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We played the Wheatsheaf in Calne last night with the drummer from our first band, 35yrs back. We’ve reunited a handful of times in recent years and it’s both nice to have a real drum beat & good to have 60% of my Sixth Form band back together. We’re just so comfortable in each other’s skin. I thought we played well. I was on my mandocello for 90% of the show and there were flashes of us all being really on it at times. The two bands who were on after us both came up after and said “how are we supposed to follow that?”, which was typical of the ego free and friendly nature of this multi band gig, raising money for Bristol Children’s Hospital. For the record, music has never been about competition and both bands did their thing well. I was particularly impressed with some of the earlier bands who were so young. I was talking to some 17yr old bassist who really impressed me and it’s so good to see that generation getting out there and doing it. A great day.16 points
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We played a new venue last night, the Palace Place social club in Paignton. They have a PA, but the monitors were elsewhere so we took our desk and monitors and plugged into their amp. The room was quite tall and we needed to dial back on the higher frequencies to control the sound. My bass rig was filling the room nicely and didn't need much FOH, but the guitar did. A decent FOH and stage sound sorted and we blasted through our 2 sets. This club is near an old favourite pub which has changed landlord and direction, so we are not playing there anymore. We will secure more gigs here so that keeps us busy enough. They were pleased to have us and suggested coming down when it is quieter and setting up with their system and digital desk and monitors so we can just plug and play for the next gig. We didn't have a lot of time last night for that. Quite a few people who used to see us in Paignton came last night now we are back in town. My usual rig of StingRay, RM500 evo II & BF 210. Shoes were my new Skechers slip on' which are super comfy.15 points
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Back at it after a weekend off, with Nine Lives at The Railway Club in Keith. A weird one - I wasn't feeling 100%, had been fighting a lurgy for the past few days but had got myself to the "you'd be well enough to go to work" type state so I decided to go for it. Unfortunately, it wasn't very busy - probably an effect of the Greece vs. Scotland game being live on the Beeb. Things got a bit better in the second half, we had people sporadically come through from the bar area to see us for a few songs then bog off back to the bar. Yet we were still treated to some chair dancing and acrobatics/tumbling. How odd! It was more interesting from the gear point of view, as this was the first time I had taken my Jack Casady out to a gig since I finally got a replacement coil and fitted it. Happy to report that it is back to its normal self - capable of generating feedback, but in a controlled way (instead of reacting simply to being in the same room as a not very loud amp, as was when the dodgy coil was in there). There was a sustained note for 4 bars during one song during which the JC did a lovely slow feedback buildup - became noticeable around bar 2 and built up gracefully (and quite musically) but never to annoying levels. Chopped it dead at the next bar. Loved it. My JC is back doing its JC thing. Gear was the Epiphone gang (Jack Casady then Thunderbird) into the cubist wasps.12 points
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Nice to see some bass specific programs on TV , definitely worth a look . Apologies if this has been posted before .9 points
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board for the RnB covers band that I play with.7 points
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Both! 🙂 I was inspired by this one and she helped me a lot with the design work... We work together in a advertising agency.6 points
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We appear to have had two miracles this weekend, the England rugby team managed to wallop the All Blacks and we have had a day of non rainy weather. So I've managed to warm the glue as its rather cold, Cut down two panels for two cabs, I have two new cabs and one slightly not-so-good-not-as-neat-as-I-would-like-it-now-going-to-become-a-spray-booth-cabinet. practise makes perfect or in my case, slightly better than the last one. I've cut down the first cabs baffle so it's going to hold the 3d printed blue air filter. I've also assembled and glued three quarters of one new cab and that's all clamped up waiting for the glue to dry. As it gets dark quite early here, I didn't get around to the second cabinet, but now the pieces are cut, I can do something’s indoors. Still need to cut the holes for the loudspeaker but that'll have to wait for next weekend now.6 points
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Mine arrived on Friday. To say I'm delighted is an understatement. At 9.2lb it's no lightweight but definitely manageable for me - so happy there. This was a B Stock Bass so I immediately scrutinised it. All I could find was the tiniest imperfection in the paint on the front, invisible from a metre away. So for £289, an absolute bargain. The Rosegold finish is lovely, almost, but not quite, pearlescent. The neck is a bit deeper front to back than I'm used to and the finish is a gorgeous satin that feels really nice. It's got a slight tint that looks really classy. All the fit and finish is flawless. The action was a bit high with the slightest of back bow in the neck, but 20 mins with a tuner and a couple of Allen Keys soon sorted that. Got a nice low action on it now and it plays like a dream. I went for a Z3 as opposed to a Z7 for the simplicity of the preamp. I've got a bass with the Z7 pre - and it sounds great and is very versatile, there's just a bit too much there for me to manipulate quickly while playing live. What I've found though, is that each band of EQ on the Z3 is so powerful, I'm using it in conjunction with the volume control which again gives me a lot of choice and makes it quite the distraction! Having said all that, it sounds bloody brilliant. Just like a Stingray. I love the sound, but I'm not sure it's a sound I could use my current band. Although it sounds ace, the EQ can't really change the fundamental tone of this bass. It sounds like a 'Ray. Tweak the controls and it sounds like . . . . a 'Ray with the tone controls tweaked. And that ain't a bad sound to have! I'd been wanting to scratch a Stingray itch for a while now and had considered investing in the real deal, but I'm glad I didn't - I can't honestly think I'd easily find one as good as this - and for under £300! It would've been nice if they'd kept the 3/1 headstock that appeared on the prototypes, but this headstock looks good now they've reshaped it a bit and the silver Moniker looks tasty!6 points
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First coats of poly on the Wenge and Elm J bass Paulownia Musicman and Walnut shortscale P bass finished with their satin nitro alongside @HeadlessBassist Walnut J bass that’s is all polished waiting for its graphite neck to arrive.5 points
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Hi all, I’m selling my Barefaced Six10 with Roqsolid cover as I just don’t use it enough. Most of my gigs provide backline and full P.A. support, and in the two years I’ve owned it I’ve probably used it no more than six times, so it’s time for it to go to someone who’ll get more use from it. The cab itself is in excellent condition. The cover is a bit tatty in places, but still perfectly functional and presentable overall. Collection / Meet-up: You’re welcome to collect and try it out in PE8 (Barnwell). I’m also happy to meet halfway within a 75-mile radius for petrol money. Any questions, feel free to message me, and thanks for looking! Latest Specs (from Barefaced) I’m not sure if they’ve changed over the last few years: Dimensions (H × W × D): 90cm × 61cm × 33cm 36" × 24" × 13" Weight: Cloth grill: 29.5kg / 65lbs Broadband Sensitivity: 103dB Max Power: 1500W RMS Max Output: ~135dB Frequency Range: 25Hz – 6kHz Impedance: 4 ohms5 points -
A weekend of Eagles tribute shows. Halifax Playhouse on Friday - a beautiful old hall, formerly a methodist church. A lovely, friendly crowd. A bit of a nervy trip back to Tyneside which involved negotiating a couple of floods. Next day, another Playhouse - this time at Alnwick, a little closer to home. Another lovely crowd. The front row of seats is int he same level as the band, and one particular highlight was when a chap in the front row spilled his drink, sending ice all over the stage. He got on his hands and knees, and crawled around under our feet trying to pick it ip, which he couldn't quite manage as ice is rather slippy. It all went on for a comically long time. This is the stuff you really remember in years to come. Next stop - Edinburgh & Whitehaven. Pics...4 points
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Sometimes more wisdom is shown by being aware of when not to overdo things and to support the song as a whole. To me it shows understanding of the song and the other instruments (inc vocals) as a whole.4 points
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Weekend off for me this weekend but starting next week its every weekend until some time mid January if i remember right. All Sat nights except for the Fri and Sat before Xmas. Good thing is PA is supplied on both those gigs so its an easy load in and out for me. Got a rehearsal this Thu night to run thru the Xmas songs ready for some party night Glam fun. Dave4 points
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I stopped taking my bass to our local jam night as it was just too much hassle - either lugging guitar+amp or double bass. Instead I've been taking my violin and improvising harmonies (sadly I do not take a good photo when concentrating on playing)4 points
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Had Freer Cap for sale with original box but not the fabric bag. Great condition and full working order. Can post within the UK or you can collect directly from me in Leicester Thanks for looking Ian4 points -
OLP Tony Levin - swapped for a 4-string that cost me £75 and £50 cash, and needed a truss rod adjuster wheel fitting (another tenner). No upgrades yet.4 points
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Royal Blues (originals Americana), at The West Hampstead Arts Club. It was either a bus ride for 3 stops from Kilburn, or a 10 minute walk. What Google maps didn't say is that the walk was uphill 😖 (and it started raining). We were a support band, second out of three. Soundcheck at 6, so of course we were soundchecking at 6:45 (Showtime 8:15, actually onstage nearer to 8:45). It's a small venue, 30 punters make the place look full, which was fortunate... The sound person was great, onstage balance was good, and FOH sounded good according to punters. The 2 new songs debuted at the previous gig were included and went down well. Ibanez UB804 -> Getaria wireless -> DI. Footwear - maroon creepers. This was the back of the stage. In front of the drummer and myself was the guitarist, lead vocalist, and 2 backing singers.4 points
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Last night we had our first stadium gig. 80,00 screaming fans, helicopter in and out, 50kw PA, individual dressing rooms. Then I woke up from my pre-gig nap. It's true we were in a stadium - the Swansea.com stadium - but sadly all the rest of it was fanciful daydreaming. Last night the Hull band played in support of the annual 'Big Sleep Out' event, raising money for the local homeless charity drop in centre, Matthews House. We've been raising money for them for years and we regularly play with their choir so they asked up to do a short set at the event, in which folks get sponsored to spend a night sleeping out in the open. We were due to play in the stand overlooking the pitch (the pitch itself was strictly off limits to all) but Storm Claudia put paid to any open air performance, and instead we played in the main concourse under one of the stands. The audience was limited to the people who were volunteering to sleep out, the choirs and the staff and volunteers who were helping out on the night - about 200 in total. Swansea City football club were sponsoring the whole event, hence the venue. We were due to play for about 30 minutes; the choir kicked off the entertainment and we joined them for three songs before carrying on. We ended up playing on longer than expected as the audience kept asking for one more song. Well, you can't say no to the punters. Eventually, the stadium's own noise curfew brought us to a stop. Great atmosphere, dancing, singing along etc and more than £42,000 raised by the time we'd finished playing. And no, that wasn't money paid to get us to stop. We used the stadium's events PA but our own desk as we are a 13 piece and we brought our own sound engineer. My kit for the night was my Squier PJ into a Behringer pedal tuner (I just can't get on with clip-on tuners) which also acts as a mute and my Ampeg SCR DI. Straight into the desk as usual. Outfit was geared towards remaining warm and black boots completed the look. Highlights for me included dedicating and playing the song 'Heroes' (already a favourite) to the folks staying out overnight and dancing with the choir leader at the back for our encore of 'Hey Jude'. The Matthews House choir The stadium. Ready to soundcheck Mid gig4 points
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Here is my new part bass I finished recently and which make me proud of: Warmoth body, Musikraft neck, nitro paint, Fralin splitcoil. The design, paintwork and the printing I made with the help of my wife. Enjoy it!3 points
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Chance to own something very cool indeed! For sale here is my 80s Fender PB-555 😳 Super quirky and rare, but really cool. This vintage Japanese made beast is a rare find that has some killer tones inside. As well as the most noticeable dual angled pickups, this has a series/parallel switch as well as a passive treble boost! I don’t know why they don’t re-produce some of these amazing 80s basses instead of regurgitating the same stuff every time (it sells, I get it) because these are so fun. Scratches and dings here and there, most notably on the headstock, but overall decent condition for a 40 year old bass. Only fault is one of the “F”s on the treble/tone knob is missing. Happy to post at buyers expense. Trades considered, mostly looking for a USA Jaguar bass or Sandberg California VS4.3 points -
In terms of iconic bass lines to popular songs and who played them, then I think my choice of photos would be Paul McCartney (Ths Beatles), Sting (The Police) and maybe someone like Roger Waters (Pink Floyd) or John Deacon (Queen) or James Jamerson (Motown/Marvin Gaye) or someone from the Disco era (Bernard Edwards/Louis Johnson). If it was my choice then it would be Pino Palladino, John Giblin and Jaco, be all out fretless bass and have contributions from Paul Webb (Talk Talk), Derek Forbes (Simple Minds), Sting (The Police), Jeff Ament (Pearl Jam) and Tony Levin (Peter Gabriel) to name a few. Now that would be a show 😂3 points
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I agree, I find it quite baffling regarding the comments on Adam Clayton, who bass lines couldn't be further from playing just root notes, at least no more or no less than any other rock band like Queen, Pink Floyd, Bon Jovi or Iron Maiden. He also plays in the rock genre and is simply serving the song, the role of any good bass player. Plus it's about iconic bass lines and not virtuoso player, if you look at bass lines like Under Pressure, Come As You Are, New Years Day, Love Will Tear Us Apart, Money, all very recognisable so iconic, but certainly not hard to play or on any level of virtuoso.3 points
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I think Kris Novoselic and Adam Clayton are both decent players who've come up with good basslines on great records. I certainly don't understand why Adam Clayton is considered a poor player by some people. He's got a style and sound that works really well.3 points
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I actually have a board for bass for the first time in several years. Mostly DIY ones I've made so I'll need to do some explaining. Currently bedroom auditioning pedals for a new band project so it's not very neat or portable. I'll explain them in rough signal chain order, right to left, bottom to top. Bugle - Simple Active EQ I think based on the EQD Tone Job (I needed one with side jacks) SIlver with scratched graphics - Schalltechnik compressor Revolver Ocelot - OC-2 clone Mario - Parasit studios 1985, multivoice digital synth Jet Set willy - Parasit studios multiwave mega, wavetable synth Boss LS-2 - The dirt pedals in the middle row are on the two loops for blending together. SIlver with white knobs - Traynor TS-50B clone (the tronographic rusty box is a ts50b clone) Monochrome (right of middle row) - ss/bs TAFM clone Bender - Brassmaster clone Ma Beagle - Chunk brown dog clone Small silver - Phase inverter for blending on the LS-2 Silver blue knobs - EQD Westwood clone Black with blue knobs - Darkglass alpha omega clone Duck tales (top right) - Chunk 00funk clone Sci-fi lady head - Boss dimension c chorus clone Space Koala - EQD grand orbiter phaser clone Silver yellow knobs - Boss BF-2 clone Water tribe - Fairfield shallow water clone Acquisitions Incorporated - EQD afterneath clone Futurama - Tremulous Lune tremolo Multi stomp is doing all the delays at the moment. Too much? If less is more then think how much more more would be.3 points
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@Rich77 @Phaedrus01 and @HeadlessBassist yours were delivered about half an hour ago. They're looking much better, the weave really pops. I'll send you each some photos tomorrow. JB4 Batch 1 #2 v2.mp43 points
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Bump for this! These are insanely good basses - the necks are delicious if you like them skinny. I have the identical bass in black. The price for this is ridiculous - brand new these are the guts of £2000. (I’m not affiliated with jay-synchro at all, just trying to remove temptation)3 points -
Yep, and sometimes something that shouldn’t work in theory results in something magical in practice 👍3 points
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Please note that the word "retard" is not a pejorative. Thank you.3 points
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Dave, I did a little research on Bobby. I'm 7 years older then him. I was born in 1954. Bobby was born in 1961. Dang, I'm older than guys I thought were " old guys". lol He passed in 2021. I think he did a lot for very little credit. Daryl3 points
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Sounds great. However is he an all round fit for the band? We auditioned an excellent guitarist a few years ago. The audition was great. However, before he left. He said, " I just want to play" then went on about not caring about money and said he'd play for gigs for 50 bucks. We decided not to go with him. He didn't fit the band model. We don't want the guy that will gig for 50 bucks. There are other bands where that mind set would be a better fit. We're also not looking for the guy that just wants to play . If we were to bring in a new band member and if he/she asked me how to fit in, here’s my answer. 1. We don't rehearse, so don't broach the topic. 2. Don't make song suggestions. 3. Don't make any type of musical suggestions. 4. Show up on time for sound checks with working gear. 5. Have decent improvisation skills. 6. Be interactive with us on stage. What to expect. 1. You'll perform with pro sound and lights. 2. You'll have at least one gig per week. 3. You won't have to play late night bar gigs. 4. You will be paid in cash prior to every gig. 5. You'll make more money than what your use to. 6. Nobody will comment or make suggestions about your volume, tone or playing. We're not for everyone, however our band model has worked for close to 20 years. Daryl3 points
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Seems like the sort of thing a guitarist would do3 points
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After 24 hours of continuous rain we were not surprised that turnout was a little low at the Bricklayers in Sharnford last night. Especially given that the pub is next to the river. In fact as we left the landlord came out to fix the last few sections of the flood barrier in place! As usual it was a tight squeeze in the corner. It was great to play at a lower volume though as we could hear everything and had no sacrifice of tone. The guitarist took his Mesa Boogie but had a tiny little Vox amp plugged into the speakers rather than using the Mesa amp - much easier to get a decent tone without volume. Well it sounded good to all of us anyway. As I said, a selective audience but some of them had travelled quite a distance, which was appreciated by us. We even got some up dancing (ok, it was the WAGS 😂) I don't often do vids but this one isn't too bad, even if it is me singing!3 points
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Digitally printed direct over the body: MOV_3133.mp43 points
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Super rare Iron Ether Super FrantaBit - basically two FranaBits in one box, with foot switches to flip flop between them both, as well as switch between Degrade and Obliterate mode. One of the most versatile and sought after Bit Crushers ever made. Grab this now, without the painfully long wait, shipping, and a massive VAT bill when it arrives in the UK! Now £385, inc postage in the UK. Selling this to buy a Hologram Microcosm (had one, massive regrets over selling it), but will consider the following trades/part-exs: Hologram Microcosm, Red Panda Tensor, Triungolo Barbanera. Iron Ether Polytope, Iron Ether Xerograph, Providence Anadime Bass Chorus, Ibanez Ashula SRAS7 (Dragon Eye Burl finish).2 points -
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Modern Vintage MVJ4-66 Fretless in Olympic White in fantastic condition up for grabs. The bass has been fitted with some passive EMG's and it produces a really thick sound with excellent sustain. The roasted maple neck is an absolute beauty to look at and a joy to play. The bass has hipshot lollipop tuners, comes with a semi hard case and the chrome neck pickup cover. Collection from Margate or I can box it up if required.2 points
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This evening I was rehearsing on guitar with the rockabilly band that I recently joined. The guy who runs the band plays upright bass and has a very clear vision of what he wants. My job is to work out what that is (mainly old-school but not slavish copies) and deliver. Fortunately it seems I can do that more often than not. Previously I’ve played my Gretsch Duo Jet but tonight I tried my Palir Titan C4 (Cabronita T-style) which was great, and my Jazzmaster, which in sound terms wasn’t right for that band. I realise I’m talking to bass players here so you probably want to know about the BL’s bass. It’s blond, that’s all I can tell you.2 points
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Don't shoot the messenger! I'm sorry to break the news but in wider society being a bass guitarist is not regarded as the prestige occupation which it ought to be. Although I would concede that in Jamaica I expect that might be a bit different.2 points
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Some things in life you know are bound to happen somewhere along the road, you just don't know where, or when. Today was that day for me. By sheer luck everything aligned: the instrument itself, locally for sale, within budget, generous tax return which sweetened the already more than fair deal, and a feeling of "If I don't do this, I'm going to regret it massively later". So, since today I became the proud 2nd owner guardian of a September 1966 P-bass. Fully original, including the case, except the missing bridge cover, and some filled holes where someone installed other tuners, but the ginormous Klusons 546's cover those up very nicely. In a very, very good condition (buckle-rash the size of a coin), frets at de-facto factory condition, slightly faded red, but still plenty present,... And that patina, that's something you can't fake (nor the smell). Rather lightweight, very resonant, a bit neckheavy due to those tuners and the very light body, it has that extremely pleasant 60's C-shape (wide, but thin). It has the newest additions that were introduced in 1966: Indian Rosewood fretboard, a 45° bevelled pickguard and the wide frets. Made by the same people that made the early 60's ones, using the same methods, and virtually identical materials... just under a different contract. It has seen some action, but it was also very well babied and cared for. And given it's a '66, it's an absolute growler. There's something about '66/'67 basses that gives them more raunchy punch compared to 1965 or 1968 onwards. And if it's good enough for James Jamerson, it's good enough for me! Going to install an old set of LaBella's tomorrow, see if I can reduce the action a bit. Also: going to thin out the heard a bit. Given I've now got "the original", the "American Original '60s" may leave the premises, my Jazz Bass as well, my 500/1 that hardly saw any use, maybe the EB3, although: that's so quirky I might just keep it. But with this, I kind of arrived at the end of the line.2 points
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FWIW Origin's justification for not making the cab sim defeatable on the current bassrigs, from a conversation via social media, is that it just doesn't sound great - I think a spitty/fizzy top end. Their design philosophy appears to be to minimise bad-sounding possibilities even if it removes some flexibility. I vaguely remember suggesting a carefully-chosen LPF could give a less coloured alternative to a full cab sim. Very interested in what this new pedal offers.2 points
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I hadn't really heard of him until Mesa used him to sell the Subway cabs when they were released. I then had to see who he was but he appears to be one of those players that was well sought after and has played with a lot of people / bands. Very interesting style. Dave2 points
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£1550 - final price drop 😊2 points -
If you decide against this idea, do you mind if I buy it instead, and stick a MM pick up in at the bridge? I feel like this would increase the instruments versatility at open mic nights.2 points
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Squier Jazz Vintage Modified Modified. Apart from the Aguilar pickup, V/B/T controls, and pretty control plate, and the neat defret job, it's just the same as any other Squier Jazz. No tear-out, the slight wiggliness on the lines is from the fret tangs.2 points
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Used to be mine, lovely bass.2 points
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There is one improvement that could be made. Just make the pins retractable so they swivel flat when the plug is extracted, and with a button on the top to swivel them into place for insertion. This removes the issue of stepping on three vicious pins when in bare feet causing pain, or in shoes causing damage to the plug.2 points
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We had a good night last night.2 points
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Latest development2 points
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Its odd but whenever i used to see a band, no matter what style of music it was, i always applauded at the end of each song unless the band were absolutely diabolic and making lots of serious mistakes but i don't recall that ever happening. I'm happy to see any band play especially if it looks like they are enjoying it themselves. I'd be that one guy in the audience that's clapping. Dave2 points
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For Sale is my Ampeg B100R Rocket Combo in very good fully working condition plus soft cover and 4 x original removable castors. Great old skool Motown tone a la B15 with the diamond Tolex finish. Serial number CCNWP60023 may suggest made in June 2003 from this info but I'm not sure? 1985-2005: The St Louis Music era. A 10 digit number is used as a serial number, which contains lots of information. The number is set up like this: LLLCYMNNNN. LLL stands for the model, C stands for the country. (U is U.K., Y is Europe, W is Worldwide, and D stands for domestic or U.S.). The Y is a year code that is a letter, starting with A as 1988, (see chart below). What happened before 1987 for the year is unclear as very few amps were made because of bankruptcy for MTI. The M is a number code for January-October. (Jan is 1, Feb is 2, Oct is 10, fill in the blanks.) For November and December the letters A and B were used respectively. The last 4 numbers (N) are the actual serial number for the instrument. A= 1988 F= 1993 K= 1998 P= 2003 B= 1989 C= 1990 G= 1994 L= 1999 Q= 2004 H= 1995 M= 2000 R= 2005 D= 1991 I= 1996 N= 2001 E= 1992 J= 1997 O= 2002 Try out and collection from Poole, Dorset or can possibly do a meet up as I travel around a bit. Not looking for trades at this time as trying to thin out the gear. Make an offer. Thanks for looking. Ampeg B100R Bass Combo Amp Overview If you're looking for vintage Ampeg appeal with modern functionality, the B-100R should put a smile on your face. The B-100R "Rocket Bass" combo amp combines the look, sound and tone of the original Portaflex with the outstanding reliability of contemporary, solid-state design. Product Ref: 14682 Full Description Vintage Tone and Styling 15" Speaker 100-Watts RMS Ultra-portable The 100-Watt B-100R drives a vintage 15" speaker and features four bands of EQ, plus Ultra Low, Mid, and High switches for custom-tailoring your sound. Featuring the same warm tone and easy to use controls as its vintage counterpart, the B-100R is rugged, lightweight and maintenance-free. Specifications: RMS Power Output: 100-Watts Speakers: 1 x 15" Tone Controls: 4-Band Mid Tone Control: Ultra Mid Line Out: Unbalanced Line In: Yes Headphone Output: Yes Dimensions (W x H x D inches): 19 x 21 x 14 Weight: 65 Pounds2 points
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