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Eagles tribute gigs for the last couple of nights. First, Queen's Hall, Edinburgh. It's a gorgeous hall with a lot of history. House PA, extremely good engineer, great lights Best of all, though: 800 people in... on a Thursday night! Hats off to the promoter. Last night was a lovely theatre outside of Whitehaven. A little more cramped, but another very enjoyable night. I used my new (but not new) 1996 MIA Jazz RI, and it's a Bobby Dazzler. Love it. The only downside was the van breaking down as we left Whitehaven. I finally got home just before 5am 😅 💤22 points
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So after 3 months of waiting it’s arrived, I custom ordered a Precision Bass by Luca at Alnus Basses. (Insert joke about name here) There wasn’t an awful lot of information about them on the web, so set about tracking down owners across social media outlets, general consensus was he made lovely basses. I’ve always wanted a lime green metallic P Bass but Fender custom shop prices were out of reach for me especially when buying blind. I contacted Luca and gave him the specs I wanted and went through step by step with him in regard to colour shades/pickguard colours etc. I liked the fact he made the necks and bodies out of raw materials rather than pre made husks of the shelf, all paint/relicing and pickups were done in house and I liked the thought of a bass being built in a lovely Italian village (My family originates from Italy so this was a little piece of Italy). So for the result, it’s beautifully made and very resonant! The colour may not be to everyone’s tastes but I’m really happy with it, it needed a little setup to get it how I wanted it and it’s lovely. Just waiting for amp to warm up before plugging it in, if the pickup isn’t my bag I have a couple laying around including a Fender PV60 and Seymour Duncan Quarterpound. I will more than likely fit a badass 2 bridge to it aswell which I have spare.21 points
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Hey gang For a while now I've been on the hunt for a J to use on my Eagles tribute gig. I picked this up a few days ago, and - ever-wary that you don't quite know what a bass really sounds like until you've gigged it - after a couple of shows I've happily torn the plastic film off the pickguard. It's absolutely lovely. Light, resonant, even across the neck, and sits perfectly in the mix. A nice smooth top, with a lovely growl when you slide and dig in. Happy days.21 points
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This afternoons gig with BLOCKBUSTARZ Glam covers band was a charity event in Boness that was sold out. We've played this venue many times for charity events, retirements, birthdays and are back again Feb 2026 for a 60th. The guy was at the gig today. Start time was 2pm and we literally had dancers on the floor for the first song and that lasted all the way thru the afternoon. Couldn't have asked for a better audience. When you get a lot of women out for a Saturday afternoon Xmas party they just wanna have fun and they did. The few males that were present also up dancing with everyone on the floor for the last few songs. The new Xmas songs went down a treat and we played well. Had a few hiccups with the PA where it cut out on occasion. Looked like he was running the powered cabs too hard. He decided to leave the subs in the van and just go with his JBL full range cabs. In future we'll always use the subs with them. He notched down the bass and kick drum volumes and i boosted my amp volume to compensate. Still sounded great tho but that solved the issue for the 2nd set. Decided to use my Sandberg MarloweDK for this one as the event was billed as a Xmas event so we went with the tinsel and a more Xmas look. Marlowe sounded excellent thru the Handbox WB-100 and BF212 cab. First time i've used this combination in the Glam band and i was very pleased. Sound guy also commented that it sounded superb out front. Some older ladies wanted to book us for 2027 for a triple birthday party but its a bit too far away to be taking bookings so we asked that they get in touch middle 2026. All in all a good day and home for 7:30pm via the Indian takeaway. Few pics of the stage etc appeared so that's all i have for time being. Dave21 points
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A double report, because I was lazy last weekend. Last Saturday, played with Nine Lives at the Grampian Bar in Torry, Aberdeen. First time playing there. It wasn't very busy - maybe 15 folk in at any one time. Thankfully there was a table of folk who stayed for most of the gig and were well into it, plus my best mate came down for the first half and Mrs. Neepheid joined us later on after an earlier social engagement. Still, it was one of those when you wonder if the pub made any money at all. Gear for that one was Yamaha night - the SB500S (even in its unfinished state having only a bridge pickup) followed by the BB1200 (which I forgot to photograph, oops). Amplification by Mark Bass as per usual. Fast forward to last night, Nine Lives again and back to a favourite haunt, the Balaclava in Fraserburgh. Gig didn't get off to the best of starts - while the drummer and I were loading our gear into the pub he suddenly realised that he'd left the mixing desk at home - he had changed cars in order to service the brakes on his usual motor and left it in there by mistake. Thankfully he only lives half an hour away from the venue, and we were mercifully early, so he bombed it home while we set up everything around the missing mixing desk so it would just be plug in and go, debagged his drums to save a bit of time there etc. Despite all that hoohah, we still somehow managed to be ready 10 mins before kick off. And it was a cracking night! Maybe because it was a pay weekend, the pub was busy and we had plenty of dancers and singers enjoying the tunes. Much better night than last weekend, that's for sure. Played well, some bloops but easily recovered and acknowledged with winks, smiles and funny faces. I played my Epiphone Mike Dirnt signature G-3 the whole night - sorry, backup bass, but I was just having too much fun with my new toy. It's a bloody terrific bass, a joy to play and sounded immense - cut through the mix like a knife in all pickup settings. Had a whale of a time playing it. Usual amplification.20 points
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Friday lunchtime in a central Bournemouth church. We do it twice a year and share the retiring collection with the venue. Church has a regular audience for the music and we add to it - have had 100 folk before but 65 was just fine given the season. The promoter got up to sing on Mojo Workin’ and we played two encores. One of which debuted Time Is Tight. Love a bit of Booker T… Gear: Flea Jazz (currently in ‘for sale’ section), GK MB200 through Barefaced Two10.19 points
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19 points
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Just got in from my last Spacewasters gig as a full band member (I will be depping for them next year for one gig). Was at The Milton Arms, Southsea, Portsmouth, supporting The Witchdoktors (great band btw). The Witchdoktors provided the backline which was very decent of them, we only had to provide cymbal stands, so made for an easy gig, our drummer drove so all good there. We played well and went down well, though it wasn’t as large an audience as when we’d previously played there, even on pay day, maybe people holding onto cash for Xmas. I played my JMJ Mustang through an Orange Crush (I think) combo, which sounded very nice. Footwear was DM Chelsea/Dealer boots. And now back indoors, well I hurt all over, really reinforcing that my leaving is the right decision, a real shame but I’ve had 4 great years with the band, am so glad I joined them for those years.19 points
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Warmoth custom neck baseball bat rpofile, ebony board and bound, Allparts bound body curiously relic'd by previous owner.... Dimarzio PAFs, Gotoh Lollipops, Kiogon circuit, LaBella DTs. It sings, first rehearsal in anger tomorrow evening 👍18 points
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Hometown gig in a converted church that I've played before, nicer onstage sound than previous times. A few mistakes but a well received generally enjoyable gig. I've used a Peavey vb2 810 fridge for my last 3 gigs, this one and the 2 previous tour supports we did. The fridge was purchased for the usual blue book £100 for a non Ampeg 810: it's the 3rd 8x10 I've owned and I maintain that despite science going in the opposite direction they can be a good, cheap viable solution for certain situations. Obviously it wouldn't have worked when I was doing pub / club covers and probably not ideal for everyone. When I found out the bookings we had this year I either had to get an additional 2x12 neo GK cab or go on a different tangent. I flogged the GK and bought the fridge for half of what I got for it...I can rethink things in the future if needed. Fair to say that the 810 with the GK head is like a 3.5 litre v8 ticking over and never gets shouty; the volume is at the volume of the drumkit ( I'm enjoying playing with a more energetic drummer after playing with a sedate one for a few years) and one guitarist plays big chords while the other plays a bass 6. So I need to really ground the music, giving an illusion of being an octave below the bass 6. The tilt and roll drill with the fridge is pretty workable too, I struggle more with 4x10s tbh. My first gig with LaBella flats. Not wild about them on their own but great in the band mix, really full and consistent. The higher tension seems to work well too, nice to play.18 points
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Our first time playing at the Gate in Hugglescote. It looks like they have entertainment fairly regularly, but not with bands with a drum kit. It was a bit tight, so much so that the drummer sat on the bench instead of his stool and had no room for a floor tom. That made for a few chuckles on the occasions he forgot and hit on thin air 😂 I never find it fun having to move every piece of kit six times while setting up, like a sliding tile puzzle. A bit unusually for a Saturday night pub gig they wanted us to start at 7pm. As we expected it was a little thin on the ground when we started but soon got busier. The Rumble had to go on the bench. I don't normally have it up high like that, so it made for a different experience and I tried not to be too self-conscious being able to hear every little thing. A good night was had. Some dancing. A lot of compliments, and it turns out there were quite a few musos there too. Most importantly my black DMs looked great, having polished them this morning 😂17 points
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Just got back in from depping on a gig as part of a big fundraising evening for a blood cancer charity in Leicester’s Winstanley House. Lovely venue, huge room. Pretty late gig, starting at 10pm, but people were still up for a dance and it was pretty lively. Got completely lost in the dark trying to get out (I’ve only lived in Leicester for 20 years….) and was gonna find a McDonald’s on way home but it was super late and I couldn’t be bothered. Gear was my old vintage P bass with its new Labella DTB flats, thru the usual Markbass traveller rig and pedal board. Flatwounds have been the sound in my head for a while for this sort of material and tho I took a BB bass with me I only used it for the final song. Footwear was by Clarks. Black jeans by M&S.17 points
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We were back at the Queens Arms in Brixham last night, which is one our favourite pubs to play and we are the landlords favourite band. We set up quick and it sounded good, but later we were told the guitar was too quiet when it was fine at first. A combination of up on his amp and bit more in the PA along with a subtle equaliser tweak sorted it. We were playing quiet well and having a good gig, but there were some moments. A few caused by our singer with one particular strange one. At the end of the second chorus in Go Your Own Way he carried on and then me and the guitarist both went into the ending so we completely missed the middle section. Lots of looking at each other wondering what went on, but we laughed about it as we alesys seem to play our way our of problems. A good size appreciative crowd, and some people I haven't seen for a while. Next gig is NYE at a different pub. Usual rig, which I've photographed close up. Got some good feedback on my sound from a fellow bass player and their friend.16 points
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I played out at a local pub called the primrose in Leeds last night. It's a night where they put on five bands and so we got a 35 minute set and feels like a Leeds rite of passage . There was an old Peavey bass amp provided but I took along my rumble 500 and I was glad because the sound from the peavey was pretty mushy and muffled. I took my sire V7 because I find that it gives me a nice crisp tone without being quite as in your face as a stingray. The music in our band is funk rock so I need something that this going to sound nice when slapped. I also just got a boss me 90 b on Thursday and so I had set up a load of patches because on one of the songs I switch between a clean sound and an octave pedal and then distortion and then octave and distortion. I had foolishly added a bit of envelope filter to the clean octave sound and when I played it at gig volume it was definitely a bit too much top end. Oops, I'll join the me90b discussion later on the appropriate thread... The first band on were a very tight rock band with a female singer, bassist playing a p with flats very nicely. Our set went pretty well with the usual issues with speeding up when we get excited and the guitarist struggled a bit with his guitar dropping out of tune all the time I think next time we need to get the guitar out of the case in advance so it can get used to the temperature in the room. The PA was a bit muffled though which doesn't really work for the hip hoppy lyrical delivery and my partner said that when I spoke through the microphone she couldn't make out what I was saying so definitely the PA was just not quite right. Shame because we have been practicing three part harmonies for a while and I think they probably got lost in the mush. I also tried a Bluetooth wireless set up my dad lent me and it worked great. The band after us were a four-piece metal act called 6 foot under with a fantastic front man and really talented musicians, in particular the guitarist who had that trait of sounding amazing but looking like he was barely moving his hands. I'm not really into metal at all anymore but I appreciated their musicianship and the show. They even gave out Yorkshire tea bags with their qr code on it! All in all a fun night out, just a shame there weren't that many people out to listen.. I wore my altra lone peak trainers as always.16 points
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Wouldn’t let me type before - no idea why. Good gig last night helping some mates out. they’d agreed to the gig then their bass player moved to a different country so I stepped in. Learned 10 songs, played 7. wasn’t my best performance; first time going ampless and I was a bit thrown by that. sold out Gorilla in Manchester, the main band were half our age - it was like looking at a sea of my daughters mates 😆 Felt very old.15 points
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SD quarter pounders PJ pickups, multitonal gotoh bridge, Schaller tuning heads, a matte black s/plate … and black volume / tone knobs what do you guys think? Enough mods for grunge/rock/punk covers? 😁14 points
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Very sad news. I was fortunate enough to meet him, and spend a memorable few days on the road with him, sharing dressing rooms. The first gig was in Paris, and from the outset he was the most friendly and generous guy you could meet, always chatting and telling us tales of his life and the music industry. We did drink quite a bit of wine together over the course of the next week and a half, and I got in trouble with the promoter once for going out wine shopping for him the night we played Islington Assembly Hall. I fixed his amp in Milton Keynes before the gig, it was just a bad valve, but he said "Rob, you're the man!", and my heart swelled with pride. RIP Cropp.14 points
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A buddy of mine was telling me he didn't like the chunkiness of the beautiful flamed and birdseye maple neck on his Stingray. By chance I have a Stingray with a thinner Status Graphite neck that looks a bit out of place on my honeyburst Stingray, so I offered to switch them. I don't have any photos of the red Stingray before, but I think they both look phenomenal now:13 points
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Thought I'd found my board's final form, but then the Bassrig Fifteen dropped, I realised I have no need for two drives, and I decided I preferred the Julia over the Analog.Man (probably going to sell it if anyone's interested). It does leave one loop empty, but it'll be a guest loop or.... something.13 points
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I’ll jump in on this too. I’m 61, and I’m still fronting an original heavy rock band, the same band I joined in 1982. Were recording a new album and it’s sounding absolutely awesome, very pleased with it, and live were better than ever. My voice is still holding up, and young people who come to see us love the stuff, it’s old school, like their dads listen to, and it goes down pretty well. THAT SAID…….. a month ago, my best pal lost his battle with cancer. He was 59 and an amazing metal guitarist. I helped lower him into the ground to the sound of “Where were you?” By Jeff Beck. In January, my mum died. No great surprise, but still, you know. In February our drummers wife had a heart attack and died for 10 minutes. Somehow, they revived her and she survived, but unfortunately with severe brain damage, so he has his hands full looking after her. The band, keeps him sane. My point. If you’re young and you’re reading this, be all you can be. Take nothing for granted, don’t waste time being miserable, do the things that make you happy, with the people that make you happy, play music, love music, all music, and most of all, KICK ASS. If you’re old and reading this, all of the above also applies to you, x2. F*** getting old.13 points
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No photos but the seven piece "little big band" packed the hall last night with over 100 people and very few seats left empty. We have had very few rehearsals and only a couple of gigs in a store and a museum where we just played as folks walked by and I was expecting a pretty ragged show but the band came together really well and we even had to play an encore which is very unusual at this venue. We had two vocalists with us last night for the first time and both did a fine job on some Christmas tunes and classic jazz vocals and they also did a couple of duets and the audience loved them. Usual rig, Shen SB100 and Realist Life Line pickup with NuX wireless into a music stand mounted Schatten Design preamp that only has a volume control into a Bose PA and I had some good comments from a double bass player about my sound and playing. I love having that preamp right on the music stand, I can easily adjust my volume to fit the song. The band played well and the crowd was really with us, all in all a very good night.12 points
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This one is primarily, but not exclusively, aimed at those of us who are in the mellow autumn of our years. The partner of our vocalist and band leader had a stroke last week. She’s likely to be in hospital for another few weeks and is likely to need lots of support when she gets home. Consequently, and rightly, we’ve cancelled everything band-wise for the rest of the year. Onwards, we’ll have to see how things go. So, while you are able, do that gig, join that band, buy that bass, climb that mountain. Whatever you want to do, while you can. And, prompted by a recent thread, don’t stick around in that dysfunctional band hoping things will improve.12 points
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U OK hun?12 points
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Electric Soup, 90s and 00s indie classics, hence the yellow bucket hat you can see poking out at the back. No car-crashes, good fun gig. Punters were sat at tables due to where we had to set up in the pub, but we had people dancing at times at the back. The BH800 worked well with the tone prints meaning I didn't have to take 2 extra FX pedals. Shuker 3 -> Getaria wireless -> TC Electronics BH800 -> Orange 4x10 isobaric cab (+ DI from amp into PA for FOH volume control). Footwear, maroon creepers.12 points
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Well the run of excellent gigs came to an end last night. A club gig that doubled as a members event. The audience was our age demographic but dancers were few and far between. Maybe they were saving themselves for the upcoming festivities. However onwards and upwards to next week when we’re back in pub land for a new venue on the outskirts of Chesterfield.12 points
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First gig of a double header for me this weekend was the annual Crown Court Christmas Party with the Hulla band. Our singer is a barrister and so we get the Court gig every year - they actually ask for us! You could say we are called to the bar. But you probably wouldn't. It was a new venue for us at the Bay View hotel on the Swansea seafront. With the wind and rain last night, the view of the bay was mostly large waves and spray. We're a 13 piece so the set up was quite tight but we're used to it. After the soundcheck there was time for a swift ice cream at the nearby Joe's Ice cream parlour (given the weather, the staff were surprised out our late evening arrival). The venue was an odd shape - the building has been a pub and hotel since the mid 1800s and occupies the end of a street that joins the main road at an angle. At the junction end it is very narrow but it expands in a wedge back away from the main road. Inside there are pillars and several areas divided by bits of wall and single or double steps. From a sound perspective, it seemed as if it would be a nightmare with the pillars getting in the way of the throw of the PA tops and the 'dance area' in front of the band was about the size of a couple of commemorative postage stamps. In actual fact, the sound was very good and there wasn't the nightmare sound reflections that we anticipated. Instead, the nightmare reflections came from a big mirror behind the bar in which I was able to watch myself in all my performing glory during the soundcheck. I stepped to one side for the actual gig as it was very off-putting. The place was closed for the private party so our audience was around 60-70 people. Most started off in the little area in which the food was being served but as we started to play the dance floor filled up (3 people) and the dancing spilled over into every available space, included that reserved for the neck and headstock of the bassist (I was on the far left of the band line up). What looked like a lively and dancing bassist was actually me trying not to batter members of the legal profession as they laid their moves down. 30 songs and 2.5 hours later we finished with Hey Jude. I think the singer would have gone on and on but his voice was decidedly croaky and much to the relief of the rest of us (and perhaps the remaining audience) we came to a halt. It was a very local venue for me so I was home 10 minutes after I left. Kit for the night was my Sterling 34HH through a board - MS60b for tuner and noisegate > NUX Sculpture compressor > NUX Voodoo Vibe (only for the end of Hey Jude) > Ampeg SCRDI and into the desk. Monitoring for me was via a Behringer P16m fed from the X32 desk and into a Gear4Music wireless system with KS Z10 earphones. Footwear were slightly damp (from our visit to the ice cream parlour) black Skechers.11 points
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Hi Folks, Pending payment now. Like my amps and cabs, I'm sure my basses have been multiplying while my back was turned. I now have too many and I have to thin the herd. Up for sale is my Nordstrand Acinonyx V1 4 string in Lake Placid Blue. This one is not from the original batch and consequently hasn't suffered from some of the issues those had, like the dropping bridge saddles and pickups. The full spec of the bass can be found here on the Nordstrand website: https://nordstrandaudio.com/products/acinonyx-short-scale-bass?srsltid=AfmBOoqXRCMzsQ38QEkKuMECUYDt-DGX53aeBYqGr9AYmHWpuGsqi1lr. The headlines are that it is an extremely light bass, with a 30.7" scale and 1.4" nut. Bridge spacing is 17mm. Combined with the slim neck, it is extremely easy to play and great ergonomically. A great bass for those 3 hour gigs.The Nordstrand made pickups are very powerful and it has a wide range of tonal options. It has quality Hipshot hardware as well. I got a bit fed up of the original push button switches for pickup selection and tone. I liked the concept of being able to get predictable tones at the press of a switch but I didn't much like the execution. I found it particularly difficult to select the series "all-in" option. Consequently I had a new scratch plate made (while pearl) that allowed me to wire it up with a 4 position telecaster switch and a varitone switch for tone. The switch positions are 1. fully forward - both pickups in series ("all-in"); 2. front pickup solo; 3. both pickups in parallel; 4. bridge pickup solo. The varitone switch has 6 positions ranging from off to 0.1 uf. The volume pot is now a full sized CTS 250 k audio taper and the jack socket is a Pure Tone. While I was doing this I took the opportunity to improve the shielding with copper tape in the cavity and back of the scratch plate. It is now a lot quieter than standard. I find this switching and tone arrangement much easier to use than the original. However, these modifications can be easily reversed. I have the original electronics and scratch plate, so the bass can be returned to standard very easily but with improved shielding. If you would prefer, I can return the bass to original spec before posting/collection. You can have the new parts (which cost around £130) as well, or if you opt to keep my mods, I will provide the original parts in the price. I have included a picture of the bass in original spec. The bass is in very good condition. I can't find any marks, dings or scratches on the body and there is only one small ding on the neck, which I have pictured. There are a few scrtaches on the original scrtachplate from using a pick but again, nothing significant. It is fitted with new D'Addario light gauge nickel rounds (45-100). I tried flats on it and they were fun but I prefer the extra bite from the rounds. Nordstrand have stopped making these basses in the Far East, so new ones are going to be US made to order and expensive. You are very welcome to come and try it through various amps at my place in Fakenham (refreshments provided). That may not work for many and I have the original box, so can post at buyer's expense. I can meet up within about 50 miles of Fakenham. I am thinning the herd, so not looking for a trade at the moment.11 points -
11 points
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A lovely 1976 Fender precision in 3 tone sunburst In pretty good overall condition, a repaired scratch to the back and a few dents and scratches here and there but nothing too drastic Barring the 2 knobs its all original with chrome covers and original case, catches all work with no rust on them Weight is approx 4.4Kg's Nut width is under 42mm Truss rod works fine both ways Frets in great condition with very little wear The burst is still very vibrant All parts date to 76 Any question please fire away11 points -
A cynical money grab that has nothing to do with Steve Harris in colour, pickups or hardware appointments. It's just a standard P Bass with a silver/mirror scratchplate.11 points
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We love playing at the Crew in Nuneaton (downstairs from Queen's Hall if you're familiar). It's a rock bar and they like it loud, so we properly rocked out. It's a great atmosphere with guitars and posters on the walls and ceiling. Hot again too. It took the Stingish bass again, but have a hankering to fetch out my Sire P7-5 next weekend for a bit of P-bass goodness. It's been a while. A couple of malfunctions: my amp overdrive footswitch needs rewiring, and a riff run that I've messed up two gigs in a row needs practice!11 points
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So, after many weeks of waiting, the black bridge finally arrived from EB in the USA. FINALLY! One added bonus is that Anderton's haven't said anything about returning the old bridge so I am going to hang onto that for now and if I don't hear anything for a few weeks, then I will look to re-claiming some of the ridiculous amount of money the bridge cost me! Just fitted, re-strung and a (very quick so will need further adjustments) setup means this project is finally finished. I'm very pleased with the final outcome and it certainly is now very much a one off in it's own right. the black hardware really adds to the look of the bass IMO and with the black scratchplate and knobs, against the washed open pore polished finish, it really works for me. Like may SR5s it is a bit heavy but I think this one may stick around for a little while now. looking forward to giving it a proper go very soon.11 points
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We've had reports in about an individual using multiple accounts approaching buyers in the market place after they've made an enquiry on a thread. The scammer's method is to reach out via PM with some information about the seller (who it's likely he has no actual connection with) then invite further conversations with that friend via email off site. Then, while impersonating the seller via fake email, offer to take a deposit which is never seen again. He seems friendly and has certainly posted on here to give off a friendly and laid back vibe but he is exploiting the trust and goodwill on here. We can't emphasise strongly enough that you don't reply to anyone claiming to know a seller, don't email any email address they provide and for anyone who is thinking about putting deposit down on any item in the market place, please use a form of payment that can be easily reversed. A reminder is below to advice already offered by members 15 years ago to avoid being ripped off. Also, if you are contacted by anyone else in the future with an invitation to continue the conversation via email, please flag it immediately with either myself or woodinblack. Thanks in advance for your help.11 points
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Purchased from bass bros. Selling for 20% less to account for private sale. you may know these are rare. Collectors item. And I believe this is one of two in the UK. Someone can chime in to confirm. Willing to go for a trade more so on BC - before this ends up on a commission sale. See what’s about. Postage is possible. It’s in essentially showroom condition. Only signs of use are on the scratch plate - a case queen. New Enie ball lights on. 20 mins of play. on the heavier side feels around the same as my 2002 stingray and Jazz bass selling as I have not given it enough love. I’m too scared to dent it. To be honest it’s not even been on my rack as I’m worried to scratch it just sitting in the case. it’s a really versatile sounding bass. On my instagram @homebass.eadg you can see me playing it with tapewounds, and rounds. Lots of different tones available from classic stingray, to Lakeland mode, to Gibson HH mode to P bass mode and then finally EBO mudbucker sound. trades interested in cash available if needed: 70s jazz bass Spector Warwick streamer maybe a interesting modern instrument on some kind just hit me up with anything interesting. Thanks Basschat!10 points -
He can play slap but chooses not to and for that reason alone, he's alright.10 points
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… so had a break from putting boards together (as they take so long and I keep on changing them, I’m sure that’s never happened before on here 🤣🤣). The plan is to have a modular Pedaltrain Nano system, so everything ends up going through the utility board (Red Panda Mixer - Polytune 3 Mini - Lusithand Alma Mk 3 - Sfx Microthumpinator V2 - Franklin Audio Passive DI): The instrument boards are for a Fretless (Cali 76 Bass - DCX Bass - MXR Bass Chorus Deluxe - MXR Carbon Copy): Fretted (G-Lab BC 1 Comp - Creation Audio Grizzly Bass - Creation Audio Funkulator): and lastly the modulation board for Key Bass (Empress Effects Tremolo 2 - Vein Tap Dark Arts (Phaser) - EHX Eddy (Chorus) - MXR Carbon Copy Delay Mini): The idea is to be able to be more discerning with pedal choices for different instruments. I play at church and sometimes want to use all three instruments (no, not at the same time 🤣), sometimes only two and other occasions fretted only. This should make things more simple and easier to move about, rather than having a monster board where most of the pedals aren’t used! I’ll post pics when it’s all tested and built up, but you hopefully get the idea of my thinking. Peace.10 points
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I really like him, he’s an antidote for the world of social media bassists and musicians in general. He’s carved a niche out for himself, and fair play to him for managing to do it. Musicians have a bit of a habit of taking themselves too seriously and he’s doing a good job of injecting a bit of fun into things without any of the pretence. Like it or not social media as a platform for musicians is going nowhere, so why not someone like him.10 points
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The band I had to leave back in March (due to me having a brain-bleed stroke) has been very supportive since then, kept in touch about my recovery and since then have asked me to do 5 or 6 dep jobs with them covering gigs my replacement on bass couldn't do. Latest was last Friday 28th November at a private party in a nice pub in Sherborne. It's gratifying that I still remembered the chords and arrangements for all the numbers I used to do, and could busk the new ones, although I must admit 'Fairytale of New York' unrehearsed was hard going - never played it before and frankly never liked the original! My short sax set (One step beyond, Geno, Tutti Frutti) went down well too; I suppose sdditional saxophony is my unique selling point! Following on from one of the other threads on this forum, the other band members would clearly like to have me back, and were thinking about hiding some gigs from my replacement so I could play them instead. I must say I felt conflicted - I would love to gig regularly again but I've had this sort of thing happen to me in the past but the other way around. Hmm... advice please!10 points
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I like him a lot. Nice to see irreverent and often self deprecating stuff in an age of “I’m the best” shite.10 points
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Up for sale is my 45 year old 1980 Fender Precision Elite in excellent condition with the exception of one lacquer ding on the bottom edge. Set up beautifully it weighs in at a meaty 4.3kgs, has a wider profile 44mm neck but somehow plays brilliantly Features are single split coil pickup, active boost electronics, schaller fine tune bridge, and gold hardware which is in remarkably good nick for a 45 year old. Comes in an equally vintage and robust hard case. I'll be sad to see it go but our impending house move forces a bit of a clear out. Can meet up within an hour of The Wirral or deliver anywhere (surely no courier could penetrate this case and even if they did, the bass would fight back.....)9 points -
In the past I've found it useful to play along to drum rudiments. I also trg to vary my rhythm when playing certain songs. Perhaps most of us don't think about naming rhythms or consciously learning them, perhaps shuffles and bo diddley... or just play along to different drum machine rhythms without actually breakingthem down. I was listening to 'Add to Playlist' earlier and they mentioned Samba rhythm. It made me think 'how is a samba constructed?' I found this short video interesting: Spoiler: it does not mention samba...9 points
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Sandberg California VS4 II Bass A lovely example German made, near new with gig bag. Lightweight with a superb comfy neck and low action. I own three of these and they have consistent quality. They have replaced my usual go to Precision basses for live use as they are ergonomic and easy to play over long gigs. This one comes in Marley Blue with maple board, push pull active circuit. I think the pickups are Delano - they sound like a Precision on steroids and great in a mix. Nice mids and lows. Strings are D’Addario 40-95 and new. Pickup preferred but I can post at buyer’s cost in the UK only. No trades, no offers sorry. Selling as my 70’s Precision isn’t shifting and I need to move some gear on. More pics to follow.9 points -
I've not had a pedal board for sometime but after buying the Origin Effects BR15 a few weeks ago I thought it rude not to build one around my new di / preamp. A simple board comprising an analog chorus into a compressor and then straight into the preamp / Di.9 points
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This was a Covid project for me and it began life as a very neglected Columbus jazz bass. i stripped off the finish, refinished it in Lake placid blue, added MIM fender pickups and tuners. The bridge is from a friends spares box and I’ve no idea where the control plate came from. Rather than the usual fake fender decal, I went with a tokai one. Bad bits - the finish on the rear of the body is pretty patchy. The front is ok but there are some ‘roadworn’ areas. It was my first attempt at a refinish but it looks great from the front. Good bits - it’s really playable. The neck is really slim and fast. Reminds me of my MIJ Geddy. Asking £175 for it. Collection preferred but we can sort something out if that’s not practical. I’ve attached some before and after pics9 points -
Im touring in a band currently supporting British Lion - not long come off stage in Manchester. I asked Steve tonight why his new signature bass was black. He explained it was actually white when he got it and immediately had it sprayed Matt Black. I’m guessing it never had the BA bridge on to start with but I’ll ask him if I get the opportunity. He’s got one with him on the tour but it’s unlikely he’ll use it as it’s strung with rounds but I might get the chance to have a go!9 points
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I’ve met Danny a couple of times and chatted a bit online. He’s a really nice lad, a pretty decent player too and his Instagram stuff is funny and at least a change from the stuff that’s normally stuffed down your throat on the daily. He’s easy enough to avoid if it’s not your bag but kudos to him for making a living from all things Bass/BEHS9 points
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A non scientific test. Pink noise from YouTube thru tablet into Origin Effects Bassrig 15 into Midas MR18 mixer with EQ bypassed. 1. Pedal off / bypassed. 2. Pedal on with cab SIM OFF tone controls at 12 o'clock. 3. Pedal on with cab SIM ON tone controls at 12 o'clock (mid position). 4. Pedal on with cab SIM ON tone controls at 6 o'clock (full).9 points
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Every time I see him I can't help but think about this picture:9 points
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Fender Jazz Bass 1965 Original L series Fender Jazz Bass from 1965 with an old nitro refinish. Possibly the original color was olympic white, as I can’t find a trace of another color in the cavities. The bass is all original, apart from the refinish. The decal is original too, though there has been some sanding around it. Probably to remove the dirt around it. All electronics and hardware function like they should. The neck is straight with a good functioning truss rod. The pickups are the original grey bottoms, which are undated. The pots date to week 12 1965. Overall condition is very good. There are small damages and usermarks around, but nothing shocking. Soundwise it’s one of the (if not the) best jazzes I’ve owned. The sound is warm, deep, clear, punchy… very nice. La Bella flats are fitted; which are a perfect match. Especially through a nice tube amp; just lush. Playability is great too, a low action is not a problem. The neck has a nice worn in feel too it. Weight is 3,95kg on my kitchen scales. The original case is included, and it’s still sturdy and totally functional. The original chrome pickup covers are included as well. This bass will possibly be withdrawn for sale if my '70 Mustang sells first. Price for straight sale €7.000 Partial trades (basses, guitars) are negotiable though. I’d be especially interested in a Modulus 34" scale quantum, Fender or similar electric guitar (strat, jazzmaster, tele) Epiphone sj200 1957, Precision Bass…9 points -
With my kids in their 30s it's a long, long time since I could enjoy Xmas, but I've discovered one thing that really works for me ... a decent Xmas Market.9 points
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