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Hi everyone, this is Mark Morgan-Richards of Classic and Cool Guitars, and Limelight. First of all, thank you to everyone, this is a great community effort. I contacted the auction house first thing this morning and they withdrew the bass from sale. I now have to try to get it back...🤞 I have learnt a few things from this whole episode: 1) I will NEVER use ParcelForce or Interparcel again. 2) I will not be adding any logos to the headstock other than Limelight (or blank) from now on 3) I really appreciate all the help I got from this post (Thanks Paddy)

Hi everyone, I think I’ve come across your bass in a live auction with Wellers Auctions in Guildford. I check their listings from time to time for instruments, and this one caught my eye due to the very limited information provided. A quick Google reverse image search led me to this forum. The auction ends tomorrow, so it may be worth contacting them ASAP. I really hope you’re able to recover the bass. Chris

I've never known pubs to be so busy in January - another one rammed tonight. They were not very dancy, well there wasn't really the space, so it was a bit of a proggy night instead. We even had a little blast of Genesis - I Know What I Like (In Your Wardrobe), and I found my lawnmower patch in time 😂 The tools of the trade - Sub5 Stingish bass, GT-6B, Rumble v3 500. Black DMs. Some lovely compliments too. It's always nice when people acknowledge the bass. We have a couple of weekends off now.

We played The Shed in Charlbury tonight; it's a small venue but popular with the jazz crowd. This was a fundraising gig to cover some of the costs of the recent refurbishment there (nice to have working electricity which is up to safety standards...). It was a good turnout considering we'd never played there before and the locals wouldn't have known what they were going to get. Luckily, they seemed to have liked it. Edit: Video available.

After all the worry, it was great! Really cool venue, The Acoustic Lounge in Poynton. All the good things you want from a venue - easy to find, car park right next to load in doors, loads of plug sockets, great staff, first drink free and they have bands on every weekend so people know to come for live music. By no means full but with a decent crowd for a Sunday night and even some dancers. A very civilised 7pm start and 9.30pm finish meant I was in bed for just after 11 - bonus on a school night. Easily the best we've played - this was only our 4th full gig as a band and 2nd as a 5 piece with sax. Rig was Fender Jazz 5 Kazuki Arai --> (new) Xvive P58 wireless --> HX Stomp --> PA. Footwear was Vans classics. Lots of positive feedback from punters and venue, including a guy from another band who recorded pretty much the whole gig and sent us the 4k files. Brilliant stuff! Don't know if Jon from Loop & Swing is on here, but thanks a million if you are! Here are some of his clips: And I'm even going to risk submitting a bit of me attempting some slap:

Last night we played at the Musketeer in Leigh, Lancashire. It's always been one of those gigs where the crowd turns up 5 minutes before the band starts. We had been talking to them about taking our long-established jam night there, but we couldn't get timings that suited us all. We did a well-received first spot and a lengthy second spot. We certainly blew off the cobwebs in the place. It was great that the 'new' line-up of the band was so readily accepted at one of our favourite venues. It was a bit of a special gig for us, as our guitarist's wife gives birth next Fri (planned birth) and so we are taking the band off the road during February.

I saw Big Country a few times. Just before The Crossing was released, me and a mate flew to Jersey to see them. He worked for an airfreight business, they had an office in St Helier and he got someone to procure tickets; both of us had family working at BA, so we got cheap flights out. We had nowhere to stay and travelled in shorts and t-shirts. Found a room in Pontac. Gig day we thumbed a lift to St Helier (in a Lords Taverners minibus!), found the venue (Fort Regent Centre) and just holed up in a bar there. We saw the load-in and then Stuart and Bruce came in. This was mid-afternoon. Drink was drunk. They're stunned that anyone would want to fly somewhere to see them. We were invited in for the soundcheck...it was just me and my mate and a couple of crew (private gig!), more drink (Stuart gave us fresh t-shirts), then the gig. It was a great gig. Next morning we were on standby flights, so we're at the airport at 7.00am, same clothes. Band come in, see us, Stuart cheers (I remember him putting his arms up like he'd scored a goal), he tells me proudly that he's bought a wristwatch for £2.99 (this memory has stuck with me, him just going, '£2.99!'.). It's noticeable that despite the hour, he's not holding back in the spirits. Cleared to fly, we're on the same flight...Stuart is cheering when he sees us boarding. He's in the row behind us. Amazingly, Kenny Dalgliesh us sitting in the row in front of us. Over the years, we run into Stuart a few times and he always made some remark about the Jersey blokes. I genuinely miss him, it was a tragic, terrible, lonely and pointless death. I often wonder what could have been, but at least his legacy us pretty much intact.

After our usual few weeks off in January, we were back at it at a fairly local WMC, Maltby Catholic Club. Despite being local we’d not played this venue before. The gig was well publicised resulting in a packed house. Both spots were well attended by dancers and a promise of a further gig, love it when a plan comes together. Talking with the proprietor, turns out the place wasn’t doing too well when the took it over last year but since investing in better live music acts the place is now thriving which was great to hear. EBMM shorty stingray, Boss pedals, Markbass little Marcus 500, 2 x Markbass NY121. Silver Converse Chuckie Ts.

Not my gig, but I was in the studio yesterday recording the first couple of tracks for my second album. The studio engineer, who is also guitarist and sometime backing vocalist on my recordings, casually dropped into the conversation that he opened for Planet Rock's "Winters End" festival on Thursday... and I get this guy whenever I need on my amateur recordings!

Imo single cut basses sound more stern, less frivolous than double cut basses. As if they heard their retirement age has been pushed back. On one hand they exude an atmosphere of business acumen and accountability, on the other they give the impression of a lesser lust for life, of not letting go at parties. Single cut basses are a lot like a greengrocer's hammer: beware when one is applied in earnest.

Off to Horbury WMC for a 40th party attended by around 150 people apparently, although you wouldn't know it from the lack of audience involvement. Hey ho. The evening started auspiciously as I managed to find a parking spot literally three feet from the door! After I'd recovered from the shock we set up pretty quickly, said hello to the birthday girl and her husband, soundchecked, then sat around doing nothing for an hour and a half. Went with the by now tried and tested Siredowsky - ABM - Two10S combination, which sounded pretty good on a larger stage. At halftime I was approached by a local guitar tech who preferred his business card, so I'll have to look into that as I don't have a go to one in these parts yet. Managed to grab a bowl of curry, made by our guitarist's ex apparently, before heading back on stage. We all played really well, and our newer songs are sounding really good, apart from our drummist truncating Two Tribes again! We had a couple of half-hearted dancers for a couple of songs but that was about it, but star of the night was the 9(ish)-year-old girl who was dancing and cartwheeling on the dancefloor for the entire second set, which have me a bit of a boost. Before we started our singist approached us all and asked if we'd fancy giving London Calling a bash. Hell yes, I would!

First gig at the Merriott Social Venue near Yeovil last night. We were pretty rusty not having gigged since before Xmas and having been forced to cancel our last 3 weekly rehearsals due to illness and floods. Singer Kat still hadn't fully recovered from whatever bug had colonised her throat but we all agreed to just turn up and give it our best shot - including several ungigged new numbers. Thankfully Kat smashed it, the crowd loved us, the venue booked us for another gig in May plus their New Year's Eve bash - and a couple booked us for their wedding! One of the new numbers was No One Knows by Queens Of The Stone Age and our percussion was enhanced by the sound of my knees knocking together as the fear of what I was about to attempt took a hold of me. Fcuk the gig money! Nailing that song was what made my night 🙂

Good gig, weird crowd. First time out for the Godin Dorchester, an absolute beast of a bass, massive pickups, massive output, I really had to turn it down. A fun night and a long two hour set, so we were cooked by the end of it.

Some video emerged from last weekend's gig. Just in case you thought I just set up my rig in random places and photograph it every other weekend 20260124 Harbour Lights - Zombie.mp4

The Joe Dart III Sterling Short Scale got a first run out last weekend. Lovely to play it has to be said.

small but mighty!

Redux. There's a load of photos from Jersey. Stuart We were crawling over the soundcheck: St Helier airport 7.00am (note t-shirt that Stuart gave me). I'd just come back from Spain, hence my complexion reflecting mu Portuguese heritage. And glasses!: I had nothing to sign, so I bought a book and they signed that!

Yesterday morning I picked up a few items that had fallen out of the recycling bag. A bean can lid made a big slice along my ring fingernail. Spent all day with it plastered up and it appeared to have sealed, but I touched it up with superglue just in case... Last night's Fortunate Sons gig was for the Rusty Sprocket MCC and locals at a pub in Rumney. Usually the band play their festival every year but this year the dates didn't work, a shame as it's an event I'd love to play. Setting up this happened... yes leaking either side of the glue patch. It stopped bleeding but a rummage in my hits box later and it opened right up, about 4mm deep and 15mm long. Luckily th drummer has special 'wrap' elastoplasts with long tails. I've still got it on and will leave it for a couple of days. Gig itself was good although I made a few fluffs, only partly due to my padded ginger ... like remembering to tune back up from D but not switching myself off standby. Got an immense sound from my Epiphone Embassy with a nice overdrive when digging in. Great reception and possibility of a slot at a big bike festival in the summer.

I once took a banjo to a local luthier shortly before he died, and he snapped it in half and burnt the pieces. God, I miss him.

So this all started in the heat of last Summer when I picked up a prototype Nitro Jazz bass in Daphne Blue by @Silky999 while I was on my way to a gig in Torquay. Quite soon after, I added some Fender Pure Vintage 66 pickups and an uprated tone pot capacitor. This bass, having grown beyond the sum of it's parts, basically showed that Silky999 was definitely onto something... Again, soon afterwards, I signed up for one of @Kiwi's first batch of Jazz bass graphite necks which he was soon to be putting into production in China. The initial intention was to put the graphite neck onto Silky's Nitro Jazz prototype, but it had already become a very good bass as it was. A few weeks later, I noticed that Silky had started work on his own common shape bodies, and he was in the middle of a Walnut Jazz Bass build. Swiftly adding 1 + 1 together, I came up with the concept for this bass - a sort of homage to my no.1 bass, a 2007 Walnut Status S2-Classic that I've owned for 19 years - so we'd build a sort of Vintage-Modern Jazz with Fender Pure Vintage pickups from the American Vintage II series basses, as well as black Gotoh '66 Lollipop Tuners and other nice Gotoh hardware, but with one of the first Kiwi-produced "Aurok" graphite necks for a modern twist to both the look and the sound. The neck arrived on these shores about two weeks ago, delivered directly to Silky and the build has been completed in two weeks. He's definitely put a HUGE amount of work into this bass during that time, overcoming several teething issues, not to mention learning to drill the inserts into graphite for the first time, but we've got there. It's not perfect, but gawd, does it sound fantastic?! I was originally going to get a John East J-Tone preamp plate for it, but it honestly doesn't need it. The 500k pots and more than ample copper shielding have made this a very quiet, yet shouty and clear instrument! Sound-wise, it's actually turned out better than I'd hoped, with a deep, growly tone & a lovely clear top end, with that unmistakable graphite 'shimmer' underpinning the sound. My errors? Well, the first was in the ordering of the lovely Gotoh Lollipop Tuners from Thomann - they're sold as either "4R" or "4L" sets - which I logically deduced would be RH and LH orientation. Er, nope. They're actually labelled for the direction in which they physically turn. Duh. Anyway, I've now accidentally got another bass with "vintage reverse tuners". Yep, we ended up putting them on backwards. I blame the Japanese, personally. Secondly, I ordered a really nice black Gotoh bridge which is seemingly set up for 19mm spacing, as opposed to the usual Fender-style 20mm, so the strings slightly miss the pole pieces, but it still plays and sounds amazing. It can be easily fixed later with a different bridge with adjustable string spacing. I also really liked the wheeled string tree on my GB Spitfire, so added one of those to the tally of parts, as well as a cheeky black "F" logo neck plate - after all, Fender did design the Jazz Bass, so they should deserve a little credit. So it just remains for me to thank both @Silky999 & @Kiwi again for all their hard work. The bass sounds literally amazing - even better than the Status T-Bass I recently played at Andy Baxter's showroom. No, I'm not kidding. Sound Clips to follow...

It’s tiny! Demo coming very soon!!!

Starting a new build for a fellow Basschat member, because this one deserves documenting properly — if only as a cautionary tale. The brief: a paulownia body, finished properly in nitrocellulose, going Dakota Red, paired with a MIM Fender neck. The timing: while fighting a genuinely world-ending case of manflu. The wood: paulownia, which has zero sympathy and even less respect for human suffering. As usual, this will be a warts-and-all build thread — no carefully curated highlights, just the reality of what’s involved in getting a nitro finish right on a wood that actively resists it. This is very much not a “quick colour and clear” job. Paulownia has a habit of revealing grain, pores and dents you were sure you’d already dealt with — especially once primer goes on and you’re already feeling sorry for yourself. The plan (and yes, this is the long way round): Multiple coats of nitro primer Careful flattening Shellac to lock everything down before colour Grain filler, because the grain will come back if given even half a chance More sanding than feels medically advisable Eventually… Dakota Red At the moment it’s firmly in the “primer shows everything you missed” stage — which is nitro’s favourite moment to kick you while you’re down. The aim here isn’t speed; it’s getting a finish that won’t sink, print through, or look like it’s been applied with a teaspoon. I’ve also added a cut out to the neck pocket as the neck is a heel adjustment truss rod. My cunning plan is that it will be covered by the pickguard in normal use but means that the neck can be adjusted in situ by just taking the pickguard off and not having to de-string, remove the neck, adjust, attach neck, re-string, tune and repeat until it’s right. Progress may be slower than usual, fuelled mainly by tea, ibuprofen and stubbornness — but it will be done properly. I’ll keep this thread updated as it goes along, warts, mistakes, fixes and all, including the usual sanding, swearing, re-priming, and pretending this was all part of the plan from the start. Dakota Red to follow… once both the finish and the builder are fully cured.

There's not one post here that was against a happy ending of the bass being reunited with the owner. I went back and reread them all. In fact, there's no negativity toward Mark or the buyer. What there was, was some healthy non-conflict comment and information about some of the legal aspects and what could happen in similar circumstances, and a few well-meant warnings about certain couriers and practices. I think it's been a useful learning experience and it reflects well on the community that we can have these discussions.

Various shorties I’ve had over the years just the Shuker left 😊

I have taken the brave decision to launch a new print and digital bass magazine for the UK market. I've been publishing magazines in my day job for 27 years and think it's terrible that we don't have a dedicated magazine anymore. We launch the mag officially at the Birmingham Bass & Guitar Show next month where we will have a small stand and giving away a sample issue (while stocks last) - we will then publish quarterly moving forward. Editor is Joel McIver who ran Bass Guitar magazine and then Bass Player so no cheap AI generated content here! Website is here You can subscribe via the website - our socials launch on Monday. If you are at the show next month come and say hello - be nice to put faces to names. The cover of our sample issue is here for your thoughts and comments.

This one:

Like most basses, a lot more than I sold mine for….

And here's some pictures. The two cabs stack very nicely on top of each other. However they are only loosely connected through the rubber feet on the bottom and the holes in the corners. You're not going to knock them over without a push, but a drunken punter would easily push them down. The bottom one looks nicer than the top one as it's all black (IMO). I may retrofit the black corners onto the top one. The top one happens to have a Mod Dwarf on it and without that, would be the perfect place to place a pint. Still got to do a grill for the bottom one. Side angle and the rear. The handles are great., Easy to carry the whole cab with just one of them. And from the rear I'm quite pleased with how they have turned out. Even better when I can change the top Speakon panel and remove the gaskets. Work has got in the way all day today. Rob

New video by my young'uns band. Another single coming in a couple weeks and loads of gigs booked.

Played at Thekla in Bristol last night, such a cool venue. Highly recommended!

Final update – walnut body / graphite neck Jazz bass Thought I’d close this thread off as the bass is now finished and heading home to @HeadlessBassist Solid walnut body, finished simply to let the wood speak for itself, paired with a full graphite neck for stability and consistency. Classic Jazz layout, clean hardware fit, and set up to play properly straight out of the case. This one’s been a good reminder that while graphite necks are brilliant, they come with their own rules. No compression, no forgiveness, and no tolerance for “that’ll probably be fine”. Everything from drilling to mounting hardware needs thinking through properly. Do that, and the reward is a neck that just doesn’t move and quietly gets on with the job. There were a few moments along the way where it tried to turn into a learning experience, but it all came back together in the end. Structurally solid, cosmetically clean, and exactly what the customer was after. The tuners are on upside down but @HeadlessBassist decided that returning them to swap for the correct orientation was a faff so we made it work! Just the bridge pickup screws to swap for black ones when they arrive tomorrow. Why the strings don’t run between the pickup poles when i used a template to route is annoying but it doesn’t affect the sound and the bass sounds phenomenal especially with the tone rolled off. Very clear and quite a lot of mids and highs. Thanks to those who followed along and chipped in — always appreciated. On to the next build.

You’re time tone is really bad, …very bad, a lot of people say my time tone is the best tone they’ve ever heard…no one knows more about time tone than me, a lot of folk say that…it’s great, really great. My time amp tone has stopped a lot of wars, really bad wars…Star Wars, robot wars (that was a really bad one)…warhammer,

I think you can get too hung up on this sort of thing. If you put stuff up on social media you are going to encounter people who get their kicks from trolling. I see it all the time on the most innocuous clips on Instagram, people obviously just trying to upset other people for the hell of it. What they are after is attention either from the original poster or other commenters, the more negative the better, as far as they are concerned being noticed is a win for them. The best way to deal with it is just to ignore them. Don't give them any indication that you've even seen it. Deny them the attention they are seeking and leave them thinking that they're wasting their time trying to engage with you and they'll move on.

Now showing as 'withdrawn'. Good work @Chris26 and those who contacted the auctioneers.

Well well well, that's the first month done and dusted, and haven't you all been a good bunch of abstainers? Mostly. But what an odd January - no-one fell in the first week, so there wasn't a lot to laugh at. Some interesting twists and turns in the whole justification racket (with some enjoyably robust debate - love it), and a few speculative "what if?" type queries which will be monitored closely. January summary - 1 T1 fail and 2 T2 fails. 37 out of 38 still in (T1), 35 out of 38 still in (T2). Well done all, I'm genuinely impressed, or sorry if you've been eating beans on toast this entire month. February warnings - I don't know if it's the same in all local authorities, but up here we've got two months off the council tax Feb and Mar. Don't let that extra scratch in your pocket lead you down the path of temptation!

Well, I seem to have fallen into the world of the short scale again... I took this lovely & unique little beast as a part exchange the other day and after a little work to get it set up properly, it's coming on very nicely. Oh, and apologies if this bass has been featured on this thread before. I got bored after scanning through more than 20 pages back. So what is it? It's a Maruszczyk 'Mr.Tee', a 30" scale 5-string hollow body Telebass with a Tele-style floating single coil pickup and a Piezo Bridge. This is all backed up by a powerful three-band preamp with sweepable mid frequency. The body is Alder with a Buckeye Poplar Veneer, and the neck is made from Flamed Maple with a Macassar Ebony fingerboard. The bass was originally built as a 5-string short scale fretless, but someone had it professionally fretted by a luthier. They did a very nice job, too. The original flat wound strings (tuned E-C) had way too much tension, so I ordered a set of 40-95 Ernie Ball flats with a 35 gauge C string from Rotosound. Had to fight a little with the truss rod before realizing that it's a two way affair which tightens backwards. Anyway, enjoy!