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Showing content with the highest reputation on 05/11/24 in all areas
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19 points
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Despite a few near misses, the shirt sale didn’t quite go to plan (though, hopefully, there’s a chance it’s still going to go to a good home). So, (much to Andy’s amusement I’m sure) in the style of The Addams Family at an auction, I’m buying it myself. Self: “You’re an idiot. Do you know how these things work?” Self: “No, YOU’RE an idiot” Self: “What are you going to do with the money you’re spending on buying a shirt from yourself?” Self: “Donate it to that amazing fundraiser Clarky set up” Self: “Ah, okay. It’s a brilliant cause. You’re still an idiot, mind” Self: No, you’re an idiot” Wife: “Can you not talk out loud. It’s really distracting and I’m trying to read a book…” Keep on keeping on! xx10 points
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For anyone interested, here’s a picture of my 63 Precision in the hands of its previous owner! Jeff Ramsdale was originally in Hull band ‘Roger Bloom’s Hammer’, who had a good go at breaking into the big time. They were signed to CBS and supported quite a few famous bands in the late 60’s including T.Rex. When Roger departed they carried on as ‘The Hammer’, and as well as Jeff they had Rod Temperton in the band of Heatwave / Quincy Jones /Michael Jackson fame. When The Hammer broke up, Jeff carried on playing, and the picture below is him with my bass playing at The Hofbrauhouse in Hull, probably in the late 70’s. By then someone had made a strange scratchplate for the bass which you can see. I played in a couple of bands with Jeff after this and the bass was refinished in a sort of mustard yellow by Rokas in London. Sadly Jeff died in a tragic car accident, and I was contacted by his family a year or two later to see if I wanted to buy his bass . When I went round to see it, it wasn’t in a good state after being kept in a loft for a while. After acquiring it I had it refinished to natural, and Paul did a great job of making the horrible holes from the previous scratchplate look like knots in the wood. Fortunately the original plate was still intact, and that’s how it’s remained for nearly 40 years. It’s a lovely bass, not heavy and sounds like a good P.bass should - will remain with me till I’ve departed.10 points
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10 points
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9 points
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My contribution - a ‘73 Mustang, all original and the same age as me (not all original 😂). Bought via Andy Baxter and I’m sure I’ll spend many hours wondering where it’s been during its life, before it came to me.8 points
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8 points
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Here’s my Precision , 61 years old and mine for nearly the last 40. Refinished in the late 80’s by Paul McNab (Paulman guitars of Huddersfield).7 points
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7 points
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Newly aquired 2022 Raspberry burst Special. Also pictured is my 2023 Smoked Chrome.6 points
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6 points
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6 points
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6 points
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6 points
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5 points
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5 points
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5 points
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I’m selling a few of my basses at the moment to fund some house renovations and consolidate to 1 lighter weight jazz I’ve had this bass around 4 years but haven’t played it for the last 2 as it had a problem with the nut which I’ve now replaced. It’s a good solid bass but at some stage it has been heavily gigged hence the price, the electrics all work great but there are no accessories although I can probably throw in a gig bag if required. Collection is preferred so it can be tried out with a cupper but could meet up around an hour or so drive away and I can post at the buyers risk and cost. According to the serial number Built 27.05.2005 Description: Corvette $$, 4-string Burgundy Red Oil finish Swamp Ash body Ovangkol neck Black hardware Made in Germany Nut width: 38.5mm / 1.5" Nut material: Just a Nut III Brass Scale: 34″ Machine heads: Warwick Machine Heads Side inlays: Fluorescent dots Pickups: 2 x MEC MM pasive Humbucker Electronics: Active MEC 2-way Controls: Volume, balance, treble, bass Switches: 2 x 3-way switches Switch Function: Separate humbuckers configuration (series / parallel / single coil). Weight: 4.2kg / 9.2lbs Trades: Bass wise I’m looking for a lighter jazz style bass 4kg and under 32-34 inch scale, fancy a Sandberg or Japanese Sadowsky, may consider an Ibanez with nordstrand big singles but open to suggestions. Cabs: May consider small single bareface 10” or 12” but I have been looking to get a LFSys Monza 10”5 points
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Well... 1: Flats 2: Steel rounds 3: Nickel rounds 4: Nylons/Tape 5: Groundwounds / Pressure wounds 6: A set of those mad glow in the dark DR String Neons. Same again for Jazz and rays.5 points
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For me, the answer to the actual question being asked is, it depends on the band. In a 4/5-piece covers band with either two guitars or guitar + keys I prefer to stay well away from that sonic territory. I use flats to supply the underpinning for the band. In a 3-piece rock'n'roll outfit I need to be period-correct so it's flats all the way. In a 3-piece covers band where there's a lot of sonic territory to be filled I find that flats just don't cut it, so I use a Rickenbacker 5-string with rounds. I've heard plenty of bands over the years solve that last conundrum (sonic territory to be filled) by just cranking the amps up to 11 and/or adding loads of FX but I have no interest in being in that sort of band.4 points
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Ultra rare 32" medium scale Squier JV Jazz, made in Japan 1982-1984. This is a wonderful vintage instrument that plays and sounds immense. It has an almost piano quality to the tone which is especially surprising considering the shorter scale length, downsized body and light weight (around 3.5kg). It comes with a cool period correct leather-ish padded gig bag. Collection from Margate or I can post if required.4 points
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Maybe they're unhappy with their bass player and want to try someone else out that might be a better fit than the usual guy. Maybe he never turns up for rehearsals and they're getting cheesed off. Maybe they want to make him aware he's walking on thin ice. Girls always used to use me as the dude who made their boyfriend jealous and pay more attention to them, by dancing with me all night while their boyfriend was slumped by the bar (if their boyfriend punched me they knew they'd got his attention and their plan had been successful). You're ME, The band is the GIRL, their normal bassist is the BOYFRIEND4 points
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I see @FinnDave has reduced his 60s Vintera Jazz to £550. Slap bang in the middle of your budget, and a very fine chap to deal with to boot.4 points
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3 points
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Ned Steinberger just announced a limited production carbon composite multiscale 6-string . According to someone on Reddit they're only making 12. I'm afraid to find out what it's going to cost. NS Fin3 points
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Amazing bass overdrive from the genius of COG Effects here in the UK. Only for sale due to being excess to my needs (I also own the original Knightfall 66 prototype). Currently not in production due to COG concentrating on very limited runs of their octave pedals. From the COG site: A streamlined version of the two-channel Knightfall 66, the Mini 66 provides simplicity and versatility in a tiny Hammond 1590A enclosure. Don't let the size fool you, this thing sounds massive. The Voice knob of the Knightfall 66 is replaced with a three-position Fat switch, giving control over low end content before the gain stage. Similarly, the Tone knob is replaced by the three-position Cut switch to tame high end post-clipping. The filtered Clean channel of the Knightfall 66 is included, designed to integrate in a more natural sounding way than a typical full range clean signal. With nine different and repeatable settings to use in conjunction with the Gain knob, plus the Clean level knob, the Mini 66 is a huge sounding overdrive in a pedalboard-friendly enclosure. This is absolutely the mini overdrive your pedalboard is crying out for. * Filtered clean blend allows extensive sound shaping in conjunction with Gain, Fat and Cut * 2.1mm Boss-style 9v DC input (power supply not included) * True Bypass * Die-cast Aluminium Hammond 1590A Enclosure In perfect working order and great condition. £275 inc postage Si3 points
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Bass The World do one of their brief reviews of the Mark Bass Yellow Basses.3 points
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3 points
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Italian made Markbass cabs and combos originally used Italian made drivers from B&C Speakers. They were cast frame as opposed to the cheaper pressed steel versions made in the far east. When I owned a shed load of Markbass cabs loaded with both types I definitely preferred the B&C in side by side comparisons, but in isolation I doubt I could tell the difference. The B&C drivers just seemed to be a bit more dynamic and could go louder and lower before farting out. My two remaining NY121P cabs are B&C loaded. I too loved my CMD121P combo, but ended up using the slightly better NY121P cabs with my Markbass heads. The combo head does reduce the combo's internal volume, reducing the low end a tad, but not needing a separate head is obviously more convenient.3 points
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Best of luck getting the audience to kneel at your crotch. especially when from another angle it looks like this3 points
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3 points
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It’s reassuring to see a lot of long term owned basses here. I’m not saying you can’t instantly have a connection but (without wishing to romanticise too much) you do build a relationship with an instrument over years.3 points
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Thanks all! I've found a local handyman who loves messing with stuff like this and he opened it up, identified the broken connections and mended it better and stronger than ever for just £20!3 points
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I say use whatever strings make you happy in the moment and not necessarily what internet forums think is right. Internet wisdom has told me several times that I must use flats on a P bass and rounds on a Stingray, but after much experimentation, I've found I like flats on my Ray and rounds on my P. And they're both short scale (which the internet says is only for children and people with small hands 😉)3 points
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Here’s my old lady. 54 years and counting. Bought it 30 years ago from Musical Exchanges in Coventry, which involved part-exing my only bass, a Charvel 1B. I was in university at the time and this has been everywhere with me over the last 30 years. For a very long time it was my only bass and as such helped to shape the way I play. It’s on its third set of frets, second nut, and has had the usual maintenance visits to the local luthier from time to time, but the rest is all original and it’s light as a feather and a pleasure to play.3 points
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Yes, happened twice with me, both a good few years back. Was originals in both cases as well, so I couldn’t practice in advance. In both cases I ended up joining the bands.3 points
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I’m selling a few of my basses at the moment to fund some house renovations and consolidate to 1 lighter weight jazz I've had this bass 2 years although I bought it on ebay it was from a bass chatter @tauzero https://www.basschat.co.uk/topic/462309-cort-gb4-sold-on-ebay/?do=findComment&comment=4701404 It's a lovely bass to play with a beautiful neck but I'm just not a great fan of active only electronics. It's still in excellent condition as I've only used it at home. Collection is preferred so it can be tried out with a cupper but could meet up around an hour or so drive away and I can post at the buyers risk and cost as it comes with the hard case. Spalted Maple Top on Swamp Ash Body Classic body tone wood Swamp Ash is mated with exotic Spalted Maple top to strike an ideal balance between the traditional and the modern - both in looks and in sound. Seymour Duncan Pickups and Duncan Design BEQ-3 Electronics The GB4-Custom bass is outfitted with Seymour Duncan SJB4-3N and SMB-4D pickups along with the Duncan Design BEQ-3 EQ and Mid-Frequency switch for vast array of great bass sounds at your fingertips. Neutrik Locking Output Jack Never miss a note thanks to this locking jack. It holds your cable in if accidentally pulled. To remove your cable just push the red release button. Hipshot Ultralight Tuners The GB-4 and GB-5 Custom basses are equipped with Hipshot Ultralight Tuners (classic 20:1 tuning ratio) that is made of cast zinc with aluminum strings posts and mounting nuts, resulting in 30% weight reduction over other regular tuners and which results in improved balance and tuning accuracy. Specifications CONSTRUCTION: Bolt-On CUTAWAY: Double Cutaway BODY: Ash Body w/ Spalted Maple Top NECK: Canadian Hard Maple FRETBOARD: Rosewood FRETS: 22 SCALE: 34"(864mm) INLAY: Rectangular White Pearl TUNERS: Hipshot Ultralight Tuners BRIDGE: EB12(4) Bridge PICKUPS: Seymour Duncan SJB-3N & SMB-4D ELECTRONICS: Duncan Designed BEQ-3 EQ & Mid-Frequency Switch HARDWARE: Chrome Hardware STRINGS: 4 Strings SPECIAL: Neutrik Locking Output Jack ADDITIONAL: Hardcase included Trades: May consider trade small single bareface 10” or 12” but I have been looking to get a LFSys Monza 10”2 points
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Hello everyone, The time has come to part with this superb bass. It is a Warwick Dolphin Pro I 4 strings from 1998: Bass Dolphin Pro I 4 strings Year 1998 Month October Neck Wood Wenge Neck Fingerboard Wenge Wood with Dolphin Mother of Pearl Inlays Frets Bronce Warwick Frets Nut Just a Nut II Neck construction NeckThrough Body 3 pcs. Ovangkol Wood Surface Oil finish Pickups Active MEC TwinnJazz and Jazz Pickup Electronic Active ME 2 Band Electronic Hardware Gold Hardware made for Warwick Made in Germany / 08258 Markneukirchen The instrument is in very good condition. Everything is original. Fret wear is light, a couple of frets ought to be rectified. You can find detailed pictures of the instrument at the following address https://photos.app.goo.gl/6ouGKQfsB7zQC5rd9 It will be sold in a Rockbass bag. It will be shipped in a suitable packaging (probably a double carton with foam all over). Payment by bank transfer to an account in France in my name and address. We will get in touch beforehand so that I can give you all the guarantees about my identity, my address, the existence of the instrument, etc. I will also provide you with links to other sites where the instrument is for sale, where you can see my e-reputation. The bass is located in Toulouse, France. 2500€ collected, or worldwide shipping at buyers expense. No Trades, thank you2 points
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2 points
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I had a couple Mexican p basses and like you said, it's a not at all inspired or original choice but they're good solid instruments, they work and they'll probably survive until the heat death of the universe or maybe a clumsy music student at university with loads of gigs.2 points
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2 points
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If it's a Japanese bass you want, I'd again shout out for the Fernandes. In many instances, they were made in the same factory as the Fenders.2 points
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1966 and all original. Used at all my electric gigs so that’s 40 or so a year.2 points
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It’s called networking. Always a good investment whether you get paid or not.2 points
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I know you're joking but the actual answer is because bass amps went from 50W to 1200W. Not that 1/4" is a good idea at any power, but I digress.2 points
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I’m sure you are, Andy. It’s depressing when you think you have a plan and then discover that it’s not as easy as you thought. But, often, you then discover that there’s actually a better alternative. Or that you can still achieve the result you want but it’s just going to take a little longer, cost a little more. Whatever this is, there is always an answer. You will find it. And, more to the point, you have a few thousand more now than you had a week ago and access to the collective experience, knowledge and support of the BC community. If you need to organise a work party, you will not be short of volunteers. If you need technical support, someone here will know someone who can help. You’ll find a way to do this2 points
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Sire for sure. Or a Bass Collection. Both give great bang for the bucks. Right in your price range.2 points
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2 points