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I'm not wasting my time with a shrink when I could be running through the streets with ten mini capes flowing in the breeze behind me.

I think you’ll find that quavers in the real world are a processed food snack flavoured with cheese.

Less than 24hrs after spotting this in the for sale section of the forum, I had this little baby hanging on the wall in my studio and a massive smile on my face. I have to say a big thanks to @Kev for being the easiest guy in he world to deal with, a quick drive about a third of the way across the country and a late night meet up at a very dark motorway services I was on my way home with my new toy. I have been playing Warwicks pretty much exclusively for the last 20 years and had a $$ for a few months last year but I thought it lacked a bit of individuality and a little something tone wise, but a very nice, very versatile bass, but it got moved on in the end. This thing however is a totally different beast. Firstly the tiger wood top and swamp ash body look beautiful. This bass is No30 of a limited run of 85 made in 2010 and within that 85 only a small No. were made with this specific hardware. Instead on the standard two MEC humbuckers it has two Bartolini humbuckers and a 3 band MEC preamp as opposed to the normal 2 band found on a $$. This combination makes this thing sing, being able to push the mids really brings it alive compared to my experience with the standard $$. Suffice to say I am very very happy with it and will stop gushing and show you some pics. @Kev I dont know what you were thinking parting with this, but thanks again for making it so easy... and you cant have it back

Bass heaven: backing up to a wide roller door which opens to reveal the back of the stage and willing helpers waiting to lift your 8 X 10 from the back of your car Bass hell: Narrow door miles from the carpark. Stairs.

Heaven- 2 minutes to midnight. Hell- trying to learn 2 minutes to midnight.

Its' amazing how good a rig you can get for so little money. And importantly how great it sounds. Most know about the Sire V7. This one weighs 9.4 pounds. The Genz I could have got cheaper, but this one is literally brand new with a Genz bag. I prefer this little monster to my old Aguilar. cab is incoming.

Hi! I'm thinking about sawing this in half as It's too big for my needs these days, and this prompted me to look to see if I still had any in progress photos, and found a few. Basically, I am totally rubbish at doing things with drills, saws, or anything else that requires any sort of co-ordination (not including Bass-depending on who you ask). I found this to be such as easy project, that I'm amazed I don't see more around. I'm sure there are several on here that are way better than mine but I was hoping that this might inspire someone to have a go that is like me..the sort of person that says..'that will do' a lot! This will be very basic to most people here, but it's just to show that anyone can have a go at stuff really. Did this ages ago and the pictures aren't exactly step by step, but hopefully you can see what I did. Here's a very rough plan : 1) Got the wood and cut to size. On mine, I used four strips of wood cut to the length I thought I wanted, then measured and cut two smaller pieces as the side supports. 2) Sanded and primed the wood. 3) Screwed it all together. I believe I used wood glue first. (see the 2nd pic for how it fits together, pretty self explanatory). 4) 'Paint it Black'. Choose an appropriate song to listen to while completing this step. 5) Screwed on finishing touches such as cast iron carrying handles, and two little rubber feet at the rear (as you're looking at it). 6) Got some Velcro tape and stuck strips across. 7) Found a guard dog to protect the finished product. Sorry there are not more detailed steps. I think I originally saw something similar on Pinterest and took my inspiration from that, so I'm sure if you need more detailed instructions, or plans for something more ambitious, they can be easily found on there. I believe the whole thing cost around £15. Basically save the pedaltrain money for a pedal or two. Hope this helps someone decide to have a go.

A Semi-quaver is a half eaten one

Remember that Jez has set a new standard for matching wood for facings... Personally I think it's just showing off...

Ah, they don't build 'em like they used to...thank God!! New yardstick for "ugly" me thinks..

I have plenty of words for that. All of the contain 4 letters and are not printable on this forum....

Bass Heaven - writing a really satisfying bass line for a new song, complicated enough to keep it interesting, hitting all the right melody and drive, locked in with the drums and supporting the song Bass Hell - the guitarist saying "just play A"

That's what I had more or less resigned myself to do, but I think a fellow BC'er has come to my rescue with two matching tuners.

You don't come on Basschat much then?

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It’s probably the best value for money Synth pedal ever made.

Probably best to avoid those people in future.

Bass Heaven - Finally bringing home from the shop the bass you've been dreaming of for months and plugging it in for the first time Bass Hell- The following day when you're bored of it and already looking for something else.

Hi guys, my new band have recorded an EP recently, and we’ve just put our first single on Soundcloud. With it being a cover/mashup, does anyone have any idea what the score is with licensing/permission? You can check out the track here if you are interested: Thanks!

Number 3 if you need 2 pickups - a nice balance with the pick guard! Or maybe just 1 in a Stingray position?

Not sure which one you ordered specifically, but the Big BladeMan 4 is only £135 in Bass Direct!

Carl Hudson on keys. Boston 's finest.

I suspect that you're mischaracterising what's happening here. I've played with loads of guitarists who would find THE guitar only to trade it in a few months later for the new THE guitar. And they were ALL, every single one of the, THE guitar. On the other hand I've played with people who have found one or two or three guitars over their playing lifetime and that's it. In both of the above cases the cost of the guitar was irrelevant. For the guitar flippers, it was the belief that each new guitar would bring guitar nirvana, the post purchase realisation that they all had flaws (real or merely perceived) and a belief that the grass would really be greener the other side of the music shop. The internet and forums like this only makes this worse through ease and availability - and group think. The OP seems to single out the boutique basses for this phenomenon. I've not done a statistical study of this but I'd bet that there are as many Sires and Squiers being flipped as Foderas and F Basses - although maybe not. However, more on the grounds that having a couple of £200 resale value basses kicking around unloved "in case" isn't as economically painful. And to fund the new Ken Smith the Alembic has to go, which replaced the Dingwall that was funded by selling the Fodera which... It would also be interesting to compare a list of those who flip the most expensive basses with those who flip the most mid/lower range basses. I wonder how many names would be common to both and how the number of basses flipped per year would compare... Maybe it's more about being addicted to the new bass buzz? Rather than finding the bass that really suits you and sticking with it - how many "Oh why did I ever sell that XXXXXXXXX. I now realise that my new YYYYYYY isn't have the bass it was..." threads do we see? And how often are they followed by "I've seen these ZZZZZZZZZ basses online, what do you all think?" threads... Anyway, there are a minority of us who provide the Ying to that Yang - me included. I've got a number of relatively expensive, hand built guitars and basses, at least three, possibly four or five, of which count as "boutique" - only a few of which were bought full price, mind you, or back when you could get a good night out, a fish supper and change from a three bob note. My Aria SB700 was my first ever bass back in 1982 - still play it. My Mk 1 Wal was bought in 1992 and it's still my No 1 bass. My Tony Revell custom acoustic bass was bought in 1992. My Brook acoustic was bought in 1999 and still gets played regularly. My Pro Series Wal was bought in 2002 and is more than my No 2 bass, more like my No 1.5. I won my Fylde Gordon Giltrap Signature acoustic (I know, what a lucky so and so) in 2005 and I still love it. I've only ever sold three instruments in 35 years playing (a Squier Jazzerstein project bass, a Yamaha starter electric, and a mid range Washburn acoustic to fund my Brook). I can confidently say that the boutique instruments I've got now aren't going anywhere!!!

No, I mean in general Les Claypool is associated with Carl Thompson basses, which makes people want them. I didn't get past the picture so didn't read the blurb.... Must have been because I sicked up in my mouth a little bit at the very sight of the thing!

I would probably have said the opposite ... just showing there's at least some subjectivity to it.

True enough. Your studies paid off then. I have picked up some good knowledge from your comments in various posts. Between Jabba_the_gut's practical examples and your nuggets of information, I've learned a lot in my relatively short time on this forum. The finish on your guitar speaks volumes. You needn't sell yourself short.

It certainly looks nicely made.

To repeat Ceebass' comment, I cannot add anything to the licencing debate, but I really enjoyed the track (or should that be tracks?). Two of my favourite songs mixed together. Good stuff!

Never have I seen a guitar look more like an '80s corporate training video...

Oh yeah, I've been in the business long enough to default to 'nod and smile politely' mode unless it's written on paper. He was a breath of fresh air really. I didn't think they made them like that any more: shaved head, rat moustache, camelhair coat, loads of gold rings. A proper old school showbiz bastard...

No plans to add to it.

Here it is with the veneers in place and just about ready to glue it up

Wow, that is a beauty!!.....enjoy!!

Even I wouldn't impulse buy this...

That isolated bass track sounds good. I can hear the bass a lot clearer and he's not playing as many notes as i first thought. Think that double bass drum covers it a fair bit. Thanks everyone. Always helps when you ask other BC'ers. Dave

There's a joke about "the one playing it when in use" but I'd never be so rude

Hey, Peter here Nice to be here, and to get some inspiration and influences abroad Recently i did some work with the Swedish musician/singer Andreas Lidberg playing my Marleaux and Yamaha basses. Some serious video and some funny stuff. See you guys!

First rehearsal today - six hours' worth. It was loads of fun. The show's being shot for DVD, so everything has to be spot-on. We've got a week in the rehearsal hall, so we'll have the monitor mixes pretty much there by the weekend, so hopefully the check in the arena will mostly be tweaking stuff. The band is great.. the drummer's from Lindisfarne, the keyboard player's from Dire Straits, the other keyboard player and sax player are from The 1975's live band, the guitarist was a touring member of The Arctic Monkeys, and one of our vocalists sang on 'I Would Do Anything For Love' with Meat Loaf. And then there's me. I daren't pinch myself. Loads of pics here: https://www.sundayforsammy.org/sunday-for-sammy-2018-access-all-areas

The funniest thing about the interview is watching all the Beatles die-hards blow their nut over his comments. At the grand old age of 84 Quincy Jones may have just become the best internet troll of our generation, he can add that to his CV. Ghetto Gump indeed!

i have a brand new sire V7 if you want it? its this one https://www.thomann.de/gb/marcus_miller_v7_swamp_ash_5_fl_ts.htm

I think it's possible his judgement is impaired by illness but I also think it's possible he just doesn't care , he's done it all , nothing to prove and slightly unaware of how stuff circulates in this digital age and I found it quite refreshing hearing someone talking that openly not to mention some of the best anecdotes I've ever heard . I say fairplay Quincy

Bass heaven: Tight grooves with the rest of the band (whether other bands or my own) Bass hell: YouTube soloists

Just to be pedantic, technically the split precision pickup is a humbucker.

Heaven- tommy cogbill, duck Dunn, chuck Rainey. Hell- slappity slappity slappity slappity, especially on gear demos.