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Yeah.. ‘if’.

Um, Thunderbird - Thunderbird

Played the first gig with my new band tonight,my first gig in 10 years! We only played for 20 minutes opening a charity boxe event, in front of about 200 people. During our second song my bass strap fell off and somehow I managed not to let the bass fall. Apart for that and too many mistakes, I guess it went well. Looking forward to the next.

It has an Eminence Deltalite II 2512 driver (120 quid at Blue Aran), which is what most makers use in their price point neo loaded cabs, so yes, the price is insane, even in the US, where the street price is $799.

Haha yep, it’s 25Kg with the amp. Paul from zilla just got back to me, it’s complete and he’s done an excellent job; the oval window on the front looks excellent in tolex, and he’s put a good sized square window out back too. The V8 style 3-handle arrangement looks perfect! Now all I have to do is touch up the black paint on the head in a couple of places, mount the V4 badge on the front grille and she’s ready for some action again thanks for your help on here guys, much appreciated.

You could just cover the Markbass steel grills with speaker cloth of your choice. It'd be far cheaper than changing cabs - unless you're looking for an excuse to change? Frank.

I would spend your money on lights instead - your missus is gonna be furious when she spots that you've pinched her standard lamp from the front room

I'm sure he said something that sounded quite like that at the time.

At the LBGS I looked at their prices and laughed. £1750 for a 4x10?!! Which was 5 times more than the Peavey 4x10 a couple of stalls down. Their pedal prices were beyond stupid as well. It makes Westside Distribution price gouging us on Mesa gear look reasonable. Pfft. Jog on.

Aye, and if you go TKS you can get two :-)

They're aware. Aguilar is a small company, with a business model of selling small numbers of high priced goods rather than larger numbers of lower priced goods. They price their gear with the intent of attracting those who perceive high prices to equate with high quality, and there's no shortage of those. This cab won't work any better than one of the dozen or more other cabs using the same 2512 driver that sell for as little as half what the Aggie does, but so long as Aggie customers are willing to pay their prices they'll keep charging those prices. Can't say I blame them.

Yeah, it is. I wonder how the Aguilar stuff compares?

Whilst I’m waiting for some more paint to arrive to finish the 70’sP Bass I’m gonna get started on a new build I’m doing it out of sapele and pine again but slightly different to the ibby body build Its going to be pine backed with a couple of sapele lines in then sapele wings with pine in the middle, with soap bar closed pickups not sure what colour hardware Black or Chrome I’ll decide when I’ve made the body I’m going to buy the neck which is a eBay special maple/maple with blocks full paddle

Saw this for sale here this morning, it is now my latest acquisition, and very nice it is too. Sounds good acoustically, and surprisingly good through an amp as well. Quite a lot of bass for not a lot of money, I can see this one getting quite a bit of use in its new home.

Am I wrong in thinking these latest Aguilar UK prices are insane? https://www.andertons.co.uk/aguilar-sl112-super-light-weight-1x12-cab

Well this thread was in the back of my mind when I was looking for a new P bass. Found one online, emailed the guys, got a great deal and after a chat over the phone pulled the trigger on a '73 p in mocha finish. Apparently it's a shop fave and they're sad to see it go, which sounds great to me. Even got lots of pics and a sound clip with one of the guys playing it. Great customer service and yeah a 3 year warranty and servicing, outstanding. I will be visiting next time I'm down south. Long live the humble but brilliant music shops👊🏻

If you want something to match the backdrop, you could maybe go for this? (I did earlier today)

I have one. It's fantastic. It tricks your brain into thinking your hearing the bass louder so it's great for monitoring. Ideally you need it connected to its own amp otherwise its too powerful in a loud band situation I've found, and hitting a low B feels like your head is going to explode!!!

I can't find any off the shelf but you could easily get one made. Tim at Scratch-It - http://www.originalscratchplates.com/ made a custom pickguard for me, very reasonably priced and I was very pleased with the result. I provided Tim with the pickguard material that I wanted to use along with a pattern and a few days later voila! You can buy single-ply vintage white pickguard material from ebay here - https://www.ebay.co.uk/itm/NEW-Vanson-315mm-x-240mm-Scratchplate-Pickguard-Material-for-Electric-Guitars/111817601979?var=410802222888&epid=1466518721&hash=item1a08d933bb:g:JPoAAOSw5VFWO7Gi. Just use your existing black pickguard as a pattern.

Pitbull - Caterham Both kits!

To be fair, she'd already been in Derek Jarman's "Jubilee" with Adam Ant, so her luvvie credentials were already established. I remember bringing my copy of "Sheep Farming" to the school disco and getting the DJ to play "Neon Womb". Me and Swamp and Sgav jumped around on our own while the rest of the kidz stared and probably sniggered from inside their voluminous trousers

Had a tiny bit of GAS for an IGB for a while - I'll take 5 at £25 a pop - cheers! Can't shed a great deal of light on this - my Aria Awareness is peripheral to my MIJ fixation & this one, as it says, is Korean. MIJ IGBs are like hen's teeth. BUT - as far as I know, the S prefix should indicate Samick as the manufacturer - and a quick Goog suggests that this is probably from May 1996: http://samick.wikia.com/wiki/Serial_Numbers Hope this helps.

Excellent! I watched the recording this morning. I was amazed by the background story to Superstition. Like the OP I wanted to find out more about the artist. Anyone who swaps between spanners and instruments so readily is cool in my book.

Played in a fairly big pub in NW London last night - I've been off for a month and was looking forward to it. Weird sound in there as it was a big echoey wooden layout and you play upstairs above another bar on a wooden floor. The bass was disappearing - couldnt hear myself 5 feet away, couldn't hear me 15 feet away and the bloke on the leather settee 25 feet away said it was making his derrière shake! Its one for my Gramma pad next time.... Turned out a really good night - the staff loved us, the crowd were going bonkers from the off and didn't stop for 2.5 hours, we got to use the hazer and lasers without setting any alarms off (even though they had smoke alarms nearby) so it looked impressive, we got a couple of rebooks to fill our last remaining dates for this year and a guaranteed 4 gigs next year. Everyone had a fab night it seems. And the strangest thing? They said we were too cheap!!! We don't go out for less than £250 which is pretty typical around here for pubs - we did this one for more than that anyway and they said that the rebooks and next years will pay significantly more again. Need to find us some more of these ones i reckon :-)

No doubt Bassassin will be along to correct me. The £25 has just registered!!! Bloody hell!

£25? bargain of the year right there! Very jealous- been looking for one of those for years!!!

They behave like that because they know people will not intervene. If after they threats what they get is the other people around them stand up and mob them out, they'd think twice next time. Same reason why two idiots in a bus can make a trip a nightmare for 30 or more people travelling along. If one person stands up, they rarely get back up. They act like bullies because we let them. I almost end up fighting an idiot behind me in the cinema. Nobody stood up for support and both of us almost got kicked out. It was only at the end that an older couple intervened and told the cinema staff who was the trouble, and the idiot and his two mates were expelled (while making noise and throwing their drinks around). It frustrates me no end that collectively we allow a small minority spoil it for the rest, when we have it in our hands to stop the bad behaviour, and it would not require any violence at all.

Excellent documentary, what a player. Spitting image of Nigel Tufnel as well.

I've had a very quick look at the Zoom update (on a G3n) and for me the really big news is that they've implemented full MIDI control of the pedal. (This explains why the editor took longer than many wanted...) It means that real-time midi control of these pedals should now be possible. I might yet incorporate control of these into the ZPI if there's much interest.

But the tiny hamlet of Barnoldswick near Burton-in-Lonsdale (further north, but also very close to the border) is called "Barniwig". Or it was when I were a lad.

A good gig id imagine for a singer / actress trying to pay a mortgage

This is mine, 75 body 77 neck and now emg pick ups. Made up of bits bought on here and assembled by BassDoc for me , by god it’s magnificent !

I have no problem with difficult venues, its not possible sometimes to get a good sound everywhere. My problem is with sound guys making the BD the overwhelming sound in the whole mix, for every band on the bill, and making it sound like a sub explosion. That is deliberate.

or rather 'itth a mythstery'

Pics here too........hope you like it. https://photos.app.goo.gl/BHBRR6bd0nm4D4T02

Nigel Tufnel once said; "The last band was so bad that the audience was still booing them when we were on!"

Melted Wispa on dark muscovado? Mmmmm

To be fair I can only think of one thing worse than an Eric Clapton gig, an acoustic Eric Clapton before it!

I went to the snooker at the Barbican years ago, because it was sponsored by Travis Perkins the entire front row of seats was made up of people made to go to fill up the seats, they sat there bored as nice old ladies that had paid good money struggled to see over their heads.

Punters raising their voices, gosh. In the sixties fights were a regular feature in the halls and ballrooms. One venue was closed down because, as one guy wryly put it, there were too many dances during the fight.

When I saw The Who at Wembley Arena not long before Entwistle died, Townshend went off on one about something gloomy. Being slightly refreshed I yelled out 'F**k off, Pete, you're such a miserable c**t'. In fairness to him he laughed and gave it a rest.

I've been to 6-10 metal type gigs over the last couple of months, and it is a wide-spread problem. It's far worse for the support acts than the main bands, but it does still happen during the main bands. I may not particularly like any given support band, but I feel like it is common decency to give them my attention for the 20-30 mins they have on stage (I've even been surprised a few times by some cracking bands). Anyone who talks through a main band should just be sat at home with their mates, with the band's album on the stereo, lol. Also, I hope there is a special circle of hell reserved for anyone who thinks recording gigs on their phones is acceptable behaviour.

You've seen Coldplay, then?

Put the bridge ground in the same slot as a pickup ground all will be good

Six digit serial numbers date from the 70s, covering '71 through '80. Seven digit serial numbers date from the 80s, covering the period '81 through '90. The first digit gives the year. Yours is a seven digit, starting 7, making it a 1987. There weren't many models in the XRB series, but what ones were manufactured appeared between '87 and '89. To the best of my knowledge these were manufactured in Japan, although Aria did move a large portion of its production to Korean at this time, '87 onwards.