Jump to content

Dear guest,

Welcome to the biggest community for bass players in Europe. You'll find the site a great source of information and advice.

Why not sign up now and:

  • Say hello - tell us about your playing, your gear and where you're from.
  • Search the database for inspiration or to find out more about your instrument
  • Upload an avatar and profile picture
  • Buy one of the thousands of items in our marketplace
  • Safely sell your items to a community of proven enthusiasts
  • Upload pictures, audio and videos
  • Buy exclusive items at discount through our shop (coming soon!)

Go on, click the button and become part of it today!

New: Sign up and get 20% off tickets for the London Bass Guitar Show - and we'll see you there!

Gareth Hughes

Members
  • Content count

    1,304
  • Joined

  • Last visited

Total Watts

2 Neutral

About Gareth Hughes

  • Birthday January 1

Recent Profile Visitors

2,070 profile views
  1. New range from fender.

    Absolutely, and I totally get why Fender don't make them.
  2. New range from fender.

    They absolutely are Fender's, not arguing that. My point is that I'd want one without the modern angles - ie, the preamp, the fancy wood top. I'd just want an old fashioned Fender, with my tort guard, and my VVT plate, in Olympic White, with 24 frets. No objections to the 24 fret one they've made at all.
  3. New range from fender.

    I'd argue that they go elsewhere because they have to. I doubt that even if I had the money, that the Fender Custom Shop wouldn't make me a 24 fret version of a Jazz. So the likelihood of that model even making it into the bog standard production range is nil, and off I go to Maruszczyk.
  4. New range from fender.

    I was thinking the same thing. Even just in terms of something...ANYTHING...new, if Adrian can come up with a decent looking and playing 24 fret Jazz, then why can't Fender? Yes they did have the Jazz 24 years ago, but I'd argue that it got ignored by the traditional crowd because of the preamp, the control layout and the wood combos. A bog standard Jazz, passive, with 24 frets - is that too much for Fender to realise is a good thing?!?!?!?!?!?
  5. PRS SE Kingfisher, anyone tried one?

    Yep, tried that at the PRS distributor in the UK and they were ..... meh. Both the Kingfisher and the other model (forgot the name) had really bad wiring, just plain noisy no matter what. Could have just been those two basses but given that there were plenty on hand to try, this was a bit disappointing. Apologies for the negative review. I did want to like them but alas. They did play nice though.
  6. Well, you’ll never guess what colour it is...... it was the one going in the Bassist Ireland classifieds. Made in 2004/2005. In great nick bar a ding near the 3rd fret dot on the E string side. Sounds and plays heavenly. Tone up it can do a good Maiden clank, tone down it’s a glorious soulful thump. It’s a different old school vibe than my Precision with flats. Not better or worse, but simply awesome. I am in love. Sorry for the thread hijack OP.
  7. Just to let you Ian, that I alleviated my Mustang GAS, and I am ever so happy
  8. Introducing kid to db - teachers in Edinburgh?

    Don’t give up on the idea of a smaller bass. I bought my kids - 8 and 5 - a Thomann 22 double bass, the same model that I have a 3/4 size of, and its truly excellent. My 8 year old is average height for his age and he’s having no problem holding down notes in first position or working his way up a D Major scale in third position. It has an awesome tone considering it’s size. Of course not as rich as the big one but in no way lacking for learning. My eldest plays this bass in the junior orchestra I teach and it sits well beside the 1/4 size basses there. The action was a fair bit high but that’s was easily remedied with a few files and some patience. The soundpost is semi-permanently installed so there’s little risk of it falling down while you work at the bridge.
  9. davie504 and other awful clickbait horror

    Adam - I wouldn't sweat the clickbait titles. I've watched enough of your videos to trust that the next one is worth watching irregardless of its title. The same is opposite for other folks videos - no title would convince me to spend my time on them.
  10. Doubling question

    I'm not 100% sure but I think the Aux In doesn't get sent to the DI. I could be wrong about that.
  11. Doubling question

    Both into the A/B selector then it's either front input or effects return. I do love my Streamliner, but for upright it can be a little bit of a problem with the low end. Having said that, if you're happy with your electric sound through your Streamliner then you should be good with your upright too. Give it a try - only one way to find out. Definitely do a bedroom test - eq-ing an upright on the job can be a pain for sure.
  12. Doubling question

    Get yourself one of these:
  13. Doubling question

    Nope, it won't work as the effects section of the Streamliner is a series effects loop, meaning that when you plug your upright into the effects return you will no longer be able to run anything through the normal input on the front. Sorry. Some amps have parallel effects loops, which would work as you've written, but not the Streamliner. Is your Headway the EDB-2 or EDB-1?
  14. So I just quit the band I started six years ago...

    For sure I agree that it’s annoying, but you never know what’s going on in someone’s life that causes them to not reply as quick as you’d like, so to instantly jump to “this guy is so rude for not replying that I’ll give him some grief on Facebook” makes me more than happy that I didn’t reply to him.
  15. So I just quit the band I started six years ago...

    As others have said, it’s clearly best for you that you’re out, however frustrating the circumstances are. Life is too short, etc. On the flip side, I’ve managed to dodge a similiarly shaped bullet. There was an ad for a bassist for a Black Sabbath tribute local enough to me. Sabbath would always be appealing but it’s not something I’d want to commit to. Somebody then recommended the singer get in touch with me, which he did via Facebook. I’d read his message but hadn’t replied as I was giving it a second thought. I deliberately didn’t write back straight away as I didn’t want to be sitting on the fence and mess this guy around. And also - life carries on, so other things take priority in ones life over writing to a complete stranger. I didn’t think this was rude in any way, but a few days later, last night, the guy writes back with “we’ve found a bass player, thanks for getting in touch” - clearly being sarky as I hadn’t gotten in touch. Cue a few messages back and forth along the lines of “WTF?” From me and “rudeness will get you nowhere” from him and then him blocking me. I’ve never met this guy!!! So, the moral of the story is - go with your gut. If your Spidey-Senses tell you something’s up, then there really is. Good luck with your new ventures NJ.
×