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It appeared last week on kijiji for a market price , a blue reissue Samurai , the Yamaha SBV500. I have a yellow one , and spent some years looking for it. It’s one of the few long scale basses I regularly play , I think of it as being like a Jazz bass on steroids , but much funkier. And today got a call from some friends that work at our local L&M , the big music retailer in Canada. The blue Samurai had appeared at the store , they were going to move it for a really good price , and was I interested … Now I have a yellow one that I love , but I could not turn down the deal. I’ll pick it up tomorrow. And I’m flattered that they called me before they put it out! Sold!

I just picked up this bass from the excellent Bass Bros and am really pleased with it. It is just under 9lbs at 8lb 13oz which my back appreciates! An interesting feature is the neck which is 39mm - I've been searching for a P bass with a jazz neck and this fits the bill. Initially I thought it might be a bit chunky front to back but after a weekend playing it I find it very comfortable. It is actually slimmer than other precisions I've tried. Bass Bros are not sure if it came out of factory like this or if a luthier has done a job on it but either way it is ideal for me.

Played at the Ipswich Regent Theatre last night with The ELO Experience, my penultimate gig with the band. Bit of a nightmare journey of around 200 miles each way - one of our vans broke down on the A1 en route to Ipswich. Clutch master cylinder was to blame, so RAC summoned to trailer the van back home whilst a replacement LWB hire van was found in nearby Grantham. This resulted in us being nearly 2 hours late arriving at the venue, so a mad set up and sound check with little time to eat etc. The Regent is a big Grade 2 listed theatre built in the late 1920’s. With a capacity of around 1500, we had it just over half full. Was a slow start but they warmed up into the second set - maybe took us a while to settle into it after the rush to get there. Used my GK800RB into the Neo 410 cabinet - last time with this cab for me as I sold it after the gig! It’s been a great cab, never missed a beat. (For my final gig with the band this Saturday I’ll be using my trusty Loud 4x10.) For once a drive home with no diversions, but still got in around 2.30am. Must admit I won’t be sorry to see the back of these long gigs - driving over 400 miles in total and two long sets is getting a bit much for me. Easier drive to Birmingham tomorrow though, so looking forward to it.

Just got it home and tweaked the bridge. Action is low , might raise it a hair , it has an older set of rounds on it , I may leave them on , I have Thomastik flats on the yellow one. These are a good looking pair!

TONIGHT! More of a concert than a gig... depped with Tamworth Wind Band in a church in Tamworth. Lovely bunch of folks, really nice vibe, good players and appreciative of me standing in. They'd commissioned the ex principal director of music at the RAF (!) to write a piece celebrating Tamworth (!) especially for the band, so we rehearsed/workshopped it with him in the day and performed the **World Premiere** at the concert. He's a phenomenal musician, he picked up and pointed out loads of tiny little things that really elevated it. Lovely bloke as well. It's not often you get to perform a world premiere in Tamworth... I certainly don't. There was about fifty of us, so it was a fantastic sound. The tuba player was playing an absolutely beautiful old horn- I don't know much about tubas but I'd guess it was a BBb Conn 20J with a recording bell made in the Elkhart factory some time in the mid-late 1920s? He even let me play it. Cheers, Colin! The rest of the repertoire was pretty standard wind band stuff - Vaughan Williams, a couple of film medleys, a slow one with a lovely Cor Anglais solo and some Andrew Lloyd Webber - not my favourite, but Jesus Christ Superstar has got some bangers in it. The highlight (apart from the piece specially commissioned for the band 😳) was the music from 'The Incredibles' - spoof/cheesy superhero film music - a cracking Bass riff driving the whole thing along, bars of 5/4 mission impossible type stuff all over the place... loads of fun to play. Played the 'Ray -> Thumpinator -> VTDI -> MB 802, Rainbow Converse foot fans. Radio 4 on the way home - the evolution of instant messaging, from the invention of the emoticon on MSN messenger to a woman who married a chatbot. Weird. Home just after 10 for a G&T, a slice of raspberry cheesecake and a very stupid cat.

5 Stings, y'say? Mark

My first full-blown choral gig for a few years - I've depped in a few concerts, but I've not been part of a group for a while. Saturday's venue was Carlisle Cathedral with a fully pro orchestra plus the cathedral organ for Elgar's Music Makers. Orchestra was brass: tuba, 3 trombones, 3 trumpets, 4 horns; woodwind: usual pairs of flutes, oboes, clarinets, and bassoons plus bass clarinet and contrabassoon; strings including 2 double basses; harp; percussion: timps plus assorted things like bass drum. Audience was more-or-less a sell out.

Last night I was depping for a NE based big band - it was an absolute roast sight-reading these charts having never seen / heard them before! Still I managed to quite myself pretty well! SSBB Sr Duke.mp4

#metoo, albeit with Aggie cabs. The Louisiana, Bristol with George Montague. 90 minute set, attempted from memory which I’ve got lazy at of late with more regular gigs, using a iPad most of the time. Helpful sound guy and the ever excellent Tom Hooper on drums. Much easier to keep the cable runs tidy at this one….

Last minute gig last night at the Butchers Arms in Inverurie with Nine Lives (as in the band that was supposed to be playing dropped out on the day due to illness). Luckily, our drummer happened to be perusing Faceache at the time and saw the venue put a cancellation notice - just one of those serendipitous moments. It was a bit of an odd one, not super busy with an odd crowd that would alternate between great dancing and singing along then nothing at all. Typical drunk guy was in attendance - put his arm around the singer's shoulder, barely coherently requested some Bad Company and got escorted out a little later. I thought I played ok, but I made a massive flub in one song (the "f*** I've lost my place entirely, quick, make some s*** up in the rough vicinity until the riff restarts" type) and some drunk guy manages to film that exact moment in a 3 hour gig - typical! Win of the night - finding out that somehow my amp and cab fit in the boot of my wee Colt. Score! Equipment - Markbass Mini CMD121P IV + NY121 cab, G&L CLF L-1000, Yamaha BB1200

This bass is all finished now……👍🏻🤘🏻

After a couple of gigs with the new band last week, it was back to the Zep tribute on Saturday playing a relatively local gig at Studio 5 in Keighley (or K-town as it is known in these parts). A good gig all in all, with a pretty decent turnout (always a relief when you are playing locally). The only issue was the guitar players Helix multi FX playing up when he changed guitars (he had to turn it off and on again) to the double-neck! It's funny how that guitar got a cheer all of its own when it was brought out, a boo when we thought that it was the guitar playing up and Chris would have to use the six string, and then another cheer when he realised it was the Helix and plugged the double-neck in again! Next gig in Llandudno in North Wales on Saturday.

A first gig of the year at an award-winning Glamping site in deepest Dorset. We - the Otis Jay Blues Band - had to tweak our repertoire to include more danceable/recognisable stuff as the glampers have come for a good time. Hence a closing Mustang Sally with three young ladies around the mic adding the responses! (Sadly not pictured…) The applause sounded tumultuous, though that was clearly assisted by downpours onto the clear plastic covering of the bar. Only mystery to be solved was why four cop cars and a paddywagon turned up during set two. A Blues Brothers moment😂 Gear: Flea Jazz, Elf, 2xBarefaced One10.

The Hulla played an 80th birthday party in the local village hall last night. The potential for getting the setlist wrong was great as we didn't know what the demographic would be. Fortunately, we have a range of tunes on tap but as it turned out we found the right mix with the initial selection of songs. It was a small hall, there were around 100 people there and everyone was handed a glass of Prosecco as they walked in, so the atmosphere by the time we squeezed on stage was pretty good. Unsurprisingly there was dancing from the first song and for every tune thereafter. I was using IEM and my mix was great. The stage was very cramped (there was a plan for getting everyone on and off!). My B6 was under the cymbal stand where I had to stretch my foot to tap the switches without kicking over the ride cymbal. The saxophonist on front of me was occasionally stepping on the mic stand leg, so I had to anticipate him and move my mouth away from the mic to avoid impromptu dental work. I played my Ibanez EHB1000s as any regular scale bass would have been brushing up against the curtains at the side of the stage, or slapping the guitarist on the back (I don't play slap style 😃). Overall a most enjoyable gig without the pressures of the drunken city mob. An earlyish finish and the birthday girl really enjoyed herself.

21st birthday in a pub. 3 fights, finished at 22.00.😂

Yesterday afternoon I was resigned to a two gig weekend then I got a message inviting me to a last minute gig in Bath. Squashed into the tiniest corner we played to a typical Friday crowd of ever changing gangs of pub crawlers. Went down a storm and got home in good time. I took minimal kit as parking is a nightmare, so I had to be prepared to sack truck my gear through the streets. I must say that's two nights on the trot I've used the Cort, it usually gets overlooked for whatever reason. It's a simply wonderful bass. Light and beautifully balanced, rich tonal palette, fast comfortable neck.

Thursday night wedding just outside of Malvern and the second time we’ve played at the venue, which was also on a Thursday. Both times we’ve been there the crowd have been crazy, I always think it’s going to be a tough sell but they go nuts. Some deps onboard for this one but they all did a fab job and we used the hk elements rig which I like to reinforce with an actual amp onstage as the PA hasn’t got the biggest bottom.

Well, the Kania is gone already. It was a wonderful instrument to play. So nice, that it made me long for a 5str fretless. Had it up for trade in the Netherlands and got some offers. Most of them where very expensive basses that needed me to dig up my savings. But this guy offered me his Martin Keith for my Kania and my 12 string guitar. I've never spend so much for one instrument. But the moment I had this Martin Keith bass in my hands it felt so very nice and there was so much resonance in its body and it was so easy to play. I'm a guitarist, so it helps me a lot when a bass is easy to play. And it doesn't way that much, so it's pretty easy on the shoulders. I contacted mr Keith for some info, and here is what he could tell me (nice guy he is); Built as an exhibit instrument for NAMM in 2011. Maple neck with katalox (royal mexican ebony) fretboard, 34.5 inch (876mm) scale. Mahogany body with spalted maple top. (Body thickness 52mm. His current basses are 42mm thick.) Citron HB pickup with passive volume control. Polyester finish. So I'm very enthousiastic exploring fretless bass more and more. Love that sound. I'm not sure what strings it has at the moment. Feels a bit like half rounds.

A bit late reporting, The Rock Formation played The Prince Albert in Milton Keynes on Saturday. Seemed to go down well.

About 3pm yesterday we got a message asking if we’d play a gig that night. So, with no recent band practice - we jumped on it. My 5 string anniversary Dingwall had some issues with tuning (it was going sharp) and only grabbed it from my tech place the day before. It would also have been my first gig with my quad cortex (since my last one died at a gig). I haven’t even tested if my “amp” setting actually worked, so decided to run direct (which I’ve wanted to do for years). We had some cable issues with a mic splitter so decided to forgo backing vocals and my QC output was quite low. I haven’t figured out why as yet. But we got everything sorted quick, crowd seemed to enjoy us, got some moshing and folk singing along. The basses tuning issues seem completely sorted now. Afterwards, I got complimented on my playing, my tone, my bass and my LEDs 😂 we didn’t get a photo afterwards due to being slightly moist, but grabbed one prior. Super metal looking poses. Fun fact: I had my Garmin on. 27 mins with a reported 500 odd calorie burn. I can live with that.

Back to the pubs for me last night with a dep gig with my old band Isabelle at The Brave Old Oak in Towcester. Drummer really struggles with loud bass players, so I took in ears to supplement my rig so I could be fairly quiet on stage. Next step with this band will be to go amplesss for me. Anyway, I remembered all the stuff, decent crowd and went down well, home by 0045. Happy Daze!

Wedding gig near Birmingham depping with my brother’s function band last night. Real good vibe, lovely audience, and got to try out my Darkglass Vintage Microtubes pedal to give it a bit of grit in a couple of the heavier songs. Plus pulled pork rolls. Winner.

Two gigs this weekend, full on plugged in at the Canadian club and an acoustic half improvised at our Brit club by way of a farewell to our female vocalists who leave post soon. It was interesting to compare the two gigs back to back. Lots of energy at the first gig, plenty of people up and dancing, the acoustic gig was a very chilled vibe but there were moments where we had lots of people dancing and because it was low volume the families stayed and had a good time too. Interesting in a couple of respects. Firstly a lot of feedback to say we should do more unplugged and a whole demographic that prefer it to us in full blast mode and secondly a whole bunch of numbers we do better acoustically. A result of which is we might start doing an acoustic set at the start of our gigs and do some more acoustic nights as apart from anything else it’s a lot easier to set up.

The Rebbels played The Cock Inn in Warminster last night. We have not played together for about a month and in the meantime I have had the nasty bug that is going around and could not pick up the bass for long periods. I admit it was a trial and not one of our best although the audience loved it. The room was hard floors throughout and the sound was a bit bass light initially. My rig was LFSys Monza 10, with a Bugera Head fed from my Marcus Miller M2 via the Zoom B2-4. As the bass has active electronics, I was able to push a little low end to get to where I wanted to be. It was a struggle for me, especially second half, but I got through with a few more pink torpedo ups than usually. Despite all this they want us back.... To top off a hard night, the rain was biblical and a 1 hour 10 minute journey home took closer to two hours with the road of Wiltshire and Dorset trying desperately, in cahoots with the rain, to aquaplane me into a ditch/hedge. Maybe it will not be raining next time1

Strange weekend for my lot, Tore Down - unusually back to back gigs Friday night and Saturday daytime. Friday night we resumed our residency at The Shamrock in Ipswich. Drummer is a farmer and had a lamb problem so we started late at 9.45pm. Hardly anyone there, even fewer listening to us, didn't bother with an encore. This was the place at 8.45. Opps, didn't mean to post yet. Late start meant late finish - less than convenient because next day we had a gig in Newmarket at the Harley Davidson dealerhsip there. We played 2x 1 hr sets, starting at 11am, needed to get there for 9.30am-ish. I'd booked a Travelodge locally to save going all the way home then all the way back, which kind of worked out OK - managed to get about 6hrs sleep. We'd played a gig at the Harley place before - odd. On the face of it there was no reaction at all - the band seem to be completely ancillary to the event, with nobody watching, virtually no applause or reaction after the songs. But afterwards loads of people came up to say how much they enjoyed it - especially the manager there, Mick who, true to his word, booked us for their 28th birthday bash this year. Which proved to be exactly the same Saturday. Dull drizzly day although we were outside under cover - dry but cold. Good turn out but very little reaction. Every now and then whatever we were playing was drowned out by someone starting up a bike and revving it - particualrly one of our lovely slow blues tunes 'Blue Jean Blues'. Nice food available - either a free BBQ although I opted to buy a stone baked pizza. At half time someone who runs a Harley club asked us to play at their summer bash next year. Mike and the crew at Newmarket loved it and are going to ask us back again. Loads of good feedback from punters, too. Strange. Good pay, though.

The Roundabout club in Sandy, Bedfordshire. Decent gig in the end. We don't often use our own PA and we have this digital system that none of us really understand. Worked fine last week. This week, full of gremlins. We also managed to blow our sub somehow so I was trying to play to the venue through a 100watt amp I was planning to only use as a stage monitor, plus a bit of bass in the tops. Regardless of those and other sound issues the actual gig was good. We were really relaxed so no starting at 200mph or messing up of songs. Decent venue, good little crowd who seemed to be enjoying it. Played my "new" MIM Precision throughout and was very happy with this through my SWR Working Pro, good job that amp has a built in limiter considering how much I was having to push it.

The Bush in Cwmbran, pretty compact but wonderful pub. Had a real blast. Sound was very boomyn asked sound to turn down my bottom end and he replied I have can you turn yours down and I said I have! Stone flag floor and stone wall behind rear ported cab... I had to repair my finger with superglue after slicing the tip on Wednesday. Three layers lasted the night. My playing was a bit scatty on a couple of songs and the night seemed to suit sticking in some frills and whistles 😁 noone seemed to mind and we had a few musos in so that was ok. Alex was trying out his new Gretsch Electromatic for the first time. I barely appear in the short vid below, but it gives an idea. https://www.facebook.com/story.php?id=100024370338008&story_fbid=1613621292793533

Recorded a bit of my 66 Mustang today. Backing track is my band, used Moises to remove the bass and put mine over. Backing track is only a demo so not 100% full quality but it gives you some idea. Love the sound of this bass, it just sits and pokes out when needed. Blue Horizon snippet.mp3

New setup, offering maximum versatility. The Morningstar is so easy to work with, it's set to switch the Stomp, Atlas and C4 simultaneously for different songs.

Ok so my GK MB112II combo is loud. Weirdly loud for such a small unit. But when I’ve taken it out the house it’s too small to be able to hear it properly as it’s firing along the floor. So I bought an amp stand. Which didn’t work as it was designed for a guitar amp which is shallower. There might be better ones which work better for my amp but I didn’t have time to find one as I needed one for last night. So I bought a £9 bit of wood, 22mm x 144mm by 1800mm and made one. I cut a 90 degree angle in 2 identical length at the same time so each side was identical, then braced it together with various bits of wood until I got bored. I just tried to get the biggest tilt on the amp with the 144mm wood width - no audio science here. The width is determined by the space inbetween the (rather large) amp feet. Glued and screwed together and sanded all over and it was done. So the amp fires at me direct when it’s maybe 2m away approximately, it’s super solid and quite light and easy to pack away with my other gear. I might varnish it, I might not! Anyway, I’ve not seen anyone else with something like this or even seen one for sale (I didn’t really look to be honest I just needed a solution fast!) but it works perfectly and costs so little!! if you need something like this have a go at making it yourself, it’s not hard and doesn’t need any special tools.

Up close and personal kind of gig, a bit too up close because someone hit the end of my microphone stand hitting my microphone into my teeth, and a bit too personal as a rather drunk young lady forgot to not keep herself clothed in public! So this was the first gig with no bass amp, and as my dwarf is off being fixed I was playing with the zoom. It was the first time with 2 Evox8 speakers. It takes a bit of getting used to it, and for some reason the mixer was working weirdly, and as the keyboard player has a huge monitor speaker hard to get the sound right. It sounded quite good at the start but people complained the vocals weren't loud enough although this might be positioning, as the guitarist has now put his amp up high and point out to the crowd, if you are on that side that is all you can hear. But as I pointed out, sound through their monitor is their issue, it causes feedback sometimes and unbalances things, and the guitarist looks to me to sort it out, but I point out it is their monitor. I was getting over my cold, my first songs sounded ok, but then I do the high bit in crazy horses and my voice just said, nah, not doing those notes, would you like another note just a bit lower? So I cancelled doing any of my songs (which is only a few after that, although one of our encores). my voice even for backup vocals started getting bad after that. Glad my main songs were at the beginning! I recorded it, but unfortunately as it was on the guitarists side, it is basically just his guitar. Still, hugely interactive crowd (possibly too interactive at times), and not a bad gig at all.

The Gig That Nearly Never Was... Or... (cue silent movie style music) The Perils of Facebook Videos. A bit of background to the tale. As a band, we (Rascallion) have always agreed that any of us could go and play with anybody else as long as they were open and honest about what they were doing, and it didn't interfere with or compromise us as the main band (our drummer, for example, has been hosting a weekly jam session in his studio with some other local musos, but has also been keeping up to speed with our core material). Having been on hiatus since October 2023 while our esteemed frontman recuperated from an operation to fuse one of his ankles, we finally resumed rehearsals in March when he declared himself fit and ready to go. We were all a bit rusty, but things soon slotted into place and we spent the first couple of rehearsals working up three new songs, which went surprisingly well (though I do have to wonder what @casapete and his bandmates would make of our rendition of "Showdown" sans strings!). We then turned our attention to the rest of the setlist, most of which we've been playing for the past couple of years, and this is when things started to go pear-shaped, with Mr Frontman failing to remember how to start the tunes he'd normally start, along with most of the chords, lyrics, and arrangements to the rest of the set. Initially, we jokingly put this down to his age (70+), but then at our next rehearsal, it was even worse, with umpteen songs grinding to a lyricless halt (if they even got started in the first place), so in preparation for our third rehearsal, I printed up a new setlist for him which included the first line of each verse as cues. Then, on the evening before said rehearsal, and with just over two weeks to go until our first gig of the year, our drummer came across some videos on Facebook of a new-to-us band playing at a local pub back in February, and who should be there, upfront and centre? Yep, our frontman. Despite his protests, the rest of us (particular Mr Drums, who's a great drummer and a lovely chap, but has a very short fuse when he thinks someone's taking the proverbial) struggled to accept that Mr Frontman was apparently fit enough to gig (and presumably rehearse) with another band in February, but not to rehearse with us, and must also have been concentrating all his efforts on learning their stuff rather than keeping up to speed with ours. To be honest, we've had our suspicions that he's been "playing away" before now, but this is the first time he's actually been caught in the act. Anyway, after initially refusing to ever set foot on stage with him again (and insisting that he removed his gear from our rehearsal room), Mr Drums finally cooled down and we all agreed that rather than pull the gig, we'd let Mr Frontman back into the fold for it, and after three more rather edgy but improving (in both mood and performance) rehearsals, the gig went ahead last night. After all that drama, not much to report really. A smaller than usual turnout (possibly down to an outbreak of random end-of-the-month-itis), and less dancing than we've had before, but still a great reaction from everybody, with a bit of singing along and plenty of complimentary remarks afterwards. Performance-wise, it's probably safe to say we were still a little ring-rusty, but we managed to negotiate the occasional curve-ball thrown by various members (an extra verse added here, a breakdown section omitted there), and our revised, slightly rockier setlist seemed to work well. For some reason, I really struggled to get my onstage sound sorted on this, the first live outing for the Squier 40th Anniversary P, and eventually resorted to just pressing the "Deep" button on the Ashdown - luckily this produced a suitably deep (sic) tone which I could both hear and feel, so I felt a lot happier in the second set than the first. On the plus side, it apparently sounded OK out front, and in what seems to be a new atmosphere of entente cordiale, it looks like we won't be having to find either a new frontman or a new drummer before our next scheduled gigs in July after all! Quick FB reel from the first set - really must ask our man with a phone to shoot some footage of our second set sometime as that's a bit more lively! https://www.facebook.com/reel/438884908720268

A few few more pics from last Saturday nights gig in Hull. Nice shot of the, new to me, Lionel on its second gig. Also a shot of the bar staff dancing on the bar….that’s a new one on me.

Afternoon its been a. While since I did a NBD thread! Been waiting for this for a while as they don’t come up for sale too often Fender AVRI 75 jazz 5 1/2 hr round trip this morning to collect this, well worth it Owned from new by previous owner and looks like it just came out of the factory, all covers included as is the original bridge serial number dates it to 2005 Currently sat in my lounge whilst the trusts settles down Tony

Popped into Bassbros yesterday on the hunt for a nice 4 string Precision and this was just begging to come home with me. It appears to be a bit of a case queen with barely a mark on it anywhere and even the case is as new! It was a bit of a toss up between this and a Yamaha BBP34 but this won in the end. I have been playing mainly 5 strings for the last few years and the feeling of getting back on a 4 is just amazing! It has taken a really low setup and surprisingly the stock pickup is really nice. It might still get a Nordstrand or a Fralin at some point but let’s wait and see.

We played third out of 4 bands at The Herdsman in Hereford last night... First band up were ANoise, who do a sort of dance-punk craziness with lots of bizarre costume changes... Lots of fun, though unfortunately only about 6 people had come in by then. Then it was MC16, who do an excellent agit-punk thing - highly recommended (but no pix, though we're playing with them again next week near Telford). Then it was us - luckily I'd brought my Big Amp (1500W!) so I could be heard, which is always nice cos it's all about me 😁. We had the biggest crowd, either because somehow we have fans or, more likely, we had the best time slot. And actually, rather than muttering about how rubbish we were or shouting "Oi, flash w4nkr!" if we dared to play above the 5th fret, someone came up and said I played like Les Claypool! I suspect he must have been very, very drunk. And we are also now officially a covers band, as our other bass player suddenly started playing RATM's "Bullet to the Head" and then our encore was our Cameo/Penetration mash-up of "Don't Dictate"... Headline band were Last Tree Squad who do a ReggaeRapPunk thing and are proper groovy, though I only saw one of their songs due to having to get my ancient self to bed ready for work at sparrow's in the morning... ChokedBulletToTheHead.mp4

Just a shoutout to David at Retrovibe for making me a custom truss rod cover for my L'il Richard bass. Obviously this was a small job with little if any profit in it but great customer service. Looking forward to buying another Retrovibe bass in the near future.

Hello! I blooming love these basses. I’ve had a few Korean 90’s ones - PJ and JJ and they were great! I snagged this Mats one in a Gardiner Houlgate auction a couple of years ago. £220. Swapped out the pups (which didn’t work) to an EMG 18v set. Sounds mega.

Glad you pulled. She's got an unusual name, hasn't she?

Received my CAR 5 string a few weeks ago and only just had the chance to do the decal change and also put a carbon vinyl wrap on the scratchplate as the plain white was booooring!

Finally succumbed to getting the red muck, bloomin lovely it is as well. Also gob smacked by how nice the NUX tape core is, sounds and feels very premium, the repeats are gorgeous

Thanks Dave, Thelma Performing Arts will do some advertising and so will we. I'll be reporting on the gig with pics. Daryl