgeous from the front but that rear shot takes it to a new level. I am on the lookout for one now but guessing they don’t come cheap.
    1 point
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