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Showing content with the highest reputation on 23/02/24 in all areas

  1. All non-musical, but... Nestle, Coke and McDonalds because I'm old enough to remember the 1980s. Wetherspoons because the owner treated his worlers abysmally during the pandemic. Amazon because of their shameful tax arrangments. Once I've brought that lot to their knees, I'll make a start on Pepsico and Proctor & Gamble.
    11 points
  2. NASA. That rejection letter really stung. I wouldn't go into space with them now even if they begged me.
    10 points
  3. So I’ve committed the sin of splitting this baby up and returning the neck to its original owner. What we have is an Ash G&B body nice matt finish, Seymour Duncan Vintage P pup, bridge with spiral saddle threads. £250 posted. Thanks for looking.
    9 points
  4. Here's my current board for Wild Rocket and some irregular psych and kraut jams we have between a bunch of mates here. Hopefully it won't change for quite a while. The brains per se is the bottom right box. This has an active splitter with phase switch, a mute for each output plus a modded Sunn Beta preamp replica. The Beta goes to the DOD eq, Meatbox clone and Hi-band Flanger which all run into a HB Bass Block 800 and a 1x15 for my "clean" low/low mid side. The rest runs into the echo return on my Sound City 120 and a second 1x15. Some gigs I'll the top and bottom of an 8x10 in the same sorta configuration. The Nomad and Sledgehammer are in the parallel loop of the Sy-1 and I generally have one or the other on all the time. Then I have the Lantern Rowan Flanger and Ross Phaser for various parts. Then the Sundrive and Cosmic Trigger are always on for my core base tone. The Sundrive is set with gain at zero and I find it really helps to gel the dirt and synth tones together as a sort of very gentle natural compressor. I use the boost on the Sundrive the odd time playing clean to get the level up a bit but generally it's left off. Likewise with the Cosmic Trigger boost. All powered off a pair of Strymon Ojais with some daisy chaining. PS knobs may not be set where I usually have them..
    9 points
  5. My main board for the doom band, made from an IKEA Hejne shelf with two T-Rex power supplies under. I should get some better quality patch cables but it works great now. The red PSM-5 is for switching on/off the delay/reverb pedal loop.
    7 points
  6. Posted this in my introductory thread but realised I didn't leave it here. This was my attempt at covering both acoustic guitar and various effect options for bass (rotating between the octaver, chorus and filter) in a gig where I needed to play both at different times, however in the week or so since this picture things have already changed as I took the acoustic guitar pedals off for an acoustic only gig, then made a stripped down bass pedal board for this weekend...
    6 points
  7. London Weekend Television. The wife of their chief executive asked if her husband could get up and sing Eric Clapton's cocaine (small pub gig during Edinburgh Festival). I said no. She had a strop and said she'd make sure my band would never appear on LWT while her husband was in charge. .....and she was right, we didn't.
    6 points
  8. Never thought I would actually do this but something has come up that has fired up a serious case of GAS. Here we have my Japanese 57RI P bass made in December of 1985 according to the pencil date on the neck butt. In my opinion the BEST P bass colour combo - two tone sunburst, gold anodised guard and maple board. It comes with the original white pickguard and pickups - currently the pickups in her are Toneriders but i do still have the originals for those into that sort of thing. Set up a while back at Jacks instrument repairs and currently sports the excellent and superb Elites Detroit flatwound strings. couple of small dings and the usual belt buckle rash on the back. I will dig out the luggage scales to answer the usual BC question. Don't see too many around at this age - most i see online are 90's ones. Depending on your 'vintage' this is either very Duck Dunn or Alex James I don't currently have a gig bag or case as this travels in my duo gig bag but if that's a deal breaker I can buy a cheapo one. As this is only on the block for something that has cropped up I'm not looking for trades at the moment. If I've overpriced I'm open to ONO offers The bass is based in Bolton but could do meets. Any further questions please shout.
    5 points
  9. G & L are a stealth make and i really dont know why. They are awesome Here is an example of a TRIBUTE L2000 Ash body, maple over maple neck. MFD pickups (industry legend these...) Active passive switching, pickup selector (check the attached diagram out for details)..there is a lot on offer here. Superbly set up, new strings only very very slight traces of wear. its a 9.9/10 imho. A shade over 4kg so not super heavy as Ash can be on occasion. All the usuals, can box and ship at buyers expense, pop on round...i'll even hoover and put the kettle on.
    5 points
  10. Another bass up for sale, may be withdrawn if any of the others sell. This is a fairly unique Spector Coda, according to PJ Rubal, this one (#100) was originally made for Nick Beggs but ended up with Steven Wilson who I recently purchased it from. There’s video footage of Steven using the bass if interested, and Nick continues to use an identical one on recent tour. It has black mother of pearl inlays and badass bridge as additional upgrades. It has a transparent black finish which goes nicely with the inlays. The pickups are Aguilar NC with OBP2 preamp. Its a great playing and sounding bass. It has a gorgeous feeling neck with birdseye maple fingerboard. A top quality instrument all round. In great condition only a small ding on the headstock and a couple of small blemishes on the body. It comes with a Spector hard case. Happy to post at buyers expense. Collection from Cardiff would be preferred.
    5 points
  11. So our first rehearsal for a while last night at our usual spot. We use a village church and have done for years at reasonable rates with our fees being welcomed to the up keep of the building. After we finished our drummer had this on his car which I am temped to add to our posters and possibly a t-shirt. I also think "The Gospel of Salvation" could be a great future band name!
    5 points
  12. My mum had a longstanding embargo on buying Irish after my brother got shot in Northern Ireland. It was actually said brother who talked her round: 'It was the IRA who tried to kill me,' he said. 'Not the people working for Kerrygold.'
    5 points
  13. In need of a P bass so putting this up to trade. Can also sell but trade preferred. I can add cash if required. know value is all over on these so I’ve just gone for a rough trade value. You can see in the pictures it has a small blemish/split but it’s stable and doesn’t effect the bass. any questions let me know!
    5 points
  14. Kwik fit. Around 2005 my wife took our Ford Focus in for its mot. They said to her it needed £600 worth of work as the brake disc, drums on the back, pads and shocks needed changed. Took it to a local garage that was recomended by a friend and it passed its mot easily. And the garage has looked after our cars ever since. The mechanic in my local place said that KF were notorious for trying to rip folk especially women off.
    5 points
  15. Wow that's a coincidence. My band has never appeared on LWT either. What a bitch!
    5 points
  16. I have Psalm 150 "Praise the lord with strings and loud cymbals" on a t-shirt.
    5 points
  17. Whetherspoons. Not because they're supposedly full of pond life. I never found that to be the case. I used to work away from home, live in hotels all week, and at one time or another went to pretty much every Whetherspoons in Britain for a cheap and cheerful meal and a pint or two. But since the B word that shall not be mentioned I would never put another penny in Tim Martin's pocket. The man is an absolute bell end.
    5 points
  18. I have a few: Brewdog, because of the owner's attitude. Which is a bit of a shame because the beer's decent. Wetherspoons, because of Timbo's treatment of his staff during the pandemic and because of his support for the B-word. BT, for being the worst employer I've ever experienced. Not so much lions led by donkeys as experts gaslit by sociopaths. On my last day, I nuked my laptop and Blackberry for no other reason than pure spite.
    5 points
  19. NOW SOLD ELSEWHERE 2011 Ibanez G104 Grooveline 4-string bass in Deep Expresso, with hard soft-case This is a genuinely rare bass being produced between 2011 and 2015 by the Ibanez custom shop in Japan (FujiGen) as part of the upmarket Prestige line of basses. These instruments retailed for over $2,500 when launched, and the attention to detail is exactly what you would expect from a Japanese custom shop that produce such high-quality instruments. This particular example is in excellent condition having been well looked after. One of the best features of the bass is the way it balances both seated and standing. This was one of the key design parameters and the slightly playful body shape contributes massively to this. The neck is delightful to get around on and the Gotoh hardware is top notch too. I have used some professional pics of this very bass as my skills in this area are very limited. I can assure you that it is the same instrument and will happily provide my lame efforts if you would like some additional images of any aspect of the instrument. There is plenty of positive comment on the internet about these basses (and also about the marmite body shape to be fair, but I absolutely contest the odd comment about having a thin tone; not the case at all). I am happy to answer any questions you may have, and if you want to come and try the bass that is perfectly fine too. Specifications · Body: Ash Top & Back with an Alder body · Neck: Wenge/Bubinga 5-pc with Titanium reinforcement rods and 6 bolts to the body · Fretboard: Rosewood, side dot position markers and 22 frets · Scale Length: 34” (864mm) · Frets: Medium Stainless Steel · Nut: GraphTech Black TUSQ XL (38mm) · Neck Pickup: Ibanez CAP Sonic Arch passive · Bridge Pickup: Ibanez CAP Sonic Arch passive · Preamp: Ibanez E4 with 3-band EQ (and EQ bypass switch) · Controls: Master volume / balancer / EQ toggle / 3-way EQ cut or boost: treble, mid, bass · Bridge: Tight-End Bass 4 with 19mm string spacing · Hardware: Cosmo Black · Included: High quality hard soft-case I would really prefer collection if you are close by, but if you are not too far away I’d rather deliver the bass to you in exchange for some petrol money than send my courier. Or happy to meet up somewhere too. I've borrowed the BassBros pics from when I bought it as they are so much better than mine. I have also included a pic of the bass at ead towers to prove that I really do own it!
    4 points
  20. Choices… (got one more set on order):
    4 points
  21. I found myself in the unfortunate situation of working for Kwik-Fit for a few months after they bought out a decent fast fit that I had been with for 13yrs. What we were told to do by management to rip folk off was shocking. I didn't hang around long. AVOID at all times.
    4 points
  22. What usually happens is that the buyer then claims the item never arrived and the money is whisked out of your account. I have also logged this as a dodgy buyer with Reverb and they are apparently already under investigation.
    4 points
  23. and to be fair their beer is absolutely f***in awful!
    4 points
  24. Apple. I had a lovely iPod (the one that looked like an iPhone but isn’t) and I’d loaded it with tons of music apps which were quite cool and I used them often. As it was getting old I kept the thing in flight mode to stop it from connecting and doing a weird update as it was ticking along nicely. Then one day it refused to boot up and displayed a message saying unless I did an update it wouldn’t work anymore. Did the update and it wiped ALL my apps as they now unsupported. Most of the apps don’t exist anymore and I can’t get them back. Gits!
    4 points
  25. Hey, it's that guy @lozkerr boycotts! Boooo!
    4 points
  26. I can't stand the whole "we're punk, now buy shares in the company because that's what punks would do" thing.
    4 points
  27. Whilst I'm very sorry about how it stung, I hope you appreciate that I tried to word the letter such that it was clear you nearly made it, and that you'd surely be accepted the following year - - provided you worked a little on your spitefulness. Apart from that bit, you were the perfect candidate, and we'd happily welcome you! Kind regards, BT
    4 points
  28. A quick update - Boogie gear is in the UK and will be on display for the opening of the Gibson Garage in London this Saturday. Dealers throughout Europe will have Boogie products in their stores in April, be sure to let them know what models you would like to see. Also, for anyone that’s able to visit the garage, I would love to hear your impressions as I won’t be able to visit. Please message me or comment on this thread.
    4 points
  29. What an absolute disgrace, an abomination even…lined paper, yet written in landscape?
    4 points
  30. Hi all The acoustic bass I’ve just finished is such a success that I’m going straight into building another, albeit this next one is a bit more complicated - the top will be carved from solid wood to create the arch,rather than being a thin piece of wood pushed into an arch by the braces, as the last one was. I’m already a couple of days into building, but just in case anyone is interested, I’ll show the process from the beginning. First up, a pile of wood: (apologies for the washed-out pics, my phone takes terrible pictures, I must get a proper camera) For the top, Italian spruce. Back & Sides - Italian walnut Neck - multi laminate, flame maple and walnut Everything else we’ll work out as we go. But fretboard will probably be crelicam ebony….
    3 points
  31. Hello. I finally finished up this board last week. Got gigs being announced soon too. Looks like we had an 18 month gap which is madness.. Hope you're good!
    3 points
  32. I think your English teacher deserves an honourable mention too.
    3 points
  33. Time for the vomit-inducing rig to have two nights out:
    3 points
  34. Now that is how all basses should look 👍
    3 points
  35. What you also tend to find is they always offer to buy your ‘item’ not your ‘Dingwall ng3’ or whatever it is you’re selling. I’ve had scores of such messages over the years and it’s clearly a copy & paste job. That’s the trouble with kids today. Too lazy to put some proper effort into scamming you😊
    3 points
  36. Any firm that advertises on TV during rugby matches.
    3 points
  37. Yes, I agree with that. And I would venture to go further. My personal measure when I'm setting up a bass or a guitar is 'when you tap down on the fret, my ideal is "just perceptible" movement'. But there's a 'but' when it comes to trussrods. And that's mainly about who is doing the adjusting. Because many great bass players are not practical, confident, don't have the right tools or, frankly, don't have any interest in the mechanics of their instrument - and there's nothing wrong with that! So my general advice, for what it's worth, to anyone reading who regards themselves in that category is: - Don't use the truss rod to adjust action height. Its only job is to keep the neck straight under string tension - If your bass plays nicely without buzzes at an action you are happy with, then 'if it ain't broke, don't fix it'. - If your bass plays nicely without buzzes at an action you are happy with but you are curious, then by all means, have a look at how much relief (bow-and-arrow curve) you have using the methods described above and: if the relief (measuring the amount of curve) is no more than the thickness of a credit card, then either leave it alone, or learn how to/find someone who already knows how to reduce the relief somewhere between @Baloney Balderdash's business card and my 'perceptible gap'...the bass may well play better at a lower action height. if it is more than the thickness of a credit card, then learn how to/find someone who already knows to reduce the relief. As @Baloney Balderdash rightly says, less than this amount of relief would be better, but above this level then the bass's playability will certainly be being compromised. if there is no relief at all at the centre point and the string is hard against the 8th fret, then it indicates that the neck may have a back bow (a hump in the middle) and, if so, the truss rod will need adjusting. It needs loosening or the strings will tend to buzz, particularly around the lower and middle fret positions. Learning how to/finding someone who already knows how to adjust it will make the bass play better and, usually, allow you to lower the saddles and action. - But if your bass is buzzing in places, or action is too high, then learn how to/find someone who already knows how to check the relief. On a bass, in terms of set up everything affects everything and the set up should always starts with setting the neck relief. Once that is done, you can assess everything else. Hope the above makes sense. By the way, I answered a basschatter's PM query recently about setting the trussrod and how it works/what it does. In it I used some googled diagrams/pictures to illustrate and clarify what some of the terms we use mean. If anyone is interested, more than happy to copy and paste that here.
    3 points
  38. Sorry but it wasn't a Superfly (though I did have one which was problem free). Ashdown repaired a Giant for me, FOC. I still rate them as one of the best companies in the UK
    3 points
  39. ASHDOWN. Bought a new Superfly amp which after about 9 months developed the well-known high pitched whine fault, followed shortly by a reluctance to power on (about 1 in 10 attempts resulted in a successful boot up). When I contact Ashdown I was told it was essentially unfixable but for what I considered an unreasonable amount of money they would have a look at it for me. When I questioned this saying that it was a well known fault and essentially a design problem, I was ignored. I eventually sold the amp for "spares or repair" on eBay for a pittance. I would have chalked it down to experience and let it go, but... A few years later @TheGreek reported that he had bought a second hand Superfly with exactly the same problem and Ashdown had fixed it for free. When I bought this up with the Ashdown rep who used to post here, they were rude and sarcastic. That's not one customer service failure but two. I'm unlikely to be in the market for a bass amp from any manufacturer, but if I was Ashdown would be at the bottom of the list. I've also started taking a large black cloth to gigs to cover up any Ashdown products that might be located on stage behind me, so that they don't appear on any photos of me preforming. I haven't had to use it yet...
    3 points
  40. Take a trip to places like Seattle, Nashville, Portland or Brooklyn. You might revise your opinion.
    3 points
  41. I'm assuming it's all in hand, but there is a Pension Ombudsman. Might be worth contacting them in case you haven't already. https://www.pensions-ombudsman.org.uk/making-complaint
    3 points
  42. Other than a shared language I don't think Brits or American's have much in common at all.
    3 points
  43. Woolworths. i mean where is boy - who isnt supposed to eat sugar - supposed to get his pick n mix? They let me down badly there, and my grandson willnever have the pleasure of a bon bon or peanut shaped sweet, or those pineapple cubes that made your mouth hurt. Shame. on a serious note, EDF Energy = avoid. Mucho love for Octopus though….. can we include the Conservative party? May as well be a company……..
    3 points
  44. Fender. Well, someone had to say it.
    3 points
  45. I might be OK - I'm speaking to another organisation who seem to prize spitefulness...random behaviour...that kind of thing. Who ? Why, SpaceX of course.
    3 points
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