Leaderboard

Interesting read: https://www.themanufacturer.com/articles/barefaced-audio-rocking-the-speaker-world-with-innovation/

It's about Queen, so I'm guessing if they bought out 12 films, you might find 5 minutes in each one that might be OK; a little like their albums .

Hi all, just a quick hello. Been on the books since the bassworld days but not of late due to loosing my job and getting divorced, then becoming homeless within the space of a week. Back to playing and on the lookout for a very cheap lefty bass, as I had to sell my collection to be able to eat. Glad to be back here, feeling human.

Simply awesome @Andyjr1515

Well discussed... sambucadan Members 0 17 posts Report post Posted October 11, 2011 Just to set the record completely straight 😉 The Streamer models are similar to Stuart Spector NS basses in terms of body shape, original one piece bridge (now a two piece) and headstock design, which caused a legal conflict when the Streamer was first introduced. Spector eventually sued Warwick for copying the body shape, but the jury decided not to fine Warwick[citation needed] It was well documented that the first versions of the Streamer were exact copies of the NS-Bass™. The SPECTOR® NS-Bass™ was designed by Ned Steinberger for Stuart Spector in 1977; 5-years before Warwick was formed. At the annual NAMM Show in 1985 Stuart Spector became aware that a new German-based company was producing exact copies of his now famous SPECTOR® NS-Bass™. Spector, along with Ned Steinberger, confronted Hans Wilfer and he agreed to pay a licensing fee to both SPECTOR® Guitars and Ned Steinberger in return for being able to continue to produce the Streamer without legal action.[2] Shortly after this agreement was reached, SPECTOR® sold to Kramer Guitars. The new owners had no interest in pursuing Warwick to enforce the licensing agreement and Warwick continued to make the Streamer without any consequence. It is also noted from several sources that Warwick never paid any of the agreed fees. In 1990 Kramer became insolvent and filed for bankruptcy. In the wake of their financial failure Stuart Spector formed Stuart Spector Design, LTD. in 1993. In 1997 after a lengthy court battle, Stuart Spector bought back the trademark and copyrights to SPECTOR® and threatened to sue Warwick to enforce the 1985 license agreement.[3] Facing new legal action from SPECTOR®, Warwick changed many design elements of the Streamer body to make it less like the NS-Bass™. The pending litigation was eventually dropped because the new Streamer design was no longer an exact copy of the NS-Bass™

Okay, can we all stop this now please? This is about the JH Warwick bass, not another Spector vs Warwick and certainly not does a Thumb neck dive yes or no thread. Come on guys.....

I was going to say that I had you down as a bit of a Viz fan, but then I realised you were using the word and not talking about the magazine!

It might be pretty good, then. Back in the day when people read reviews in Time Out before going anywhere in London, you could be sure of a good time if you exclusively went to things that the Time Out journos didn't like... but generally if the public like something, then I won't. Viz: Strictly, BGT, EastEnders, any currently-successful pop act, pizza, burgers, painted-on eyebrows, the Ford Mondeo, artificially-enhanced buttocks, and on and on. Actually, the Mondeo is a good car. But you get my drift.

Hi all. New to this forum and been reading up on the Steinberg Spirit strap mod thingy, having bought an XT25 this week. In agony after using it for a 4-hour rehearsal, I just moved the strap button from the end of the guitar to about 4 inches from the end, and about an inch down from the top (fitted it on back of body) - magic! At least now I can see the lower frets with my failing eyesight, and I'm not playing 2 frets higher than I think I am. Time will tell if it's a comfortable fix, but I'm hoping so!

So, if Kramer Guitars have no issue about it, why do some folk here have to continually beach about it? All the rest is old, been chewed over dozens of times. I like Warwick basses. The legal wrangle isn't my fault and has nothing to do with me. I also don't like the look of the Spector, slightly longer look. It isn't as well proportioned, IMHO. That is just my opinion. If some here don't like Warwick basses, then go and find another thread and keep off the few Warwick ones we have. /rant Phew. I feel better now.

I'm a firm believer in planting a seed first. ... Maybe it's a phrase, maybe just a word. But plant that first in your brain and forget about it. ... If it's good it'll come back again and again. ... Try not to get fixated in rhymes. ... The moon/june/swoon tune. You can always do that later when you're cleaning it up. ... Editing is a big part of writing. ... I wrote a book and the editing was the most painful part. ... Bob Dylan was asked where his early songs came from, Watchtower, Highway 61, etc, and he had no idea and said he could never write like that again. ... I like to write story songs so they have a beginning, a middle and an end. Then you know it's over. ... Study songs you like and try to figure out why they appeal to you. ... Writing is a commitment. Work at it and you'll be good. ...

Quick and dirty pic of my BB434 from Wed night. It acquitted itself well at band practice. Very happy with the sound, the ergonomics and the fit/finish. Would probably put beefier strings on it, the stock ones seem a little thin for my tastes but that's not the bass's fault. A lot of bass for £299, that's for sure.

Yeah, Hans Peter Pilfer has lots of those....... *cough* Spector royalties *cough* 😂

Heh, Country's easy. Here's a starter kit: DO-IT-YOURSELF COUNTRY & WESTERN SONG KIT I met her [1] [2]. I can still recall [3] she wore. 1. 2. 3. on the highway in September that purple dress in Sheboygan at McDonald's that little hat outside Fresno ridin' shotgun that burlap bra at a truck stop wrestlin' gators those training pants on probation all hunched over the stolen goods in a jail cell poppin' uppers that plastic nose in a nightmare sort of pregnant the Stassin pin incognito with joggers the neon sign in the Stone Age stoned on oatmeal that creepy smile in a treehouse with Merv Griffin the hearing aid in a gay bar dead all over the boxer shorts She was [4] [5]. 4. 5 sobbin' at the toll booth in the twilight drinkin' Dr. Pepper but I loved her weighted down with Twinkies by the off-ramp breakin' out with acne near Poughkeepsie crawlin' through the prairie with her cobra smellin' kind of funny when she shot me crashin' through the guardrail on her elbows chewin' on a hangnail with Led-Zeppelin talkin' in Swahili with Miss Piggy drownin' in the quicksand with a wetback slurpin' up linguini in her muu-muu and I knew [6]; [7] I'd [8] forever; 6. 7. 8. no guy would ever love her more I promised her stay with her that she would be an easy score I knew deep down warp her mind she'd bought her dentures in a store She asked me if swear off booze that she would be a crashing bore I told her shrink change my sex I'd never rate her more than "4" The judge declared punch her out they'd hate her guts in Baltimore My Pooh Bear said live off her it was a raven, nothing more I shrieked in pain have my rash we really lost the last World War The painters knew stay a dwarf I'd have to scrape her off the floor A Klingon said hate her dog what strong deodorants were for My hamster thought pick my nose that she was rotten to the core The blood test showed play "Go Fish" that I would upchuck on the floor Her rabbi said salivate She said to me [9]; But who'd have thought she'd [10] [11]; 9. 10. 11. our love would never die run off with my best friend there was no other guy wind up in my Edsel man wasn't meant to fly boogie on a surfboard that Nixon didn't lie yodel on "The Gong Show" her basset hound was shy sky dive with her dentist that Rolaids made her high turn green on her "WorkMate" she'd have a swiss on rye freak out with a robot she loved my one blue eye blast off with no clothes on her brother's name was Hy make it at her health club she liked "Spy vs. Spy" black out in a Maytag that birthdays made her cry bobsled with her guru she couldn't stand my tie grovel while in labour [12] goodbye. 12. You'd think at least that she'd have said I never had the chance to say She told her fat friend Grace to say I now can kiss my credit cards I guess I was too smashed to say I watched her melt away and sobbed She fell beneath the wheels and cried She sent a hired thug to say She freaked out on the lawn and screamed I pushed her off the bridge and waved But that's the way that pygmies say She sealed me in the vault and smirked

My current set up. Traynor YBA200-2 paired with A Traynor TC410 NEO cab. Bass's 1978 Music man stingray and Fender Jag.

.

Thought I'd show off the basses I use when playing with THAT 80s ROCK SHOW as my character 'Jeff Leopard' Check out www.that80srockshow.co.uk / www.facebook.com/that80srockshow Charvel 575 Deluxe / Washburn B80 Chicago Series / Kramer D-1 Bass

They look cool - very minimalistic and sleek

+1 to that!

Hi SS - welcome back!

I'd like to add a caveat to this post. I've just been listening to the Let It Be - Naked remastered album. Now, that one sounds substantially better than the overblown tat and nonsense that Phil Spector produced. Right, as you were.

I would be looking at rob Allen type basses with piezoelectric elements and an acoustic type sound- but obv with his concepts applied

Their super-lush multi-track overdub techniques are impressive, but can certainly get a bit wearing after a while. I preferred their live work, they made an incredibly huge racket for what was essentially a rock trio with a singer.

Absolutely, you can't argue with that. They're old school, from a time when pop music wasn't all written by the same two people... yes there was Chinnichap and later SAW, but you know what I mean...

I thought this was going to be about finding guitarists with too many cabs.

Similar vibe, but with all kinds of price ranges: https://shop.samsonite.com/backpacks-duffels/ (US site, definitely available to buy over here) I bought one maybe 4 years ago for about £100 and it's excellent, still going with no signs of failing. Si

I have the same problem tauzero. The brain is very good at psychologically blocking out tinnitus but the moment you think about it it re-appears. Unfortunately I also have rhinitis which causes block sinuses and extenuates the tinnitus when it kicks in. The morning is the worst as I have to get my ears to pop before it clears.

A work colleague said the performances were spot on.

See There aren’t too many spoilers in there but I can tell you that the Live Aid bit is awesome 😎

Looks like a direct competitor to the Trace Elliot Elf & 2x8 cab doesn’t it!

Unfortunately, it is a big advantage to be able to drive and have a car if you want to gig regularly. I know some people in London manage on the tube and you may find a band who keep gear centrally and have a van at their disposal, but for many gigging bands everyone having a car is a necessity.

Cheers for the reply. Had a good poke around and all seems to be connected well. Am going to see about getting the preamp swapped like you say. Just want to make sure i get it right first time 😉

Thank you. That's exactly the sort of advice I was looking for.

Yes the Pre's are different in the Behringer units... There's the designed by Midas pre's and the Midas pre's they use in the M series... TBH you wouldn't notice it on the MR18.....

Loving that sparkly Rik copy. That would look cool in my Glam Rock covers band.

if the cat can sit on the mat on the floor by the door then the hinge can be orange

Totally agree with the comments about the relative volume of bass & drums. If you say that Macca was playing double stops then I believe you ... but I still can't hear it myself. Am I the only one who found Clapton's guitar is now too loud and too harsh?

my favourite version - it's the B-side on one of their singles...can't remember which

Two weeks ago I was swimming in the Med, now my fingers hurt with the cold I forgot, the Lull pickup arrived while we were away so I got the pocket for that sorted, I thought I might need a slightly thicker riser under the chrome trim as the bridge is quite high but it looks like the one that came with it will be fine which saves some work. I did string the Maple one yesterday just to make sure, I was amazed how much flex there is in that neck even with the carbon rods. I was pleased with that as I was worried it might be too stiff with them but it has worked out better than I dared hope, I think the ultra thin neck will be amazing now (if you like thin necks). So I got the triplets out of the press and pulled off the masking tape, trimmed the edges quickly with a sander. I've brought them in the house overnight as it is getting too cold for them out there (poor things! Some pictures to try and show the final contouring of the backs Excuse the toaster!

We'll see what happen, I guess. These are one-off builds for personal use, not sale, so as far as I know, that's perfectly legal under US copyright, not sure about UK. You can paint a copy of a Van Gogh and hang it on your wall, but if you try to sell it..... There must be 20 similar Ric inspired personal builds on US Talkbass, no negative words from Rickenbacker so far. I'll understand if the moderators want to pull the thread, no harm done. In the meantime, here's one I finished last year, a 4003 clone in Jetglo finish with checker binding. Sorry for the crappy photos, anybody interested in the whole wretched slog of a 4-year build thread can check it out here: https://www.talkbass.com/threads/the-hossenfeffer-bass-build.1102535/#post-16376432 It differs from a genuine Ric in a few ways, one DA trussrod, a volute at the headstock/neck joint, dowel reinforced construction at the wings, fully shielded, etc. The goal was to re-create a 4001 bass I once owned, with some technical improvements and, of course, checker binding. As expected, it sounds.... like a Ric, not surprising since the pups are OEM Ric standard hi-gain. Also bought the electronics harness from Pick of the Ricks, who buys them from Rickenbacker Inc and marks them up, so Rickenbacker Inc. has already had a bit of profit from me in parts alone. I will NEVER sell either of these basses, the Walnut one will be a college graduation present for my son.

I think that when the moderators / Ped see this post they'll be in touch to help you out. The members of this forum are lovely and I'm sure will do everything they can for you. I'm sorry for your loss and I hope that you manage to sort everything out. Hugh @ped @Dad3353 @Hamster @Rich @Cat Burrito

Sure is! Tis a clone of a rather expensive analog delay of some variety made here in New Zealand by a very talented kid (still at school) Bush FX. He does clones and custom stuff and I've always liked the Robot Devil so got him to do the decal. Didn't even ask and he added a second LED so that both eyes light up when the pedal is engaged haha. It's a great unit.