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Showing content with the highest reputation on 26/10/25 in all areas
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Last night was our first gig in 4 weeks but things starting to build up as we head towards Christmas. 🎅 65th birthday party, always difficult at these trying to motivate the audience to dance but we had dancers up early and altho not a full floor it was encouraging. By the end of the night we had the floor pretty full. Considering we haven't played in weeks the band was spot on. One or two very minor mistakes that only we would notice so that was good. Had trouble with drums going thru digital desk. We were getting incoming signals but nothing going out the front. We eventually managed to get drummers vocal mike going and then his bass drum but we were now at doors open time and had to leave it at that and get the sound check done. Digital desks are way over-complicated for my liking but it looks like part of his grouping or his drum presets are somehow muting. Overall everything was well balanced out front tho. Bigger venue than we expected with a decent sized stage so all good there. The tone i had was spot on for me. Deep but not boomy with that little bit of growl when digging in. That Handbox WB-100 and Barefaced 212 set up is just sublime. Used the Sandberg VM4 with MarloweDK as back up. Dave12 points
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We were scrappy but the punters were happy. two gigs in a few months with no rehearsals. A month before next gig so we're going to get some rehearsals in. We all made silly mistakes. I was way too loud playing Uprising through my Joyo XVI but it was fun 😈11 points
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Had a solo gig in Leicester which was just hard work. The venue had had some issue with noise complaints so a local came in with a sound monitor thing while I was setting up. Told me I had to be under 90db. I pointed out that even without playing, the busy bar full of people talking was 95db and when I talked to him loudly it shot up to 110db. He set up his device. I ignored it and just concentrated on the gig. Then a big group of fairly “refreshed” punters came in and were in total disbelief that I didn’t know some obscure song they insisted upon. They kept trying to play it to me on their phones (like that would make me know it suddenly?) so eventually I told them firmly no, it wasn’t gonna happen. I sensed the atmosphere get a little aggro for a bit and I kept an eye on things through the second half. I just played singalong stuff I thought drinkers would like to stand up, dance and shout along to (which turned out to be accurate) and things seemed to get back on track. By the time I’d finished and was packing down everyone seemed to have chilled out again (though I did get the classic demand of: “Go on - set the kit back up and I’ll sing it for you blah blah…”) Some other cool punters there who were very appreciative and a decent enough size crowd. Glad to get out and get home tbh. Gear - Mackie SRM350s, Allen and Heath ZedFX10 desk, Shure SM58, Simon and Patrick SP6 guitar with a Seymour Duncan Woody pickup, small effects board (tuner, compressor, EQ pedal). Alas no pics from last night. (Imagine an acoustic guitar and a mic stand and you’re pretty much there).11 points
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I always liked the look of a Fender PBAC, they don't appear often so even the chance to just try one out is very rare. Having waited a few years for one to appear, to my amazement one did appear, not only that, it was being sold by none other than @Happy Jack, so no worries about, well, anything really. I wasn't the first to see the ad but I was the first to say I'd have it if it hadn't already gone..? 🤞 Phew, it hadn't. I drove over to Jack's the next day. I'm not one for sitting down with an instrument and noodling for hours before deciding if I like it, I am impetuous to the point of foolish and have bought a few basses only having played a few notes. However, in this case, I think I'm right in saying I didn't play it at all, just seeing it was enough, let's just say we hit it off instantly. I had briefly seen @Silvia Bluejay at the front door on the way in and before Jack knew it I was off. I should apologise really for not hanging around longer being sociable but on the way I realised I had double booked my self and had to rush back to do some archery coaching! I got home and, as ever when I buy a new bass, I put it in the rack and forgot about it for a few days. I don't know why I do this but I do, I also always take my basses straight to Guitar Technical Services as soon as I get them for a set up, luckily he could fit me in that weekend. I drove up to Warwick, the bass was checked over and was in top order, he did remark (something I had noticed too) that the fingerboard was screaming out for some oil! I left it with him to fettle and tweak, he knows how I like my basses set up. As I was driving back I realised I still hadn't played a note on it (I don't think). I'm rambling, anyway, a week later I got it home and on the following Friday I used it during a rehearsal. Although I have very much got used to short scales I adapted pretty quickly (which is odd for me). All my basses have thumb rests, the PBAC doesn't have one so I rest my thumb on the very bottom of the fingerboard, the notes really bloom on this bass when played in this position, playing there also helped with the shift from short to long scale. We played several of our songs and the difference with a full sized bass was huge, a real improvement all round. Having had it a few months now I have to say I am loving it. The other fretted basses are lingering and looking like they need to be moved on. The chrome flats on the PBAC fit most of our songs, my new Sire GB5-4 (stupid name) will fit the few that need that bright metallic twang, but it's going to be difficult, the PBAC is the sort of bass that fits with an acoustic duo perfectly, it might have to be prized out of my cold, dead hands. Now I have a wait of Bog knows how long until a fretless version appears...10 points
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We did a ticketed charity gig last night at a local music venue. It was our gig, our singer organised it all (the venue also helped masses). As we're still a newish band, this was our 6th gig, it was a bit squeaky butt timeas to how many would turn up. In the end we were absolutely chuffed to get a decent number there. And a great crowd they were as well. It was a really cracking night and we raised several hundred £s in the end. We had support from a former band mate of mine, who did a great solo set and went down a storm. We're all still buzzing I think.7 points
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Matinee gig at the Fiddlers Elbow in Camden - 1pm - 5pm. Confirmed my belief that there's a reason gigs usually start after 6pm. Also, was recovering from a bout of covid, so spent most of the afternoon wearing a mask and keeping my distance from everyone. Also, spent our set having to concentrate extra hard to remember my parts courtesy of covid brain. I brought my GK Fusion S 800 and my recently purchased GK 4ohm 4 x 10,which sounded immense. Other bands were lovely and we made a few fans. Overall, probably one to forget though.7 points
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Absolute stunner this, my Alpher Mako Elite purchased earlier this year from BassBros. I’ve been so impressed by the overall comfort, playability and sound of this bass I purchased another Alpher Mako a couple of weeks ago which works better for me electronics-wise. So I don’t require two of these ultimately, as good as they are. Specs: #253 Highly figured claro walnut top Sassafras body Master grade roasted, flamed maple neck Striped Ebony fretboard Stainless steel frets Hipshot hardware + d-tuner Nordstrand big splits and preamp weight = 4kg Condition is excellent, a few very minor blemishes / light dings. No hard case but can ship very securely in a soft case, appropriate guitar box and packaging. Price includes UK shipping. EDIT: Happy to consider any trades on this, with cash in either direction. Try me ☺️. Trial / Collection welcome in Cardiff. Pics are those from BassBros + a couple of new ones. Please see my feedback here.7 points -
Nice weekend all in all - Friday was a local charity gig. Nice little five piece with an old friend and his son and daughter involved too. Sadly, a total 'Guitard's valve amp setup was far too loud, so we just did the usual backing right off until he realised he couldn't hear us due to his own row! Nice evening all in all, although was a little broken after three hours' playing! Saturday was a Duo job in a large club in Stoke-on-Trent. Club land can often be depressing and I've not worked the clubs for a long time, but this was a nice and welcoming one. As a complete contrast to Friday, it was a joy to play quietly and we had folks up and dancing all night, right from the start of the evening. We also used no monitors this time and had the system behind us. (Sometimes tricky for feedback issues), but it sounded really good. I hate monitors. These two jobs were also a good opportunity to road test my recently acquired GB Spitfire, which I have to say has punch and tone in spades. Dig in a little harder and it's metallic-like punch is like a hammer hitting an anvil! Noice 😎7 points
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Hi folks, for sale is my awesome Ken Smith BT 5 from 1990. I got it here on basschat a few years ago. I have to thin out the herd and that‘s why I want to sell some basses. After years of buying, selling and trading it‘s time to "settle down" with just a 2 or 3 basses. This bass is in good - very good condition for its age, but has some dings or dongs as you can see on the pictures. The bass has been played, some folks see it as an advantage, others as a disadvantage. Electronics and truss-rod work with no issues. Frets are in very good condition, too. Comes with a non-original case, unfortunately I have no papers. Here are the specs I got from Ken Smith: Mahagony core Lacewood body/back, maple veneers Maple/Morado Neck Ebony fingerboard Neck-Through Weight 4,4 kg I replaced the original tuners ( I still have got them) with lighter tuners if you are playing standing up there is still a light neck diving because of the old BT form Pick up is preferred, but maybe I can arrange shipping to buyer's expense and risks. Problem is that there is limit for insurancy with most postal services. Maybe we can meet in person somewhere on half distance. If you need more pictures let me know. No warranty, no return and no guarantee because I am a private seller. But all informations is provided to the best of my knowledge and belief. I am open to trades, but there are only a few basses that I am interested in. Maybe Adamovic 6 String, Mattison; Ken Smith BSR 6 String, but you can try to lead my into temptation. (In case of trading we have to meet in person, no shipping!) Price is 5500 Euro. IMG_3017.heic6 points -
Pub gig in Peterborough. Kind of the classic small pub gig…no parking close by….check, stuck at the end of an already small room….check, next the the ladies loo so you have to move out of the way…check, PA speaker on top of bass cabs…check, footie on even after we start…check,loud, social but uninterested crowd…check. Added plus to sit on the floor because no chairs are available during break…. played well though, and very pleasantly surprised with my sound through the elf.6 points
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Complexity, solved.6 points
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Now £1250 Just when you think life is agreeably predictable it can throw you a curved ball. I'm faced with having to move and downsize considerably. 7 basses is several too many. This lovely instrument from Mike Walsh in Essex is rather special. Tonally it is much modelled on the Aria SB1000. I traded it from Mark, the original owner, with another Zoot that he had built and sold on to me. Incestuous. 32" scale with a 7/8 sized Zoot body. English spalted beech on a light weight American swamp ash body. Spalted beech facing on the headstock. The neck is roasted Canadian flamed maple with purple heart stringers and ebony veneers. Hipshot hardware. And now for the electronic components that were used to replicate the SB1000 tone: A Rautia MB-1E pickup. These are no longer available. Prostheta’s BB Noisekiller preamp. A 6 way Varitone circuit built to purpose by Mike. The bass has added tonal variety courtesy of a series/parallel switch, an active/passive switch and a passive tone. It isn't a one trick pony by any means but some of the settings produce distinctly 80's sonics unlike I've heard from a bass before. The bass is very light, 7 1/4 lbs on bathroom scales. Nut width is 40mm and string spring at the bridge 16mm. Complete with a hard case as shown. Can be tried and collected from Kendal. Will include an unused set of Newtone strings. I will courier to UK addresses at cost. Mark's build thread is here: Any questions, don't hesitate to ask. Peter5 points -
My favourite 1980s bass tone: Dave Pegg, Fender precision.5 points
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In perfect condition, the ultimate P bass sound, check on YouTube you can hear by yourself. Neck straight, trussrod flexible. Weight : 3.8kg Original flightcase and goodies include in the sale. Partial trade can be discuss especially for an early 50' kind (Nash for my first choice, then Rebelrelic,...). Price : 3700 euros shipment not include4 points -
Happy clocks-go-back Day I think this might be the first pic of a pair of Monacos out in the wild.4 points
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and a little ridge for cocaine!4 points
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I left my six string Unicorn Artist to Christian Olsson, Unicorn himself, this summer for a total electronic makeover. I bought the bass second hand, loved it, but disliked the electronics the previous owner had demanded. New higher output split coil "reverse P" pickups as well as serial/parallel switching on each pickup. Also, a 5 way rotary switch with different capacitors. As icing on the cake, the bass also got balanced output. All passive circuit. I also brought my "Mean Green Machine" , my Purist 5, to get the same electronics and switching done. Christian is truly the Master of arts... I also commissioned a new fretless 5 string Artist; it'll be ready in February 2026. Christian with his own personal bass, yours truly with The White One... Master at work... Here is the White One after upgrade... ...and a close-up where you see the grain of the quilted maple top under the thin layer of white. Pickups are capped with ebony, and knobs are solid ebony too. The fingerboard is really brutal; heavily quilted and roasted maple... Close-up of the pickups...4 points
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Carterton tonight. Go big or go home.4 points
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Fender Precision Bass 1978 Natural Finish Lightweight with Gig Bag Fantastic Fender Precision bass from the late 70’s the only non-original part is the pickup which is a noughties US Fender wired to a series parallel switch. The pots, wiring, and hardware all original. You can see there’s currently a D tuner on it but if it sells I’ll return it to stock as I have the original tuner. The bass is factory natural with nicely grained wood. It’s light at around 3.7kgs - amazing for a bass of this era and the neck is slim with a shallow profile. There are the usual ID marks and sticker under the scratchplate with serial number matching the headstock. Sadly no case but I have a light modern Fender gigbag for it or if you prefer a scruffy heavier duty generic one. The bass balances really well and plays easily. There is lacquer wear at the upper bout and the finish has crazed over time. The finish is rubbed to near bare wood in places but it is honest wear and not particularly bothersome. You can feel the crazing when you rest your forearm on the edge, it didn’t irritate me when playing live. Great opportunity to buy a lightweight 70’s classic Fender. I’m sorry but the only trades I may be interested in are for a Rickenbacker 4003/4003s or 4000. Pickup preferred but I can post if absolutely necessary. UK only.3 points -
Not seen any mention of this rather stunning bass from Ibanez. Looks like a custom shop jobby so probably only going to trouble Elon Musk's accountant. But it's a looker no doubt. Deets here: https://www.ibanez.com/usa/news/detail/20250829113531.html3 points
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The Ampeg SVT CL 300 watt all tube Bass Head is a powerful amplifier designed specifically for bass guitars. With its classic design and renowned brand, Ampeg, this head unit delivers warm, rich tones suitable for a wide range of musical styles. The 300 watt power output ensures ample volume for performance settings, making it ideal for bass players looking for a reliable and high-quality amplifier for their rig. The head has recently been fitted with a brand new set of 6 power tubes and has been given a full inspection and service ( see pictures). I purchased a fitted flight case that will be included in the sale. The first image shows that the Frequency knob is missing, but I ordered and fitted a new one so it is as it should. Selling due to moving to a smaller backline. This head is in good condition for its age and is in full working order. Sounds amazing.3 points -
Probably not much of a highlight Dave. But remember as a single guy and not much of a cook, it was a big score for me. Lol Being a smallish intimate party, we didn't bring much production. I will say for a small intimate party our manager did a nice job with the lighting. Daryl3 points
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Up for sale, a 1980 Kawai F-II B, 100% original condition and in perfect working order. 1450 € This rare, expertly-crafted Kawai clearly takes its design cues from Alembic, featuring maple/mahogany neck-through construction, maple/koa body wings, and active electronics, including the four-way rotary pickup selector only seen on the earliest F-II Bs. Each humbucker is powered by its own 9v battery, dynamic and immediate with great upper-midrange burp, and the bass benefits greatly from the articulation, immediacy and roundness of the active electronics. The bridge pickup has a potent sound with enough nasally top end attack to cut through when needed and provide the necessary presence. With both pickups engaged, there are a myriad of subtle variations via the three-way Tone Character toggles, and the interaction between both pickups and tone switches provides many of the most pronounced and thumpy sounds the bass has to offer. The mini toggles are essentially midrange boost/cut controls, neutral in the middle position. At the neck, the bass has a certain softness and breadth, with a pillowy low end that sits well in a mix, and the fourth position on the rotary pickup selector is a mute/kill switch. Neck Specs: Wood: Maple/mahogany (five-piece) Shape: Slender C Fretboard: Rosewood slab, dot inlay Frets: Medium jumbo. Scale Length: 34” Body Specs: Wood: Koa /maple Pickups: Humbucker x2 Controls: Volume x2, Tone x2, “Tone Character” three-way mini-toggle x2, four-way rotary Pickup selector Hardware: Rugged brass toplader bridge Original rectangular case. Worn but still functional. Shipping at the buyer's expense. Open to possible trades.3 points -
No worries, Richard; I was hoping to have something more exciting to show you by this evening but have encountered issues with my soldering iron (as in, it's knackered) and so I've had to order another. I have, however, come up with a plan for the connection of the drivers - tin the cables up, run them through the spring connectors and then heat-shrink them (carefully) into place. Cheers, JRK3 points
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3 points
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Great list! Pressure Drop - Toots and The Maytals3 points
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Just seen a band called Parcels do a Tiny Desk and I am a bit obsessed with the harmonies, great piano and really tasty bass playing.3 points
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It's far larger than the wire in the voice coils. 😎3 points
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Had I been able to come up with the flimsiest of excuses to hang on to this bass then I'd have done just that ... but unfortunately that line of reasoning leads to madness. 🙄3 points
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Right, the new speakers are here and I've degunked the internals of the cabinet in preparation for fitting them. Whilst doing this I looked at the cabling and wondered if it's going to be up to the job or potentially going to melt under the workload. It wouldn't be a big job to replace the existing wiring with some heavier-duty copper, after all, so I may well invest in some for this project. What do the BC hive mind think? Once it's all together I'll get the Tolex cleaned up; the grille cloth is also disgusting (it's had 40 years - minimum - of spit, beer and bodily fluilds rained down upon it, so that's coming to work for a pressure wash and trauma counselling before it goes back on. Side by side comparison. A (nearly) clean interior; whatever has caused the splashes in the bottom port isn't keen on coming off with water and elbow grease so I may have to get a bit medieval on it. This is the wiring; do we reckon it's up to the task? 800w each at peak power should be enough.... Sprung connectors, though. I might need to do something about those to ensure that the wiring stays attached. So, things are coming on, and hopefully I can get the drivers (which actually fit in the holes cut in the baffle!) fitted soon. Cheers, JRK3 points
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chorus or flanger effects were very popular in the 1980's also roundwound strings3 points
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We'll be issuing everyone with a sticker like this. Just put your Basschat username/real name on it. This will allow you exit/access.3 points
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The Royal Institution has just made available on YouTube the 1989 Christmas Lectures series presented by Charles Taylor on the topic of music.3 points
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i should add that Whole Lotta Love is the Goldbug version 😎3 points
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Fretless. Bridge pickup. Lots and lots of compression. Midrange-heavy EQ, boost a lot around 800Hz-1kHz, cutting most of the bass and treble. Bakithi has a very particular touch on the bass though - he plays fairly hard, with high-ish action, and mostly plays over the end of the neck. I went to a bass clinic with him a few years back and got to see it up close (as well as the original old Washburn bass he used on those sessions). Same applies to a lot of 80s bass tones - very prominent and punchy, but not actually all that much low end. That was often left to the synths and the Simmons/808 bass drum.3 points
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Another recording of AJ back in his four string days (with a lovely rich tone). This live video may be the early days of 'smooth jazz', but still, both AJ and Steve Gadd are really in the pocket. In fact, the whole band are:3 points
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We had an acoustic gig at a Holloween party tonight. Way out in the country. It was freezing. Very low key gig. Excellent food. Daryl3 points
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Hi Folks, Due to the recent acquisition of a Mesa Diesel 115, this fantastic sounding Greenboy fEARful 15/6 lightweight, 8-ohm, neo cab is up for sale. I'm looking for £325 or near offer for this orange beauty, which I think is a pretty reasonable price given the cost of a new Eminence 3015LF driver is around £250 at Blue Aran at the moment. The cab is working perfectly, sounds amazing; great dispersion, crystal clear and punchy and can handle a lot of power. Background I bought this in spring 2024 from @2x18, aka Will, for whom it was a combination of part self-build and part outsourced build. Here's what Will told me about the build, which I hope he won't mind me sharing: "Hi Nik I have been trying to find info about my build but can't seem to find any -- I built it with all new recommended parts including a Pro built cabinet to exact spec I had made by "Speakerbuilder" that used to be on the forum. They also supplied the pro build crossover, Speakers were as recommended on the Green Boy site -- Brand new new Eminence 3015LF and the recommended neo HF unit. Hope this helps you with the sale -- Its a really great cab!" Specs are : Height: 31" / 79 cms Width: 21" / 53 cms Depth: 16.5" / 42 cms Weight: approx. 46 lbs / 21 kgs Power rating : 450 watts rms Cover: Roqsolid. A Google AI search had this to say about the Greenboy Fearful 15/6: "The Greenboy (fEARful) 15/6 is a popular DIY bass cabinet known for its high-fidelity, flat, and natural sound with powerful, tight low-end, clear mids, and the option for bright highs. Key features include its lightweight design (especially for the performance) and versatility, with some users noting it can even be used like a PA system for other sources. The 15/6 is a design you build yourself or purchase as a custom build, and it's often praised for its exceptional performance that rivals more expensive commercial cabinets." Photos attached are a combination of mine and Will's from last year (thanks Will👍). Happy to do more if required. Reason for sale Amazing as this cab is, it's almost too clean, transparent and hifi sounding for me, hence why I've bought a slightly heavier, old school Mesa 115 instead. And much as I'd like to keep the Greenboy, I don't have enough space due to living in a small cottage... Deal? This cab pairs really well with my Mesa Carbine head that's also up for sale, so if anyone is interested in both items, I'd be happy to do a deal on a price for the two as a rig.... Postage, collection etc It's too big to post I think, so collection from Potton, east Central Bedfordshire, or a meet up anywhere between where I live and North West London is possible too, as I work in Ealing 2 or 3 days a week. I could also take this with me to the South East Bass Bash on Sunday 9th November if that helps.. Trials very welcome btw, with plenty of tea/coffee and Basschat chat thrown in.. Anyway questions, please ask and thanks for looking. 👍☺️ Cheers Nik2 points -
Maybe it had tried to pick itself up by the blade.2 points
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Sounds great hiram, a few off the top of my head without getting too into the heavier reggae stuff , theres many Marley songs maybe pick your favourites , Buffalo soldier, Jamming, three little birds etc Sweat - inner circle Jimmy Cliff - You Can Get It If You Really Want The Melodians – Sweet Sensation, one of my faves Baby I Love Your Way - big mountain I see you already do good thing going by Aswad , that’s a great song, Shine is another one more will come to me soon 😁2 points
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Got the same bass - MONSTER tones!!!2 points
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What's that venue? It looks very familiar, I'm fairly sure I have played there. I recently bought a Behringer X32 Compact to use with my main band, as we manage our own sound quite often. We were using a small 12 channel analog mixer with a single monitor aux, so it was quite a change. Digital mixers take a bit longer to get to grips with, in particular setting up the routing to do exactly what you want it to do, but what a revelation they are. I was a bit wary at first, delaying using the X32 live until I felt confident enough... but there's so much they can do, I was getting a bit overwhelmed. So I went back to basics and just set it up to be able to use it just like our previous mixer, basic functions only. That was pretty easy. Then, for each gig, we'd work out something new, saving each gig 'scene' as we went along... and before you realise it just makes sense. I think that because they can do so much, it's easy to get lost a bit, a bit like when I get a multiFX: I may spend hours just experimenting with the different sounds but not doing anything 'productive' with them.2 points
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Apologies for the radio silence on this thread - short update is that after a lot of faffing about I have finally settled on the PJB BP800 head and couldn't be happier. Unlike my experiences with the PJB D400, GR One 350 and Eich T300 this amp is much quieter throughout - preamp, headphones, DI and poweramp all far less hissy and therefore works really well with the Monza. Here's a quick pick of the new setup that I'm really happy with: I'm happy to post more detailed experiences with any of the amps (and their suppliers and manufacturers!) I auditioned to get to this point, or PM me. Thanks to all for the input on this one!2 points
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I was going to bring my '73 P bass, that I always post pictures of, because of it's really cool wear. Probably my '64 500/1 Hofner too (if it's ready, gone for neck reset) and my HW 4003 so people can see how good HW is But I'm coming to meet everyone anyway2 points
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Try this thread 32" Medium Scale Bass Thread https://www.basschat.co.uk/topic/301054-32-medium-scale-bass-thread/2 points
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We played Thursday night. I had no idea we had another gig on Friday last night until I found out on Thursday. Daryl2 points
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I've just taken a punt on a medium scale conversion neck I saw on ebay to try on my P bass. Will let you all know how I get on... (Apologies if these particular ones have already been discussed - it's a big thread!)2 points
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An update for those of us searching for information on the cases relating to Michael Mason. There was indeed a hearing (at Leicester Magistrates Court) on 10th September 2025. The result of that hearing was that the defendant was given unconditional bail and the case was sent to the Crown Court. That next hearing will be on 26th November 2025 at Leicester Crown Court. That's a little over four weeks away. I found this out by calling the Telephone Enquiries line, here: 0330 808 4407 (Crime customer service centre - Monday to Friday 08:30am to 5pm, Saturday 8:30am to 2pm). I found those contact details on this page https://www.find-court-tribunal.service.gov.uk/courts/leicester-magistrates-court . Before I was given the information by the clerk, I was asked to provide a case reference number (33JJ0821825 - which I picked up from when the case was current at Leicester Magistrates Court), and I also needed to confirm my relationship to the case (I was a friend of the victims of the alleged crimes). I have also made other enquiries about the case - you are welcome to DM me if you are interested (or eager, or impatient), but I expect to be able to share those further details in 20 days time.2 points
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When I saw The Darkness last year Justin Hawkins, in between songs, announced that The Darkness` No 1 fan, Karl, was in the audience that eve. He then said, Karl, as you`re our No 1 fan how about putting your effing phone away and watching us. Did get a big laugh - rather ironically from many who were holding their phones up.2 points
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He's just been told the price of that Fodera! 🤭2 points
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